History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

History: Fiction or Science? Chronology 2 (Chronology)

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Check and see
Suprise! Suprise!
Prescient St Augustine?
Something of a disappointment
Romulus courts Helen, Paris founds Rome, Moses goes to Troy..

History: Fiction or Science? Chronology 2 (Chronology)
Anatoly T Fomenko
Manufacturer: Delamere Resources LLC
ProductGroup: Book
Binding: Paperback

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ASIN: 2913621066

Product Description

`History: Fiction or Science? Chronology 2` is the second volume of the most explosive and astounding tractate on history ever written - however, every theory it contains, no matter how unorthodox, is backed by rock solid scientific data. The book is easy and pleasant to read; it is well-illustrated, contains hundreds of charts, graphs and illustrations, copies of ancient manuscripts, and countless facts attesting to the falsity of the chronology used nowadays. You will be amazed to discover: - That the chronology universally accepted today and taken for granted is simply wrong; - That ALL methods of dating of ancient sources and artefacts known today are erroneous or non-exact; - That there is not a single document that could be reliably dated earlier than the XIth century; The Author refers to the Middle Ages as the Antiquity and proves mutual superimposition of the Second and the Third Roman Empire, both of which become identified as the respective kingdoms of Israel and Judah. Furthermore, he asserts that the famous reform of the Occidental Church in the XI century by Pope Gregory Hildebrand was the reflection of the XII century reforms of Byzantine emperor Andronicus who in his turn identifies with Jesus Christ. The Trojan war counted by Homer happened only as late as of the XIII century A.D. and the great poet actually lived in XIV century A.D. No stone in history of Antiquity is left unturned. Literally. This book is the beginning of a major correction to the chronology we live with.

Customer Reviews:

Check and see.......2007-06-21

I don't care what other people say of this book. Those affirmig it's fake, they hadn't ever read it. Or have some special reasons to do so. "Living is easy with eyes closed, misunderstanding all you see..." This book won't make you feel comfortable. It'll make you feel free. It'll make you feel you're "not the only one" to feel you'd been lied to for centuries.

Suprise! Suprise!.......2007-03-22

Here is a serie of books which turns "the whole world" upside down. I learned a lot of it and I hope that a new book from A.T. Fomenko will follow very quick. A absolute must for everybody who is interested in history or even a little bit from it.

Prescient St Augustine?.......2006-02-05

We can so far divide the New Chronology into the following three parts:

a) The verifiable theory that proves consensual chronology wrong with the aid of astronomy, statistics and mathematics;

b) The new chronology hypothesis based on a new understanding of known historical facts and the most likely logical explanation of the most obvious inconsistencies inherent in the official version of history;

c) The history conjectures, that is experimental historical reconstructions based on assumptions that the authors believe to make sense in the light of their research and linguistic parallels - void of ironclad factual support to date.

Fomenko's theory complies with the most rigid scientific standards as a whole:

It gives a coherent explanation of what we already know.

- It is consistent: independent lines of inquiry all lead to the same conclusion.

- The predictions it makes are confirmed empirically.

Fomenko goes by the following axioms:

- Chronology is the basis of history;

- Human evolution has always been linear, gradual and irreversible;

- The "cyclic" nature of human civilization is a myth, likewise all the gaps, duplicates, "dark ages" and "renaissances" that we know from consensual history;

- The accumulation of geographical knowledge as reflected in cartography is a gradual and irreversible process;

- The chronological distance between a given manuscript and the events described therein is proportional to the amount of distortions it contains;

- There is no "useless" information in authentic ancient sources.

Why the mainstream historians do not shower mathematician Academician Dr.Prof Fomenko with thanks and laurels?

