History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

The Fate of Place: A Philosophical History (Centennial Books)

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The Fate of Place: A Philosophical History (Centennial Books)
Edward Casey
Manufacturer: University of California Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0520216490

Amazon.com

We may talk of virtual reality and speak in virtual conversations, but we simply can't help actually occupying a concrete place. Long marginalized by philosophers, the idea of place is here rescued from the dustbins of philosophical history in a meticulous tracing of the idea of place from the immanent categories of Aristotle, to the Enlightenment dissolution of place into space, and to Martin Heidegger's reclamation of place from space. Edward Casey leads us through rocky and challenging terrain to a destination that already has been profitably mined for its literary riches by the likes of Gary Snyder and William Kittredge. The Fate of Place is a welcome addition and sure to be influential.

Book Description

In this imaginative and comprehensive study, Edward Casey, one of the most incisive interpreters of the Continental philosophical tradition, offers a philosophical history of the evolving conceptualizations of place and space in Western thought. Not merely a presentation of the ideas of other philosophers, The Fate of Place is acutely sensitive to silences, absences, and missed opportunities in the complex history of philosophical approaches to space and place. A central theme is the increasing neglect of place in favor of space from the seventh century A.D. onward, amounting to the virtual exclusion of place by the end of the eighteenth century.
Casey begins with mythological and religious creation stories and the theories of Plato and Aristotle and then explores the heritage of Neoplatonic, medieval, and Renaissance speculations about space. He presents an impressive history of the birth of modern spatial conceptions in the writings of Newton, Descartes, Leibniz, and Kant and delineates the evolution of twentieth-century phenomenological approaches in the work of Husserl, Merleau-Ponty, Bachelard, and Heidegger. In the book's final section, Casey explores the postmodern theories of Foucault, Derrida, Tschumi, Deleuze and Guattari, and Irigaray.

On Leon Battista Alberti: His Literary and Aesthetic Theories

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Swimming in Tar
Swimming in Tar

On Leon Battista Alberti: His Literary and Aesthetic Theories
Mark Jarzombek
Manufacturer: The MIT Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0262100428

Book Description

Listen to Alberti's voice. This is what Mark Jarzombek has done in studying virtually all of Alberti's writings on philosophy, ethics, aesthetics architecture, and literature. Jarzombek's thorough grasp of Alberti's thought and painstaking analysis of his elusive identity transform our image of this remarkable man carving out a new place for Alberti in literary theory, art history, and Renaissance scholarship.

Instead of warming over the stereotypes of Alberti as a "universal man" or as a proponent of "civic Humanism," Jarzombek explores Alberti's views on the relationship between the writer and society. He asserts that, while Alberti was indeed an architect, an art theorist and a man of letters, he was above all a theoretician of writing: "Everywhere one turns, the problems of writing, authorship and textuality seem to appear, from his first writings... to his last."

Jarzombek, opening the possibilities for a different type of discussion of Alberti and of such major works as De pictura and De re aedificatora, places Alberti more accurately within the context of his times and clarifies the intertextual relationship among his works. Jarzombek's investigation brings to light themes that have remained hidden in the complex world of Alberti's speculations

The Alberti of Jarzombeks book is an outsider struggling to resolve conflicting impulses of pessimism and hope. He is also a profound and willful thinker who, while amalgamating contemporary trends, did not endorse them but countered with a cosmological philosophy of his own.

Mark Jarzombek is Assistant Professor of Architectural History at Cornell University.

