Fundamentals of Acoustics

Book Description

The classic acoustics reference! This widely-used book offers a clear treatment of the fundamental principles underlying the generation, transmission, and reception of acoustic waves and their application to numerous fields. The authors analyze the various types of vibration of solid bodies and the propagation of sound waves through fluid media.

Customer Reviews:

It implies mathematical background..........2007-06-16

This book is full of math and it is for scientist or engineer. If you are looking for good introduction into acoustics, get this Acoustics for producer and musician, includes SoundsAcademy Certification and it will put you on the track (literally). This book should be named "Mathematical foundation of acoustical science" or something of this sort. Because the name it bears is misleading for most of the shoppers.

Good book on the mathematics of acoustics for engineers.......2007-04-28

This book is aimed squarely at engineering students who want to learn the mathematics of acoustics. There is very little in the realm of standing back and asking "So what does this all mean?". From the very first chapter the author dives into deriving equations that use calculus, Laplace transforms, the Fourier series and transform, circuit analysis, digital filters, and the Z- transform as well as some differential equations. There are few examples in the book, but there are problem sets that expect you to understand the theory and math well enough to apply it numerically with more intuitive knowledge than is presented. It can be done, but you'll have to read carefully when doing the exercises to figure out how to get from A to B. If you are interested in acoustics this is probably an essential reference pertaining to the mathematical aspects of the science, but you'll need other books to get the big picture. I'd recommend the old Schaum's Outline of Acoustics by Seto as a companion to this book since it has lots of examples. Unfortunately, it is out of print and you'll probably have to hunt for it.

An excellent textbook.......2004-12-06

This is a classic engineering text on acoustics for upper division college students. It first appeared in 1950. And now it is back fifty years later in a fourth edition. In the meantime, the original two authors have passed away. However, Coppens and Sanders have done a fine job in keeping the book up-to-date.

Plenty of exercises have been added, and answers to many odd-numbered problems are in the back of the book. I think it is an excellent introduction to the field (yes, I expect you to have studied calculus and differential equations as an underclassman). It's my favorite of the classic engineering acoustics textbooks.

Two new chapters have been added in this edition, one on nonlinear acoustics and the other on shock waves. That's a very good idea. If I were teaching an acoustics class with an earlier edition of the book, I'd refer students to Landau Volume 6 (Fluid Mechanics) to get some of this missing information.

Actually, I wish the authors had added a couple more chapters, one on ultrasonics and another on instruments of music. That still would not cover all of acoustics, but I feel these topics are fairly important.

Anyway, I really like the book, and I'd be happy to teach a class using it.

Not an introductory text.......2004-06-17

This text in not an introductory work, it is geared toward upper division college or graduate level engineering work. By this I am referring to the math level in the book. If you are not willing to work with partial differential equations, integrals, dot products, cross products and dell operators stay away from this book, it is intended for engineering students and not for audio, broadcast, or film students looking for a greater understanding of sound/acoustics.

Here is a list of the chapters:
Fundamentals of vibration; Transverse motion - the vibrating string; Vibrations of bars; The two-dimensional wave equation: vibrations of memberanes and plates; The acoustic wave equation and simple solutions; Transmission phenomena; Absorption and attenuation of sound waves in fluids; Radiation and reception of acoustic waves; Pipes, cavities, and waveguides; resonators, ducts, and filters; Noise, signal, detection, hearing, and speech; Environmental acoustics; Architectural acoustics; Transduction; Underwater acoustics.

OK, but better texts available.......2003-04-30

Personally, I was disappointed by the fourth edition of this venerable text, for it has become increasingly mathematical and problem oriented. If you like sitting down and whiling away your afternoon with a problem set -- this is the text for you. But if instead you wish to study acoustics through a pedagogical method that is more verbal and graphical in nature -- better texts are available.

Indeed, in my opinion, prior editions (1950, 1962, 1981) of this same text are superior, particularly the second edition. Although these too have their share of integral calculus and complex algebra, the quantity is more appropriate for a discipline that is mostly science and engineering but with aspects of art to it as well.

Bear in mind that aside from a few specialized areas -- like ultrasonics and its use in non-destructive testing, or the use of digital processing in sound generation and analysis -- little new has come about in the field of acoustics since World War II. Thus unlike with most fields of science, there is no necessity to have the most modern texts to gather a wholly modern understanding of the field.

