Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
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History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
ProductGroup: Book
Binding: Paperback
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ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Product Description
`History: Fiction or Science? Chronology 2` is the second volume of the most explosive and astounding tractate on history ever written - however, every theory it contains, no matter how unorthodox, is backed by rock solid scientific data. The book is easy and pleasant to read; it is well-illustrated, contains hundreds of charts, graphs and illustrations, copies of ancient manuscripts, and countless facts attesting to the falsity of the chronology used nowadays. You will be amazed to discover: - That the chronology universally accepted today and taken for granted is simply wrong; - That ALL methods of dating of ancient sources and artefacts known today are erroneous or non-exact; - That there is not a single document that could be reliably dated earlier than the XIth century; The Author refers to the Middle Ages as the Antiquity and proves mutual superimposition of the Second and the Third Roman Empire, both of which become identified as the respective kingdoms of Israel and Judah. Furthermore, he asserts that the famous reform of the Occidental Church in the XI century by Pope Gregory Hildebrand was the reflection of the XII century reforms of Byzantine emperor Andronicus who in his turn identifies with Jesus Christ. The Trojan war counted by Homer happened only as late as of the XIII century A.D. and the great poet actually lived in XIV century A.D. No stone in history of Antiquity is left unturned. Literally. This book is the beginning of a major correction to the chronology we live with.
Customer Reviews:
Check and see.......2007-06-21
I don't care what other people say of this book. Those affirmig it's fake, they hadn't ever read it. Or have some special reasons to do so. "Living is easy with eyes closed, misunderstanding all you see..." This book won't make you feel comfortable. It'll make you feel free. It'll make you feel you're "not the only one" to feel you'd been lied to for centuries.
Suprise! Suprise!.......2007-03-22
Here is a serie of books which turns "the whole world" upside down. I learned a lot of it and I hope that a new book from A.T. Fomenko will follow very quick. A absolute must for everybody who is interested in history or even a little bit from it.
Prescient St Augustine?.......2006-02-05
We can so far divide the New Chronology into the following three parts:
a) The verifiable theory that proves consensual chronology wrong with the aid of astronomy, statistics and mathematics;
b) The new chronology hypothesis based on a new understanding of known historical facts and the most likely logical explanation of the most obvious inconsistencies inherent in the official version of history;
c) The history conjectures, that is experimental historical reconstructions based on assumptions that the authors believe to make sense in the light of their research and linguistic parallels - void of ironclad factual support to date.
Fomenko's theory complies with the most rigid scientific standards as a whole:
It gives a coherent explanation of what we already know.
- It is consistent: independent lines of inquiry all lead to the same conclusion.
- The predictions it makes are confirmed empirically.
Fomenko goes by the following axioms:
- Chronology is the basis of history;
- Human evolution has always been linear, gradual and irreversible;
- The "cyclic" nature of human civilization is a myth, likewise all the gaps, duplicates, "dark ages" and "renaissances" that we know from consensual history;
- The accumulation of geographical knowledge as reflected in cartography is a gradual and irreversible process;
- The chronological distance between a given manuscript and the events described therein is proportional to the amount of distortions it contains;
- There is no "useless" information in authentic ancient sources.
Why the mainstream historians do not shower mathematician Academician Dr.Prof Fomenko with thanks and laurels?
The Russians:
Because Fomenko asserts that there was no such thing as the Tartar and Mongol invasion followed by three centuries of slavery, providing a formidable body of documental evidence to prove his assertion. The so-called "Tartars and Mongols" were the actual ancestors of the modern Russians, living in a bilingual state with Arabic spoken as freely as Russian. The ancient Russian state was governed by a double structure of civil and military authorities. The hordes were actually professional armies with a tradition of lifelong conscription (the recruitment being the so-called "blood tax"). Their "invasions" were punitive operations against the regions that attempted tax evasion. Fomenko proves that Russian history as we know it today is a blatant forgery concocted by a host of German scientists brought to Russia by the usurper dynasty of the Romanovs, whose ascension to the throne was the result of coup d'état, charged with the mission of making their reign look legitimate. Fomenko proves Ivan the Terrible to be a collation of four rulers, no less. They represented the two rival dynasties - the legitimate rulers and the ambitious upstarts. The winner took it all! Over some 30 years of controversy, Russian historians have made a most remarkable transition - they were initially accusing the young mathematician Fomenko of anticommunist dissident activity and attempts to deface the historical legacy of Soviet Russia; nowadays the middle-aged mathematician is accused of adhering to "pro-communist Russian nationalism" and defacing the proud historical legacy of Great Russia.
