Book Description
Le Corbusier entwarf für die Tapetenfirma Salubra zwei Farbkollektionen: das «Clavier de couleurs» von 1931 mit 43 Farbtönen und die Kollektion von 1959 mit 20 Farben. Er begnügte sich nicht mit der Wahl von 43 Farbtönen, die er auf seine Erfahrung als Architekt und Maler abstützte, vielmehr organisierte er die Töne auf 12 Musterkarten so, dass mit einem Schieber jeweils drei bis fünf Farben isoliert bzw. kombiniert werden können. Jede dieser Karten beinhaltete eine andersartige Farbstimmung, die in der Anwendung eine bestimmte Raumwirkung hervorrufen sollte. Damit war nicht nur ein nützliches Werkzeug geschaffen, sondern auch eine Art Testament der puristischen Farbenlehre entstanden. 1959 entstand die den veränderten Vorstellungen angepasste zweite Kollektion mit 20 Unifarben, die auf einem einzelnen «Clavier» zusammengefügt wurden.
Arthur Rüegg, ETH-Professor und Le Corbusier-Spezialist, erforscht die Bedeutung der Salubra-Kollektionen für die Geschichte der modernen Architektur.
Customer Reviews:
Genius Work.......2007-05-08
The Color Keyboards of Le Corbusier are a work of genius by one of the masters of Modern architecture. This is a fantastic reprint of his 1931 and 1959 color chords that Le Corbusier created for the Swiss company Salubra. This is the second reprint and Ruegg was certain to get the colors as close as possible to the originals (the first reprint was a bit "off" in it's colors).
What makes this work so pertinent and important is this is an incredible tool for putting colors together that make our homes (offices, schools, shops, workplaces, etc) look absolutely fantastic. By using the color keyboards and the cutout viewers supplied by Le Corbusier you have a new world of colors opened up to you - colors combinations most people would never have thought of. Le Corbusier supples palletes of blues for Space, blues for the Sea, tans for the Beach or Desert, greens for the country, Browns for the Forest, two palletes for Masonry and several others. Wherever you plan to build there is a pallete of colors that will compliment your site. This gives you the main body of the house color and two secondary colors to choose from. Along with these primary and secondary colors you now have a wide choice of trim colors that come into selection using the cutout viewers. You may now choose one, two, or three trim colors (depending on the viewer you use and how large and complex you want your color "chord" to be.) Once you sit down with the color chords and begin playing with them it will soon become obvious just what a genius Le Corbusier was. His choice of color chords is incredible in its ability to make architectural features seem very human and personal and alive all at the same time. The inventor of the Modulator thought of architecture on very human terms.
Once you have picked your color chord you have full sheets of each color you've chosen (supplied in a second book) to take to your paint store for them to make exact duplications. Choose what architectural features you want painted what color and off you go. The results are absolutely incredible. This is the book that Eichler used to pick colors that made his neighborhoods "fit together" as an organic whole.
This book is well worth the price if you want to make your home stand out as unique, beautiful and fully human. You will see why originals of this book sell for $5,000.
Book Description
Die acht Bände dieser außergewöhnlichen Edition, die zwischen 1929 und 1970 veröffentlicht wurde und seit dem immer wieder nachgedruckt wurde, dokumentiert die große Bandbreite des Werks von Le Corbusier. Sie dokumentieren das Werk des einflussreichsten Architekten des 20. Jahrhunderts. In direkter Zusammenarbeit mit Le Corbusier in über 40 Jahren entstanden, bildet das Set eine einzigartige und erschöpfende Bestandsaufnahme seiner Gebäude, Projekte, Skizzenhefte, Manifeste, Zeichnungen und Texte, welche die Welt der Architektur nachhaltig verändert haben.