Indeed, I recently examined almost every text relating to acoustics contained in the circumferential stacks of the Barker Engineering Library under the Great Dome of M.I.T. (and sadly, there aren't as many texts as one might hope). I was surprised both at the age of most volumes in the collection -- and the fact that most had not been checked out of the library in years.

Indeed, from the "Date Due" slips in the back, you could see the field was very popular in the 1960's and 1970's, but popularity seemed to wain in the early 1980's -- approximately contemporaneously, curiously, with the introduction of the digital CD format of audio recording.

By the mid-1990's, at M.I.T., at least, interest in acoustics among faculty and students seem to have declined precipitiously, if the popularity of library texts and the quantity of student theses published in the field is any indication.

Of all the general texts on acoustics that I examined -- to me, one clearly stood out above the others. It was published in 1957 by the lead acoustical scientist at the RCA Research Laboratories in Princeton, New Jersey, Harry F. Olsen, Ph.D. It is entitled, "Acoustical Engineering", although it contains all the fundamental science as well. This text was reprinted in 1991 and is currently available.

Olsen's work is surely a magnum opus, comprising 736 pages and 567 illustrations. It has its fair share of math, but the concepts are often additionally explained through well-crafted line drawings, showing, for example, wave forms drawn in progressive fashion in serial graphs, some of which are designed so that one can even mentally rotate the graphics to gather a three-dimensional perspective. Furthermore, the graphs are often supplemented by equivalent mechanical and electrical analogs, to further assist in understanding.

Best of all, Olsen explains virtually everything acoustical you would ever want to know, from theories of acoustical wave propagation, to an enormous variety of loudspeaker designs, to the mathematical reasoning behind Johann Sebastian Bach's tempered tuning of musical instruments, an artistic practice that is almost universal today.

Book Description

From one of the world's leading acoustics experts, this nuts-and-bolts book offers complete instructions and guidance for building your own inexpensive sound studio. Anyone with a discerning ear and a modicum of electronics skills can follow the clear plans for 10 designs, which include a voice-over recording studio; recording studios for modern, classical, and rock music; a home theater; small announce booth; control room; and music listening room. All projects are fully illustrated and accompanied by complete part lists.

Customer Reviews:

Pretty comprehensive.......2007-01-09

This book is useless if you already own "The Master Handbook of Acoustics" by the same author. However as the title suggests it's all about being on a budget, which it explains fairly well. If you are building a projects studio in your house for example..this is a must read.

Too technical for and audio "engineer"?!? LOL.......2006-04-27

This book is an update of Everest's classic "Acoustic Design for Home and Studio". It is great for what it is. For more capable types, Everest's "Master" book is more complete. This one has the basics. For those who thought this is too technical, I wonder how they expect to deal with the other aspects of audio engineering. Just knowing how to twist a knob is not a path to excellence.

In actuality this is a well written, very direct primer, starting with very basic physics, and leading to easy design engineering. It's not hard to calculate, design, finance or construct good acoustics, and the payoff is huge. It does require a modest amount of work, and calculations to get good data. Remember: "Garbage in, garbage out." Acoustics control your recording and playback. This book will give you a fighting chance.

too technical.......2004-09-25

if you are on a financial budget, you are likely on a time budget, and this book can be a time sucker. it reminded my of my high school trigonometry book. I didn't spend much time with that, either. To the defense of the writer, my friends in the business who actually know what they are doing, swear by this guy and his books. I, however, am just trying to make a room in my house sound a little better, and could care less to know about the science behind it any more than I care about the science behind a combustion engine while I'm driving. I recommend 'basic home studio design' by paul white. simple, small, easy, the minimum that you need to know- but as much as i think 90% would need.

WAAAAY TOO TECHNICAL.......2002-07-25

Too much time spent on the mathematics of sound transfer and acoustics. Not enough on how to build the studio. Could not find a "complete parts list" for any of the plans. This is not for someone looking to build a simple studio. Very technical and boring.

great advice, but dont stop here.......2001-11-06

as another reviewer says, this appears to be the previous edition of what is currently titled "how to build a small budget recording studio....". also, as another reviewer has noted, you dont have to read it in order -- each example project its its own chapter with its own self-contained presentation. each example does stress diffferent design goals that translate to different acoustic treatments.

its a little annoying that every page seems to be an advertsemen for an rpg product. this is mitigated by the author's inclusion of journal and patent references that tell you everything you need to know to build these treatments yourself if you like. or if your budget doesnt allow for the beautiful wood forms from rpg, just take the keywords and run -- diffusor, absorber, abfussor -- and its easy to find someone besides rpg that makes the things using less expensive materials.

