History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Julius Shulman: Architecture and Its Photography (Jumbo)

Average customer rating:

Brillant Book
Buy this book
Shulman - A great Photographer of Architecture
precise and remarkable; shape and form is astounding
Stunning design, beautiful photography, entertaining memoir

Julius Shulman: Architecture and Its Photography (Jumbo)

Manufacturer: Taschen
ProductGroup: Book
Binding: Hardcover

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Photographing Architecture and Interiors
Malibu: A Century of Living by the Sea
A Constructed View: The Architectural Photography of Julius Shulman
Modernism Reborn: Mid-Century American Houses
L A Lost & Found: An Architectural History of Los Angeles (California Architecture and Architects)

ASIN: 3822872040

Amazon.com

Our contact with great architecture tends to be indirect, through representations. Few of us have seen the Taj Mahal, yet we all know exactly what it looks like. The useful act of photographing buildings can be an art, particularly when the photographer's presence seems to recede, and a great architectural shot suggests that you're seeing things as they are rather than through someone else's prism.

Julius Shulman has documented buildings in that seemingly transparent way for more than six decades. This meticulous and prolific craftsman was in the right place, California, at the right time, the golden age of West Coast modern residential architecture that spanned the 1930s to the 1960s. Richard Neutra helped him get his start, and he recorded early modernists such as Wright, Schindler, Soriano, Harris, Frey, Ain, Stone, Gropius, Kahn, and Neutra, as well as younger ones such as Goff, Lautner, Ellwood, Koenig, Drake, Killingsworth, Eames, Greene, Legoretta, and even early Frank Gehry. His view camera captured the glamour of hillside steel-and-glass houses cantilevered above the city lights, the serenity of desert vacation homes at dusk, and the clean-lined ingenuity of young architects working on modest budgets.

Shulman's text is a knotty quasi biography, but some good stories lurk there. This is a physically impressive book: its 300 large-format pages contain 500 superbly reproduced color and black-and-white photos that are worth more than the proverbial thousand words each. --John Pastier

Customer Reviews:

Brillant Book.......2006-01-11

This book has been my bible. From the pure joy of looking at the visuals to the wealth of knowledge perched on it pages. For anyone interested in architecture and photography this is a must read.

Buy this book.......2002-01-10

If one is ever to purchase a book concerning mid-century modernism, purchase this book. The photography is amazing, and inspiring. The text is informative without being verbose. This is definitely one of the top ten favourites in my collection.
Mr. Shulman is absolutely brilliant.

Shulman - A great Photographer of Architecture.......1999-07-26

A terrific insight into the professional career of Julius Shulman. His work, his thoughts on Architects and their work and a cross section of some of the most beautifully crafted Photographs of Architecture from his files.

precise and remarkable; shape and form is astounding.......1999-04-25

an amazing book; the photography is superb in capturing the essence of architecture

Stunning design, beautiful photography, entertaining memoir.......1998-12-21

An extraordinary and rare book. Master architectural photographer Julius Shulman showcases the stunning modern designs of Neutra, Koenig, Eames, and others with extraordinary talent and craft. The photographs literally glow. Many of them bowl you over with their beauty. Others have the camp value of '50s advertising: housewives in modern kitchens, families lounging at poolside, couples entertaining in open living spaces. Shulman adds considerable depth by recalling his relationships with the architects, his encounters with the homeowners, his notes on making the photographs. If you admire modern design, appreciate fine photography, and like a good story, this is a book you will cherish.

Obituary Cocktail: The Great Saloons of New Orleans (2nd Edition, Expanded)

Average customer rating:

Fantastic Book!
It will make you thirsty
The Spirit of New Orleans
A Bourbon Street Hopper
Obituary Cocktail: The Great Saloon of New Orleans

Obituary Cocktail: The Great Saloons of New Orleans (2nd Edition, Expanded)
Kerri McCaffety , and Andrei Codrescu
Manufacturer: Vissi D'arte Books
ProductGroup: Book
Binding: Hardcover

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Etouffee, Mon Amour: The Great Restaurants of New Orleans
The Majesty of the French Quarter (Majesty Architecture)
Big Easy Cocktails: Jazzy Drinks And Savory Bites from New Orleans
Vintage Spirits and Forgotten Cocktails : From the Alamagoozlum Cocktail to the Zombie
A Guide to the Historic Shops & Restaurants of New Orleans

ASIN: 0970933606

Book Description

The new edition: Two years after its original release, the new Obituary Cocktail has more bars, photos, drink recipes, and quotes. Six added spreads include the bar in the kitchen at Commander's Palace, The Circle Bar and its Herradura tequila shot with tonic--the Harry Tonic Jr.--and Butler's fantastically seedy interior.

