Book Description
Whoever said “Everything old is new again” could have been talking about French Pompadour Style. The flamboyant, opulent, refined aesthetic—so characteristic of the eighteenth century—has enjoyed a spectacular revival in recent years. In The New Eighteenth-Century Style, journalist Michèle Lalande and photographer Gilles Trillard, both experts in the field of interior décor, survey 30 examples of this quintessential blending of exquisite detail and ostentatious affluence. From lush velvet upholstery to the emblematic use of turquoise with gold accents, these perfectly captured interiors beguile the reader with well-worn extravagance. In an era of “shabby chic” the more refined, more pristine accents of Pompadour may be just what the world of interior décor needs—and this beautiful book provides an indispensable guide.
Customer Reviews:
Love that shabby chic French style!.......2007-06-01
An absolutely smashing book, full of details. After all, it is the details that make the room finishesd and unique. This is a classic look in my way of thinking, but then again, it is my style! A decorator by trade, I am always open to new concepts, and I found the book to offer many different perspectives on the same style, pages after pages of them. Excellent book layout and design, and wonderful photography.
Lovely book.......2007-04-04
I'm an artist & antique collector and not an interior designer by trade, so I am totally enjoying this book. I find it to be a lovely book full of great photography and many interesting details to spark one's imagination. Regardless of the fact that all the styles are not necessarily my own taste, the book as a whole is great fun to look at and I found it inspiring. Each time I looked at a room, I found some new little detail that I'd missed the first time around. It made me itch to re-vamp a room, stat, and I consider anything that inspires me or makes me feel creative money well spent.
Dangerous Liasons.......2007-02-09
This is a pretty, pretty book with lots of great stuff to look it, lots of interesting vignettes. It's French shabby, chippy _hit, uh, I mean chic. This was a great trend in the mid 1990's here in the USA before Rachel A. made shabby and chic a brand. Big style on a budget using detrius no one wanted. And it was cheap back then. Just took a can of white paint to chic up everything.
These French 18th century and 18th century inspired objets in this book, are not cheap. They are shabby and they are beautiful. The vignettes look like the Broadway stage set for the play Dangerous Liasons - decay, messy, artful, romantic, monochromatic and mad.
Like many decor books, the vignettes are impossible to see as life like - like does anyone really live in these vignettes. Still, they are beautiful to look at. The new 18th century style is a little like the new emperor's clothes. Smoke and mirrors to the highest degree of accomplishment. Get this book for the fun of it.
Fabulous Book! .......2006-11-18
If you're style is that of a Paris flea market, the bazaar in Bombay or a eclectic old shop somewhere in Eastern Europe, you'll love this book. Great photography; the individualism of each space comes through with color and texture. My new favorite. The highlight is more photos of the Stockholm attic apartment, which is a true style icon.
French Flea Market (if you like that look).......2006-11-02
More like Madame Pompadour is probably rolling over in her grave. I hope to goodness gracious that this isn't the new 18th century style. If you like 18th century style on a seriously tight budget then you may enjoy this book. It's full of pages of colorless 'schemes', seriously abused furniture and icy cold lighting. Was it all photographed in rooms with Northern exposure? The editors of Veranda will love this book. I am an interior designer who collects period 18th century furniture and art. I have truly studied 18th century furniture, decorative arts and customs for years and this is a popular look although I find it horribly depressing. On the positive side - the photography in this book is very well done. If you like French flea market 'junk' then you'll love this. I gave it a 4 vs. a 2 because the quality of the book is excellent and the photography is excellent but much of my disdain for this book is from this horrendous & prevalent style that I wish would go away.
Average customer rating:
- FRENCH BY DESIGN
- Should you buy French By Design?
- Beautifully presented.
- Brilliant, Great Sense of Design, a Visual Delight
- France, American Style
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French by Design
Betty Lou Phillips
Manufacturer: Gibbs Smith, Publisher
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Similar Items:
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Unmistakably French
-
Provencal Interiors: French Country Style in America
-
French Influences
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Villa Decor: Decidedly French and Italian Style
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Secrets of French Design
ASIN: 0879059729 |
Book Description
The enduring appeal of French-country style spans the centuries, a gracious mingling of elegance and ease. After years of largely echoing the furniture, fabrics, and accessories linked with the region of Provence, these days French country is often far removed from the primitive images that hearken back to the early seventeenth century. Room by room, FRENCH BY DESIGN reveals the secrets to creating a contemporary French-country look, including textiles, furniture, floor coverings, window treatments, color palettes, wall treatments and lighting, thus allowing anyone to bring the look home.
Customer Reviews:
FRENCH BY DESIGN.......2007-01-12
I ACTUALLY BOUGHT THIS BOOK BY MISTAKE AS I THOUGHT I HAD ORDERED "UNMISTAKENLY FRENCH" BY THE SAME AUTHOR.
Should you buy French By Design?.......2005-08-13
I just did. The homes & rooms featured in this book indicate that money is no object and these homeowners want you to know it. Subtlety is non-existant. Rooms are very "we had a decorator & we spent a LOT". Most items looks too new, too ruffled, smocked, tucked and otherwise adorned. HOWEVER, if you can get past the pictures & READ THE TEXT- Phillips has a lot to say that is excellent. She lists sources & frequently shares fascinating comments on everyday details of French style (who knew about brass hardware vs brushed nickel?). If you read; buy it. If you look only at photos, don't! Charles Faudree is much better in the genre in my opinion.
Beautifully presented........2005-01-20
Another of Philips' beautiful French decorating books. Homes presented in this book, as with her other books are high end showing us the sumptuous fabrics, and lovely French furniture she specializes in. Homes shown are mostly mansions, not the average house. Good coffee table book.
Brilliant, Great Sense of Design, a Visual Delight.......2004-04-22
Not unlike all of Phillips' books, this book is a masterpiece of European syle and design. No detail is left unnoticed. The furniture, fabrics, antiques, architecture, artwork, and carved stone are each carefully considered and beautifully photographed. Every page is a visual delight. I cannot recommend it highly enough!
France, American Style.......2003-04-03
Beautiful photos and interesting commentary on French social customs. However, the featured residences are not French, but American homes decorated "in the French style," which is somewhat disappointing.