Book Description

Comprehensive, up-to-date coverage of principles, materials, and technologies

Architectural Acoustics provides the vital information that architects, engineers, and all concerned with the built environment need to control and direct wanted or unwanted sounds within and around buildings. A team of internationally recognized experts presents the very latest information on acoustical materials, technologies, design criteria, and methods for a wide variety of applications, including airports and other transportation facilities; theaters, churches, and concert halls; classrooms, lecture halls, and libraries; music practice rooms and recording studios; sports venues; and all types of residential, commercial, and industrial buildings.

This comprehensive reference is one of the few books of its kind to include richly detailed case studies that demonstrate real-world applications of acoustic principles, materials, and methods. Nearly two hundred photos and illustrations further elucidate specific principles, applications, and techniques.

Topics covered include:
* Basic principles of architectural acoustics
* Acoustical materials and methods
* Building noise control applications

Customer Reviews:

Masters Student textbook.......2005-09-15

This book was so advanced and technical that it was almost entirely useless to me. It is clearly for an advanced sound technician, someone who is going to be building concert halls and what not. I was looking for something with information on building a sound studio for a client. Too technical, too advanced. If your teacher doesn't require it, why the hell would you buy it. I gave it a 2 because someone will make use out of it somehow, someday, somewhere...i guess.

Good reference with case studies.......2000-05-12

Hi! I have this book and think that it is a very very good book and very atualized about architetural acoustics because it brings not only the principles of acoustics but a lot of case studies of some famous places with ilustrations, wich are a good reference of the aplication of the design for a acoustical place. And brings too a section about the recent innovations in acoustical design and research. This book and David Egan's Architectural Acoustics makes a perfect couple for architects and other people who wants a good knowledge about acoustics in architecture. I really recommend.

Average customer rating:

Very useful.
Essential resource!
One of the best practical aproaches to studio design
Extremely clear and helpful book!
building a recording studio

Building a Recording Studio
Jeff Cooper
Manufacturer: Synergy Group
ProductGroup: Book
Binding: Plastic Comb

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ASIN: 0916899004

Book Description

From one of the world's leading authorities on acoustics and studio design comes this comprehensive guide to designing and constructing a world-class recording space on any budget! Building a Recording Studio includes everything from the principles behind acoustical design to tips on choosing the right construction materials. Author Jeff Cooper, who has designed studios for George Lucas and Steven Spielberg, guides you through all the relevant aspects of the process in an easy-to-understand and thorough style. Whether you want to build a new studio space or just soundproof an existing room, this book is the place to start! Jeff Cooper is one of the world's leading authorities on studio design and construction. After earning four degrees from the Massachusetts Institute of Technology, he started Jeff Cooper Architects in 1976. As head of his firm, Cooper has been an acoustical consultant and architect for some of the most state-of-the-art studios ever constructed. Cooper's clients have included Polygram, Capitol, EMI Records, MCA Universal, and Warner Bros., as well as Steven Spielberg, George Lucas, and Francis Ford Coppola.

Customer Reviews:

Very useful........2006-03-09

In my opinion this is a good book. Helps you solve some problems of existing acoustical environments and provides great info on building rooms "from the ground" as well.
Now, the author him self says that going deeper on some stuff is beyond the scope of the book, but I think a little bit more wouldn't hurt.
Other aspects are it is really easy to read and have some nice drawings of every detail approached by the text. That helps you with ideas to be developed.
I think that this is a very good book for anyone seeking basic reference to rely on.

Essential resource!.......2006-02-25

Jeff Cooper "nails" every relevent topic on the construction of a modern recording studio. Not for the faint of heart (or wallet) as these construction tecniques are hardly ever followed in today's home studios. But at the least, you'll know how to do it right and why the real built-up studios should get the big bucks!

One of the best practical aproaches to studio design.......2004-01-24

After reading lots of boring Acoustics books, I had already given up on finding a book with "PRACTICAL" advice on how to build a studio. The only negative point about this one is that maybe it is a bit scarce on contents (only 200 pages)... Once read the book, one wishes it had a sequel!