The Russians:

Because Fomenko asserts that there was no such thing as the Tartar and Mongol invasion followed by three centuries of slavery, providing a formidable body of documental evidence to prove his assertion. The so-called "Tartars and Mongols" were the actual ancestors of the modern Russians, living in a bilingual state with Arabic spoken as freely as Russian. The ancient Russian state was governed by a double structure of civil and military authorities. The hordes were actually professional armies with a tradition of lifelong conscription (the recruitment being the so-called "blood tax"). Their "invasions" were punitive operations against the regions that attempted tax evasion. Fomenko proves that Russian history as we know it today is a blatant forgery concocted by a host of German scientists brought to Russia by the usurper dynasty of the Romanovs, whose ascension to the throne was the result of coup d'état, charged with the mission of making their reign look legitimate. Fomenko proves Ivan the Terrible to be a collation of four rulers, no less. They represented the two rival dynasties - the legitimate rulers and the ambitious upstarts. The winner took it all! Over some 30 years of controversy, Russian historians have made a most remarkable transition - they were initially accusing the young mathematician Fomenko of anticommunist dissident activity and attempts to deface the historical legacy of Soviet Russia; nowadays the middle-aged mathematician is accused of adhering to "pro-communist Russian nationalism" and defacing the proud historical legacy of Great Russia.

The Westerners:

Because Fomenko blows consensual Russian history to smithereens, successfully removing a crucial cornerstone from underneath the otherwise impeccable edifice of World History. Fomenko adds insult to injury, wiping out one by one the Ancient Rome (the foundation of Rome in Italy is dated to the XIV century A. D.), the Ancient Greece and its numerous poleis, which he identifies as the mediaeval crusader settlements on the territory of Greece, and the Ancient Egypt (the pyramids of Giza become dated to the XI-XV century A. D. and identified as the royal cemetery of the Global "Mongolian" Empire, no less). The civilization of the Ancient Egypt is irrefutably dated to the XII-XV century A. D. with the aid of the ancient Egyptian horoscopes cut in stone. He was the first one to decipher and date all such horoscopes, coming up with mediaeval dates in every case. English historians rage at the suggestion that the history of Ancient England was de facto a Byzantine import transplanted to the English soil by the fugitive Byzantine nobility. To reward the English historians who consider themselves the true scribes of World History, the cover of the present book portrays Tintoretto's Jesus Christ crucified on the Big Ben.

The Chinese:

Because Fomenko wipes out the Ancient History of China outright. No such thing. Full point. The compilation of the so-called Ancient Chinese History is reliably datable to the XVII-XVIII century only. It is perfectly recognizable as the Ancient European history, reworked and transcribed in hieroglyphs as yet another historical transplantation, this time performed on the Chinese soil by the loving Jesuit hands. The Chinese are the next in line to go berserk. Chinese history is inevitably bound to get both more ancient and more eventful, proportionally to the growing involvement of China in the world affairs. Chinese historians will keep on finding valid proof of prehistoric Chinese spaceflights until the Politburo orders them to shut up.

The Arabs:

Too bad. Islam with all its key figures is datable to XV-XVI century A. D. Arabic historians may find consolation in the crucial historical role of the Ottoman Empire in the XVI-XVII century. The trouble is that this empire was initially a Christian state, with Hagia Sophia identifiable as Temple of Solomon, according to Fomenko! We can only guess if the acquisition of Alexander the Great (a Macedonian and a Christian) as the founder of the Muslim World Empire will make Fomenko's theories more acceptable to the Arabic mainstream. He certainly does not spare any holy cows at all, claiming The Stone of Qa'Aba in Mecca to contain the lost Arch of the Covenant.

The Divinity:

Despite of reiterated statement that his theory is all about chronology and not Religion, Fomenko stirs up a whole condominium of wasp nests. His collection of anathemas, fatwa, and other condemnations from all parties concerned is already considerable. Little wonder, considering that the history of religions à la Fomenko looks as follows: the pre-Christian period (before the XI century and JC), Bacchic Christianity (XI-XII century, before and after JC), JC Christianity (XII-XVI century) and its subsequent mutations into Orthodox Christianity, the Catholicism, Islam, Buddhism, and so on.

According to Fomenko we know strictly NOTHING about the events that predate the X century A. D.

St Augustin was prescient when he spoke unto us: "be wary of mathematicians, particularly when they speak the truth."