Customer Reviews:
The definitive statement on Modern Architecture.......2006-01-20
While there have been many monographs of Le Corbusier, this is the definitive edition. It is the set of volumes that inspired everyone from Alvar Aalto to Zaha Hadid, shaping the way we look at Modern Architecture. There is a typo in the number of pages. This set is massive but it doesn't weigh in at 176,000 pages. The 8 volumes, about 200 pages each, were originally released individually from 1929 to 1969 with Boesinger and Stonorov working directly with Le Corbusier. These are the original drawings and photographs, so if you are looking for glossy prints of Corbu's more famous works, I suggest purchasing monographs by Kenneth Frampton or William Curtis, which have contemporary photos of his better known buildings. Also, much of the text is not translated, presented in the original French. You have to have a great appreciation for Corbu's work to consider such a purchase, but given how rare first editions are, not to mention expensive, this is the best price by far for this invaluable collection.
Well, you know, it is the gold standard.......2005-12-03
I agree with the earlier review, if you are looking at this, then you likely know what you are getting into. A few comments:
1. The first two volumes are NOT multi-lingual. The majority of the text in these 2 volumes is in French. All notations/labels for the images and photos are in French. Only the more extensive texts/essays are in German and English.
2. These appear to be straight reproductions of the original books, no reformatting has occurred. This may be a reason for the lower quality of the images/photos.
3. Great opportunity to see models/drawings of major unbuilt works - Governor's Palace in Chandigargh, Strasburg, Algiers, Venice, Geneva, etc. As well as paintings, le Modulor and other non-building works.
The packaging was incredible, and worth saving in my opinion.
I would recommend this for this price, and is much more convenience than hunting on eBay for the early editions of the individual volumes.
print quality issues but still fantastic.......2005-11-10
If you are looking at this book, you probably already know that this is the most informative collection of Corbusier's work short of the Corbusier Archive. That said, I won't review the content.
I purchased the 'new' (1996) printing from Birkhauser. This seems to be the cheapest edition to be found, and the quality of the paper, images, and text support this. Birkhauser tends to make excellent books (check out the complete works series of Aalto, Herzog & DeMeuron, and Botta for proof), but I'm left a little confused by the modern feel to the paper, which the rustic quality of the image/print. I guess there is something to be said for a mid 1970's slightly yellowing gently read copy. That is if you can find one for less than a $1200.
Nevertheless, I highly recommend spending the $400 on this fantastic body of knowledge. You won't regret it for a second.
On a side note, Birkhauser's packaging is fantastic: even UPS and my not-so-gentle delivery man weren't able to damage the contents.
fascinating books, expertly put together.......2005-06-18
I had the good fortune of checking these books out from my university library. They are without a doubt the best books on Le Corbusier out there. They're endlessly fascinating.
le corbusier complete works in english eight volumes.......2000-05-22
most excellent masterpieces of architectures of 20th centry
Book Description
This pioneering proclamation by the great architect expounds Le Corbusier's technical and aesthetic theories, views on industry, economics, the relation of form to function, "mass-production spirit," and much more. Profusely illustrated with over 200 line drawings and photographs of Le Corbusier's buildings and other important structures.
Customer Reviews:
give me a break.......2007-02-14
the old jeanneret is a purist with a machine aesthetic yearning to become a calculator.
there's nothing wrong with public plazas.
stop repeating yourself. you're not fun to think about.
architecture is plastic and experiential, but not dogmatized by universality, so stop critcising utopian solutions for lack of ingenuity.
How buildings became boxes.......2007-01-15
A must read for anyone with the least bit of interest in architecture.
A must have for Architecture students.......2006-07-24
Worth the read just for Le Corbusier's description of the effects that a building has on the psyche's of its users. Lots of great line drawings. When reading, remember that the book is a collection of magazine articles, hence the repitition that occurs from chapter to chapter. The book should have been only half as long as it is; a lot of unnecessary filler.
Eye opening and excellent.......2005-09-29
While known for at times overstating his case, Le Corbusier still makes a well-thought and passionate statement for the impact and value of architecture in the 20th (and now 21st century). The book is a fast, engaging read and frighteningly topical for something that was written almost a century ago.