Extremely clear and helpful book!.......2001-03-28

As someone unfamiliar with construction techniques, this book was a god send to me. The writing is clear and straightforward, and it contains a series of easy to understand illustrations showing construction details. From my simplistic laymen's perspective, I can say that after reading this book, I was able to have intelligent and informed conversations with architects and contractors regarding my studio. I'm sure readers who know how to swing a hammer will feel prepared to do a lot more than just talk.

building a recording studio.......2000-11-01

This book was excellant. I have read many studio books- this one takes a few extra steps to setup a more professional envirionment then just converting a garage. I am in my 4th phase-building a house with an addition for the studio; and used this book for development of the floor plan

Architectural Acoustics (Applications of Modern Acoustics)

Average customer rating:

Very Nice
If you only buy one book on architectural acoustics......
Looks like a new classic on Architectural Acoustics
Professional Review

Architectural Acoustics (Applications of Modern Acoustics)
Marshall Long
Manufacturer: Academic Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0124555519
Release Date: 2005-06-27

Book Description

Architectural Acoustics presents a comprehensive technical overview of the field at a level suitable for working practitioners as well as advanced undergraduate or introductory graduate architecture or engineering course. The book is structured as a logical progression through acoustic interactions. Beginning with an architectural history, it reviews the fundamentals of acoustics, human perception and reaction to sound, acoustic noise measurements and noise metrics, and environmental noise. It then moves into wave acoustics, sound and solid surfaces, sound in enclosed spaces, sound transmission loss, sound transmission in buildings, vibration and vibration isolation, noise transmission in floor systems, noise in mechanical systems, and sound attenuation in ducts.

Chapters on specific design problems follow including treatment of multifamily dwellings, office buildings, rooms for speech, sound reinforcement systems, rooms for music, multipurpose rooms, auditoriums, sanctuaries, and studios and listening rooms. While providing a thorough overview of acoustics, it also includes the theory of loudspeaker systems and sound system modeling as well as an in-depth presentation of computer modeling, ray tracing and auralization. It will be particularly beneficial for architects and engineers working in fields where speech intelligibility, music appreciation, and noise isolation are critical.

* Comprehensive guide to the basics of acoustical science and its applications to architectural design.
* Author is renowned expert engaged in acoustical engineering for 20 years
* Covers the latest environmental regulations and health and safety research related to sound inside and outside of buildings.

Customer Reviews:

Very Nice.......2007-01-10

The ultimate guide to architectural acoustics covering many topics in a single and nice priced book, It has everything covered and explained to a good level, my only complain is that only basic measurement techniques are explained. However it is a great complilation of knowledge in a single package.

If you only buy one book on architectural acoustics.............2006-08-22

In his preamble the author refers to the fact this book took him more than 10 years to write. Given the level of detail and the comprehensive nature of this book, this is not surprising.

There may be better acoustical books available relating to specific niches of acoustics, such as Beranek and Barron's works on concert halls and there are certainly more simple introductions to the subject, such as Egan's book of the same name, but for anybody who doesn't mind grappling with some mathematical equations, this is definitely the best and most comprehensive book on this subject of the 15 or so that I possess.

Like the author, I am also a practicing acoustical consultant and a lecturer in this subject. It's probably splitting hairs, but I suspect that my architecture students might not respond well to this book due to the fact that the illustrations are generally limited to fairly simple black and white drawings and the mathematical approach may intimidate some, but for other acoustical consultants and engineers interested in the field of building acoustics, I would definitely recommend this text.

Looks like a new classic on Architectural Acoustics.......2006-08-12

I just received my copy, and have yet to dive into. However it appears up to date (2006) in that it covers modelling and auralization concepts. The scope of the book is expanded compared to Eagan's excellent text. Take a look at the table of contents on line for an idea of the topics.

It appears to be well written. The mathematics of sound are covered. This should be a standard reference text for a general knowledge of architectural acoustics.

July 2007 - I use this book as one of my primary references. It has excellent breadth and detail.