The Westerners:
Because Fomenko blows consensual Russian history to smithereens, successfully removing a crucial cornerstone from underneath the otherwise impeccable edifice of World History. Fomenko adds insult to injury, wiping out one by one the Ancient Rome (the foundation of Rome in Italy is dated to the XIV century A. D.), the Ancient Greece and its numerous poleis, which he identifies as the mediaeval crusader settlements on the territory of Greece, and the Ancient Egypt (the pyramids of Giza become dated to the XI-XV century A. D. and identified as the royal cemetery of the Global "Mongolian" Empire, no less). The civilization of the Ancient Egypt is irrefutably dated to the XII-XV century A. D. with the aid of the ancient Egyptian horoscopes cut in stone. He was the first one to decipher and date all such horoscopes, coming up with mediaeval dates in every case. English historians rage at the suggestion that the history of Ancient England was de facto a Byzantine import transplanted to the English soil by the fugitive Byzantine nobility. To reward the English historians who consider themselves the true scribes of World History, the cover of the present book portrays Tintoretto's Jesus Christ crucified on the Big Ben.
The Chinese:
Because Fomenko wipes out the Ancient History of China outright. No such thing. Full point. The compilation of the so-called Ancient Chinese History is reliably datable to the XVII-XVIII century only. It is perfectly recognizable as the Ancient European history, reworked and transcribed in hieroglyphs as yet another historical transplantation, this time performed on the Chinese soil by the loving Jesuit hands. The Chinese are the next in line to go berserk. Chinese history is inevitably bound to get both more ancient and more eventful, proportionally to the growing involvement of China in the world affairs. Chinese historians will keep on finding valid proof of prehistoric Chinese spaceflights until the Politburo orders them to shut up.
The Arabs:
Too bad. Islam with all its key figures is datable to XV-XVI century A. D. Arabic historians may find consolation in the crucial historical role of the Ottoman Empire in the XVI-XVII century. The trouble is that this empire was initially a Christian state, with Hagia Sophia identifiable as Temple of Solomon, according to Fomenko! We can only guess if the acquisition of Alexander the Great (a Macedonian and a Christian) as the founder of the Muslim World Empire will make Fomenko's theories more acceptable to the Arabic mainstream. He certainly does not spare any holy cows at all, claiming The Stone of Qa'Aba in Mecca to contain the lost Arch of the Covenant.
The Divinity:
Despite of reiterated statement that his theory is all about chronology and not Religion, Fomenko stirs up a whole condominium of wasp nests. His collection of anathemas, fatwa, and other condemnations from all parties concerned is already considerable. Little wonder, considering that the history of religions à la Fomenko looks as follows: the pre-Christian period (before the XI century and JC), Bacchic Christianity (XI-XII century, before and after JC), JC Christianity (XII-XVI century) and its subsequent mutations into Orthodox Christianity, the Catholicism, Islam, Buddhism, and so on.
According to Fomenko we know strictly NOTHING about the events that predate the X century A. D.
St Augustin was prescient when he spoke unto us: "be wary of mathematicians, particularly when they speak the truth."
Something of a disappointment.......2005-09-09
After having read the first volume of this expected series of 7 volumes I was triggered by the thesis of these authors that ancient Greek and Roman history did in fact take place in the Middle Ages. So I started studying medieval history of the Middle East - also known as Islamic history - to find out if the opponents of the ancient Greeks and Romans - the Acheamenid Persians, Sassanids, Scythians, Egyptians, etc. - also have their duplicates in medieval history. My search was disappointing: none of the many medieval Islamic dynasties seemed to correspond to the ancient middle eastern rulers.
However, I did find a close correspondence between Herodotus' Persian kings and medieval events:
- the defeat and capture of an Anatolian king - the Lydian Croesus - by the Persian conqueror Cyrus is identical to the defeat and capture of another Anatolian king - sultan Bayezid - by the Asian/Mongol conqueror Tamerlane;
- the Persian conquest of Egypt by the cruel tyrant Cambyses reds almost exactly as the Ottoman conquest of Egypt by Selim the Grim (note the nickname!);
- Darius the Lawgiver of the Persian Empire looks very much alike to Sulayman the Magnificent, the Lawgiver in Islamic history;
- Xerxes, whose main claim to fame is to be defeated by the Greeks at the naval battle of Salamis, looks like Selim II (the Sot) whose main claim to fame is to be defeated by a Spanish-Italian alliance at the naval battle of Lepanto.