Customer Reviews:

Swimming in Tar.......2001-08-22

I am disappointed to see this book catalogued, once again, under architecture theory. I don't know where to file it, but not here. It is a dense conglomerate of interpretations of and anachronistic projections onto the theories of Alberti. As such it deals with architecture only tangentially. Even specialists in Architecture theory and history will find the writing opaque, pointlessly recondite, and unfocused. Paragraphs are divided at apparent random, sentences bury the principal clause deep in strata of grad-school gobbledygook, and even the most lucid statements require excavation. If there were some brilliant insight to redeam the writing, I might suspend disbelief, but nowhere does M.J. treat us to an IDEA. The whole piece reads like a Master's thesis. The value of the book lies in it's openminded rethinking of traditional assumptions in Alberti scholarship. Most of these, including the idea that Alberti was a sort of proto-modern in his theory (as I read it anyway) seem somewhere between provocative and wild. Some are exciting. But I am left feeling that M.J. has mostly just used Alberti as a lense for modern theory. This is not required reading. Don't bother.

Swimming in Tar.......2001-08-22

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A good general look at the history of western architecture

History Of Western Architecture
Lawrence Wodehouse , and Marian Moffett
Manufacturer: McGraw-Hill Humanities/Social Sciences/Languages
ProductGroup: Book
Binding: Paperback

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A History of Architecture: Settings and Rituals

ASIN: 0874847842

Book Description

This text, lauded by instructors as extremely teachable, traces architectural history from prehistoric times to the 20th century.

Customer Reviews:

A good general look at the history of western architecture.......2000-10-17

Wodehouse and Moffett do a good job of jamming the whole history of western arcitecture into an easy to read compact work. They cover the biggies and touch on the lesser known but important works. There are ample illustrations and notations to diagrams and photographs. The writing is interesting and not full of boring technical jargan. This book is an excelent jumping off point for a time period or to get an overview of architecture in general. There is so much information one could get bogged down in, especially in the past century of architecture, but Wodehouse and Moffett charge on ahead without becoming stuck. This book is certanily not the end all of any time period, but for casual scholors of architecture or those who need to know about a building in X time period, this a great book.

Let the Cowboy Ride: Cattle Ranching in the American West (Creating the North American Landscape)

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Academic
A fascinating and comprehensive look at ranching . . .

Let the Cowboy Ride: Cattle Ranching in the American West (Creating the North American Landscape)
Paul F. Starrs
Manufacturer: The Johns Hopkins University Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0801863511

Book Description

The dime novel and dude ranch, the barbecue and rodeo, the suburban ranch house and the urban cowboy -- all are a direct legacy of nineteenth-century cowboy life that still enlivens American popular culture. Yet at the same time, reports of environmental destruction or economic inefficiency have motivated calls for restricted livestock grazing on public lands or even for an end to ranching altogether. In Let the Cowboy Ride, Starrs offers a detailed and comprehensive look at one of America's most enduring institutions. Richly illustrated with more than 130 photographs and maps, the book combines the authentic detail of an insider's view (Starrs spent six years working cattle on the high desert Great Basin range) with a scholar's keen eye for objective analysis.

Customer Reviews:

Academic.......2002-12-12

This book was written by a professor at the University of Nevada and is aimed towards the academically inclined. After weighing the various policy considerations of range management, it fails to reach a convincing conclusion. Government regulation is not the evil policy envisioned by the author, and is preferable than letting be set ad hoc by self-interested red neck cowboys.

A fascinating and comprehensive look at ranching . . ........1999-09-16

I came across this book while doing research about ranching in the American West -- this book is by far the most interesting, comprehensive and well-written book about the cattle industry that I've found.

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The artistic imagination....
Beautiful Artwork, some questionable content
Another superb book from Rien!
This book is a real treasure!
Magnificent illustrations and content!

Daily Life in Holland in the Year 1566
Rien Poortvliet
Manufacturer: Harry N. Abrams
ProductGroup: Book
Binding: Hardcover

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ASIN: 0810933098

Customer Reviews:

The artistic imagination...........2001-07-24

DAILY LIFE IN HOLLAND IN THE YEAR 1566 is a graphically and beautifully illustrated book by Rien Poortvliet--a gifted Dutch artist with a talent for visualizing past times and bringing them to life. Many of his illustrations contain disturbing content--people hanged and still dangling from the gallows, miscreants tortured and locked in cages, children and adults deathly ill and/or starving. In 1566, the Dutch were struggling with the Spanish for control of the Netherlands and the aftermath of war is not pretty.