Book Description
A brilliantly original account—narrated from both sides—of the love-hate relationship between Britain and France that began in the time of Louis XIV and shows no sign of abating.
That Sweet Enemy brings both British wit (Robert Tombs is a British historian) and Gallic panache (Isabelle Tombs is a French historian) to bear on three centuries of the history of Britain and France. The authors take us from Waterloo to Chirac’s slandering of British cooking, charting the cross-channel entanglement and its unparalleled breadth of cultural, economic and political influence. They illuminate the complexity of the relationship—rivalry, enmity, misapprehension and loathing mixed with envy, admiration and genuine affection—and the ways in which it has shaped the modern world, from North America to the Middle East to Southeast Asia, and is still shaping Europe today. They make clear that warfare between the two countries often went hand in hand with hardy, if hidden, strains of anglophilia and francophilia; conversely, though France and Britain were allies for much of the nineteenth and twentieth centuries, it has been an alliance almost as uneasy, as competitive and as ambivalent as the previous generations of warfare.
Wonderfully written—acute, witty, consistently surprising—That Sweet Enemy is a triumph: an eye-opener for the experts, and a feast for the general reader.
Customer Reviews:
Francophobia does not reflect well on the Anglo-Saxon world........2007-08-26
This book is another "monument" to the francophobia of the Anglo-Saxon world. It is full of clichés and often it distorts the truth. I will take only three examples :
- 1 - The section on Napoleon is ridiculous. To start off by putting on the same level Napoleon, Stalin and Hitler is just not right.
- 2 - The narration of the start of WWI is not right too. I suggest that Barbara Tuckman's book "The Guns of August", Pulitzer price, is the correct history. It shows how poorly the English were prepared for the war, how they kept retreating and that the French were left alone against the full fury of the German attack. Come on, be fair ! The French won the first World War, not the English.
- 3 - Then what happened in the thirties is not reported fairly. Churchill, in "Gathering Storm" writes : "How the English speaking people through their unwisdom, carelessness and good nature (?) allowed the wicked to rearm". Many others make the same point, for instance, Zara Steiner in her book "The Lights that failed". The result of francophobia was Hitler.
This book was a waste of my time. And I would venture that the English and Anglo-Saxon world are now in permanent relative decline. As the subprime mess is showing, finance has its limits. Nial Ferguson in his book "Colossus" writes about the three Anglo-Saxon deficits : attention deficit disorder, people deficit, money deficit. How true!
In 1945, the Anglo-Saxon world was the victor. But since then, it has lost all its advantage and more.
The defining moment was when Jean Monnet understood that France and Germany should be tied together so tightlty that never a European war could again take place. Monnet succeeded. Since then, continental Europe is an island of prosperity and good life : perfect infrastructures, education for everybody, good health system, high productivity and long holydays. The Anglo-Saxon world is the reverse: the rich live very well but the low and middle classes are being squeezed to complete dispair. Continental Europe shows more balance and less greed.
The rest of the world has progressed a lot. China, Brazil, India, Japan, etc... are great success stories. The problem of the Anglo-Saxon world is that it has not yet realized that the rest of the world has improved so much that it is tired of Anglo-Saxon arrogance.
Today, when America does something right, in six months it has been taken up by the rest of the world . When something right is done in Europe and elsewhere, the Anglo-Saxon world will argue for five years before taking it up... The surest path to mediocrity. Just look at what happen to the Anglo-Saxon automobile industry.
Today Europe is prosperous. America and England still have to spend billions - that they don't have - to rebuild their education system, their health system and their infrastructure. France is not agressive toward England, but France is amazed at the fact that England is still Bush and America's poodle... France and continental Europe want peace and democracy but they understand that it is a process to be negotiated and which requires time and respect. Bombs don't solve problems, diplomacy does. Jean Monnet showed the way. Thanks to his honesty, sincerety, openness and patience, peace was achieved. Read his memoirs...
I am a solid anglophile but this book could make of me an anglophobe. But I shall not condescend to such pettiness. Let us stop this cheap in-fighting. Climate change is the biggest threat that the world ever will meet. We need England to convince America to give up on its selfishness and work with the rest of the world on an equal and generous footing.
An esepcially enjoyable reading experience - and quite a fresh perspective for Americans.......2007-05-22
Yes, I read a lot of books. And I review the books I enjoy (there is no point to reading what one dislikes, is there?). Once in awhile I run across a book I find to be very special and am especially enthusiastic about. This is one of those books.
Robert and Isabelle Tombs are scholars on the history of France and Britain and the combine their wonderfully expansive knowledge of those histories to give us a tour of the social, economic, military, political, and cultural histories of these nations from Louis IV through the first few years of the Twenty-First Century. As an American who grew up while America was always a dominant (if not the dominant) world power, it is particularly interesting to see how the world's major powers interacted and contended when America was largely, as yet, unpopulated by the Europeans.
Even our Revolution, so central to every American's understanding of our nation, takes a minor role in a much larger global struggle for supremacy. Both Britain and France tried to cause the other to stretch their ability to hold their growing Empires together. Each had to make choices on what to hold onto and what had only secondary importance, and what to let go. This happened over and over again. Eventually, their mutual struggles became a mutually cooperative relationship to deal with the rising German (and other) threats.
What I like about this telling is that the authors do not feel the need to side with anyone in particular. They provide quite a number of side articles (in the shaded areas) to flesh out specific points. There are also special sections such as the "interlude" (a couple of pages) on the French and Shakespeare. We also get some wonderfully chosen illustrations. However, what I like most are the chapters where the authors draw their separate conclusions and disagreements on various topics. The provide differing perspectives on the same topics that through the subject into better relief than one side alone. These sections provide for a rich perspective and help make the reading experience seomthing I wanted to savor.
The book has a tremendous amount of information about economic expenditures, the great leaders, the common folks, the literary digs at each nation, the technological leaps, the balancing of the benefits of a strong navy with the amazing costs incurred to build and maintain it. The authors are also quite clear about what was fortune (for good or ill) and what happened that actually looks like good judgment and skillful execution.
For Americans, this is can be a very helpful and educational book. It has been for me and I am grateful to the Tombs for writing it.