I should have expected Fomenko et al. to arrive at similar conclusions, however, they claim that the Persian kings are the alter egos of the Angevin kings of Sicily whose biographies do not contain the exploits of the Persian kings.
The similiarities I indicate lead to the conclusion that Herodotus must have written his Histories at the close of the 16th century. But this is extremely late, given that Herodotus is "the Father of History", so therefore all other "ancient" histories must have been fabricated even later. Yet, the founders of modern chronology - Scaliger and Petavius - laid their foundations also at the close of the 16th century and had the full corpus of ancient histories already at their disposal.
It seems to me that Fomenko has to address these inconsistencies, maybe in the forthcoming 5 volumes?
Another critique of their book is that the correspondencies between different rulers are often based on a superficial comparison of the biographies; upon a more thorough comparison many details appear that do not correspond at all.
Finally, the authors rely heavily on the works of Gregorovius (1821-1891!!) - his medieval histories of Rome and Athens - as the source of medieval history; these works are - at least in the West - hoplessly outdated and have been superceded by more up-to-date works (for instance, Julius Norwich's trilogy on Byzantine history is not even cited).
Romulus courts Helen, Paris founds Rome, Moses goes to Troy.........2005-07-30
If you agree with Fomenko that Roman chronology is basically the foundation of the entire edifice of global chronology; you would also certainly agree that despite its numerous gaps and inconsistencies, Roman history is the best-documented field of ancient history, and thus a reference scale. But how well is the actual date of the Eternal City's foundation known?
Firstly, Rome is supposed to have been founded by the Trojans who had to flee after the fall of Troy. Some claim Rome to have been founded by Aeneas and Ulysses shortly after Troy had fallen; others are of the opinion that there was an entire dynasty that ruled for 500 years between the fall of Troy and the foundation of Rome.
Well, that's just an innocent 500 years long misunderstanding compared with what heretic Fomenko says, asserts, proves in his second volume: Second Roman Empire, Third Roman Empire, Biblical Kingdom of Israel, Biblical Kingdom of Judah, Holy Roman Empire are stories about basically same events, written from different points of view at different times. The underlying events have actually taken place during xii-xv cy. These histories have been written and perfected by multitude of highly talented humanist and clerical writers of xiii-xvi cy disguised as "ancients" with glorious names like Homer, Pluto, Thucydides etc..Chronology 2.0 beta..
Historians are kindly invited to report the bugs.
Book Description
Mosaics reached their fullest development under the Romans who used them to decorate the floors of their houses and public buildings. This book gives a comprehensive and fully illustrated history of mosaics in the Greek and Roman world, and studies their development over a thousand years throughout the Roman Empire. Chapters are devoted to technique, to the role of mosaics in architecture, and to their social implications and the role of patrons. This book is the only complete study in depth of this rich material.
Download Description
Mosaics reached their fullest development under the Romans who used them to decorate the floors of their houses and public buildings. This book gives a comprehensive and fully illustrated history of mosaics in the Greek and Roman world, and studies their development over a thousand years throughout the Roman Empire. Chapters are devoted to technique, to the role of mosaics in architecture, and to their social implications and the role of patrons. This book is the only complete study in depth of this rich material.
Customer Reviews:
Great History but a major disappointment regarding images.......2005-08-26
I purchased this book to gain color references for the mosaics.....unfortunately, the majority of this book contains black and white plates. If you are planning on using this book as a reference for color, forget it.
A view in the everiday lifes of ancient times.......2000-04-19
The new book by Katherine Dunbabin is a welcome addition to the already excellent catalogue of Cambridge Press. Ms. Dunbabin once more proves her value as a historian by showing that the study of Art in ancient times goes beyond aesthetics and the sphere of nobles and palaces. Her work on Section II "Technique and Production" brings to life the craftsmen and workshops that made the mosaics, but also the social relationships involved in the creation of all forms of Art. Another strong point of the book is the quality of the images depicted in it, both the photo reproductions and the graphic drawings of the mosaics are astounding. The variety of subjects shown in the mosaics allow the modern reader to have a pretty good idea of the ambiance and way of life of the times. It is also interesting that at the end of each chapter Ms. Dunbabin indicates a list of related bibliography with recent works. I can only be sorry that her own classical work "The Mosaics of Roman North Africa" is out of print. This pioneer work should be reprinted.
Book Description
Between the second and the sixth centuries of the common era, elaborate mosaics were designed and created to pave the floors of town homes and rural estates of the Roman settlements in North Africa. These stunning mosaics were especially widespread in the colony of Africa Proconsularis,
modern-day Tunisia, and covered a wide range of subject matter: from scenes of daily life and classical mythology, to abstract floral and geometric designs of rare vibrancy and complexity. A distinctive African style emerged, whose influence would extend throughout the Mediterranean basin and
beyond.