WINNER Silver Medals, Publisher's Mktg Assoc & Ind Publ Assoc 2002! Book of the Year 1999 (New Orleans Gulf South Booksellers Association).

Customer Reviews:

Fantastic Book!.......2007-01-28

If you have ever visited the bars in New Orleans, you will appreciate learning of the little known history of the watering holes that you have spent many an evening drinking and laughing. It reminds you of the many who sat on the stools before you and what interesting things have occured before your presence! The book has beautiful photographs and is very much a necessity for any lover of the city of New Orleans. It is a great coffee table book, and can spark many interesting conversations!

It will make you thirsty.......2003-10-17

first of all, this is a beautifully produced book, with wonderful photographs of the great New Orleans drinking establishments and local scenary.

Secondly, it's a must for any bartender. Not much needs to be said on this topic except for the fact that many great drinks have come out of New Orleans and the bartender (professional or otherwise) should learn how to prepare them.

Finally, the book also presents some important historical information on New Orleans and its saloons. The two go hand in hand.

The Spirit of New Orleans.......2003-08-09

Ms. McCaffety has captured the essence of New Orleans with her wonderful book. The pictures are gorgeous, and the addition of a few traditional New Orleans cocktail recipes and the history of the saloons rounds out the book nicely. I can't wait to get back to New Orleans and visit the bars I've missed.

A Bourbon Street Hopper.......2002-11-08

I don't think I've ever experienced anything quite like the bars in New Orleans! They are fantastic! The press has given Bourbon St. such a negative view, but I had no trouble the two times I went down by myself! I mean if you use a little common sense, then there's no problem! The people were some of the nicest I've ever met! Everyone treats you like family and you have such a great time! This book shows that down-home, friendly atmosphere! It was interesting for me too, to see a lot of the places off of Bourbon that I didn't get to see! You know, the 5 star places that cost an arm and a leg, and require reservations! This is just another great book to relive memories of your trip to "Sin City."

Obituary Cocktail: The Great Saloon of New Orleans.......2000-05-29

Growing up in New Orleans is a rare experience. Living away often makes one nostalgic and wistful.. Reading "Obituary Cocktail" brings the sights, sounds, smells and tastes roaring back. This is a beautiful book. The photos are warm, romantic and evocative. The commentary is pure magic and the recipes are fabulous. Whether you live there now, once were there or have never visited - this book captures the charm, the quirkiness and the mystery of New Orleans and her great watering holes.

George Washington Smith: An Architect's Scrapbook

Average customer rating:

SPANISH COLONIAL MASTER
Fantastic collection..

George Washington Smith: An Architect's Scrapbook
Marc Appleton
Manufacturer: Tailwater Press
ProductGroup: Book
Binding: Hardcover

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George Washington Smith
Mediterranean Domestic Architecture for the United States (Twentieth Century Landmarks in Design, Vol. 9) (Acanthus Press Reprint Series. 20th Century, ... 20th Century, Landmarks in Design, V. 9.)
Wallace Neff and the Grand Houses of the Golden State
Spanish Revival Architecture
Santa Barbara Style

ASIN: 097057200X

Book Description

Culled from the remains of an original scrapbook comes a long overdue publication of the work of an architect who all but defined the Spanish Colonial Revival of the early twentieth century. Containing magazine articles and photographs published during Smith's lifetime, this book is an essential addition to the library of any student, practioner or afficionado of Southern California Architecture. It also contains a brief introduction written by Marc Appleton.

Customer Reviews:

SPANISH COLONIAL MASTER.......2006-09-26

This is a fascinating book on a singular talent. It was so interesting to see images and articles, gathered from the era in which Mr. Smith practiced. The photos are wonderful and the text is highly informative. George Washington Smith was the foremost master of Spanish Colonial Revival architecture and this book honors him. I highly recommend it to anyone with any interest whatsoever in this style of architecure, you wont be disappointed, it is a long awaited tribute to one of the finest American residental architects of the 20th century.