A good book for serious readers.......2007-04-16
This is a well-written book about the relationship between Britain and France over the past three centuries or so. It reviews the history, the development of their cultures and identities, and the influence that both have exerted on one and another, and in fact on many aspects of modern society allover the world in areas ranging from politics and economics to art, literature, fashion and cuisine. The authors are a couple, a British husband and professor of history at Cambridge University, and a French wife with a Ph.D. in modern British history. The authors' background, in my view, might help ameliorate some potential biases. The authors have attempted to provide several point and counterpoint discussions to illustrate the difference between the British and the French views.
The book however is a lengthy tome of a little more than 700 pages. Many scholars tend to believe that writing about history usually benefits from looking backward at events after the passions of the day have subsided, and more historical records become available for serious study. Perhaps this book could have presented a more balanced and a somewhat shorter review by omitting Part IV,"Revival" dealing with recent history. In particular, chapter 14, "Ever Closer Disunion", including commentary on ongoing events such as the War against Militant Islamic Terrorism, seems to suffer from the lack of a decent historical distance to allow a dispassionate review; and seems to be somewhat influenced by anti-American propaganda.
The authors seem to consider that the American Independence War, as a part of the British-French continued wars in the 18th century. They further argue, "France's victory in 1783, though it created the United States of America, has bankrupted the French Bourbon monarchy and led to the French revolution. Clearly, France's assistance to the American colonies was not only important but also instrumental for the ultimate victory at Yorktown on October 19, 1781. After the French and Indian war 1754-1763,France attempted to foment rebellion against Britain in the American colonies. In 1775, the French minister of foreign affairs, Comte de Vergennes, dispatched a representative to Philadelphia, who secretly met with five of the leaders of the colonies, one of whom was Benjamin Franklin. These attempts however did not stir up the Americans to take the French bait. However after approximately a year of war between the British and the American Continental armies 1775-1776, and the declaration of Independence, the Continental Congress sent Benjamin Franklin in December 1776 to France to seek assistance. The initial French assistance was relatively small, measured in a way so as to avoid war with Britain. It was only after the Americans prevailed at the battle of Saratoga in October 1777, that the French attitude started changing, and finally agreed to sign a treaty with the colonies in 1778. A more serious assistance was attempted by France afterwards. Also it seems that the French Bourbon monarchy bankruptcy is more related to a spree of spending and borrowing from 1783 to 1787 managed by France's controller general, Charles de Calonne. The spending and borrowing bubble ultimately burst in 1787. The bubble burst was further aggravated by the Assembly of Notables refusal in February 1787 to authorize further taxation to increase revenues, and remedy the incipient Bourbon bankruptcy.
This is a well-written book that I believe the serious readers and aficionados of modern western civilization would find both informative and entertaining.
A Fascinating Review of 300 Years.......2007-02-23
This very long (I guess about 750,000 words of text), informative and frequently amusing narrative and analysis of the clashes and misunderstandings between Britain and France (even when they were on the same side) over the past 300+ years is fascinatng and very well done. I thought I knew the history pretty well, at least from the British side, but this opened my eyes many times.
The strict focus on the two protagonists has produced what to me as an American seems to be an oddly distorted (although not inaccurate) picture of the last 70 years or so, because there is relatively little discussion of the participation of the United States in world events.
I have two complaints about the book. One is that the detailed comparison of the economic position of the two countries in recent times virtually overlooks the stultifying effect on France's employment level and economic activity of its restrictive and "protectionist" trade policy.
The second is that the index is truly dreadful, particularly considering the length of this book. I frequently looked, for example, in the index to see if a particular person was mentioned. When I failed to find that person's name in the index I assumed he/she was not mentioned. But it turned out that the index was incomplete.
Quite brilliant.......2006-05-08
This tome of nearly 700 pages of text about the relations between Britain and `that sweet enemy, France' (a phrase from a sonnet by Sir Philip Sidney) is like a huge pudding stuffed with goodies: I have rarely read a history book whose brilliance is sustained over such an immense time-range - from the reign of Louis XIV to that of Jacques Chirac. The authors - the husband an Englishman, his wife born in France - handle the story with skill, and efficiency, and they frequently employ a joyous felicity of phrase to point up differences and similarities between England and France. There are neat descriptions of personalities - the authors are always forthright in their judgments - and spirited accounts of campaigns. Even someone who, like myself, considered himself quite familiar with the political narrative will come across sections which throw a new light upon it. I learnt much, for example, from the Tombs' description of France's involvement in the American War of Independence, and from their interesting reflections on how the loss of the American colonies, even in the short term, turned out to be a blessing in disguise for Britain. And the wider narrative is frequently interrupted by vignettes of little-known episodes, set in a different type, which further illuminate the themes under discussion.
There is a particularly striking chapter about the differences between the British and French navies during the Second Hundred Years' War: here, as throughout the book, the authors fully acknowledge and make excellent use of the secondary literature they have consulted. (Their list of secondary authorities runs to 28 pages.)
After the Napoleonic Wars Britain and France were never again at war with each other, and since the Entente Cordiale of 1904 they have technically been allies. But that does not mean that there have not been tensions and suspicions between the two countries throughout all these years, even during the First and Second World Wars, and of course during the inter-war period also. The authors are interesting on Appeasement. Most historians say that the French could not stop Hitler marching into the Rhineland or the Sudetenland because the British would not have supported them. The authors say that for various reasons the French governments, like the British, would not have wanted to risk a conflict anyway and were glad later to blame their non-intervention on the lack of British support.
After the Second World War Britain and France took such different attitudes towards `ever closer union' in Europe that there really has been very little cordiality between them. The parts of the book dealing with the issue of Europe bring out very well the very different visions of the two countries in an account that shows clearly how British policy handed the leadership of Western Europe to France for more than half a century, but which has broken down in today's enlarged European Union. Besides, the book argues, that leadership was exercised in a way which, after early economic successes, eventually brought stagnation to France.
The political chapters are interspersed with sparkling chapters on culture and society: how each nation saw and often stereotyped the other; how each alternatively (or simultaneously) mocked and copied, despised and envied, hated and admired the other, but could never be indifferent. Travel, manners in general and table manners in particular, sport, fashions in clothes, attitudes to the theatre, the views the two countries had about each other's women, philosophical traditions - these are some of the subjects that are treated with wit and learning.