Professional Review.......2006-07-03

I have a copy of Long's Architectural Acoustics and have read a number of sections. The book is remarkably complete and Long has correctly embodied current literature. I recommend it for professionals and architects who have some mathematics. Leo Beranek

Average customer rating:

Great Book

Room Acoustics
Heinri Kuttruff
Manufacturer: Taylor & Francis
ProductGroup: Book
Binding: Hardcover

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ASIN: 0419245804

Book Description

This thoroughly revised and long awaited new edition of a classic text builds on the success of the 1991 third edition. Kuttruf considers the theory and practice of sound behavior in closed spaces; a key area for acoustical engineers worldwide. It is of particular interest to those working on auditoria and will therefore stand as an excellent complement to Barron's Auditorium Acoustics. This new edition includes important new material on the growth of digital technology and sound intensity.

Download Description

This book considers the theory and practice of sound behaviour in enclosed spaces; a key area for acoustical engineers worldwide. Of particular interest to those working on auditoria.

Customer Reviews:

Great Book.......2003-02-06

This is the book to own for your acoustical reference manual. This one belongs on your shelf.

How to Build A Small Budget Recording Studio From Scratch : With 12 Tested Designs (TAB Mastering Electronics Series)

Average customer rating:

Should be for construction engineer
Not very helpful
Thank you for your help
Not helpful at all.
New edition, good!

How to Build A Small Budget Recording Studio From Scratch : With 12 Tested Designs (TAB Mastering Electronics Series)
Michael Shea
Manufacturer: McGraw-Hill/TAB Electronics
ProductGroup: Book
Binding: Paperback

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ASIN: 0071387005

Book Description

* 12 proven designs for building inexpensive, yet effective, audio studios
* Covers basic acoustic theory, construction materials, and applied design
* New chapters on blueprint reading and electrical wiring and grounding methods, expanded coverage of materials and construction methods

Customer Reviews:

Should be for construction engineer.......2007-01-15

I thought it was going to cover the entire aspects of the recording studio including the suitable equipments, unfortunately it was just directed toward the construction. I'm not the construction engineer so why would I care too much on the details. I think basic theory on the construction is enough and more elaboration is needed for the furniture and equipment selection.

Not very helpful.......2004-07-14

This book was a big disappointment. I was hoping for detailed instructions for the construction of a studio, and what I got was a refresher course in Acoustics 101. The book has a lot of theory which could be helpful to someone that doesn't already know about diffusion, absorbtion and reflection of sound waves. What it doesn't have is room dimensions, angles of walls, or decent illustrations. The illustration for a garage multi-track studio was literally a line drawing of a square with a bisecting line across the corner signifying what would be a disfunctional control room. If you're not ready to build a studio and want some good information on room modes and acoustics, this is a good enough book. If you want to apply these principles and actually build a studio, there are better instructions on several free websites.

Thank you for your help.......2004-07-07

I used this book as a reference to build a private studio where I record the CDs for my label. It sounds great, reverberation is under control and low, over the whole spectrum. And it cost me HALF of what I'd expect. I used two regular doors instead of a professional grade studio door (I got this money saving idea in this book), I designed my air condinioning using his ideas (it is quiet and has no sound leakage), the cables go into the recording booth using ideas that I found here. The studio has been in operation for four years and everybody loves the sound. I can't praise it enough. My label's web site is outrosdiscos.com.br in case you want to know what was recorded here.

Not helpful at all........2001-10-09

For example, the only help this book give you as far as treating the acoustic of a project studio is to tell you to buy a certain particular brand, RPG, and get 4 of their bass traps, 4 of their absorbant panels and 2 diffusors, and where to place them. No different option is discussed, no alternative....

And when you find out that this option amounts to around $3,000.00, and the author concludes: "this option represents the very minimum defense against the effects of early reflections, the minimum of bass absorption and the minimum of rear-wall diffusion. Much potential improvements remains."....you start wondering about the "budget" he's talking about in the title.

I wish he'd mention the fact that a couch or a love seat make for a great bass trap, that pannels of 703 or 705 fiberglass covered in burlap fabric make much greater absorbants than foam for much cheaper, and that a cluttered shelve makes for a great diffusor....

The rest of the book is filled with mathematical equations and tables and graphs that lack some clear explanations. The book is discouraging at best, boring and not reflective of it's title.

New edition, good!.......2000-04-29

I own a previous edition. I read it very carefully. The book is very useful, if we understand the word. I mean that if you want to build a Recording Studio, fast cheap and easy, read this book. There were serious incongruences in the previous edition I hope to find renewed in this one. For example, the cutoff frequency value, which in the Master Handbook of Acoustics is set to a certain value, in this book has another value! both books have been authored by Mr. Everest. I will try this new edition and more comments will come up. Anyway, buy the book. If you use the recommendations given by Mr. Everest, you will earn money.

