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Black Rose: In the Garden Trilogy (In the Garden)
Nora Roberts Manufacturer: Jove ProductGroup: Book Binding: Paperback Similar Items:
ASIN: 0515138657 |
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Roz is a woman of independent means who thinks love is all in the past-but she's about to be taken by surprise.Customer Reviews:
Very Good.......2007-08-06
Trilogy.......2007-07-19
fantastic.......2007-04-12
The best of Nora Roberts.......2007-02-15
Great read.......2007-02-09
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The Samurai's Garden: A Novel
Gail Tsukiyama Manufacturer: St. Martin's Griffin ProductGroup: Book Binding: Paperback Similar Items:
ASIN: 0312144075 |
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The daughter of a Chinese mother and a Japanese father, Tsukiyama uses the Japanese invasion of China during the late 1930s as a somber backdrop for her unusual story about a 20-year-old Chinese painter named Stephen who is sent to his family's summer home in a Japanese coastal village to recover from a bout with tuberculosis. Here he is cared for by Matsu, a reticent housekeeper and a master gardener. Over the course of a remarkable year, Stephen learns Matsu's secret and gains not only physical strength, but also profound spiritual insight. Matsu is a samurai of the soul, a man devoted to doing good and finding beauty in a cruel and arbitrary world, and Stephen is a noble student, learning to appreciate Matsu's generous and nurturing way of life and to love Matsu's soulmate, gentle Sachi, a woman afflicted with leprosy.Customer Reviews:
A beautifully crafted novel.......2007-08-26
A sedate samurai.......2007-08-20
Beautiful.......2007-08-15
Read this book when feeling calm.......2007-05-21
Gorgeous Prose.......2007-02-12
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Midnight in the Garden of Good and Evil (Modern Library)
John Berendt Manufacturer: Modern Library ProductGroup: Book Binding: Hardcover Similar Items:
ASIN: 0679643419 Release Date: 2005-09-27 |
Amazon.com
Voodoo. Decadent socialites packing Lugars. Cotillions. With towns like Savannah, Georgia, who needs Fellini? Midnight in the Garden of Good and Evil takes two narrative strands--each worthy of its own book--and weaves them together to make a single fascinating tale. The first is author John Berendt's loving depiction of the characters and rascals that prowled Savannah in the eight years it was his home-away-from-home. "Eccentrics thrive in Savannah," he writes, and proves the point by introducing Luther Diggers, a thwarted inventor who just might be plotting to poison the town's water supply; Joe Odom, a jovial jackleg lawyer and squatter nonpareil; and, most memorably, the Lady Chablis, whom you really should meet for yourself. Then, on May 2, 1981, the book's second story line commences, when Jim Williams, a wealthy antique dealer and Savannah's host with the most, kills his "friend" Danny Hansford. (If those quotes make you suspect something, you should.) Was it self-defense, as Williams claimed--or murder? The book sketches four separate trials, during which the dark side of this genteel party town is well and truly plumbed.Book Description
Read John Berendt's Midnight in the Garden of Good and Evil in Large Print.Customer Reviews:
oustanding read.......2007-09-21
Hello Savannah!.......2007-09-18
Nothing special.......2007-09-03
Non Fiction.......2007-09-03
Plenty of Evil, but "Good?".......2007-09-03
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A Childs Garden: Enchanting Outdoor Spaces for Children and Parents
Molly Dannenmaier Manufacturer: Simon & Schuster ProductGroup: Book Binding: Hardcover Accessories:
ASIN: 0684837250 |
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A Child's Garden is an excellent guide for parents wishing to create natural spaces in the garden where their children can openly play and explore. Stepping beyond the traditional ideas of building a treehouse or planting a vegetable garden, the authors include 60 unique ways to tailor a landscape to nurture a child's sense of enchantment and wonder. For instance, many children like to hide, and the book includes ideas for building natural caves out of woven willow branches, climbing vines, or weeping shrubs. For parents wanting to plant a good tree for climbing, this guide knowledgeably recommends the fast-growing and sturdy Norway maple as one of the best. It's filled with such information throughout its nine sections on water, creatures, refuges, dirt, heights, movement, make-believe, nurturing, and learning. Messages on safety are wisely included, along with an excellent list of resources covering everything from buying butterfly houses to visiting selected children's gardens. Through its many color photographs and warm, wise text, A Child's Garden will draw parents into their children's timeless, carefree world and perhaps back to a time when they themselves explored streams, played in the sand, studied bugs, and roamed without agenda. --Karen KarleskiCustomer Reviews:
don't choose norway maple.......2007-01-12
What a Wonderful and Enchanting book!!.......2001-04-30
Enchantingly possible!.......2001-02-27
The author asks, "How important are the old childhood pleasures of collecting seed pods, fishing in ditches, making bowers, picking flowers, and climbing trees?...long hours of unstructured outdoor exploration are a fast-vanishing aspect of contemporary childhood." She continues, "...the environment [on her uncle's farm] was so complex--full of smells, varied land forms, and mesmerizing creatures. I remember a scooped out pond surrounded by mud in which pigs, geese and ducks joyously wallowed. The strange pungency of the air, the frighteningly gigantic hogs, the mysterious, billowy grasses...still fill my senses." The author talks at great length about the psychology of nature, and of German educational reforms of the early 20th century (but only the good ones
The book includes suggestions for water gardens, sensory gardens, vegetable gardens, themed gardens, natural sand boxes, mazes, and attracting wildlife, plus many resources for strange seeds, odd plants, and landscape designers in varied areas of the US and the UK, all geared towards making a child's space a natural one.
BTW, when I bought the book, my kids grabbed it from me immediately. They love to look at the gardens and plan ours. Oh, and there are two black and whilte photos in the book: One is of children during WWI, tending a large city garden; the other is a 1940's style playground, with the steel and concrete structures that many of us recall from childhood. My 4yo playground-lover looked at both, and declared that he'd rather explore the garden.
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It would be unfair to go beyond the description of the novel. So, I will start with the main character, Guedali Tartakowsky, who is a centaur born into a normal Jewish family. Amazingly, his family tries everything so that he fits into their small community. There are clashes with other people as Guedali wants to escape the safety of his family to meet others. It may seem a little mystical and ridiculous. But, Guedali is not so unlike everyone else who must find himself by living on his own. Many of the qualities in Guedali shows how much more human than us. He may have hooves but his emotions and longing to be accepted and thoughts about growing up normal.
Our reaction to deformities resonates strongly in today's society. If we could change things like remove a large mold, then would it significantly change our life for the better? In most cases, the answer is yes and who knows if the mold was malignant. But, what if it is not so bad and everyone around doesn't mind it. Would you risk changing it for other people who feel uncomfortable? That may be a complete simplification of Guedali's problem but you see where I am going...
So many issues are addressed about knowing yourself. What makes you happy? How do you deal with matters of your identity as a Jew? Who are really your friends or enemies? How does society deal with such deformities? Do other people with this deformity handle daily situations? Scliar deals with all of these issues with a good balance between humor and seriousness. This version is a good translation and no real problems in reading this English print.
The novel's hero thus enters the world marked as an outsider. As his life unfolds, we see his quest to educate himself, to embrace his Jewish identity, to experience sex, to find love, and ultimately to determine his place in the world. Along the way are many stunning surprises--for both Guedali and the reader.
"Centaur" seems to me to exemplify the concept of "magical realism." The book deftly blends elements of fantasy, science fiction, and social satire. Scliar explores many types of relationship: between European and Native American, Jew and Gentile, man and woman, parent and child. This is a deeply moving, truly brilliant novel by one of the most extraordinary voices in Latin American literature.
It is great: the reader will imidiatively see that he is a centaur himself. How? The society demands us to be padronized, identical with each other, but we just can't and shouldn't! We are different, no matter how we try being as our neighbor, in other words, each of us are centaurs in same way. We must have our diferencies (unfortunetlty, some people want to be the same as the "majority", the so called "normal people"). That's the meaning of the book.
(You americans should try reading books from authors of my country. Then you'll find out how rich and great our literature is.)