Not the least among the charms of this book are the debates between husband and wife which end each of the four parts into which the volume is divided. It is perhaps a bit of a knockabout, in which both rally fairly uncompromisingly to the defence of their native countries; but the summing up of the `British' and `French' points of view is very well done and thought-provoking.
This must already be the most authoritative and enjoyable treatment of the period under review; but I hope that the success of this book will encourage the authors to produce a prequel, from the Norman Conquest to the 17th century, or at least from the 16th to the 17th century: the Tudor-Valois period is, in my opinion, the defining period during which the most essential differences between England and France took shape, and I would love to see the authors tackle it with the same verve which has made this book such a remarkable achievement.
Average customer rating:
- Sun-drenched colors of Southern France
- For Americans creating French style, who can't go to France
- French Provencal style influences American interiors
- Provencal Interiors?????
- Provencal Interiors: French Country Style in America
|
Provencal Interiors: French Country Style in America
Betty Lou Phillips
Manufacturer: Gibbs Smith, Publisher
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Similar Items:
-
French by Design
-
New French Country: A Style and Source Book
-
French Influences
-
Villa Decor: Decidedly French and Italian Style
-
Unmistakably French
ASIN: 087905848X |
Book Description
8 1/2 X 10 In, 160 Pp, 125 Color Photos. Provencal Interiors: Inspired by the sun-drenched colors of southern France, french country, or provencal, decorating is the epitome of understated luxury, as fitting in the city and suburbs as in rural reaches. No matter that it's roots are firmly planted in the small stone farmhouse, or mas, the typical dwelling in the provencal region. It is eqaully appealing in a remote chateau as in a stately manor house, or bastide. The most inviting homes exude comfort,tradition, and grace. Most people, though, say it is charm that best characterizes the french interior. Through stunning photographs, informative text, and an extensive resource list, provincal interiors detail everything necessary for creating this harmonious mingling in america.
Customer Reviews:
Sun-drenched colors of Southern France.......2004-03-03
"French country decorating at its finest is the harmonious mingling of fabrics, textures, and patterns - an artistic blending of the familiar with warmth and sophistication."
As you open this book, you may start to have the desire to suddenly order hundreds of pastel pink tulip bulbs. While this book is not quite as lavish as "Villa Décor" it is much more practical. There are extensive instructions for using color, texture and scale.
Betty Lou Phillips has included a wonderful picture of a library with bookcases spanning the library walls. Her work has appeared in Southern Accents, Traditional Home & Bath, Window and Wall, and Decorating as well as many magazine covers. She is a professional member of the American Society of Interior Designers.
There are eight main chapters:
What Is Provencal Charm?
Making an Entrance
French Quarters
Table Matters - Kitchens and Dining Rooms
Bedrooms, Bedding, and Baths
French Accents
Outside Interests
Trade Secrets
I loved reading the "Table Matters" section which includes a comparison between French and American kitchens. The bedroom section had me wishing I had some fresh croissants on hand for a breakfast tray.
There is no need to travel to France to buy beautiful fabrics, furnishings and fixtures. A complete list of catalogs is also included.
This is "French Country Style in America," so it is a fusion of various ideas from a variety of locations in France.
~TheRebeccaReview.com
For Americans creating French style, who can't go to France.......2001-12-28
Ok, so this isn't "authentic French Provence design." Suppose you won't be visiting Aix-en-Provence and running around looking for all the pieces you need, and then figuring out how to fill up a shipping container and send it through customs, etc etc, (can you imagine doing this in a foreign country in a foreign language?!) You just aren't going to find a lot of genuine French furnishing and fabrics in the US. What if you want to use French elements in your decorating (as we did) and only have access to American furniture lines and the fabrics sold here?
This book provides a great solution. American houses are DIFFERENT than European, and what's sold in furniture and decorating supply shops is different, too. "Provencal Interiors" shows you how to get that effect with things you can get here. THAT'S great. If it isn't authentic, that's ok. If you don't have unlimited funds for a decorator to buy worldwide to create "real" Provencal, this book works really well. Maybe better.
The pictures give good examples of Provencal style rooms, and there are lists of suppliers that are helpful. The color schemes are perhaps the most useful part. Another useful thing are the fabrics and how to mix them. I myself have problems figuring that out; this helps.
French Provencal style influences American interiors.......2001-10-27
I found this book a wonderful view of French Provencal style, blended with American verve and elegance. Many of us have traveled in France, and know the French are also very influenced by the freshness and ease of American design.
Remember it was not an English, but an AMERICAN interior designer, Nancy Lancaster from Virginia USA, who revolutionized English Country style. She became Lady Colfax and changed the look of country houses from stiff to chintz.
I think the author introduces the beauty of Euro/American design in this book. The French Provencal Style in AMERICA title is a great clue that the pages are not full of 17th century French country village interiors.
Also, it always helps to read a book before you judge it!
Provencal Interiors?????.......2001-08-08
This is a nice book but it does not contain Provencal style interiors! I am not sure how the author came up with that title since anyone who is interested in French country will not find it here. If you are truly looking for Provencal decorating ideas-this is not the book for you. CONFUSED!!!
Provencal Interiors: French Country Style in America.......2001-05-23
I haven't even read the book, but I LIVE in PROVENCE, and I have to agree from what I see on the cover that the style is not typical of Provence, however pretty it may be... If the inside is different, then feel free to correct me!
Book Description
Unmistakably French, the fifth book in Betty Lou Phillips' best-selling series on interpreting French decor for American homes, broadens yet again the limits of what French style can do for a home. No matter the location or size of the room to be decorated, the French rarely stray from favored and well-known characteristics of design-eighteenth-century furniture, sumptuous textiles, distinctive porcelains, and oil paintings in original carved-wood frames. In Phillips' newest book, she defines some of these specific secrets that French designers use to create an authentic French look-these certain basic decorating values they hold dear, seducing us with their self-assured approach to glamour, culture, and enduring respect for history. The book includes four sections: Passion for French, Art of Living, Savoir-Faire, and Fluent French. The style and settings seen in these contemporary homes, while American, are Unmistakably French! Betty Lou Phillips, ASID, is a renowned designer and the best-selling author of Provencal Interiors, French by Design, French Influences, and Villa Decor. She lives in Dallas, Texas.