The Godfather of Sprawl.......2005-07-01
Corbusier's theories, as much as anyone's, led directly to the dis-integration of the city in favor of the elements that we currently know as sprawl. And he specifically celebrated the things that today, we are trying to painfully wean ourselves from. For example, he exulted over the fact that "I will live 30 miles in one direction from the office, while my secretary will live 30 miles in the other direction from the office, and together, we will consume enough gasoline and rubber for tires that we will keep several people busy producing them." OK, so that's not an exact quote because it's been several years since I read the book, but that's the essence. Look it up, and others like it, and you'll discover that this guy's ideas are responsible for greater destruction of western urbanism than World War II. Seriously. Look at maps of cities in Europe before the war and after. Then look at them in 1970, after Corbusier's ideas came to fruition. You be the judge.
Average customer rating:
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Raumplan versus Plan Libre : Adolf Loos and Le Corbusier, 1919 - 1930
Manufacturer: Rizzoli
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ASIN: 0847810003
Release Date: 1993-08-15 |
Customer Reviews:
Corb and Loos.......2000-01-04
An excellent book! Very well documented with plans, sections, elevations and models. The models are especially informative because they are primarily section models that illustrate the spatial differences between Corb and Loos. The book also dispell the misconception that Corb's houses were white. The original color schemes of the various houses are displayed in the models. A great book for students of theses two giants.
Book Description
Le Corbusier`s buildings have long been part of the inalienable canon of 20th century architecture. But le Corbusier`s work as a book designer and author is scarcely known, and has hitherto not been acknowledged – Le Corbusier meticulously planned and realized over 40 books in his lifetime. Architect of Books shows that Le Corbuiser accorded great importance to books as an essential part of his output. Using unpublished archive material, Catherine de Smet traces the process by which these books emerged and makes it possible to discover the great construction architect as a book artist.
Customer Reviews:
Le Corbusier in print.......2006-05-06
While this book would be a valuable addition to one's library on Le Corbusier, it doesn't shed any new light on Le Corbusier's passion for publishing. Ever since L'Esprit Nouveau, Le Corbusier worked actively to get his vision of a New Architecture in print. This was a journal he co-published with Amedee Ozenfant in 1920 that captured the spirit of the modern movement both in art and architecture. Towards a New Architecture became the seminal work of the Modern Movement, and the publishing of The Athens Charter, arrived at the second meeting of the Congres Internationaux d'Architecture Moderne or CIAM. provided an even clearer picture of how Le Corbusier envisioned modern architecture. He worked closely with Birkhauser Publishing Company of Germany to produce an ongoing monograph of his work, which eventually culminated in 8 volumes, that is highly valued by contemporary architects.
Book Description
Famed Swiss-French architect Le Corbusier dominated 20th-century architecture much the way Picasso dominated painting. His outstanding achievements, his vision of a harmonious machine civilization, his paintings, drawings, sculpture, architecture, city planning, and writing together compose a portrait of the architect as ìprotean creator.î Like the classic Renaissance Man, Le Corbusier was versed in many fields and largely self-taught, and this gave his work a forceful personal stamp. These qualities also led to serious flaws with several of his ideas, particularly those on city planning, and to an unending conflict with society.
This critical biography looks at Le Corbusier from all angels, including his personal life. Taking into account recent scholarship and new theories of architectural change, Le Corbusier and the Continual Revolution in Architecture explores the notion that the architect was driven by a prophetic voice to at once save and do battle with an industrialized society. Noted architectural historian Charles Jencks chronicles the transformation of Le Corbusierís early regionalist work, his emergence as a modernist leader in the 1920s, his use of metaphor and striking forms at Ronchamp and La Tourette, and the symbolism of his monumental forms at Chandigarh, demonstrating how Le Corbusier continually stayed well ahead of his followers to revolutionize the art of architecture over and over again.