This catalogue is being published to coincide with an exhibition at the J. Paul Getty Museum at the Getty Villa from October 26, 2006, to April 30, 2007--the first major exhibition in the United States solely devoted to ancient mosaics. The twenty-seven mosaics in the exhibition come from
Tunisia's leading museums, including the Bardo Museum in Tunis, the Sousse Museum and the El Jem Museum.
Stories in Stone is structured around four principal themes--Nature, Theater and Spectacle, Myths and Gods, and Technique--and includes extensive material on mosaic conservation. In addition to color plates of all objects in the exhibit, this catalogue includes nine richly illustrated essays that
illuminate the historical background of mosaic art, trace the development of principal themes, and examine the conservation of mosaics both in the museum setting and in situ. Contributors include Taher Ghalia, director of the Bardo Museum; Mongi Ennaifer, minister of cultural affairs, Tunisia;
Thomas Roby, senior project specialist, Getty Conservation Institute; and Jerry Podany, head of antiquities conservation, J. Paul Getty Museum.
Book Description
Using thousands and sometimes millions of pieces of colored stone or glass to create elaborate patterns or scenes is a painstaking and expensive way to decorate a surface. Yet the art of mosaic enjoyed spectacular success in the Graeco-Roman world, where its practitioners created some of the most beautiful artworks in history. This handsomely illustrated and elegantly written book traces the evolution of mosaic from the Hellenistic period to the early Christian era, with particular emphasis on the Roman Empire, and examines its regional variations from Britain to North Africa and from the Levant to the Spanish seaboard.
The eminent classical scholar Roger Ling explains how mosaics were first made in the fifth century B.C. with the use of inset pebbles to provide durable pavements. He shows how mosaic became one of the hallmarks of luxury in Roman times, when such masterpieces of imperial floor decoration as the black-and-white silhouette pavements of Ostia and the colorful figure compositions of Piazza Armerina in Sicily were created. From pavements, mosaic graduated to walls and ceilings, where it culminated in the soaring blue and gold work of early Christian churches in Rome, Constantinople, and Ravenna. Ling examines the wide range of styles and subject matter employed by mosaicists, whether geometric patterns or figurative scenes of mythology, agriculture, and hunting, and explores what mosaics reveal about domestic and imperial tastes and aspirations. Such topics as techniques and materials, the relationship of mosaic to other forms of interior decoration, and the influence of ancient mosaics in more recent times are also discussed in detail.
Illuminating, attractive, and affordable, this book makes a major contribution to classical scholarship and will also appeal strongly to art historians, artists, designers, and general readers.
Customer Reviews:
2500+ years of time travel.......2007-01-20
Mr. Ling, as our tour guide, transports us back in time and from Africa to ancient England, sharing the history, development and travel/migration of this peculiar art form. His 'tour bus' stops frequently at wonderful examples as he shares bits of history, syles, techniques and other information quickly and painlessly.
Aside from detailed instructions on "How To", Mr. Ling's book gives everything else one could ask for. Actually, one could make mosaics learning from this book, it just doesn't have that particular focus.
I've only had the book for 13 hours so am anxious to get home and pick it up for another read.
Ancient Mosaics.......2006-04-09
Roger Ling is a true scholar. He knows his subject and writes with clarity. He describes the method of creating a mosaic. This was a tedious task which required inserting a slender piece of baked clay or glass or marble into wet cement. Thus only a very small section could be done at a time. These pieces of baked clay are called tesserae. Some are one half inch by one half inch. Others are slender little guys only one millimeter by perhaps two millimeter. These were used to make a mosaic such as that of the doves found in the Capitoline Museum in Rome. Mosaics were placed on the walls, floors and ceilings. Most which survive are from the floor. This makes sense. When a building collapses most mosaics of the walls and ceiling would perish but conceal and protect the mosaic floor below. Mosaics were monochrome, also highly colorful. There was much experimentation. Some mosaics display a three dimensional effect. Some reproduce famous paintings. Some display reproduction of a painting with modifications made by the artists or the patron of the piece. Some of the experimentation in mosaics ended up influencing architectural design. I suggest reading Pinto's and MacDonald's Hadrian's Villa and Its Legacy. Studies are under way to trace mosaicists works found in areas stretching over large parts of Italy and Europe. Mosaic patterns in various rooms can be used on occasion to determine what use that room had. Evidently mosaics in triclinia (dining rooms) were designed to generate discussion. I would highly recommend reading Linda Farrar's Ancient Romans Gardens after reading this book.