Customer Reviews:
McMansion Style.......2005-05-30
If you like the newly built McMansion-styled homes, then this is the book for you. If you are looking for authentic French decor and tips, don't buy this book. This is no more "unmistakably French" than la Madeline food is to French cuisine.
Beautiful Book.......2005-03-20
I love all of Betty Lou Phillip's books. I really like her style - scrolled iron work, marbled tile and other beautiful touches. Some of the photos are of very extravagant homes, but they contain ideas that those of us with less imposing homes could include in our decorating. I could just sit and look through her books for hours. (Actually, I think I have!)
Much more of the same........2005-01-21
This book shows us several mansions, just as her other books do. They are very polished and show-roomy-think of the TV show Dynasty from the 1980's updated! The text is snobby, and it appears she doesn't intend to relate her ideas to her readers, but glorify herself.
gorgeous book, great ideas.......2003-10-17
At first glance just picking up the book and looking through it makes you want to run out and redesign you home. I don't have a french style in my house, more modern, but I picked up a lot of ideas from just frist glance. The pages are bold and dramatic with gorgeous colorful pictures on every page, the hints and descriptions are smaller and easier to read but you pick up a lot by the artistic photography. I love the book and look at it from time to time for inspiration. Great for anyone looking for ideas from beginning to advances levels of interior decorating.
Book Description
Charles Faudree has elevated French Country style to a fine art. With an exuberant decorating attitude based around his favorite principle that "too much is never enough", Faudree has achieved an international reputation for creating settings that have all the elegant accoutrements of a French Country estate, lacking pretension but never charm. With a discerning taste for the eclectic, Faudree is a master at one of the main tenets of this style-combining traditional prints, patterns, colors, and textures with just the right furnishings. Faudree has always been drawn, almost charismatically, to the charm of Country French. He comments, "There is simplicity, a gentle softness to the furnishings I find very calming and soothing. I love the mix of fabrics, blending plaids with florals and old tapestries. Country French is a truly working-class style." Faudree is delighted to finally share his extensive knowledge with the public, in this long-overdue book that focuses on how to make any home into an elegant, inviting, and comfortable French Country retreat. Charles Faudree graduated from Northeastern State University in Tahlequah, Oklahoma, with a degree in art. His client list is international, and he is regarded as a master of Country French style. This is his first book. He lives in Tulsa, Oklahoma.
Customer Reviews:
Freast for the Eyes..........2007-06-11
If you have enjoyed Charles Faudree's beautiful rooms in Traditional Home Magazine over the years, as I have, you will love this book. It is absolutely loaded with wonderful rich-colored pictures/photos. It is divided into sections by the room (kitchen, bedroom, etc...) and each section begins with the author's commentary about these rooms and how he chose the design/pieces. Next follows the gorgeous pictures/photos with wonderfully descriptive captions that give the origin of the piece, fabric or wallpaper. This is one of those books you will pick up again and again...and you will most likely see something great you missed the time before. After pouring through this book, I immediately ordered Faudree's other book, "Country French Living". After just one time through this beautiful book, I came away with three or four ideas that I was able to immediately implement in my own home. One suggestion: when you sit down to enjoy this book, do so with paper and pen close by. The pictures are so detailed that I was able to read the titles of many of the wonderful books Faudree has displayed throughout his home. I recognized some I have collected but jotted down 6 or 7 titles that I had never seen or had seen but wasn't sure if I should buy. Also, if you love animals (dogs and cats) this book will definitely make you smile. Almost every page has a snoozing, pampered pet curled up for an afternoon nap. This book contains a wealth of information, but putting that aside...it is a feast for the eyes!
Pleased with this purchase.......2007-03-09
I like this book, and keep it on my coffee table for others to enjoy. The only reason that I haven't given it 5 stars is because the kitchens section wasn't anything particularly inspiring.
Good Coffee Table Travel.......2007-02-08
Profusely illustrated with dreamy, close focus photographs, this book seems to sweep the reader right into each French Country room. This style of interior design is a little too fussy for my taste, but I enjoyed the authors' ability to take me on a tour of these homes as if I were on a mini-vacation.
WOW! Love It !!!!.......2006-05-09
It's Charles Faudree!! What more needs to be said. I've been a fan of his for years. Noticed his rooms in some of my favorite magazines. Especially Traditional Home. He NEVER fails to delight and inspire. Tons of ideas on every page. Wish he would publish a book every year !!
My New Bible.......2005-12-22
Charles Faudree is my ultimate favorite designer and this book is not a dissapointment. It is something I can study over and over again. Being close enough to Tulsa, I recently got to experience Mr. Faudree's personal decorating first hand. This book is testament to his impeccable taste.
Book Description
One of America's top 100 designers, Charles Faudree has worldwide appeal with his interpretation of Country French. Charles Faudree's Country French Living features his newest room designs. From the entryway to the dressing room to walls, dining rooms, and outdoor spaces, Charles teaches principles of design that make a house a Country French home:
Customer Reviews:
Loved it........2007-08-29
Loved the book. Had beautiful pictures and great display of the French country style.
Strong Five Star Book.......2006-06-30
Charles Faudree's style is "Comfortable French" Anyone could live in his rooms. They have a touch of elegance without being stiff or too formal. They are like that favorite outfit that you have had for years and years and still love to wear. This book is full of great pictures so you can see exactly what he means when he talks about French Country Style.
Fantastic! .......2006-03-13
If you love Country French that is not pretentious, but still elegant, this is the book for you. This is the second of Charles Faudree's design books that I have purchased. The pictures are incredible, and his attention to detail is amazing. He certainly has a gift and I wish that I could afford for him to help me with my house. Especially if that involved traveling with him to the French Market or to the Portobello Market in Notting Hill. Instead, I will use his pictures as a guide. I hope that this book is not his last!
French Country Elegance Defined.......2006-02-25
Mr. Faudree has knocked another one out of the park with his follow-up book to Country French Design. His high style seems to have calmed down somewhat and isn't quite as "over the top" as it was in his first book. I could literally step through the pages and take residence in any of the rooms featured.