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A wonderful book for parents and gardeners.......1998-12-15
A delightful way for parents to connect with their children.......1998-09-27
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Classic Bulbs: Hidden Treasures for the Modern Garden
Katherine Whiteside
Manufacturer: Villard
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Binding: Hardcover
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ASIN: 0394587278
Release Date: 1991-12-08
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The Modern Japanese Garden
Michiko Rico Nose
Manufacturer: Tuttle Publishing
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Binding: Hardcover
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The New Zen Garden: Designing Quiet Spaces
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ASIN: 0804834377
With chapters exploring such themes as the influence on contemporary design of traditional Japanese cultural ideas, the miniaturization of landscape, sculpture, and texture, and the use by some garden designers of far more planting than was previously found in Japanese garden design, this inspirational book is required reading for all garden enthusiasts, especially those living in urban areas, as well as garden and landscape designers, and architects.
I bought two. Can I give 6 stars?.......2006-07-11
This book is both a pleasure to look through and also to read. I find new inspiration every time I open it, it is the most diverse book on Japanese garden design I've seen. Many other books illustrate basic Japanese garden design principles, but their gardens usually look very similar. This book escapes that trap stunningly. Use it for information, inspiration, imagination.
You cannot go wrong here if design well done, exectued, maintained, and photographed is what you're looking for.
It can change the way you see.......2005-06-02
It contains one brilliant idea after another for adapting the ancient principles of the Japanese garden to the contemporary world. One of them I'm adapting for my a tiny space in NYC. My wife, who is a plant fanatic, cannot believe what a beautiful and haunting space can be created without any living plants at all.
The book forces you to see and to think and to move beyond the traditional Japanese garden as cliche and to think about what is timeless about thoughtful design.
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Dialectic of Enlightenment (Cultural Memory in the Present)
Max Horkheimer , and
Theodor W. Adorno
Manufacturer: Stanford University Press
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The Culture Industry (Routledge Classics)
Illuminations: Essays and Reflections
Postmodernism, or, The Cultural Logic of Late Capitalism (Post-Contemporary Interventions)
One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society
The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society (Studies in Contemporary German Social Thought)
ASIN: 0804736332
Release Date: 2002-03-28
Yet the work goes far beyond a mere critique of contemporary events. Historically remote developments, indeed, the birth of Western history and of subjectivity itself out of the struggle against natural forces, as represented in myths, are connected in a wide arch to the most threatening experiences of the present.
The book consists in five chapters, at first glance unconnected, together with a number of shorter notes. The various analyses concern such phenomena as the detachment of science from practical life, formalized morality, the manipulative nature of entertainment culture, and a paranoid behavioral structure, expressed in aggressive anti-Semitism, that marks the limits of enlightenment. The authors perceive a common element in these phenomena, the tendency toward self-destruction of the guiding criteria inherent in enlightenment thought from the beginning. Using historical analyses to elucidate the present, they show, against the background of a prehistory of subjectivity, why the National Socialist terror was not an aberration of modern history but was rooted deeply in the fundamental characteristics of Western civilization.
Adorno and Horkheimer see the self-destruction of Western reason as grounded in a historical and fateful dialectic between the domination of external nature and society. They trace enlightenment, which split these spheres apart, back to its mythical roots. Enlightenment and myth, therefore, are not irreconcilable opposites, but dialectically mediated qualities of both real and intellectual life. "Myth is already enlightenment, and enlightenment reverts to mythology." This paradox is the fundamental thesis of the book.
This new translation, based on the text in the complete edition of the works of Max Horkheimer, contains textual variants, commentary upon them, and an editorial discussion of the position of this work in the development of Critical Theory.
Nothing short of revolutionary.......2007-09-03
The examination of the oft-overlooked philosophy of the Marquis de Sade is especially significant, as it critiques the rogue philosopher while paying him his long-overdue respect as a true man of philosophy.
Adorno presents a challenging look at the modern condition.......2007-05-07
A very dense read, poetic in areas, but challenging throughout. Adorno is often criticized for being a cynic, but I think that under his often scathing view of modern culture is a message that through exacting self-reflection change of the "total system" can occur.