Inspirational.......2000-10-23
This title is absolutely worth every penny. Though weighing in at only 143 pages, it is deceptively meaty and educational. The 106 selected photos (47 color and 49 B/W) are crisp, beautiful, and plentiful, and the inclusion of a maps and a glossary were also helpful. The mosaics selected for illustration are sublime, and even those ravaged by time are hardly less beautiful for it. Chapters are (in order) Intro, Greek Period, Roman Italy, Roman North-West, Roman Africa, Wall and Vault Mounts, and Context and Meaning. In a book of this length each chapter is necessarily short, but the examples chosen to illustrate each section are well-chosen to guide further study in selected areas.
A great big thank-you to Roger Ling.......1999-01-06
I really appreciate scholarly works like this book. I've been trying to find a good book on the history of mosaics that is - in-print - and this is it! Excellent documentation! Not too - dry - of a read either. A big thanks to Roger Ling for the enlightenment. Beautiful photographs, wish there were a-whole-lot more.
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Apelles: The Alexander Mosaic
Paolo Moreno
Manufacturer: Skira
ProductGroup: Book
Binding: Hardcover
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Mosaic
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ASIN: 8881188643
Release Date: 2001-07-03 |
Book Description
When Neapolitans speak of 'the museum' they are referring to the Museo Archeologico Nazionale. Among the marvels that make it the world's greatest collection of classical art, the Alexander mosaic was, from the moment it was brought to the museum in 1843, the 'great mosaic.' Although it is evident that the Pompeian mosaic reproduces a painting, since it was discovered in the House of the Faun on 24 October 1831 the identity of the original has been the subject of an intense debate among scholars. On being shown a drawing of the mosaic, Goethe wrote, 'The present and the future will not succeed in commenting correctly on this artistic marvel, and we must always return, after having studied and explained it, to simple, pure wonder.' Two centuries of archaeological inquiry have not exhausted the profundity of the picture and have not given wholly satisfactory replies to the principal questions regarding it, namely, which episode is being represented here, whether the painting was executed during Alexander's reign or later, and to whom it should be attributed. A new series of photographs-- allowing the most important aspects of the scene to be shown in vivid detail-- facilitates the expounding of a hypothesis that until recently would have seemed improbable, but is justified by a close examination of the literary sources and archaeological finds, as well as by unexpected evidence in the original paintings that have come to light in Macedonia: the attribution to Apelles, the most famous painter of antiquity, whose revolutionary impact is fully described in this fascinating account.
Book Description
Over the past century, exploration and serendipity have uncovered mosaic after mosaic in the Near East--maps, historical images, mythical figures, and religious scenes that constitute an immense treasure of new testimony from antiquity. The stories these mosaics tell unfold in this brief, richly informed book by a preeminent scholar of the classical world.
G. W. Bowersock considers these mosaics a critical part of the documentation of the region's ancient culture, as expressive as texts, inscriptions on stone, and architectural remains. In their complex language, often marred by time, neglect, and deliberate defacement, he finds historical evidence, illustrations of literary and mythological tradition, religious icons, and monuments to civic pride. Eloquently evoking a shared vision of a world beyond the boundaries of individual cities, the mosaics attest to a persistent tradition of Greek taste that could embrace Judaism, Christianity, and Islam in a fundamentally Semitic land, and they suggest the extent to which these three monotheistic religions could themselves embrace Hellenism.
With copious color illustrations, Bowersock's efforts return us to Syrian Antioch, Arabia, Jewish and Samaritan settlements in Palestine, the Palmyrene empire in Syria, and the Nabataean kingdom in Jordan, and show us the overlay of Hellenism introduced by Alexander the Great as well as Roman customs imported by the imperial legions and governors. Attending to one of the most evocative languages of the ages, his work reveals a complex fusion of cultures and religions that speaks to us across time.
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Image In Stone: Tunisia In Mosaics
Aicha Ben Abed-Ben Khader
Manufacturer: Ars Latina
ProductGroup: Book
Binding: Hardcover
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Tunisia
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ASIN: 2910260119 |
Customer Reviews:
Good and Brief.......2006-03-09
The book is a good primer into the subject of Roman mosaic geometric patterns. The patterns are easy to copy and enlarge. The illustrations would be good for drawing or used as a pattern for mosaics.
Product Description
Explore Ancient Worlds Through Color
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