Fantastic collection.........2003-02-22

This is truely is a must have book for anyone remotely interested in Santa Barbara architecture. Beautiful images and sketches of the historic work of George Washington Smith make up this coffee table treasure. Highly reccommended.

The Phenomenon of Life: The Nature of Order, Book 1 An Essay of the Art of Building and the Nature of the Universe (The Nature of Order, Book 1)

Average customer rating:

Gordon L. Prescott come to life?
Some of these reviews are flawed
Dissapointing
The actual physical book is not up to the ideals of the content
This book changed the way I look at everything...

The Phenomenon of Life: The Nature of Order, Book 1 An Essay of the Art of Building and the Nature of the Universe (The Nature of Order, Book 1)
Chris Alexander
Manufacturer: Center for Environmental Structure
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Binding: Hardcover

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The Process of Creating Life: The Nature of Order, Book 2 An Essay of the Art of Building and the Nature of the Universe (The Nature of Order, Book 2)
The Luminous Ground: The Nature of Order, Book 4
A Vision of a Living World: The Nature of Order, Book 3
A Pattern Language: Towns, Buildings, Construction (Center for Environmental Structure Series)
The Timeless Way of Building

ASIN: 0972652914

Amazon.com

Christopher Alexander, the humble messiah of good architectural design, invites readers to get comfortable with their inner judgments in The Nature of Order: The Phenomenon of Life. Best known as principal author of A Pattern Language, Alexander has designed and built countless projects worldwide, all the while thinking deeply about the nature of his work. Frustrated with the 20th century's reluctance to acknowledge human commonality and reliance on Cartesian mechanism, he urges us to rethink our understanding of space itself. With an architect's precision and clarity, he explains his theory of life as the order inhabiting space--an order both variable in degree and apprehensible to human minds. Though the scientifically minded will resist his seeming subjectivity, it will be hard for any to argue that his many examples of good and bad design are equivalent. Alexander's combination of powerful analysis and compelling synthesis makes The Nature of Order essential 21st-century reading. --Rob Lightner

Book Description

What is happening when a place in the world has life? And what is happening when it does not? In Book 1 of this four-volume work, Alexander describes a scientific view of the world in which all space-matter has perceptible degrees of life, and sets this understanding of living structure as an intellectual basis for a new architecture.

He identifies fifteen geometric properties which tend to accompany the presence of life in nature, and also in the buildings and cities we make. These properties are seen over and over in nature, and in cities and streets of the past, but have all but disappeared in the deadly developments and buildings of the last one hundred years.

The book shows that living structure depends on features which make a close connection with the human self, and that only living structure has the capacity to support human well-being.

The other three volumes of The Nature of Order continue this thesis with three complementary views giving a masterful prescription for the processes which allow us to generate living structure in the world. They show us what such a world must gradually come to look like, and describe the modified cosmology in which "life" as an essential quality, together with our inner connection to the world around us-towns, streets, buildings, and artifacts-are central to a proper understanding of the scientific nature of the universe.

". . . Five hundred years is a long time, and I don't expect many of the people I interview will be known in the year 2500. Christopher Alexander may be an exception."-David Creelman, author, interviewer and editor, HR Magazine, Toronto

Christopher Alexander is a fellow of the American Academy of Arts and Sciences, architect, builder and author of many books and technical papers. He is the winner of the first medal for research ever awarded by the American Institute of Architects, and after 40 years of teaching is Professor Emeritus at the University of California, Berkeley.

Customer Reviews:

Gordon L. Prescott come to life?.......2006-09-25

Read 'The Fifteen Properties' excerpted in the 'First Nomination for Book of the Century' customer review, or any other excerpt, and then consider the words of Gordon L. Prescott from 'The Fountainhead':

"The flowing life which comes from the sense of order in chaos, or, if you prefer, from unity in diversity, as well as vice-versa, which is the realization of the contradiction inherent in architecture, is here absolutely absent. I am really trying to express myself as clearly as I can, but it is impossible to present a dialectic state by covering it up with an old fig leaf of logic just for the sake of the mentally lazy layman."

I wish I could give a 'no star' review, but amazon doesn't have that option.

