Peasants and Lords in Modern Germany: Recent Studies in Agricultural History

Book Description

A passionate literary innovator, eloquent in language and uncompromising in his social observation and his pursuit of emotional truth, James Agee (1909- 1955) excelled as novelist, critic, journalist, and screenwriter. In his brief, often turbulent life, he left enduring evidence of his unwavering intensity, observant eye, and sometimes savage wit.

This volume collects his fiction along with his extraordinary experiment in what might be called prophetic journalism, Let Us Now Praise Famous Men (1941), a collaboration with photographer Walker Evans that began as an assignment from Fortune magazine to report on the lives of Alabama sharecroppers, and that expanded into a vast and unique mix of reporting, poetic meditation, and anguished self-revelation that Agee described as "an effort in human actuality." A 64-page photo insert reproduces Evans's now iconic photographs from the expanded 1960 edition.

A Death in the Family, the Pulitzer Prize-winning novel that he worked on for over a decade and that was published posthumously in 1957, re-creates in stunningly evocative prose Agee's childhood in Knoxville, Tennessee, and the upheaval his family experienced after his father's death in a car accident when Agee was six years old. A whole world, with its sensory vividness and social constraints, comes to life in this child's-eye view of a few catastrophic days. It is presented here for the first time in a text with corrections based on Agee's manuscripts at the Harry Ransom Humanities Research Center.

This volume also includes The Morning Watch (1951), an autobiographical novella that reflects Agee's deep involvement with religious questions, and three short stories including the remarkable allegory "A Mother's Tale."

Customer Reviews:

An American Classic.......2006-03-27

This recently reissued collecton of Agee's work includes the brilliant, touching photos of Walker Evans with James Agee, photos made during the Depression Era of the 'thirties. Agee's writings are true Americana, his prose flows and the reader is made a part of the families about which he writes. This compilation belongs in the library of anyone concerned with human feelings in times of hurtin', hunger, and need. If you lived through the time,as I did, you will know it again through Agee's superb reflections on it.

Rich Reading Experience.......2006-02-03

Lately, I find myself returning to literature written before I was born (1956). When I saw the review of LET US NOW PRAISE FAMOUS MEN in THE NEW YORKER, I became instantly convinced that I should purchase it. I'd known Agee's work since I was 13, when I first read DEATH IN THE FAMILY. I belonged to the Scholastic Book Club and every month my mother gave me change out of her the bottom of her purse so I could buy the books I had faithfully marked on my order form. I was haunted by this book as a teen, and I remain haunted still. I will always believe that few American writers ever achieved anything comparable to the beginning of DEATH IN THE FAMILY, a short italicized introduction which begins: "We are talking now of summer evenings in Knoxville, Tennessee in the time that I lived there so successfully disguised to myself as a child." Agee's sensory details throughout DEATH amaze. Another stunning passage reads: "Supper was at six and was over by half past. There was still daylight, shining softly and with a tarnish, like the lining of a shell;" I could go on, because every page of this book is a treasure. But I would like to turn my attention to LET US NOW PRAISE FAMOUS MEN, which I had never read until now.

I will preface my remarks by saying that I am a writer currently very interested in the distinction between fiction and non-fiction writing. Agee addresses this issue by saying: "In a novel, a house or person has his meaning, his existence, entirely through the writer. Here, a house or a person has only the most limited of his meaning through me: his true meaning is much huger." It's perhaps this interest of mine in the craft of writing itself that has made FAMOUS MEN so fascinating to me.

Another thing: In the beginning pages, Agee writes with absolute humility towards his own writing and his subject matter. This was stunning to me, because I've also read Agee's movie reviews, and in those writings Agee is witty, merciless, honest, and very confident in his own opinion. In short, they are some of the best movie reviews I have ever read. However, FAMOUS MEN is another kind of writing altogether. As Agee admits, his efforts to capture his subject matter through words were a failure. Words are inefficient, inadequate in matters so huge. He wrote: "If I could do it, I'd do no writing at all here. It would be photographs; the rest would be fragments of cloth, bits of cotton, lumps of earth, records of speech, pieces of wood and iron, phials of odors, plates of food and of excrement."

That FAMOUS MEN is not more popular does not surprise me, nor was Agee surprised, I think, when the book got bad reviews and suffered poor sales. FAMOUS MEN, I think, is not the sort of book that would ever gain wide acceptance. It is a flawed masterpiece that takes a lot of work to absorb, but well worth the effort.