Customer Reviews:
More Artist Than Art.......2006-02-22
Jencks gives us a well-researched biography of Le Corbusier, but unfortunately he does not give the reader enough on Le Corbusier's art. While the insights into Le Corbusier's life are intriguing, we are only given a cursory look at his buildings and paintings themselves with little analysis beyond the typical Jencks "multivalence" routine. It is an excellent biography, but I was shopping more for a detailed look at Le Corbusier's work itself so I was a bit disappointed in the end.
Expanded, refined.......2001-04-17
Jencks third work on LC is an expanded and revised take since his first 'tragic view of architecture'. The author makes his point well and the change of focus over the two books - a tragic view/ a continual revolution is a shift in Jencks focus on LC. The continual revolution can be seen to be light on pictures however it is not so much a primary LC text but rather a supplementary viewpoint - as such it is appropriately illustrated. Although Jencks covers the ideas of the tragic view in this edition it is worth also reading the original, where the younger author takes a more ardent stance - taking a tragic line from beginning to end. Jencks books are more than biographical studies of common LC history they follow a consistent objective course to a well directed conclusion. Though in this case there are revolutions (repetition) in information, relative to LC and the stance taken in this book; appropriately so.
Book Description
In the years 1942 to 1948, Le Corbusier developed a system of measurements which became known as "Modulor". Based on the Golden Section and Fibonacci numbers and also using the physical dimensions of the average human, Modulor is a sequence of measurements which Le Corbusier used to achieve harmony in his architectural compositions. Le Modulor was published in 1950 and after meeting with success, Le Corbusier went on to publish Modulor 2 in 1955. In many of Le Corbusier's most notable buildings, including the Chapel at Ronchamp and the Unité d'habitation, evidence of his Modulor system can be seen. These two volumes form an important and integral part of Le Corbusier's theoretical writings.
Customer Reviews:
Le Corbusier's Modulor l and ll.......2007-03-09
The books arrived well packaged and on time. The books however were a little smaller than what I anticipated since the last time I reviewed these same books I took out at a local library, but nevertheless I'm impressed that the books did come to me in a compacted design. For what better way to showoff the design tool called the Modulor by placeing a picture of it on it's very own jacket that came with the books. You feel as if the whole box set is some sort of handy carpenters tape measure to carry 'round with you.The inside of the book is full of explanatory remarks about perfecting, creating and applying this human scale ruler which incorporates the full use of what is termed the Golden Section and thereby adhereing it to his own buiding designs. For those of you who are avid Golden Ratio/Section seekers these two books are a great gift idea and a great collectors item.The books also include many letters too from his colleagues who critique and sometimes try to disprove his modulor really works.I have included pictures to show you the overall appearance of both books and its smart jacket. Therefore an excellant choice and would recommend to college students, Architects, and all those versed in the Arts in general
A bit of history..........2001-05-05
Le Corbusier had been working for some time on his Modulor system using these French decimal measurements but without much success. Then one of his collaborators, Py, said: "Isn't the height we are working with rather a French height? Have you ever noticed that in English detective novels the hero is always six feet tall?" Le Corbusier continues: " We then applied this standard. To our delight, the graduations of a new Modulor, based on a man six feet tall, translated themselves into round figures in feet and inches". (hardly surprising when you consider that this is a natural system of measure.).
Book Description
Le Corbusier Venice Hospital
Edited by Hashim Sarkis
This volume explores an unbuilt yet iconic project by Le Corbuiser and its visual representation. The Venice Hospital is the uncontested epitome of the “mat, ”or carpet, building type —a low sprawling structure developed in the late fifties and sixties that is making a strong comeback in contemporary architecture.