These themes are expanded on in Adorno's other works: Minima Moralia, and Negative Dialectic.
Gather the Fragments..........2006-11-14
Dialectic of Enlightenment: Philosophical Fragments is the most important work ever written by any of the members of the Frankfurt School; it stands as a type of manifesto really for the possibility of Critical Theory as a post-positivistic discipline. It is easy to miss, but this is not just a work of philosophy - it is not a work written by old men with elbow patches on their jackets pondering various ideas in a scientific and socio-historical philosophical vacuum. Quite the opposite: this is a book that drew upon then-current sociology and anthropology (particularly pertaining to religion), in addition to the history of philosophy and philosophical currents such as Marxism (Western Marxism, to be specific). This is a book that draws - obviously - on history; it is a book that has much to say about media and the effects of what Adorno called "The Culture Industry".
Several authors, such as Jurgen Habermas and Leszek Kolakowski, have noted the the structure of the book - what we might call its "poetics" - is quite abnormal for a work of philosophy. The subtitle of the book comes well into play here as a means of understanding the book; "Philosophical Fragments" very much describes what it is like reading this work. The genuinely fragmentary nature of the book - it begins with an essay titled "The Concept of Enlightenment" before two excurses (one on Odysseus and the other on Marquis de Sade), the chapter "The Culture Industry", a series of theses titled "Elements of Angi-Semitism: Limits of Enlightenment", and the closing section "Notes and Sketches" (which is anything but smooth) - only adds to the sense of urgency.
The attempt to ascertain "why humanity, instead of entering a truly human state, is sinking into a new kind of barbarism" (xiv) animates the work. This regression ultimately has to do with the very nature of myth, which is "obscure and luminous at once" (xvii). It is with positivism that science believes it can banish all mystery from the world such that humans become masters of it (1); art itself has fallen prey to this myth (14). Perhaps surprisingly, this does not begin in the 18th century European Enlightenment, but with one of our most ancient of founding myths: Odysseus. The deceptive nature of the sacrifice in Odysseus is the beginning of our journey towards enlightenment, for it places us on a similar footing with the gods. The attempt of persons such as Sade to advocate a world without superstition not only turns us into beasts with "the innocence of wild animals" (77), but means that we still must hold onto one myth: that we can actually live in a world where all is entirely as it seems. Transgression of the previous morality (Catholicism) is the necessary mythical supplement to this view; it brings no pleasure but only violence. Both the Culture Industry and Anti-Semitism ultimately have the same totalitarian goal: to make everyone the same, as economic cogs in the machine, devoid of their individuality. Thus Enlightenment is necessarily violent against the Other, who doesn't fit in. The book ends with Notes and Sketches in a kind of anti-climax; Dialectic of Enlightenment is left open.
In many ways, this edition by Stanford University Press, in their uber-fine series "Cultural Memory in the Present", is like a critical edition in English. Dialectic of Enlightenment was printed various times and in various editions from 1944 thru 1969; this edition collects each of the prefaces for the various editions, and notes every single textual variant for each edition, some of which are seen as rather unimportant, but others of which show that the text was very much a continual work in progress for Horkheimer and Adorno. In addition to an Editor's Afterword, there is an essay appended at the end of the book titled "The Disappearance of Class History in "Dialectic of Enlightenment": A Commentary on the Textual Variants (1944 and 1947)", which many will likely to find insightful reading. This is an important addition to the library of many different fields - political thought, intellectual history, philosophy, theology, religious studies, and social theory, among others - regardless of how it has been produced. Stanford University Press should really be commended for producing it in such a way that it is a fine addition to one's library as well.
One does well to remember that this work should not be simply taken at face value. In their 1969 Preface, Horkheimer and Adorno mention that they ascribe a "temporal core to truth" (xi), which means that as an older text, what remains applicable in it should be used today, and what no longer applies should be left alone as having been applicable at one time in the past. Neither author ever endorsed the irresponsible usage of their work in the 1960s by protesting students who had become little more than mobs; that they have been linked to irresponsible New Left anti-politics (via their friend Herbert Marcuse) is not their fault. Rather, what Horkheimer and Adorno endorsed then (and would continue to endorse, were they still alive) is not a brutal application of a particular theory, but a sustained, thoughtful and well informed engagement of theory with the whole of the modern world. "As a critique of philosophy, it does not seek to abandon philosophy itself" (xii). In short, they believed in wisdom: and this is what philosophy is ultimately all about.