I don't know the extent to which Agee may have been devastated, nonetheless, at the way America turned its back on his masterpiece. I do know that Agee seemed to suggest in the early pages of FAMOUS MEN that the worst thing that can happen to any artist is mass acceptance. Perhaps mass acceptance is something the writer both wants and fears; I don't know. But Agee does say in FAMOUS MEN that he felt that as soon as, say, Beethoven's music is used as a form of relaxation or as a background to the mundane activities human beings inevitably become so wrapped up in, then the music has lost its vitality. That is why Agee suggests:

"Get a radio or a phonograph capable of the most extreme loudness possible, and sit down to listen to a performance of Beethoven's Seventh Symphony or of Schubert's C-Major Symphony. But I don't mean just sit down and listen. I mean this: Turn it on as loud as you can get it. Then get down onto floor and jam your ear as close into the loudspeaker as you can get it and stay there, breathing as lightly as possible, and not moving, and neither eating nor smoking nor drinking. Concentrate everything you can into your hearing and into your body. You won't hear it nicely. If it hurts you, be glad of it."

The same might be said for FAMOUS MEN. You can't read it as you would some other books, even DEATH IN THE FAMILY, which has a nice and clean chronological structure. You have to really pay attention when you read FAMOUS MEN. If you concentrate, you will hear FAMOUS MEN in your whole body. And if it hurts you, you will be glad.

An Overlooked-Writer.......2005-09-26

Let me be clear... I've not read the present volume though I've read the individual books collected in it years ago. "A Death in the Family" remains vivid in my memory, depite almost 30 years since I last read it, and "Let Us Now Praise Famous Men" is an absolute classic.

Though I have not yet received the LOA edition, I was compelled to add a review if only to counter the first reviewer here who is intent on seeing only ideology rather than the writing. If the work is looked at without the rose-colored glasses of (conservative) political correctness, you'll find there is an amazing writer and thinker behind the words.

Just read the works for yourself, not through an ideological smokescreen.

Let Us Now Reexamine Famous Men.......2005-09-23

Agee was an outrageous bleeding-heart, a man whose life and work were compromised by posturing, mawkishness and complacency in anguish. The gush of his prose--the hemorrhaging of that bleeding heart--is deeply, plangently, cloyingly purple. His endless rhapsodies betray a stubborn adolescence that will delight those who see an artist as a perpetual kid and repel those who don't.

Immense suffusions of tenderness are not the most helpful or respectful way of responding to fellow human beings, and they signal an obsession with one's own feelings instead of their ostensible object. In this regard, one notes that Agee's tenderness did not prevent him from engaging in serial adulteries and enforced threesomes, devoting his life to personal fulfillment rather than self-denying altruism, and indulging himself to death by the age of 45. Of course Agee felt guilty about all this (his writing fairly reeks of a rotting conscience), but he saw his guilt as a reassuring index of purity, like the parishioner who sees confession and absolution as a license to go on sinning.

Moreover, Agee's tenderness was reserved for the disadvantaged. The obverse of this solicitude was an affected brutality of reference to just about everyone else (except family and friends, his favorite artists and his latest lover). This tough-talking pose, which has not worn well, assumed a moral superiority that the record does not bear out.

Art and morality are not the same thing, but Agee thought they were, and this confusion permeates his work. Again and again he makes moral claims upon us which he thinks that his aesthetic project will validate. It does nothing of the kind: it merely aestheticizes.

Agee did possess extraordinary powers of lyric observation, and a sharp mind when he wanted to use it; but aching sensitivity, metastasizing into ecstatic intoxication, tended to distort his vision, soften his rigor and sentimentalize his voice. He has his devoted followers, or rather his cultists, but one doubts that his place in the canon is as secure or exalted as they might wish, or as this Library of America volume would suggest.

Average customer rating:

Honors the legacy
Quite interesting.
Poignant and thought-provoking
A "Must Have" for Anyone who liked "Let Us Now Praise...."
Pulitzer Prize for Non-Fiction 1991

And Their Children after Them
Dale Maharidge
Manufacturer: Pantheon
ProductGroup: Book
Binding: Hardcover

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ASIN: 0394577663
Release Date: 1989-05-13

Customer Reviews:

Honors the legacy.......2007-01-31

For readers of the original Agee/Evans collaboration, "And Their Children" is well worth the time. The reporter and photographer tracked down the 116 living offspring of the pseudonymous Gudger, Ricketts, and Woods families, as well as those who were part of the original book (12 of 22 who appeared in "Let Us Now" were still alive when they began their research in 1986). Not all were willing to be interviewed or photographed, but many were.