However, many of Poorvliet's pictures also depict everyday scenes concerning the more pleasant side of life. The viewer is shown ships at sea; horses carrying soldiers and pulling plows; all kinds of housing--floorplans to facades to fully formed buildings; clothing of the various classes including the elaborate headgear of wealthy, deftly wrapped scarves, and helmets; household implements such as lanterns, pails, cooking pots, and candle holders; farming tools; vegetables and meats; and plenty of rural scenery comparable to the works of Ruysdael.

Poorvliet's DAILY LIFE IN HOLLAND is based on information he collected from court records and other sources and tells the story of several members of a family over the course of one year. Poortvliet's earlier illustrative tale, IN MY GRANDFATHER'S HOUSE vividly depicted life in Zeeland over several centuries. I actually liked IN MY GRANDFATHER'S HOUSE better than LIFE IN HOLLAND because he portrayed history by tracing his own ancestors back through past generations. First he imagined his father's life, then his grandfather's life, then his great-grandfather's life, etc.

Poortvliet's books provide a wonderful way to visualize life in past times...

Beautiful Artwork, some questionable content.......2001-02-09

Rien Poortvliet's "Daily Life in Holland in the Year 1566" contains beautifully done sketches and paintings. They are truly extraordinary. The writing is also very interesting as he weaves history and daily life in an appealing fashion. However, I have found that some of the content of the book is inappropriate for a family. There are more than several pages of nudity and explicit portrayals of both instruments used for torture (in order to extract a confession of sorts) and the torture procedure itself. This has made it impossible for us to keep as a family coffee table book. I regret this but realize that it is an inappropriate book for our family with younger children. Some may certainly argue that this was life in 1566 Holland and while that may be true, it is also true that murder and other heinous crimes are part of life in all of history. Still, is there a need to portray them in this fashion? I think not. Perhaps the artist/writer could have alluded to these facts of life without the explicit visual reminders...

Another superb book from Rien!.......2000-02-06

It amazes me that you can get a book as stunningly beautiful and engrossing as this for such a price! Every detail of life seems to be covered here, from getting dressed to bathing (or lack of it) to rats, eating, etc. I don't know which is better, the perfectly detailed drawings or the text descriptions of everything. I didn't think at first I would like the book, as I prefer his ones on animals, but I wasn't disappointed!

This book is a real treasure!.......1998-10-13

You don't have to be Dutch to love this book, it's absolutely marvelous. It brings another time and culture to live with its wonderful drawings, and the story Poortvliet weaves is alternately touching, funny, sad, educational and passionate.No matter how many times I look this book over, it never fails to amaze me. If I could only have 10 books, this would be one I would keep.

Magnificent illustrations and content!.......1998-06-17

I recently became aware of some Dutch ancestry going back well into the 16 century. This led me to want to know more about that period. This book accomplishes exactly what I'd hoped for. It's comprehensive, has superbly drawn illustrations and quickly lets you experience Dutch life over 425 years ago. It's a real labor of love and a fine acquisition!

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Meaning In Western Architecture
Christian Norberg-Schulz
Manufacturer: Rizzoli
ProductGroup: Book
Binding: Paperback

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ASIN: 0847803198
Release Date: 1993-06-15

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the worst
...
Longing for the ludic

The Situationist City
Simon Sadler
Manufacturer: The MIT Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0262692252

Book Description

From 1957 to 1972, the artistic and political movement known as the Situationist International (SI) worked aggressively to subvert the conservative ideology of the Western world. The movement's broadside attack on "establishment" institutions and values left its mark upon the libertarian left, the counterculture, the revolutionary events of 1968, and more recent phenomena from punk to postmodernism. In this book Simon Sadler investigates the artistic, architectural, and cultural theories that were once the foundations of Situationist thought, particularly as they applied to the form of the modern city.