Something of a disappointment.......2005-09-09

After having read the first volume of this expected series of 7 volumes I was triggered by the thesis of these authors that ancient Greek and Roman history did in fact take place in the Middle Ages. So I started studying medieval history of the Middle East - also known as Islamic history - to find out if the opponents of the ancient Greeks and Romans - the Acheamenid Persians, Sassanids, Scythians, Egyptians, etc. - also have their duplicates in medieval history. My search was disappointing: none of the many medieval Islamic dynasties seemed to correspond to the ancient middle eastern rulers.

However, I did find a close correspondence between Herodotus' Persian kings and medieval events:

- the defeat and capture of an Anatolian king - the Lydian Croesus - by the Persian conqueror Cyrus is identical to the defeat and capture of another Anatolian king - sultan Bayezid - by the Asian/Mongol conqueror Tamerlane;
- the Persian conquest of Egypt by the cruel tyrant Cambyses reds almost exactly as the Ottoman conquest of Egypt by Selim the Grim (note the nickname!);
- Darius the Lawgiver of the Persian Empire looks very much alike to Sulayman the Magnificent, the Lawgiver in Islamic history;
- Xerxes, whose main claim to fame is to be defeated by the Greeks at the naval battle of Salamis, looks like Selim II (the Sot) whose main claim to fame is to be defeated by a Spanish-Italian alliance at the naval battle of Lepanto.

I should have expected Fomenko et al. to arrive at similar conclusions, however, they claim that the Persian kings are the alter egos of the Angevin kings of Sicily whose biographies do not contain the exploits of the Persian kings.

The similiarities I indicate lead to the conclusion that Herodotus must have written his Histories at the close of the 16th century. But this is extremely late, given that Herodotus is "the Father of History", so therefore all other "ancient" histories must have been fabricated even later. Yet, the founders of modern chronology - Scaliger and Petavius - laid their foundations also at the close of the 16th century and had the full corpus of ancient histories already at their disposal.

It seems to me that Fomenko has to address these inconsistencies, maybe in the forthcoming 5 volumes?

Another critique of their book is that the correspondencies between different rulers are often based on a superficial comparison of the biographies; upon a more thorough comparison many details appear that do not correspond at all.

Finally, the authors rely heavily on the works of Gregorovius (1821-1891!!) - his medieval histories of Rome and Athens - as the source of medieval history; these works are - at least in the West - hoplessly outdated and have been superceded by more up-to-date works (for instance, Julius Norwich's trilogy on Byzantine history is not even cited).

Romulus courts Helen, Paris founds Rome, Moses goes to Troy.........2005-07-30

If you agree with Fomenko that Roman chronology is basically the foundation of the entire edifice of global chronology; you would also certainly agree that despite its numerous gaps and inconsistencies, Roman history is the best-documented field of ancient history, and thus a reference scale. But how well is the actual date of the Eternal City's foundation known?

Firstly, Rome is supposed to have been founded by the Trojans who had to flee after the fall of Troy. Some claim Rome to have been founded by Aeneas and Ulysses shortly after Troy had fallen; others are of the opinion that there was an entire dynasty that ruled for 500 years between the fall of Troy and the foundation of Rome.

Well, that's just an innocent 500 years long misunderstanding compared with what heretic Fomenko says, asserts, proves in his second volume: Second Roman Empire, Third Roman Empire, Biblical Kingdom of Israel, Biblical Kingdom of Judah, Holy Roman Empire are stories about basically same events, written from different points of view at different times. The underlying events have actually taken place during xii-xv cy. These histories have been written and perfected by multitude of highly talented humanist and clerical writers of xiii-xvi cy disguised as "ancients" with glorious names like Homer, Pluto, Thucydides etc..Chronology 2.0 beta..

Historians are kindly invited to report the bugs.

The Architecture of the Italian Renaissance

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The Architecture of the Italian Renaissance
Jacob Burckhardt
Manufacturer: University Of Chicago Press
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Binding: Paperback

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ASIN: 0226080498

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"There may not be any book on architecture so delightful to dip into; one wishes there were a pocket edition to take on an Italian vacation—not only for its information and vision but for such pleasant reminders as that the citizens of Treviso carried Tullio Lombardo's friezes through the town in triumph before they were attached to a building."—D. J. R. Bruckner, New York Times Book Review

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great book!!!