Some of these reviews are flawed.......2005-12-04

Anne Broadbent's review below is completely unjustified. She writes "At the beginning of the first book, Alexander shows a beautiful pagoda - but I still think I wouldn't want to have one near me, in the guise of a shopping centre, school, house, gym, restaurant, bank or whatever: I'd rather see it in its original cultural setting." Alexander agrees completely with this point. His whole theory involves local adaptation following the fundamental properties and transformations that he has outlined in these books. Nowhere does he suggest that we should use the pagoda's form in any other cultural context. If you look at some of the examples he gives from nature you will understand this. He discusses the way sand dunes form following some of the fundamental properties. Does this mean he claims we should create sand dunes in the jungle? Of course not. Examples of buildings, places, and natural phenomena, are used as a means of displaying these fundamental properties and how these properties occur universally in phenomena which the majority of humans, and all other life forms would agree contain the quality of life. Throughout the series of books, Alexander provides hundreds of examples of human creations and natural creations to support his thesis. This may or may not be news to Miss Broadbent, but this is widely acknowledged as good scientific method.

Dissapointing.......2005-11-17

I very much enjoyed 'Pattern Language' and had great hopes for this series, however, after finishing book one, I am not sure I will invest in further volumes. I give the author credit for the time and effort spent in trying to develop his 'unified field theory' of good design, but unlike some of the common sense examples in Pattern language, this book moves to a level of metaphysical abstraction that seems to stretch the ideas past their breaking point. Not-Separateness? The Void? Though he makes a valiant effort, I just couldn't shake the fact that I was reading an after-the-fact justification of the authors pre-conceived tastes. Which essentially boil down to: old = good, new = bad.
Most off-putting also, were the scrawled, barely legible sketches that were meant to illustrate some of the principles. They are so poorly rendered as to be distracting and not very helpful to boot. I would expect more graphic sense from someone purporting to explain the universal secrets of good design. I really wanted to love this book, but I find it simply frustrating.

The actual physical book is not up to the ideals of the content.......2005-08-02

I haven't finshed reading the content of this book - this is more a comment on the delivery medium...

The 'hardcover' book more closely resembles a cardboard cover book. Mine is easily bent and permanently warped in multiple dimensions - makng it much more like your typical large paperback book than a $75 hardback book. It seems harder and harder for publishers to strike that balance between quantity and quality of pictorial content on the one hand, and quality and flashiness of the cover on the other.

This book changed the way I look at everything..........2005-07-10

As a total amateur, I have no design training. I am fascinated by architecture and design, but really only "know what I like". I read "A Pattern Language" when working on object oriented computer systems and find it fascinating - I still re-read it. So, when I saw this book, I was hoping that it would be interesting.

It is way beyond interesting. It completely changed the way I look at the world. It deserves to be read carefully, slowly, savored. Alexander makes his work accessible to both architects and lay people alike.

Bravo.

Even with two kids in college, I am going to spring for book 2. Higher praise could not be given.

Average customer rating:

Excellent Product & Prompt Delivery
Escher and imagination
Worlds Above the Rest
I'm a big fan.
fun and imaginative!

Sector 7 (Caldecott Honor Book)

Manufacturer: Clarion Books
ProductGroup: Book
Binding: Hardcover

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Tuesday
Flotsam (Caldecott Medal Book)
June 29, 1999
Free Fall
The Three Pigs

ASIN: 0395746566

Amazon.com

In another wondrous, wordless picture book by Caldecott Medal winner David Wiesner (Tuesday and June 29, 1999), a class visiting the Empire State Building finds complete cloud cover and no visibility. One boy makes friends with a cloud (identifiable in the mists by the red mittens, hat, and scarf and swipes from the boy), and goes AWOL on a wonderful adventure. The cloud whisks him away to the "Sector 7" floating cloud factory, a bizarre sky station that looks like a Victorian design for a submarine.