If I had a complaint, it would be that the captions didn't maintain much of a narrative regarding the rooms depicted, but basically listed material resources.
C'est Magnifique!.......2006-02-19
He does it again! And I hope he keeps putting out these gorgeous books! Charles Faudree is a true master of his art. Thank goodness the rest of us can see his work published and keep being inspired and moved by his work. I love his philosophy of "it's in the mix, not the match". I don't believe you have to be a Francophile to appreciate and enjoy this book....it is for anyone who enjoys great beauty!
Book Description
Mention the French and most minds overflow with symbols of their panache: sensuous velvets, leopard prints, toile, silk taffeta curtains, deep bullion trim, and eighteenth-century furnishings. The truth is, it is difficult not to fall under the influence of the French, whose uncommon grace is inherent in everything they do. Following on the heels of Provencal Interiors: French Country Style in America and French by Design, in French Influences, Betty Lou Phillips delves into the world of design francais once again, illustrating through lavish color photography how, room by room, French elegance remains the creme de la creme. From living rooms to kitchens, bedrooms, dining rooms, media rooms, gardens, and baths, French Influences reveals the means for creating French-style rooms in the home. Furniture, linens, floor coverings, window treatments, accessories, color palettes, lighting fixtures, and antiques inspired by their rich cultural heritage, including rock-crystal chandeliers, Aubusson rugs, exquisite tapestries, feather-filled armchairs, and painstakingly carved armoires are all part of this style. And the resource guide makes it possible for anyone to locate these objets d'art and decorate a la francais, creating a gracious mingling of old-world charm and ease. Author of Provencal Interiors: French Country Style in America and French by Design, Betty Lou Phillips is a professional member of the American Society of Interior Designers. Her design work has appeared in such publications as Southern Accents, Bedroom, Bath & Wall, and Decorating, and has also graced many magazine covers. Additionally, her design talents were featured in an appearance on the Oprah Winfrey Show. She lives in Dallas, Texas.
Customer Reviews:
Puts the French on Pedestals.......2004-05-24
The book is written as if the French have a monopoly on good taste. B. Phillips gushes over the French lifestyle to the point of annoyance. I found myself saying, enough already! I got the book because I've travelled to France since I was a kid and now I'd like to decorate my home with French influences. But after reading her book, with its genuflecting and contradictions, I was turned off. An example of contradiction: At one point the book states that the French are not ostentacious and prefer simple, tasteful items in the home. But from the interior pictures of mansions, that hardly seems to be the case. Also, I couldn't see any children being happy in these homes. They look like hotels and museums. The book had one very redeeming quality. The guides outlining "must haves" are very good.
French Details.......2004-03-03
"Detail is the difference between ordinary and extraordinary." ~Unknown
If you are dreaming of a book filled with rock-crystal chandeliers, Aubusson rugs, exquisite tapestries, feather-filled armchairs, carved armoires, sensuous velvets, leopard prints, silk taffeta curtains and eighteenth-century furnishings, you may fall under the influence of "French Influences." The magnificent picture of a French-inspired kitchen complete with French antiques is enough to make any cook envious.
Betty Lou Phillips work has appeared in Southern Accents, Traditional Home & Bath, Window and Wall, and Decorating as well as many magazine covers. She is a professional member of the American Society of Interior Designers and has a penchant for quotes.
Welcome to the World of French Style:
Making a World of Difference
The American Way with French Style
Reflections of Good Taste
Fluent French
French Class
Unmistakably French
Vive la France!
Garden Shows
Designer's Notebook
The pictures in this book are inspirational and the pink dining room is a fantasy princess dream. I was surprised at how much I really did love the vintage chairs covered in playful leopard prints. There are little tidbits of information throughout the book.
Finally, I understand why the rooster is a favorite motif.
I would have love to have dissolved into page 146 and taken a stroll through the row of trees on the winding gravel path leading to the unknown.
~TheRebeccaReview.com
The Nicest Room is on the Cover.......2003-08-23
The rest of the book is page after page of heavy, ornate rooms that lack individuality and warmth. The decor is superficially beautiful because all the "signals" of wealth are there: expensive sofas and chairs, brocade curtains, period furniture, "French" bric-a-brac, but ultimately it's a collection of overly-designed showpieces.
Good for French Decorating Ideas.......2003-06-06
While a little "Dallas" in style. This book captures a mixture of French styles. Betty Lou's books are well illustrated. Most importantly, she lists the sources of the items & fabrics. I find it insulting when designers are secretive regarding sources. Keep it up Betty Lou, I wish more coffee table books on decorative arts & design were like yours. I recommend this if it fits your style.
This book is delightful!.......2002-09-08
I place this books among my top favorites in the decorating category (and I own many). Each time I flip through this book I see some new ideas that I didn't notice before. The are many beautiful pictures but the text is fun to read as well. The book helps to give you a feel for the way the French live and feel about their homes. Betty Lou Phillips also wrote French by Design which I also enjoyed, but of the two books French Influences is my favorite.
Book Description
$39.95 hardcover 1-58685-174-8 8 x 11 in, 160 pp, 150 Color Photographs, Rights: W, Design In her newest book, Villa Decor, Betty Lou Phillips discusses how to mix styles, furnishings, inspirations, and colors from different eras and locations to create the looks for which the French and Italian people are known-wisps of elegance, hints of regal color, textures that delight and inspire. Villa Decor illustrates the mastery of the fabled French way of melding the past with the present so each is seen in the best possible light, as well as the uncanny Italian knack of linking rooms effortlessly with patterns and palettes without detracting from the furnishings or objets d'art, capturing a trend in American decorating. Betty Lou Phillips demonstrates how to virtuously juxtapose various periods and styles in widely diverse, satisfying rooms that are never dull or predictable. Quiet French elegance, Italian romance, and the simplicity of sweet life-la dolce vita. Author of Provencal Interiors, French Influences, and French by Design, Betty Lou Phillips is a professional member of the American Society of Interior Designers. Her design work has appeared in such publications as Southern Accents, Bedroom & Bath, Window & Wall, and Decorating, and has also graced many magazine covers. Her design talents have been featured on the Oprah Winfrey Show and the Christopher Lowell Show. She lives in Dallas, Texas.