A masterpiece of critical theory.......2006-11-11
The main subject of the book, though that itself is already difficult to disentangle, is Enlightenment's betrayal of its own liberating capacity. Adorno & Horkheimer analyze this by means of various cultural metaphors, which in highly abstract, contradictory and aesthetic language (especially the parts by Adorno) trace the development of Enlightenment and its subsequent 'dark side' throughout an equally metaphorical history of culture and ideas. In a certain sense this may most remind readers not familiar with both authors of Foucault and his use of concepts like the Panopticon to express a view of power relations. The method of Adorno and Horkheimer is however not so much genealogical, as Foucault's is, as dialectical in its idealist form.
The book consists of an introduction, two "excursions" and two chapters on the Enlightenment itself, as well as a series of aphorisms provided at the end as "notes and sketches". Each part of the book consists of a very abstract, very metaphysical and almost entrancing analysis of, in turn, the development of Enlightenment as myth out of earlier myth, the form of modern Enlightenment as instrumental reason and mass deception, and the limits of Enlightenment to its own rationality, in the form of anti-semitism. The language of the book is extremely difficult, even in English, and in the best (and worst) traditions of continental philosophy it contains a very great amount of layers and meanings, not all of which are free of internal contradiction. Readers familiar to Situationist works are perhaps best prepared for the effect, which is somewhat similar in method, if not in style, to Guy Debord.
The introduction, "The Concept of Enlightenment", posits Enlightenment as thought liberating man from his natural shackles, and creating man as master of the earth. This process of liberation entails at the same time the possibility of man to protect himself from, and understand the workings of, nature, and also mankind's loss of being one with nature. In this process, the self is created as a subjectivity divorced from direct experience of the outside world. Man's memory of this is very vague and distant, but is present in everyone as a certain inchoate feeling of loss.
This is also the main subject of the first Exkurs, "Odysseus, or Myth and Enlightenment". The story of the Odysseia is here used in many ways to provide metaphorical expressions for the role of myth in and against Enlightenment. Myths are primitive descriptions of the world, and in being so are already classifications used as a form of instrumental reason, which is the seed of Enlightenment. The role of sacrifice to the Gods, for example, is presented as manipulation of those Gods, and in so doing already expression of an Enlightened mind avant la lettre. Odysseus' adventure with the Sirens is metaphor for man's loss as described above: Odysseus, the Enlightened ruler, knows his loss but is constrained by his knowledge from acting on it; and the shipmates, the great mass of modernity, is only vaguely aware of the loss, and are not affected. But Circe, the Cyclops, and many other themes are used besides.
The second Exkurs is "Juliette, or Enlightenment and Morality". The works of De Sade, in particular Juliette, here provide an expression of Enlightenments freeing and therefore contradictory character. Kant is contrasted with Juliette; where Kant is the restrained form of reason, reason as classifying and ordening power, Juliette is reason's destructive power of old orders. Because Enlightenment destroys the validity of any appeal to tradition, religion, etc., it falls pray to itself, in that Enlightenment's appeal to its own absolute values is undermined, in the same way that Juliette uses and is used by Catholicism in undermining it.
The third chapter is "Enlightenment as Mass Deception", covering the subject of the culture industry. Here Adorno rants against all the vapid and degraded culture forms he perceives in the United States, although he never states it as valid only for the US, of course. There are many interesting insights and observations about modern culture and still valid ones too in this chapter, but Adorno's general tone is that of the "hochbürgerliche" bourgeois annoyed about the offenses against good taste he sees. Yet to dismiss it based on that would be superficial, even if we cannot agree with Adorno's hatred for radio and jazz. His observations on American movies are very poignant, and in between his cultural criticism he hits on certain relations between the capitalist mode of production, its Enlightenment ideology, and the cultural superstructure that are very worthwhile for a patient radical.