Hiding behind his new cumulonimbus friend, the boy enters an area resembling Grand Central Station (complete with "Arrivals" and "Departures" boards) and watches officious human types in uniform giving the clouds their weather assignments. When the clouds complain to the boy that their assigned shapes are boring, he, a talented artist, creates new blueprints for them. The stuffy grownups are furious when clouds start emerging in the shape of fantastic fish; they shout at the clouds, tear up the new designs, and escort the boy back to his school group. But the revolt of the clouds is unstoppable now, and in the last few pages the skies over Manhattan suddenly get a lot more interesting. (Click to see a sample spread. Copyright 1999 by David Wiesner. With permission of Clarion Books.) (Ages 2 to 8) --Richard Farr

Book Description

Only the person who gave us Tuesday could have devised this fantastic tale, which begins with a school trip to the Empire State Building. There a boy makes friends with a mischievous little cloud, who whisks him away to the Cloud Dispatch Center for Sector 7 (the region that includes New York City). The clouds are bored with their everyday shapes, so the boy obligingly starts to sketch some new ones. . . . The wordless yet eloquent account of this unparalleled adventure is a funny, touching story about art, friendship, and the weather, as well as a visual tour de force.

Customer Reviews:

Excellent Product & Prompt Delivery.......2007-09-15

This item was exactly as described in the item description. It was in the original packaging and is in excellent condition. I am very satisfied and I highly recommend this seller and product to everyone. This is an excellent book by an excellent author!

Escher and imagination.......2007-08-05

Flotsam and Freefall were the first two books I explored by David Wiesner. Sector 7 is not to be missed either. Wiesner's style and creativity are wonderful explorations for all humans(and especially children). M.C. Escher has an honored presence in this book, as he does in Freefall. The theme of flying is present here, as in all of Wiesner's books, and the fanciful creative nature of Wiesner's story and illustrations (paintings?) are not to be missed. Second language learners will immediately have something to say (in their own language) about this book. So will everyone else who reads it. Anyone who has taken the time to sit back and enjoy the show clouds put on will appreciate the ideas within this book. Don't hesitate!

Worlds Above the Rest.......2007-05-07

Wiesner, D. (1999). Sector 7. New York: Clarion Books.

Synopsis: Cloud watching on a lazy day while lying in the grass, is a fun summertime activity for adults and children of all ages. But how are these clouds formed? Who created them? David Wiesner amazes readers once again with another wordless book that tells the incredible adventure of a young boy who goes on a field trip to the Empire State Building. The imaginative and creative young boy yearns to express his creativity meanwhile he is approached by a friendly cloud that takes for a tour of Sector 7 where clouds are created for this portion New York City. Sector 7 resembles an old train station with departure and arrival times posted which provide clouds with their assigned locations. The boy encounters clouds that are bored with their usual shapes. With a wild imagination and skilled artistry, he designs inspiring shapes that excite the clouds. When the staff discovers the changes, they are perturbed by the clouds that stray from their usual and regimented routines. The boy is sent back to his class field trip. However there is no undoing the chaos he has created which begins to spread out across Sector 7.

Evaluation: David Wiesner's Caldecott Honor award winning book allows readers to create the text and interpretations within their minds. Wiesner's wordless tale captures your mind with its full page watercolor illustrations and story board formatted frames. The vivid, yet soft watercolor illustrations provide humor combined with elegance. Readers can create their own individual stories based on their personal experiences. The main character is wildly imaginative with a talent for skilled artistry. Wiesner's tale leaves readers wondering if there are depots like Sector 7 where imaginative clouds are created. Educators will find that this tale allows children to create their own words to this magical adventure. It will encourage struggling writers to utilize their imaginations and picture themselves in the boy's position and be able to write a terrific tale of visiting the place where clouds are made. Children ages 6-10 will love this enchanting journey.

I'm a big fan........2007-02-25

I loved the art in this book. A great story told through pictures.

fun and imaginative!.......2006-11-07

My 5 year old loves this book and wants to read it a couple of times a week. He always asks new questions as he points out things he hadn't discovered last time. Even telling this story (since there are no words) changes each time as you(as the reader) will surely discover more things as well.

The Photographic Art of William Henry Fox Talbot

Average customer rating:

100 quality plates from the father of modern photography
Fantastic
Schaaf's Fox Talbot

The Photographic Art of William Henry Fox Talbot
Larry J. Schaaf
Manufacturer: Princeton University Press
ProductGroup: Book
Binding: Hardcover

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Specimens and Marvels: William Henry Fox Talbot and the Invention of Photography
First Photographs: William Henry Fox Talbot and the Birth of Photography
Reading American Photographs: Images As History, Mathew Brady to Walker Evans

ASIN: 0691050007

Amazon.com

Photography is such a constant in our culture that we've forgotten that years ago it must have seemed more like magic than art, science, or craft. The Photographic Art of William Henry Fox Talbot brings us back to the spectacular moment of wonder when photography was first invented. Talbot, born 200 years ago, was a successful mathematician and frustrated draftsman when he invented photography out of his personal desire to make more realistic drawings. He saw his new process as a way for nature to make her own perfect pictures.