Customer Reviews:
Nice book Acurrate reference.......2007-05-31
Nice book that inspires you to use ideas from it, for your own client design projects
Excellent decor book.......2007-03-05
I really loved the this book for trying to copy nicely decorated rooms. I also used it as a guide when selecting new furniture to buy. I didn't like the comments on the French/Italian eras but the pictures of the rooms the decorator has done are beautiful. I love it and am looking for more like this one.
Great reference book.......2006-08-02
Although I have a much smaller home, I am using much of the design elements by Ms. Phillips in the renovation of my home.
A Decorator's Dream.......2006-07-11
So many lovely pictures! I am using many of the design ideas in decorating my new kitchen and breakfast room in the Country French style. I would recommend this book to everyone who is a visual learner.
Not bad, but pretty much the same look throughout.......2006-03-11
This decorating book has plenty of pictures, but I was a little disappointed that the only color scheme included was monochromatic. This is a very soothing look, but after a while the pictures start to look the same. I was hoping for some different ideas, but this book showed pretty much one idea throughout.
The only other issue I had was the tiny font used for the picture captions. Yes, I have reading glasses, but I seldom need them for casual reading. Perhaps a bit larger font would have made this book more enjoyable for me.
Product Description
`History: Fiction or Science? Chronology 2` is the second volume of the most explosive and astounding tractate on history ever written - however, every theory it contains, no matter how unorthodox, is backed by rock solid scientific data. The book is easy and pleasant to read; it is well-illustrated, contains hundreds of charts, graphs and illustrations, copies of ancient manuscripts, and countless facts attesting to the falsity of the chronology used nowadays. You will be amazed to discover: - That the chronology universally accepted today and taken for granted is simply wrong; - That ALL methods of dating of ancient sources and artefacts known today are erroneous or non-exact; - That there is not a single document that could be reliably dated earlier than the XIth century; The Author refers to the Middle Ages as the Antiquity and proves mutual superimposition of the Second and the Third Roman Empire, both of which become identified as the respective kingdoms of Israel and Judah. Furthermore, he asserts that the famous reform of the Occidental Church in the XI century by Pope Gregory Hildebrand was the reflection of the XII century reforms of Byzantine emperor Andronicus who in his turn identifies with Jesus Christ. The Trojan war counted by Homer happened only as late as of the XIII century A.D. and the great poet actually lived in XIV century A.D. No stone in history of Antiquity is left unturned. Literally. This book is the beginning of a major correction to the chronology we live with.
Customer Reviews:
Check and see.......2007-06-21
I don't care what other people say of this book. Those affirmig it's fake, they hadn't ever read it. Or have some special reasons to do so. "Living is easy with eyes closed, misunderstanding all you see..." This book won't make you feel comfortable. It'll make you feel free. It'll make you feel you're "not the only one" to feel you'd been lied to for centuries.
Suprise! Suprise!.......2007-03-22
Here is a serie of books which turns "the whole world" upside down. I learned a lot of it and I hope that a new book from A.T. Fomenko will follow very quick. A absolute must for everybody who is interested in history or even a little bit from it.
Prescient St Augustine?.......2006-02-05
We can so far divide the New Chronology into the following three parts:
a) The verifiable theory that proves consensual chronology wrong with the aid of astronomy, statistics and mathematics;
b) The new chronology hypothesis based on a new understanding of known historical facts and the most likely logical explanation of the most obvious inconsistencies inherent in the official version of history;
c) The history conjectures, that is experimental historical reconstructions based on assumptions that the authors believe to make sense in the light of their research and linguistic parallels - void of ironclad factual support to date.
Fomenko's theory complies with the most rigid scientific standards as a whole:
It gives a coherent explanation of what we already know.
- It is consistent: independent lines of inquiry all lead to the same conclusion.
- The predictions it makes are confirmed empirically.
Fomenko goes by the following axioms:
- Chronology is the basis of history;
- Human evolution has always been linear, gradual and irreversible;
- The "cyclic" nature of human civilization is a myth, likewise all the gaps, duplicates, "dark ages" and "renaissances" that we know from consensual history;
- The accumulation of geographical knowledge as reflected in cartography is a gradual and irreversible process;
- The chronological distance between a given manuscript and the events described therein is proportional to the amount of distortions it contains;
- There is no "useless" information in authentic ancient sources.
Why the mainstream historians do not shower mathematician Academician Dr.Prof Fomenko with thanks and laurels?
The Russians:
Because Fomenko asserts that there was no such thing as the Tartar and Mongol invasion followed by three centuries of slavery, providing a formidable body of documental evidence to prove his assertion. The so-called "Tartars and Mongols" were the actual ancestors of the modern Russians, living in a bilingual state with Arabic spoken as freely as Russian. The ancient Russian state was governed by a double structure of civil and military authorities. The hordes were actually professional armies with a tradition of lifelong conscription (the recruitment being the so-called "blood tax"). Their "invasions" were punitive operations against the regions that attempted tax evasion. Fomenko proves that Russian history as we know it today is a blatant forgery concocted by a host of German scientists brought to Russia by the usurper dynasty of the Romanovs, whose ascension to the throne was the result of coup d'état, charged with the mission of making their reign look legitimate. Fomenko proves Ivan the Terrible to be a collation of four rulers, no less. They represented the two rival dynasties - the legitimate rulers and the ambitious upstarts. The winner took it all! Over some 30 years of controversy, Russian historians have made a most remarkable transition - they were initially accusing the young mathematician Fomenko of anticommunist dissident activity and attempts to deface the historical legacy of Soviet Russia; nowadays the middle-aged mathematician is accused of adhering to "pro-communist Russian nationalism" and defacing the proud historical legacy of Great Russia.
The Westerners:
Because Fomenko blows consensual Russian history to smithereens, successfully removing a crucial cornerstone from underneath the otherwise impeccable edifice of World History. Fomenko adds insult to injury, wiping out one by one the Ancient Rome (the foundation of Rome in Italy is dated to the XIV century A. D.), the Ancient Greece and its numerous poleis, which he identifies as the mediaeval crusader settlements on the territory of Greece, and the Ancient Egypt (the pyramids of Giza become dated to the XI-XV century A. D. and identified as the royal cemetery of the Global "Mongolian" Empire, no less). The civilization of the Ancient Egypt is irrefutably dated to the XII-XV century A. D. with the aid of the ancient Egyptian horoscopes cut in stone. He was the first one to decipher and date all such horoscopes, coming up with mediaeval dates in every case. English historians rage at the suggestion that the history of Ancient England was de facto a Byzantine import transplanted to the English soil by the fugitive Byzantine nobility. To reward the English historians who consider themselves the true scribes of World History, the cover of the present book portrays Tintoretto's Jesus Christ crucified on the Big Ben.