Average customer rating:
- High Quality Introduction to Le Corbusier
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Le Corbusier (Taschen Basic Architecture)
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Peter Gossel
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ASIN: 3822835358 |
Book Description
Architectural poetry in the machine age
Born Charles-Edouard Jeanneret, Le Corbusier (1887-1965) adopted his famous pseudonym after publishing his ideas in the review L'Esprit Nouveau in 1920. The few buildings he was able to design during the 1920s, when he also spent much of his time painting and writing, brought him to the forefront of modern architecture, though it wasn't until after World War II that his epoch-making buildings were constructed, such as the Unité d'Habitation in Marseilles and the Church of Notre Dame du Haut in Ronchamp.
Customer Reviews:
High Quality Introduction to Le Corbusier.......2005-08-30
The German Publishing Company, Taschen has recently introduced a series of paperback monographs describing the lives and works of the Twentieth Century's greatest architects. On average, they are 100 pages long and they are filled with numerous detailed photographs of the great architect and his buildings. They start with a ten page introduction to the architects life and then continue to short chapters that highlite their greatest buildings.
Whether you love or hate Le Corbusier, he was one of the great figures of the Twentieth Century. His ideas have helped shape urban life all over the world. If you want to consider yourself minimally knowledgable about modern architecture, you have to know about Le Corbusier. This book is a cheap, beautifully edited introduction to one of the leading lights of modernism. Once again, Taschen Publishing hits a home run.
Amazon.com
The Ronchamp Chapel is a boldly expressive free-form structure that says as much about enlightened patronage as it does about the genius of Le Corbusier, a seminal figure whose work usually celebrated pure rationality rather than the mystery and emotion on conspicuous display there. While the church hierarchy supported Corbu's poetic vision wholeheartedly, local inhabitants and bureaucrats at first hated this masterpiece enough to deny it water and electricity. Only when architectural tourists came in large enough numbers to bolster their economy did they relent. The chapel is just one of the modernist icons that preeminent architectural photographer Ezra Stoller documented in a career that spanned more than half a century. Now retired, Stoller has been reassembling his work for permanent (rather than periodical) publication. The Ronchamp Chapel is one of a series published by Princeton Architectural Press that presents individual buildings in depth in a small-size volume. The photographs are not only stunning, they have particular documentary value in that Stoller shot them when the buildings were new--in this case, 45 years ago.
The series has been designed for relative affordability, and its subjects are well chosen. Each volume includes a very brief preface by Stoller setting out his relationship to the building and a fairly short critical, historical, analytical essay. Buttressed by about a dozen endnotes, the essays occupy a middle ground between informal and scholarly writing. They are followed by 50 to 60 duotone photos and a few plan drawings. This is an expert look at an extraordinary building and well worth readers' serious attention. --John Pastier
Book Description
The Building Blocks series presents icons of modern architecture as interpreted by the most significant architectural photographers of our time. The first four volumes feature the work of Ezra Stoller, whose photography has defined the way postwar architecture has been viewed by architects, historians, and the public at large. The buildings inaugurating this series--Eero Saarinen's TWA Terminal, Wallace Harrison's United Nations complex, Le Corbusier's Chapel at Ronchamp, and Paul Rudolph's Yale Art and Architecture Building--all have bold sculptural presences ideally suited to Stoller's unique vision. Each cloth-bound book in the series contains at least 80 pages of rich duotone images. Taken just after the completion of each project, these photographs provide a unique historical record of the buildings in use, documenting the people, fashions, and furnishings of the period. Through Stoller's photographs, we see these buildings the way the architects wanted us to know them. In the preface to each volume Stoller tells of his personal relationship with the architect of each project and recounts his experience photographing it. Brief introductions reveal the unique history of each building; also included are newly drawn plans.
Customer Reviews:
architecture.......2000-01-21
Hi My favorate book is architectural book
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![Le Modulor and Modulor 2 [ENGLISH EDITION]](http://images-eu.amazon.com/images/P/3764361883.01.THUMBZZZ.jpg)
![Le Modulor and Modulor 2 [ENGLISH EDITION]](http://ec1.images-amazon.com/images/I/31Oer0M01oL.jpg)