Talbot first experimented with salts of silver that produced sun-darkened shadows of objects placed on paper. Many experiments later, he realized that negatives could be reversed, and was eventually able to produce multiple prints. Apart from the brilliance of his invention, the images that Talbot captured are beautiful and mysterious. Softer than modern photography, these pictures look like paintings: gentle leaves, breath-taking sunlight glowing through windows, negatives of intricate lace, reproductions of paintings, and posed pictures of family. Talbot varied the size of his images, making tiny prints from boxes he called mousetraps (a mouselike perspective on the world) to larger landscape portraits. The magic resonates with a thoughtfulness that may have resulted from the slow process of early image-making. How amazing it must have been, seeing and creating the world on paper for the very first time. Aside from the spectacular pictures, the text covers Talbot's life and his experimental processes, and each of the 100 images is given its own explanatory text. --J.P. Cohen

Book Description

William Henry Fox Talbot (1800-1877) is best remembered as the scientist who invented photography. Others had tried recording the images projected by a lens, but Talbot was the first to grasp the physical basis for realizing this dream and to conceive of a practical means for fixing these ephemeral images permanently onto a sheet of paper. But Talbot's considerable technical achievements have often overshadowed his growth as an artist. Larry Schaaf examines this artistic growth by bringing together for the first time high quality reproductions of one hundred photographs representing the full sweep of Talbot's work. These beautiful images are not only records of scientific triumphs, but also the evidence of the first steps in shaping a totally new type of vision.

A classicist, physicist, and mathematician by training, Talbot originally viewed his new invention as a means of visual documentation, particularly of the botanical specimens he loved so dearly. But gradually his new technology taught him to see, and the growth of Talbot's personal vision defined the beginnings of modern photography. The resulting corpus of work ranged from seminal early images rich in primal beauty to later, fully sophisticated photographs. Illuminating these images with excerpts from Talbot's own writings and those of his contemporaries, this book is a visual celebration of the early days of photography.

The one hundred plates are reproduced in the actual size of the originals and in all the subtle colors that comprised Talbot's early work. They range from Talbot's Lilliputian pre-1839 negatives (made in "mousetrap" cameras) through botanical photograms to mid-1840s calotypes that demonstrate a sure command of the new art. Each plate is discussed in detail, drawing on important new research conducted by the author.

Published to coincide with the 200th anniversary of Talbot's birth, The Photographic Art of William Henry Fox Talbot will not only deepen our understanding of early photography but will also serve as an important archive for those who may never have the pleasure to witness firsthand these rare and fragile works. As such, this beautifully produced book is an essential addition to the library of anyone who collects, studies, and admires photography.

Customer Reviews:

100 quality plates from the father of modern photography.......2006-12-23

This book is a very large weighty tome, measuring 28cm x 32cm x 4cm. It has 21 pages of text discussing Fox Talbot's work and the photographic process. The remaining few hundred pages are devoted to high quality plates of 100 of his images and a page of text detailing the background to each of these images. Sometimes this text uses rather flowery arty language and certainly not in the style of the dry highly scientifically orientated writings of Talbot at the time. Plus there's no detailed 'Talbot life story' as such, but then much of that is available on the web, e.g. www.foxtalbot.arts.gla.ac.uk. However on the web there are precious few of his photographs on view because of the very high copyright charges for reproduction, hence the attraction of this book.

My only disappointment is that only one solar microscope image is shown - a slice of horse chestnut (I am a microscopist by trade), the remaining 'scientific' images being termed `contact prints' of things like leaves and flowers (e.g. Vines, Honeysuckle, pine needles, orchids) - although I am advised by Talbot authorities that these were most probably taken using the solar microscope as well. Many images are people-less and static e.g. Lacock Abbey windows, lace, breakfast table, Library books, articles of glass, Milliner's Window, Hungerford bridge, The Royal Pavilion, Trinity Church and various woodland scenes. There are about 15 plates with people who stayed still long enough to be recorded in the image, such as: the footman, a group taking tea, the ladder, his daughter, Lady Feilding reclining, Charles Porter drinking tea. These photographs are nothing like as impressive as late Victorian photo images, such as city and dockland scenes, but they are fascinating from a historical perspective. These Talbot images date from 1835 to 1845, and naturally some show serious fading (they don't appear to be retouched at all - a good thing). Also included is a painted B&W silhouette portrait of Talbot as a boy [age 7] that contrasts very well with his later photographic images.