Spaces Speak, Are You Listening?: Experiencing Aural Architecture

Average customer rating:

An interim review...
Spaces Speak - review

Spaces Speak, Are You Listening?: Experiencing Aural Architecture
Barry Blesser , and Linda-Ruth Salter
Manufacturer: The MIT Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0262026058

Book Description

We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and "hear" the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social relationships are strongly influenced by the way that space changes sound. In Spaces Speak, Are You Listening?, Barry Blesser and Linda-Ruth Salter examine auditory spatial awareness: experiencing space by attentive listening. Every environment has an aural architecture.

The audible attributes of physical space have always contributed to the fabric of human culture, as demonstrated by prehistoric multimedia cave paintings, classical Greek open-air theaters, Gothic cathedrals, acoustic geography of French villages, modern music reproduction, and virtual spaces in home theaters. Auditory spatial awareness is a prism that reveals a culture's attitudes toward hearing and space. Some listeners can learn to "see" objects with their ears, but even without training, we can all hear spatial geometry such as an open door or low ceiling.

Integrating contributions from a wide range of disciplines--including architecture, music, acoustics, evolution, anthropology, cognitive psychology, audio engineering, and many others--Spaces Speak, Are You Listening? establishes the concepts and language of aural architecture. These concepts provide an interdisciplinary guide for anyone interested in gaining a better understanding of how space enhances our well-being. Aural architecture is not the exclusive domain of specialists. Accidentally or intentionally, we all function as aural architects.

Customer Reviews:

An interim review..........2007-06-14

A very engaging, wide-ranging look at the aural environment from many perspectives: cultural, historical, architectural, physical, sociological, political and more. The authors explore many of the deep and often times not-so-obvious connections and influences in an unusual, informative and refreshingly multi-disciplinary approach. Even though covered topics are broad in scope and complexity, the book is written in an easy and engaging conversational style that is neither academically stodgy nor technically overwhelming. But neither does it attempt to simplify the subject into shallow triviality.

Unlike many modern-day science popularizations, this book is not a simple distillation of some lofty academic field. Rather it is at once the introductory text, the major body of research and a pointer to even wider exploration of the a heretofore under-explored and under-appreciated topic. There's plenty of new and useful material here for the professional practitioner in a number of disciplines. At the same time, the entire book is accessible to the casual reader, the neophyte. No chapter or paragraph need be avoided by any reader: all are carried along with the narrative: none are left behind.

Personally, I have read book in out-of-order pieces as my busy schedule allows, without the feeling that I really should have read it in a more disciplined fashion. Rather than having to read other sections out of sheer necessity, I've gone back to fill in the holes more out of curiosity and interest.

If you want to understand the intimate connection between humans and the aural space they live in, there is no better place to find it than this book. If you're looking for a new model of understanding of a complex topic through an truly broad, interdisciplinary approach, this book is the best model I know of.

It's difficult to recommend it to highly.

Spaces Speak - review.......2007-06-12

Very interesting and new thinking about that sound around. Recommend for sound engineers, acoustic design architects, musicians and people who love music and/or are interested in the aural spaces abounding. Do you like John Cage, Terry Riley, ee cummings? Can you sing the sound of one _ _ _ _ _ _ _ _ _ _ _ _?

Architectural Acoustics (J. Ross Publishing Classics)

Average customer rating:

best introduction to architectural acoustics
Use This Book!
Excellent book for architects
Must have
Excellent source for beginner and professional

Architectural Acoustics (J. Ross Publishing Classics)
M. David Egan
Manufacturer: J. Ross Publishing
ProductGroup: Book
Binding: Paperback

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ASIN: 1932159789
Release Date: 2007-01-23