The Chinese:
Because Fomenko wipes out the Ancient History of China outright. No such thing. Full point. The compilation of the so-called Ancient Chinese History is reliably datable to the XVII-XVIII century only. It is perfectly recognizable as the Ancient European history, reworked and transcribed in hieroglyphs as yet another historical transplantation, this time performed on the Chinese soil by the loving Jesuit hands. The Chinese are the next in line to go berserk. Chinese history is inevitably bound to get both more ancient and more eventful, proportionally to the growing involvement of China in the world affairs. Chinese historians will keep on finding valid proof of prehistoric Chinese spaceflights until the Politburo orders them to shut up.
The Arabs:
Too bad. Islam with all its key figures is datable to XV-XVI century A. D. Arabic historians may find consolation in the crucial historical role of the Ottoman Empire in the XVI-XVII century. The trouble is that this empire was initially a Christian state, with Hagia Sophia identifiable as Temple of Solomon, according to Fomenko! We can only guess if the acquisition of Alexander the Great (a Macedonian and a Christian) as the founder of the Muslim World Empire will make Fomenko's theories more acceptable to the Arabic mainstream. He certainly does not spare any holy cows at all, claiming The Stone of Qa'Aba in Mecca to contain the lost Arch of the Covenant.
The Divinity:
Despite of reiterated statement that his theory is all about chronology and not Religion, Fomenko stirs up a whole condominium of wasp nests. His collection of anathemas, fatwa, and other condemnations from all parties concerned is already considerable. Little wonder, considering that the history of religions à la Fomenko looks as follows: the pre-Christian period (before the XI century and JC), Bacchic Christianity (XI-XII century, before and after JC), JC Christianity (XII-XVI century) and its subsequent mutations into Orthodox Christianity, the Catholicism, Islam, Buddhism, and so on.
According to Fomenko we know strictly NOTHING about the events that predate the X century A. D.
St Augustin was prescient when he spoke unto us: "be wary of mathematicians, particularly when they speak the truth."
Something of a disappointment.......2005-09-09
After having read the first volume of this expected series of 7 volumes I was triggered by the thesis of these authors that ancient Greek and Roman history did in fact take place in the Middle Ages. So I started studying medieval history of the Middle East - also known as Islamic history - to find out if the opponents of the ancient Greeks and Romans - the Acheamenid Persians, Sassanids, Scythians, Egyptians, etc. - also have their duplicates in medieval history. My search was disappointing: none of the many medieval Islamic dynasties seemed to correspond to the ancient middle eastern rulers.
However, I did find a close correspondence between Herodotus' Persian kings and medieval events:
- the defeat and capture of an Anatolian king - the Lydian Croesus - by the Persian conqueror Cyrus is identical to the defeat and capture of another Anatolian king - sultan Bayezid - by the Asian/Mongol conqueror Tamerlane;
- the Persian conquest of Egypt by the cruel tyrant Cambyses reds almost exactly as the Ottoman conquest of Egypt by Selim the Grim (note the nickname!);
- Darius the Lawgiver of the Persian Empire looks very much alike to Sulayman the Magnificent, the Lawgiver in Islamic history;
- Xerxes, whose main claim to fame is to be defeated by the Greeks at the naval battle of Salamis, looks like Selim II (the Sot) whose main claim to fame is to be defeated by a Spanish-Italian alliance at the naval battle of Lepanto.
I should have expected Fomenko et al. to arrive at similar conclusions, however, they claim that the Persian kings are the alter egos of the Angevin kings of Sicily whose biographies do not contain the exploits of the Persian kings.
The similiarities I indicate lead to the conclusion that Herodotus must have written his Histories at the close of the 16th century. But this is extremely late, given that Herodotus is "the Father of History", so therefore all other "ancient" histories must have been fabricated even later. Yet, the founders of modern chronology - Scaliger and Petavius - laid their foundations also at the close of the 16th century and had the full corpus of ancient histories already at their disposal.
It seems to me that Fomenko has to address these inconsistencies, maybe in the forthcoming 5 volumes?
Another critique of their book is that the correspondencies between different rulers are often based on a superficial comparison of the biographies; upon a more thorough comparison many details appear that do not correspond at all.
Finally, the authors rely heavily on the works of Gregorovius (1821-1891!!) - his medieval histories of Rome and Athens - as the source of medieval history; these works are - at least in the West - hoplessly outdated and have been superceded by more up-to-date works (for instance, Julius Norwich's trilogy on Byzantine history is not even cited).
Romulus courts Helen, Paris founds Rome, Moses goes to Troy.........2005-07-30
If you agree with Fomenko that Roman chronology is basically the foundation of the entire edifice of global chronology; you would also certainly agree that despite its numerous gaps and inconsistencies, Roman history is the best-documented field of ancient history, and thus a reference scale. But how well is the actual date of the Eternal City's foundation known?
Firstly, Rome is supposed to have been founded by the Trojans who had to flee after the fall of Troy. Some claim Rome to have been founded by Aeneas and Ulysses shortly after Troy had fallen; others are of the opinion that there was an entire dynasty that ruled for 500 years between the fall of Troy and the foundation of Rome.
Well, that's just an innocent 500 years long misunderstanding compared with what heretic Fomenko says, asserts, proves in his second volume: Second Roman Empire, Third Roman Empire, Biblical Kingdom of Israel, Biblical Kingdom of Judah, Holy Roman Empire are stories about basically same events, written from different points of view at different times. The underlying events have actually taken place during xii-xv cy. These histories have been written and perfected by multitude of highly talented humanist and clerical writers of xiii-xvi cy disguised as "ancients" with glorious names like Homer, Pluto, Thucydides etc..Chronology 2.0 beta..
Historians are kindly invited to report the bugs.
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