Michelangelo: The Medici Chapel
James Beck , Antonio Paolucci , and Bruno Santi
Manufacturer: Thames & Hudson
ProductGroup: Book
Binding: Hardcover

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ASIN: 0500236909

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When Michelangelo left Florence for Rome in 1534, the Medici tombs were unfinished, but there was never any question of another sculptor being brought in to finish them. They were already icons of artistic perfection, which it would be sacrilege for anyone else to touch. That eminence they retain to this day. The two seated Medici dukes and the reclining figures of Night, Day, Dawn, and Dusk are among the most famous sculptures in the world, endlessly copied and universally recognizable. Yet however familiar these images are, this superb collection--160 pages of exquisitely printed photographs by a master photographer--makes it a revelation to see the originals. We are able to appreciate their forms and dwell on their details in an unprecedented way. Particularly now, since the tombs have been cleaned and restored, it is possible to imagine Michelangelo's chisel at work, and to marvel afresh at the sheer physical power that for his contemporaries made him almost superhuman. Accompanying essays by Bruno Santi, Director of the Medici Chapel from 1982 to 1992, and by the art historians Antonio Paolucci and James Beck, provide the historical background to the Chapel, essentially the Medici family's mausoleum, and explain how the concept changed over the fifteen years when Michelangelo was working on it. Originally envisaged as commemorating four members of the family, including Lorenzo the Magnificent, with a huge freestanding tomb, it was eventually confined to only two--who might now be totally forgotten but for their monuments. The little building that contains them is as important in the history of Mannerist architecture as the figures are in that of sculpture: indeed, no other location, not even the Sistine Chapel, captures the essence of Michelangelo's genius so intensely. 201 duotone illustrations.

Customer Reviews:

great book!!!.......2007-01-03

it's an amazing book!!! i've been to the medici chapel a few years back, and this book just made me miss that place so much!!! it's like going back there retracing the steps of the greatest artist of all times!!!

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An outstanding introduction
Armchair Guide to Renaissance Architecture
An accessible presentation for non-academics

The Architecture of the Italian Renaissance
Peter Murray
Manufacturer: Schocken
ProductGroup: Book
Binding: Paperback

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ASIN: 0805210822
Release Date: 1997-05-20

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"Well-illustrated, undeniably useful, Murray's book is truly welcome."
--Architectural Design

"Informed in content and concise in style . . . a perfect introduction to the architecture of the Italian Renaissance."
--Richard Stapleford, Cooper Union School of Architecture

A classic guide to one of the most pivotal periods in art and architectural history, The Architecture of the Italian Renaissance remains the most lucid and comprehensive volume available. From Leonardo, Raphael, Michelangelo, Palladio, and Brunelleschi to St. Peter's in Rome, the palaces of Venice, and the Medici Chapel in Florence, Peter Murray's lavishly illustrated book tells readers everything they need to know about the architectural life of Italy from the thirteenth through the sixteenth centuries.

Customer Reviews:

An outstanding introduction .......2006-11-12

For the layperson who is interested in the evolution of renaissance architecture, this is the book I would recommend. It is easy to read without swamping the reader with architectual jargon, while remaining informative. The abundance of illustrations and structural diagrams further help the understanding of how these buildings are important historically, as well as pointing out the artistic merits of them. Highly recommended, particularly for those visting Italy - it will clarify and deepen your understanding of renaissance structures.

Armchair Guide to Renaissance Architecture.......2001-03-17

This well-illustrated, tightly-crafted paperback is a pleasure to read. By well-illustrated I don't mean fancy. You won't find big color photographs, but you will see what the author is talking about. Murray is not only an expert on the subject; he's a good writer, and I know of no other book that so effortlessly leads the reader through the story of how the wonderful Renaissance architecture of Venice, Rome, and particularly Florence came to be. If you want to know WHY those churches and palaces look that way, and why it matters, this is your book. I especially recommend it to Florence-bound travelers.