Product Description

Authored by David Egan, one of the foremost authorities in the field of architectural acoustics, this architecture classic presents in a highly illustrated format the principles of design for good hearing and freedom from noise in and around buildings. The more than 540 illustrations are not merely supplements to the text but serve as the core of the basic principles of sound and hearing, sound absorption and noise reduction, sound isolation and criteria for noise, control of HVAC systems noise and vibrations, auditorium acoustics design, and electronic sound systems. Architectural Acoustics is a must have for architects, interior designers, engineers, consultants, students and all others concerned with the design and construction of buildings. An unabridged J. Ross Publishing republication of the edition published by McGraw-Hill, New York, 1988, 448pp. Key Features - Offers more than 540 illustrations to visually explain basic acoustic engineering principles with complete clarity and tables of engineering data that further enhance understanding and the usefulness of the text - Contains many valuable checklists of design aids, data tables of sound absorption and sound isolation properties for a wide variety of building materials - Presents case study examples of common problems and step-by-step practical solutions - Provides handy access to useful formulas, a metric system conversion table, a summary of common building acoustics terms, and extensive references

Customer Reviews:

best introduction to architectural acoustics.......2007-08-15

Even after having collected and read quite a few of the modern textbooks on architectural acoustics, Egan's Architectural Acoustics (1988 hardback edition in my case) still stands as the most accessible first foray into the subject. I frequently use this book in my consulting practice when I need to illustrate a fundamental concept, such as sound isolation, auditorium shaping, or the basic acoustical conditions necessary to support various styles of music. Even though the binding has mechanically failed, I have not yet been able to bring myself to part with the book long enough to have it rebound. Perhaps the new softcover binding will actually hold up better to repeated reading, as this book will surely receive and deserve!

Use This Book!.......2000-11-12

Since first encountering Egan's text a little more than 20 years ago, I've continued to return to it for solid information. Complex material is presented in a way that allows me to apply it to unique conditions at hand. Some of the world-class acoustics consultants with which we've had the privilege to work rely on Egan to help communicate complex ideas. Without compromising too much real technical nuance, the ideas are so clearly communicated that I was able to offer the book to members of a church in eastern Europe working to improve the condition of their worship space.

Excellent book for architects.......2000-09-01

I am an acoustical consultant... I have read a lot of books onarchitectural acoustics. I found this book unique of its kind. The concepts are introduced by plenty of figures and illustrations with informative text that make the discussed subject easy to read and comprehend especially by the architects. Writing on the figures and using checklists added a lot of understandibility. Also the text itself is informative and directly address the subject. In other words, the book is excellent and comprehensive.

Must have.......2000-05-12

I'm a architecture student and I think this book is like a bible of acoustics in architecture. It brings detailed info for designing places with good acoustic performance whit various technics and for the most different type of places like a simple residential to auditoriums and concert rooms. I have other acoustics books (like William Cavanaugh's) and they always make mention to David Egan's book. If you're in search on books about architectural acoustics, I think that must be the first one to buy. It's a must have in any architect biblioteque.

Excellent source for beginner and professional.......2000-05-04

A really excellent introduction and overview of architecturalacoustics from the point of view of an architect. Little in the way ofmathematics, excellent illustrations, very useful tables, a convenientlist of often used formulae in the back. The best book I know of for an introductory textbook. I use this book often. Topics covered include:

Basic Theory Sound Absorption Room Acoustics Sound Isolation Mechanical System Noise and Vibration Electronic Sound Systems

Book Description

This illustrated guide to 100 of the world's most important concert halls and opera houses examines their architecture and engineering and discusses their acoustical quality as judged by conductors and music critics. The descriptions and photographs will serve as a valuable guide for today's peripatetic performers and music lovers. With technical discussions relegated to appendices, the book can be read with pleasure by anyone interested in musical performance. The photographs (specially commissioned for this book) and architectural drawings (all to the same scale) together with modern acoustical data on each of the halls provide a rich and unmatched resource on the design of halls for presenting musical performances. Together with the technical appendices, the data and drawings will serve as an invaluable reference for architects and engineers involved in the design of spaces for the performance of music. Leo Beranek is an internationally recognized authority in acoustics who has consulted on the design of dozens of important auditoriums around the World. He has received the highest honors of the Acoustical Society of America and of the Audio Engineering Society and has just been awarded the US National Medal of Science at the White House (Oct. 2003). Advance praise for Leo Beranek's "Concert Halls and Opera Houses: Music, Acoustics, and Architecture" 2nd edition — PHILIP GOSSETT, PROFESSOR OF MUSIC, UNIVERSITY OF CHICAGO Given the many controversies surrounding the acoustical properties of concert halls and opera houses, it is a relief to be guided by someone who is both a scientist and a devoted listener. Here, the mysteries of acoustics seem less intimidating: we come to understand why music sounds the way it does in various performance spaces, and what we can do about it. It's a terrific book! I. M. PEI, ARCHITECT, NEW YORK[This book] provides an invaluable reference for the understanding and design of music facilities. JOHN WILLIAMS, COMPOSER AND CONDUCTOR, LOS ANGELESDr. Beranek has created a comprehensive and fascinating study of 100 of the world's halls for music. Visiting each of these venues would be a great delight and a marvelous adventure, but such being impractical, this great book is the next best thing. All lovers of music, acoustics, architecture, and travel will enjoy this unique work.