The fourth chapter is called "Limits of Enlightenment", and addresses directly the subject of anti-semitism and fascism more generally. Fascism is posited as Enlightenment turned against itself (it must be noted Adorno & Horkheimer were among the first to state this, even if it is somewhat of a cliche now). Enlightenment's general instrumental reason knows only power as a measure of behavior. Therefore, it cannot tolerate the existence of groups that thrive, yet never have power, such as Jews and women. Whenever Enlightened society fails to satisfy the needs of its members, their anger is turned against such groups.
The last chapter, "Notes and Sketches", is as said a series of aphorisms, familiar to people who have read situationist works, or for example Walter Benjamin's notebooks.
Overall, this book is an extremely complex, but very worthwhile philosophical critique of modern culture, and a very pessimistic and negative analysis of Enlightenment and its possibilities. It is hard work to get to the bottom of it, but nevertheless rewarding for any student of philosophy.
The Black Book of Western Philosophy.......2005-05-03
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I Never Promised You a Rose Garden (Signet)
Joanne Greenberg
Manufacturer: Signet
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Binding: Paperback
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ASIN: 0451160312
Regardless of her actual diagnosis, a great read.......2007-08-01
Regardless of what her diagnosis may be today, Green does a wonderful job of capturing the mindset of someone with severe mental illness who is crying for help and simultaneously fears the change that is associated with mental health. A must read for anyone in the field, and highly recommended to anyone else looking for a good read.
Vivid Unreality.......2007-06-14
This story follows Deborah's thoughts as well as the thoughts of her doctor, an older woman who has never seen a patient as young as Deborah but who thinks she will be able to help. Through their therapy sessions, the doctor learns that Deborah has been living her entire existence in a fantasy world that exists in her own mind, with its own language, gods, rules, and logic. The doctor's challenge then becomes to teach Deborah about the real world around her, so she will be able to decide whether she wants to continue to live in this fantasy of her own creation or to live in the real world with other people.
It was fascinating to read about a fantasy world that was so vivid, it could overshadow reality. I felt like I gained a better understanding of how terrifying and disorienting a disease like schizophrenia would be. Although I don't know how realistic the treatment aspect of this book was, I liked the mental illness descriptions.
eye-roller.......2006-12-13
The book's language is way too advanced to describe a young teen and seems more like it was written by the psychiatrist instead of 3rd person narration. Every time the fantasy world is described I keep imagining the author sitting at her typewriter trying to invent nonsense words.
Everytime I try to keep reading I want to throw it into traffic.
A look into the life of a girl suffering from schizoprenia.........2006-12-06
I Never Promised You a Rose Garden tells the story about a 16-year old girl, Deborah Blau suffering from schizophrenia. She is brought to a mental hospital, without her consent, in an attempt to make her situation better. Her mother and father keep her condition quiet, and they don't even tell their youngest daughter, Suzy, the real reason why her sister was taken away, and why she will be gone for such a long period of time. This books tells you about Deborah's journey from a world of her own, back to the real world, hopefully to her own light at the end of the tunnel.
I recommend this book to teenagers, around the ages of 14 and up. I would also say that you should be able to comprehend things easily because towards the beginning of the book the lack of detail of what was going on, and exactly what was wrong with Deborah made it hard to understand.
Not Your Typical Beach Read.......2006-08-25
The reader learns about Deborah's dark history and the deep processes of her mind through her thoughts and consultations with her therapist, Dr. Fried. Since setting is primarily in the different wards of the mental facility, leaving little room for any major plot development outside of Deborah's successes and failures while receiving treatment, the character development is paramount in this novel. The author, Joanne Greenberg, does a superb job of depicting dysfunctional characters that not only serve the purpose of comic relief because of their erratic behavior, but also reveal deeper, more melancholic aspects of the life of a mentally ill individual.
Greenberg juxtaposes the horror of mental illness with the relative safety it provides for the affected from facing the challenges of the real world. This is the core of Deborah's conflict within her mind. She must decide between her imaginary place, Yr, that offers safety yet keeps her locked away from the world, or she must face her fears and experience life with both its challenges and opportunities. The friendships that she makes in the institution highlight the novel's stress on the importance of building relationships for personal growth and allow her to accept the fact that most people have problems and possess the ability to work through them.