Simon Sadler searches for the Situationist City among the detritus of tracts, manifestoes, and works of art that the SI left behind. The book is divided into three parts. The first, "The Naked City," outlines the Situationist critique of the urban environment as it then existed. The second, "Formulary for a New Urbanism," examines Situationist principles for the city and for city living. The third, "A New Babylon," describes actual designs proposed for the Situationist City.

Customer Reviews:

the worst.......2006-02-08

You could hardly find a greater betrayal of the Situationist movement in all of its aspects, than this book, which translates a chaotic, exciting and iconoclastic movement into a boring and platitudinous addition to the obligatory academic discourse about everything.

Throw this thing in the trash, don't even resell it, certainly don't donate it to any charities or libraries. Go right now instead and find "The Situationist International: A User's Guide" by Simon Ford, you won't regret it. I swear to God I am not lying and I have no institutional or other affiliation that would conflict with this judgment.

..........2003-06-02

I can't say I enjoyed this at all. Unles you're heavily into aesthetics and understand most of the avante-garde terms, you're not going to make any sense of this. The book was overly pretentious and I couldn't burden myself to finish it. It's not at all what you'd expect, and the synopsis is misleading.

Get the book Guy Debord and the Situationist International instead. Guy Debord was part of the Lettrist International, which founded alot of the psycho-geographical ideas. I guarantee it'll be a more interesting read than this.

Longing for the ludic.......1999-12-30

An excellent book, within the constraints the author sets for himself, to deal primarily with what could ahistorically, but reasonably be called "situationist" architecture and architectural theory. There is no doubt the book makes bored, sensitive fellows like myself want to go out and do something to keep these insane transformational ideas alive and working in culture. I'd love to have a list of all the other bored people, we could have a big party.

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great publication, and a small hut
Much ado..... about being, time, nothingness, and a place in the woods
A great little book

Heidegger's Hut
Adam Sharr
Manufacturer: The MIT Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0262195518

Book Description

"This is the most thorough architectural 'crit' of a hut ever set down, the justification for which is that the hut was the setting in which Martin Heidegger wrote phenomenological texts that became touchstones for late-twentieth-century architectural theory."
--from the foreword by Simon Sadler

Beginning in the summer of 1922, philosopher Martin Heidegger (1889-1976) occupied a small, three-room cabin in the Black Forest Mountains of southern Germany. He called it "die Hütte" ("the hut"). Over the years, Heidegger worked on many of his most famous writings in this cabin, from his early lectures to his last enigmatic texts. He claimed an intellectual and emotional intimacy with the building and its surroundings, and even suggested that the landscape expressed itself through him, almost without agency. In Heidegger's Hut, Adam Sharr explores this intense relationship of thought, place, and person.

Heidegger's mountain hut has been an object of fascination for many, including architects interested in his writings about "dwelling" and "place." Sharr's account--the first substantive investigation of the building and Heidegger's life there--reminds us that, in approaching Heidegger's writings, it is important to consider the circumstances in which the philosopher, as he himself said, felt "transported" into the work's "own rhythm." Indeed, Heidegger's apparent abdication of agency and tendency toward romanticism seem especially significant in light of his troubling involvement with the Nazi regime in the early 1930s.

Sharr draws on original research, including interviews with Heidegger's relatives, as well as on written accounts of the hut by Heidegger and his visitors. The book's evocative photographs include scenic and architectural views taken by the author and many remarkable images of a septuagenarian Heidegger in the hut taken by the photojournalist Digne Meller-Markovicz.

There are many ways to interpret Heidegger's hut--as the site of heroic confrontation between philosopher and existence; as the petit bourgeois escape of a misguided romantic; as a place overshadowed by fascism; or as an entirely unremarkable little building. Heidegger's Hut does not argue for any one reading, but guides readers toward their own possible interpretations of the importance of "die Hütte."