An accessible presentation for non-academics.......2000-01-09

I am not an academic, so I cannot judge the accuracy or importance of this book from a historical perspective. I bought this book to help prepare for a trip to Tuscany and Umbria, and was pleasantly suprised to find it very readable and even difficult to put down. I am now more excited than ever to visit not only the famous sites such as the Duomo and Palazzi in Florence, but also lesser known sites such as Lucca's Palazzo dello Signoria and its Piazza and fountain, by the Mannerist Amanetti. I wish I had this book before my visit to St. Peter's in Rome, because the knowledge of the succession of architects and their circumstances would have made my visit even more rewarding, if that could be possible.

Sixteenth-Century Italian Art (Blackwell Anthologies in Art History)

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Sixteenth-Century Italian Art (Blackwell Anthologies in Art History)

Manufacturer: Blackwell Publishing Limited
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Binding: Hardcover

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The Agony and the Ecstasy

ASIN: 1405108401

Book Description

Sixteenth-Century Italian Art is a collection of 23 classic and recent essays on this important and transformative period. The book includes distinguished studies of Cinquecento painting, drawing, printmaking, sculpture, and architecture. Organized thematically, it introduces major topics and debates in the field. Several of the essays appear here in English for the first time.Complete with editorial introductions, the anthology presents a range of approaches recent historians have taken to sixteenth-century Italian art. Highlighting themes on which Italian Renaissance studies from the last half-century have focused, the book is ideal for introductory courses.

A Season of Giants: Michelangelo, Leonardo, Raphael, 1492-1508

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A Season of Giants: Michelangelo, Leonardo, Raphael, 1492-1508
Vincenzo Labella
Manufacturer: Little Brown and Company
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Binding: Hardcover

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L. Mark Taylor (Kingston, Jamaica)

The Architecture of the Italian Renaissance
Christoph Luitpold Frommel
Manufacturer: Thames & Hudson
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ASIN: 0500342202

Book Description

A landmark survey and analysis of Italian Renaissance architecture by an internationally renowned expert in the field.

The literature on Italian Renaissance architecture is vast, but every popular account is out-of-date almost before it is written. Once in a generation, however, there is a scholar who is a master of both the documentary evidence and the buildings themselves. In this new study, Christoph Luitpold Frommel, who has won a worldwide reputation through his contributions to specialist journals in Germany and Italy, distills his scholarship into a new synthesis that is both up-to-date and securely based on primary sources.

Avoiding the straitjacket of fashionable theory, he organizes the book traditionally by period and architect. Social context, technical innovation, and aesthetic judgment are all given due weight, with particular emphasis on the way in which each architect balanced individual inspiration with the accepted Vitruvian canon. Generously illustrated throughout with photographs, drawings, plans, and reconstructions, it brings into vivid relief the extraordinary flowering of architectural genius between the birth of Brunelleschi and the death of Michelangelo, a turning point in Western culture whose riches and pleasures prove themselves yet again to be literally inexhaustible. 290 illustrations.

Customer Reviews:

L. Mark Taylor (Kingston, Jamaica).......2007-03-05

Now six years into the 21st century we should demand a general book on the architecture of the Italian Renaissance, in English, worthy of our time. Unfortunately this is not it.
We have had classic books that have endured over generations and now are in need of revision and update, making room for more recent scholarship to assert itself and supplant these revered but outdated tomes. Books by Jacob Burckhardt, Peter Murray and Heinrich Klotz have dominated the English speaking market from the late 19th century until today.
This book by Thames and Hudson gives us little that is new and in fact almost mocks us with their contempt. For certain Prof. Frommel is knowledgeable and a master of his subject but this is not enough. My disappointment in fact is not directed so much at the author who has proven his worth (see contributions in "The Renaissance from Brunnelleschi to Michelangelo" published by T&H in 1994) but at the publishers. The promise of the cover photographs is not met inside the book, which has b/w photos throughout and insufficient drawings for a work on Architecture (and indeed no new ones).
Let us be clear, to experience the full polychromatic display of the interior of a renaissance palace is something never to be forgotten. We must therefore have full colour photos of the more important interiors of the Renaissance. Recent books reproducing the original drawings of masters of the past have understood that to copy them large and in full colour is to transmit the true majesty of the creation (books on Bernini's architecture and Leonardo's drawings amongst others).
Knowledge and scholarship are very important but publishing values are equally important. The bar must be raised. If the target audience is architects or architectural students then the books must have clear plans, sections, elevations, sketches and diagrams to illustrate the buildings (eg. why not incorporate some of Letarouilly,s drawings of Roman buildings). They must also be accompanied by the best photos (these should be colour photos wherever possible unless historic b/w photos better illustrate the point) of the whole or the part, sufficient to illustrate the point being made.
I suspect that for a work worthy of this century we need to tell the story in 2-4 large volumes and directed at the architect. The publishers and authors must do more work if they expect us to purchase their work and provide us with new, expanded and uplifting scholarship worthy of the 21st century.
For this project Konemann remain my publishers of choice as they have consistently proven that they can produce works of a very high standard at an affordable price, without dropping their standards.
Obviously I cannot recommend this book to potential purchasers especially not at the price quoted. I await the production in English of the definitive contemporary text(s) on the Architecture of the Italian Renaissance.

Cosimo de` Medici and the Florentine Renaissance: The Patron`s Oeuvre

Average customer rating:

The Medici again?
Cosimo and Renaissance Patronage
Beautiful and beautifully written
Nice cover

Cosimo de` Medici and the Florentine Renaissance: The Patron`s Oeuvre
Dale Kent
Manufacturer: Yale University Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0300081286

Book Description

This remarkable book is the first to examine all the art and architecture commissioned by Florence's leading patron of the fifteenth century, Cosimo de' Medici. These spectacular commissions, when viewed together, provide an entirely new picture of Cosimo, his point of view, his motivations and intentions as a patron, and the themes that permeate his oeuvre. "Kent's splendid book is a stunningly innovative treatment of the patronage of art by Cosimo de' Medici. She sets a new standard for studies of the Medici and indeed all cultural phenomena in Florence."-Brenda Preyer

Customer Reviews:

The Medici again?.......2002-02-02

As a distinguished historian of ancient science, Francesca Rochberg remarked, do we need another book on the Medici? I think not.

Cosimo and Renaissance Patronage.......2001-05-01

As an art history student working on a thesis concerning the patronage of the Medici family, I have found this monumentally intellectual work to be the best source of both information and explanation, articulately and interestingly stated. I have read at least 40 books, and many many papers written on this subject, none as well done as Ms. Kent. She looks at patronage from a completely different standpoint than almost anybody else has done and worked it beautifully. The fact that the spiritual feeling of the day has been understudied and overlooked and undervalued is very clear and makes the patronage of the Medici very understandable indeed.

Thank you so much Ms. Kent for making my thesis easier to write and giving me so much information I haven't found elsewhere. It is for a colleague of yours. If only I could be as articulate as you, I would be very happy indeed.

I highly recommend this book to any student of Art History who has an interest in the Renaissance.

Beautiful and beautifully written.......2001-03-11

This is a gorgeously illustrated and beautifully written exploration of Cosimo's patronage and the political, civic, and religious motivations for his many commissions. Highly recommended for anyone interested in the Renaissance or art patronage.

Nice cover.......2001-03-04

I'm one of Kent's students. The introduction is perhaps the most interesting of all: this is a woman who has an intimate knowledge of the Medici. Then again, this book reads like one big Tabloid newspaper: it is a collection of gossip between the family Medici the most powerful family in Renaissance Florence. The unsinkable Cosimo d' Medici wrote volumes of personal correspondence that was never intended to see the light of day. Except this book exposes the family.

Book Description

Princeton Architectural Press's Reprint Series was established in 1981 to make rare volumes on architecture available to a wider audience. The books' beautiful reproductions and finest quality printing and binding match those of the originals, while their 9-by-12-inch format makes them accessible and affordable. New introductions bring a modern voice to these classic texts, updating them to become invaluable contemporary resources. These critically acclaimed books are an essential addition to any library.

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