Dr. Fried is the epitome of a knowledgeable, patient, and committed therapist that is dedicated to helping Deborah release herself from the depths of Yr and to bringing her back to a relatively normal life. Though the novel is focused on Deborah's life in the mental facility, there are several parts that allow the reader to experience, through heartfelt descriptions, the effect that her institutionalization has on her family. Her parents learn to accept and ward off judgments from others that stem from Deborah's "label" of being mentally unstable. Despite their problems, the Blau family members are readily supportive of Deborah and hope for a successful recovery.
I Never Promised You a Rose Garden is an absolutely fascinating book because it provides clear insight into the complicated lives of the mentally ill and stresses that people should neither fear nor revere these individuals due to their altered state of consciousness. Rather, society should endeavor to view them and their issues in an unbiased manner, for there is not a person living without some type of challenge that he or she must face.
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The Gardens of Covington: A Novel (Covington)
Joan A. Medlicott
Manufacturer: St. Martin's Paperbacks
ProductGroup: Book
Binding: Mass Market Paperback
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From the Heart of Covington
The Ladies of Covington Send Their Love: A Novel (Covington)
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A Covington Christmas (Ladies of Covington)
ASIN: 0312980124
Another great book-great down to earth ladies!.......2007-09-10
A landowner of Covington poses a threat to buy out the property there, and the ladies, who are very upset by this take action, especially Hannah who goes all the way to the city coalition, environmental agencies, and gathers the support of the whole neighborhood to hang on to the beautiful Covington area. The whole town turns against Hannah for this, and she almost gets herself into trouble with some of the people. It is the wealthy Maxwell's that will step in here in the end, and Hannah will get more then she ever thought possible.
Grace is still in a courtship with her Rich, and the two decide to open a tea shop, which turns out to be a very bad choice since it takes all of Grace's time away from everything else, and she has no time for rest. They have this little shop up and running well, but decide later it is best to sell it out.
Amelia, the most fragile lady of the bunch, and always headed for trouble gets herself into a car wreck going up to visit her gay male friend Mike. The man that comes to rescue her is Lance, who seems to fall in love with Amelia at first sight. He soon takes over her whole life so that she has no time for anyone else or any of her photography. Amelia falls under his spell and is headed for a heap of trouble. Hannah and Grace try to warn her, but she goes on ahead with this courtship until she gets badly hurt.
Tyler, Rich's grandson and Grace's "adopted" grandson is having a problem when his dad is in love with a new lady, Emily. Tyler and his dad Russell have a very bad time for awhile until they get things straightened out between all of them. Tyler has had a very bad time losing his mother to a bad car accident and can't understand why his dad loves someone else now.
And Grace also has made great friends with 81-year old Lurina who is a lonely old maid 81 years of age. When 'old man,' Joseph Elisha comes along though, the two have a romance and get married. Lurina is a very isolated type of soul and doesn't like to wander out of the house at all. So the ladies try to help her plan a wedding. When the newspaper gets hold of this story though, and reporters persist on barging in. Lurina feels threatened and wants no part of a big wedding after the ladies went to all the trouble of planning a fancy one. So Lurina and Joe get married in her home, but still find the reporters there anyway after someone spills the beans about the private ceremony.
The Gardens of Covington: A Novel .......2007-09-03
Joan A. Medlicott writes well, and combines the story of three, "Senior" ladies with recipes, gardening information, AWA intertwining into the books, their families/friends. The series is in the category of "Light" reading, and by now, I have read about 6 books in the series and am hooked.
Now I am worrying that she will stop writing more books in this series - then what will I do?
Excellent.......2007-09-01
Even better than the first book of the series.......2007-08-06
Garden of Salvation.......2007-06-05
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The Centaur in the Garden (THE AMERICAS)
Moacyr Scliar
Manufacturer: University of Wisconsin Press
ProductGroup: Book
Binding: Paperback
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ASIN: 0299187845
The Wisconsin edition is for sale only in the United States
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