Customer Reviews:

great publication, and a small hut.......2007-09-19

This book is really nice small book, well written, illustrations throughout the book, etc. As some of the finer details concern a.o. the colours of the hut, the colours (?) of Heidegger's thinking and his direct environment, it should have been done in full colour. This book gave me some brilliant insights and saves me a lot of time. I'm now sure I will never read anything from Heidegger, sorry Martin.

Much ado..... about being, time, nothingness, and a place in the woods.......2007-02-21

If you have an interest in Heidegger, this is a clever little monogram on the place where Heidegger wrote or was inspired throughout the course of his career. The funny thing is, it is such a meager, crappy little hut that I guess he had no choice but to think profoundly. As architecture - well, it's laughably German: bare essentials, hardly comfortable, no cross ventilation, no indoor plumbing. And somehow that last factor takes the wind, so to speak, out of all that hermeneutics. Nothing like imagining Martin bent over a log to de-mythologize one of humanity's greatest thinkers.
The hut is still in the hands of his family, so it is not really a tourist site, but there is enough interest for the local government to signpost it and then ask everyone to respect the family's privacy. The black and white photos are collected from a series done in the sixties, and the author notes that they are somewhat staged. That's alright. It gives you the impression of how close the quarters were. Spartan is far too luxurious a concept. Nonetheless, this is where Martin came to follow those paths that led to the clearings wherein he began to consider how to uncover what had been appropriated. And all that is to say, that for its barren uncomfortableness, it is all the more remarkable that it was in such a setting that such piety was contemplated.
In short, the hut had precious little to do with it, I suppose. The landscape must be spectacular. Considering who came to visit him here, it is all the more remarkable. The place must have reeked. My estimation and admiration for both Elfride Heidegger and Hannah Arendt has increased exponentially. If you have had any experience travelling with Germans over the summer, you'll know what I'm talking about.
Against this setting is also a consideration of the more suburban digs Martin and his brood occupied in Freiburg. It seems more comfortable and while I gather Marty wasn't as keen on it, at least there was running water. The two settings compose an almost Monty Python pastiche of the life of Martin Heidegger - a bit like the Sartre sketch Cleese and Idle did: "OW, 'e's in his room sulkin again - all what about I dunno".
Much is made about Heidegger's brief flirtation with the Nazis, and his banishment to Todtnauberg (mostly self imposed, mind you), and as an ardent student of his work, I think it's time for a reality check: one, he gave up the Nazi post within a year, and in fact five years before Kristallnacht (ever wonder why? Of course not, it would force you to admit and forgive), and two, Hannah forgave him for being pissed at Jewish students who were annoying him and stating incredibly stupid propoaganda policies. And if she could forgive him, that's good enough for me.
Besides, look who is ghetto-izing and annhilating a minority now - as Victor Hugo would have it, those who refuse to learn from history.....
In any case, yer not likely, mate, to find hidden swastikas and egyptian icons writ backwards and cryptic messages stating "Paul is the walrus" anywhere around. This was a simple, really basic, unattractive hut in a beautiful setting that Martin found ideal for his enterprises. Hardly sacred space, but sacred enough for him.
The book is a quick read, but file it definitely under the cult of personality studies that seek vicarious approximation to glory in fetishizing the most insignificant details that have nothing to do with the heart of being, Being, Martin.

A great little book.......2006-12-30

It discusses the hut from an architectural perspective, situating it in valley & comparing it to his city home.

It gives a good sense of what it would be like to have used it in the way Heidegger did, without overreaching into architectural determinism.