In fact Englishmen Thomas Wedgewood took the first photographs before 1802, but unfortunately couldn't devise a way to fix the image, so the photographs slowly faded from view after they were taken and are now lost (but some of Wedgewood's images may have survived to the 1860's). Although Frenchman Daguerre published first in 1839 with his mercury photographic process, Fox Talbot developed the modern 'negative' process, so that many prints could be taken from one image. So a very interesting book of the art (and science) of the father of modern photography, but perhaps it can be rather expensive (reflecting its high quality production). Three stars for value, four stars for content.

Fantastic.......2004-09-12

It is incredible. I am viewing people so far back in time that I am enchanted. I am viewing a fashionable Paris Blvd in the 1940's and am in a position to compare Zola's naturalism in my mind to the truth.

I am thrilled with my purchase.

Schaaf's Fox Talbot.......2000-09-20

Larry Schaaf has put together an absolute benchmark of a book. To all of you who sat in the "college survey of art history," saw the 2" by 2" Fox Talbot image "The Soliloquy of the Broom" and wondered what the fuss was about; see this book. To all of you photographers who secretly wonder if photography is really art; see this book. One hundred images are reproduced with (no kidding) breathtaking quality and nuance. Each image is accompanied by a very readable account of how the image was produced and enough descriptive detail about the original image to satisfy an archeologist.

Book Description

More than any of their contemporaries, Swiss architects Jacques Herzog and Pierre de Meuron are challenging the boundaries between architecture and art. Natural History explores that challenge, examining how the work of this formidable pair has drawn upon the art of both past and present, and brought architecture into dialogue with the art of our time. Echoing an encyclopedia, this publication reflects the natural history museum structure of the exhibition which it accompanies, organized by the Canadian Centre for Architecture. Models and projects by Herzog & de Meuron, as well as by other artists, are structured around six thematic portfolios that suggest an evolutionary history of the architects' work: Appropriation & Reconstruction, Transformation & Alienation, Stacking & Compression, Imprints & Moulds, Interlocking Spaces, and Beauty & Atmosphere. Each section is introduced with a statement from Herzog, and more than 20 artists, scholars, and architects have contributed essays, including Carrie Asman, Georges Didi-Huberman, Kurt W. Forster, Boris Groys, Ulrike Meyer Stump, Peggy Phelan, Thomas Ruff, Rebecca Schneider, Adolf Max Vogt, and Jeff Wall.

A building is a building. It cannot be read like a book; it doesn't have any credits, subtitles or labels like pictures in a gallery. In that sense, we are absolutely anti-representational. The strength of our buildings is the immediate, visceral impact they have on a visitor. --Jacques Herzog

Edited by Philip Ursprung. Contributions by Fernando Romero, Carrie Asman, Boris Groys, Gernot Bohme, Jeff Wall, Thomas Ruff, Alfred Richterich, Adolph Max Vogt, Alejandro Zaera-Polo, Reinhold Hohl, Petros Koumoutsakos, Albert Lutz, Christian Muoeix, Hurzeler, Catherine, Rebecca Schneider and Remy Zaugg. Foreword by Phyllis Lambert. Introduction by Kurt W. Forster.

Hardcover, 480 pages, 300 color and 200 b&w illustrations

Customer Reviews:

art of H & DeM.......2007-03-16

H & DeM have always been influenced by art & you can even argue that their body of work could be an entire exhibiton. This book follows up some of their selected projects with interviews of the architects themselves as well as the collaborative artists. It does well to probe into theie unique process of design & actualization of their work. Jaques Herzog says that Art is roughly 20 years ahead of architecture. This vivid book clearly shows the great accomplishments by two men who are constantly trying to even up the odds between art & architecture through inspirations from the natural world.

layers of history, time, artifacts, translated into architecture.......2006-06-03

I don't think this is an "object book" but a book in which herzog & de meuron want readers to understand their work like an archaelogical history. you cannot flip through it like an photographic architectural essay, but you really have to sit down, have a cup of coffee/tea, and really read the book, think about what they are saying, how other ideas such as art, history, materials, cultural, industrial changes, and etc. are interacting to their architectural process. certainly, they have the depth in their thoughts to publish a book that doesn't depend on photographs/architectural drawings. quite refreshing.