Customer Reviews:

Deeply interesting .......2006-09-29

The author of this book greets us with an endearing smile on the back flap of the dust cover, and has every reason to. Imagine spending a significant part of your life touring concert halls and opera houses all over the world, sitting in on concerts (often changing seats in the course of the program), in order to assess the acoustic properties of the venue at hand. Fortunately, dr. Beranek has been kind enough to lay down his findings in this scholarly yet enchanting book. It offers invaluable insights into the workings of acoustics and the many factors that determine a hall's aural properties. It does so by elucidating the general principles of acoustics, and by addressing topics like building materials, hall shapes, balconies, etc., separately. But the bulk of the book is taken up by a kind of gazetteer describing in detail 100 concert halls and opera houses from around the world. Each of the descriptions includes data on all significant hall properties, as well as plans, cross sections, and (black and white) photographs looking from the auditorium towards the stage and vice versa. Yet you need not fear a dry, scientific inventory; on the contrary: the writing is never anything less than engaging, and the author never forgets that in the end it is all about the joys of music, which he clearly savours himself. The text is strewn with anecdotal quotations from conductors, players and reviewers alike - the author is acutely aware that a hall's reputation rests as much on the writings of critics and the overall audience experience as it does on quantifiable acoustical qualities. For those who like hit parades, yes, there is a top 20, though dr. Beranek is too much of a scientist to present it without heaps of caveats (though it is clear throughout the book that Boston Symphony Hall is his acoustic Walhalla).
Of course, a book like this can never be quite complete, and though I encountered the two halls I'd expected to see from my own country (the Amsterdam Concertgebouw again featuring as one of the world's top three), I was inevitably slightly disappointed to see my own town's hall disregarded, even though it is generally acknowledged to surpass the Concertgebouw when it comes to classical and early romantic repertoire. In a more general sense, the question is how random the selection was. You will find all the great halls you would expect in a survey like this (though Russia is conspicuously absent), but like me many readers are bound to be aware of hidden gems undiscovered (or at least unaddressed) by Beranek. London and Japan seem to be disproportionately represented (no less than 9 Tokyo halls are listed!), nor did I find all the US entries equally compelling (one wonders also why all countries are listed alphabetically, but after the US?). It should be noted, too, that the images serve to give a general impression of a hall, but are mostly of moderate quality, and sometimes quite bad. Finally, and then I'll stop complaining and resume the praise, opera houses are very much underrepresented and almost seem like an afterthought; they might as well have been left out, the focus is clearly on symphonic concert spaces.
None of this detracts in any significant way from the wonders of this unique book, which is, by the way, beautifully produced, featuring smooth, glossy paper. Whether an acoustic scientist, a regular concert goer or an architecture buff, this book will be fascinating reading for you. It may, indeed, even help you select the best available seat when you're booking a ticket in a hall you've never visited before (avoid those three back rows on the Boston Symphony Hall middle balcony!).

great book.......2006-08-06

FYI - I just wrote a review of the book and it got lost in cyber space. So this is my abreviated second attempt.

1- This is more thorough than Auditoria by Forsyth. It is focused soley on acoustics of the spaces, not the architecture.
2- There are 18 to 21 acoustic metrics reported for each of the halls.
3- The last sections on acoustics of concert halls and opera halls is up to date and discusses key concepts & criteria in realtion to existing facilities.

The appendices are wonderful. Appendix #2 lists additional acoutical data that is availble on the concert halls reviewed in earlier chapters. Typically this additional data inlcudes RT by octave, and may include ITDG, G (strength) & IACC.

Classic Acoustical Reference.......2006-07-20

This is a classic reference for students and practitioners working in the field. It is the most complete compendium available of acoustical and architectural data on concert and opera halls throughout the world. Each building is meticulously detailed with photographs, line drawings and technical data.

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