Westminster Abbey (Wonders of the World)

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An English glory of the Gothic style

Westminster Abbey (Wonders of the World)
Richard Jenkyns
Manufacturer: Harvard University Press
ProductGroup: Book
Binding: Hardcover

General | Architecture | Professional & Technical | Subjects | Books

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ASIN: 0674017161

Book Description

Westminster Abbey is the most complex church in existence. National cathedral, coronation church, royal mausoleum, burial place of poets, resting place of the great and of the Unknown Warrior, former home of parliament, backdrop to the funeral of Diana, Princess of Wales--this rich and extraordinary building unites many functions.

Westminster Abbey is both an appreciation of an architectural masterpiece and an exploration of the building's shifting meanings. We hear the voices of those who have described its forms, moods, and ceremonies, from Shakespeare and Voltaire to Dickens and Henry James; we see how rulers have made use of it, from medieval kings to modern prime ministers. In a highly original book, classicist and cultural historian Richard Jenkyns teaches us to look at this microcosm of history with new eyes.

Customer Reviews:

An English glory of the Gothic style.......2005-08-11

Westminster Abbey has long been a seat of royal and ecclesial significance; certainly since the time of Edward the Confessor (before the Norman Conquest), up until the most recent times (royal weddings and the funeral of Diana, Princess of Wales, perhaps the most watched funeral in history). According to the introduction of Jenkyns book, it is 'perhaps the most complex building of any kind'. It still bear the stamp of being a 'royal peculiar' - in that the clergy and ecclesial hierarchy of the abbey fall outside the standard patterns of the church, and instead fall under a more direct jurisdiction of the monarch.

Its history is as impressive as its architecture. It has been a cathedral church and an abbey, a coronation church, a 'national church'; it houses Poets' Corner, the Tomb of the Unknown Warrior, the shrine of a Roman saint, and more. The national legislature (the House of Commons) has met here, and it has been both the National Archive and the National Treasury. Still, it is not as large as the French Gothic cathedrals upon which it is based, and (Henry VII's Chapel excepted) much of the art and architecture of the building, each element taken separately, can be better represented elsewhere. However, as a package whole, Westminster Abbey is second to none.

Jenkyns' book on Westminster Abbey is not a tourist guide, but rather a wholistic history of the building. Looking in detail beginning with the medieval church (there were much older structures on the site, but what we come to think of as Westminster Abbey today was really born in the medieval period), Jenkyns continues chronologically through the Renaissance, Reformation, Baroque and Victorian periods. Jenkins then explores particular aspects of the Abbey overall - as a place of ceremony, as a national cathedral or shrine, as a church in and of the city, and the church as a masoleum of sorts of the famous and historical (this last chapter is somewhat out of place, put among the chronological listings).

Jenkyns draws on wonderful material for a complete picture of the spirit of the place. There are poems from the Renaissance up to the twentieth century - Betjamin's portrayal of a woman visiting the Abbey during the war time is a classic example. He has historians and royals with their own reflections of events that have taken place, and material from clergy and monastics who have lived, worked and worshiped here. 'The world changes, but as a building and as a community, the Abbey continues to do what the Benedictines called the opus Dei, the work of God, to teach and preach and praise.'

Jenkyns is not shy with his opinions. For example, in discussion the change in the north transept rose window, he has little good to say about Pearson's replacement of it in the restoration of the late nineteenth century. 'Pearson was a very fine architect and it is a pity (and puzzling) that he chose to blot his escutcheon in this way.' Jenkyns similarly describes others' attempts at restoration and improvement as 'impertinent', 'controversial', and 'destructive'.

The book could benefit from a few more diagrams and a few colour photographs (the only colour prints are on the sleeve on the outside of the book; the rest are black-and-white, which, while they have their own character and excellence, still do not give a sense of the glory of certain aspects, such as the Henry VII chapel). However, the text is interesting, easy to read and interesting without being simplistic or not engaging with its subject, itself a complex Gothic creation.

Part of a series published in the United States by Harvard University Press, published previously in the United Kingdom by Profile Books Ltd., this volume is a joy to have.

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