Herzog & De Meuron: Natural History.......2003-04-11

Another object book with content that matches the originality of the design. Herzog & De Meuron, the Basel-based architects, are best known for their art museums, but also for creating buildings that are works of art--even when the program is as mundane as a railroad signal box. This companion to the recent CCA exhibition is an anthology of interviews, stimulating essays by artists and clients, and pictures of objects that have inspired them, in addition to an illustrated catalogue of their 200 buildings and projects. (Michael Webb is the book reviewer for LA Architect magazine.)

Average customer rating:

A rich and inspiring look at gardens!
generally good but a bit esoteric and queer at times

The Meaning of Gardens

Manufacturer: The MIT Press
ProductGroup: Book
Binding: Paperback

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The Poetics of Gardens
Design for Ecological Democracy
Chambers for a Memory Palace
House Form and Culture
Landscape Ecology Principles in Landscape Architecture and Land-Use Planning

ASIN: 0262560615

Book Description

Gardens reveal the relationship between culture and nature, yet in the vast library of garden literature few books focus on what the garden means - on the ecology of garden as idea, place, and action. The Meaning of Gardens maps out how the garden is perceived, designed, used, and valued. Essays from a variety of disciplines are organized around six metaphors special to our time - the garden muses of Faith, Power, Ordering, Cultural Expression, Personal Expression, and Healing. Each muse suggests specific inspirations for garden and landscape design.

Customer Reviews:

A rich and inspiring look at gardens!.......1998-06-27

I found this an excellent and far-reaching book, beautifully organized into six "metaphors"--faith, power, ordering, cultural expression, personal expression and healing. This is a book for someone interested in exploring the deeper meaning and symbolism of gardens throughout history and in a variety of cultures, as well as the contemporary art of the garden and the exciting trend in community gardening. I found the section on healing particularly moving.

generally good but a bit esoteric and queer at times.......1997-12-26

This book was very theoretical, not very practical. It had a lot of examples, some of which were very interesting. But some of the examples were quite strange and weird which makes the book sometimes a bit nonsensical. I would recommend it if you are looking for examples of overly-spiritual gardens not for normal everyday gardening.

Average customer rating:

Best Ever Barn Book
Barn, the art of a working building

Barn: The Art of a Working Building
David Larkin , Elric Endersby , and Alexander Greenwood
Manufacturer: Houghton Mifflin
ProductGroup: Book
Binding: Hardcover

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Similar Items:

Barn: Evolution and Adaption of a Vernacular Icon
American Barn (Motorbooks Classic)
Eric Sloane's An Age of Barns: An Illustrated Review of Classic Barn Styles and Construction
The Old Barn Book: A Field Guide to North American Barns and Other Farm Structures
Barns: Living in Converted and Reinvented Spaces

ASIN: 0395573726

Book Description

A magnificant book of full-color photographs and text show the history, architecture, and beauty of the barn. BARN is a celebration of an ancient symbol of shelter and harvest, with more than two hundred full-color photographs and an informed text by two expert practitioners of the art and craft of barn restoration.

Customer Reviews:

Best Ever Barn Book.......2001-01-03

Endersby and fellow authors, using an intelligent combination of pictures, drawings, and text to successfully depict both finished buildings and structural detail, have written the definitive book on barns. They trace the lineage of American barns from their European roots in a lively, readable, informative format. In addition to it's functional qualities, the book is quite handsome, a stunning addition to the library of anyone who likes barns. Quite simply, this is the best book on barns I have ever seen.

Barn, the art of a working building.......2000-06-18

This book is truely an inspiration... the images and descriptions will bring great memories of Barns to your mind, will bring tears to your eyes if you spent childhood fantasies in "the barn", and might inspire you to save, build, or restore a barn someday... thank you Elric, Alexander , and David, whoever and wherever you are for presenting such a work...It stays on the table, within easy reach...

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