As with the first book, the tale here is not a particularly happy one. The author begins by recounting the suicide of Maggie Louise Gudger, age 10 in 1936, a particular favorite of Agee's, and dead at age 45--the same age at which Agee himself died from drink. And yet there are varying degrees of hope in many of the stories, such as that of Maggie Louise's daughter Debbie and her children.

The structure of the book follows each family through different periods: 1936-1940; 1940-1960; and 1960-1986. The author also includes sections on one of the local landowning families (which was far from rich!) and an African-American sharecropping family. Along the way, we learn surprising things about the evil (and Faulknerian) Fred Ricketts, the fate of Clair Bell (she did not die at age 4, as Agee had feared she would), the struggles of George Gudger, and the families' views on Agee, Evans, and the original book. About the children and grandchildren, we find out about those who ran away (and usually came back) and those who stayed; marriages; children; the end of farming; attempts at succeeding at school and at work; closeness and bitterness. It's all grippingly told. And the photographs that allow one to compare the state of things in 1936 and 1986 are excellent. Several photos exactly re-capture the originals.

Quibbles: Naturally, I think, the sections on the two families who did not appear in the first book are less interesting. They could have been abbreviated. Also, the author's (negative) take on the state of America in 1986 is garden-variety journalism for that time. These sections are easily avoided, however, and do not detract from the writing about the original families.

Counter to the author's gloomy opinions, his stories indicate that many of these descendents of share-croppers emerged from the Depression to enjoy a slow but steady material progress. Maggie Louise's grandchildren, now in their thirties, should do even better over the course of their lives. One hopes that another writer-photographer team will venture to Hobe's Hill in 2036 to test that proposition.

Quite interesting........2005-07-25

While I have Let Us Now Praise Famous Men on deck to read as well, the friend who loaned me the books explained she found And Their Children After Them first, and actually liked reading them in reverse order. So, I chose to follow her lead.

The book, even standing alone, is an intensely personal and touching look into the lives of people who many of us who enjoy the luxury of writing reviews on the Internet can never really understand. The backgrounds, upbringings and challenges were so vastly different, and the book does a good job of showing us something different, something very real.

I can understand the retiscence of some to participate in the book -- while reading passages in this book I often thought to myself what it would feel like to be the person being written about and to see the things about them in print. Like our society, there is a great deal of judgement in the book -- while they try to avoid it, it is there, and it's painful at times.

But it's all worth it, in my opinion, to uncover the many thought provoking things that relate to our world today, and that give me a better understanding of history and people's place within it.

Poignant and thought-provoking.......2000-10-19

This book should be read right after reading James Agee's Let Us Now Praise Famous Mem. Unfortuantely I read it over four years before I read Agee's work. When I read this book--in Feb 1996--I wrote to myself: This is a book Newt Gingrich and the crazy House freshmen should read--people who are so intent that those who cannot make it on their own should not make it.

A "Must Have" for Anyone who liked "Let Us Now Praise....".......1999-03-20

First introduced to "Let Us Now Praise Famous Men" by James Agee and Walker Evans through a PBS Documentary, which inspired a dash to the library to read the book iteself, it wasn't until years later I went back to the library to see if anyone had ever followed up on the story. Confronted with the then new computerized "card catalog" system, I wondered how I might search for any related writings when it dawned on me what a perfect title would naturally evolve from the verse the first book title was taken: ..And Their Children After Them. Imagine my amazement when I tried that title, and there it was! Maharidge and Williamson have followed in Agee and Evans footsteps to give readers "the rest of the story" of the tenant farmers' families and grandchildren, as well as the stories of Agee and Evans themselves. I congratulation them on an excellent book, and offer thanks to the families and their descendants for sharing their lifestories. Their lives did not take the path predicted for them by Agee: life refuses to be harnessed by prediction. Some went farther than anyone could have anticipated, while others came to a place, if possible, even worse than expected. As a second generation American, descended from Polish and Prussian immigrants who lived comparable lives, but who were blessed to own their own land, I identified closely with these stories, from the first page of "Let Us Praise" to the last page of "And Their Children".

Pulitzer Prize for Non-Fiction 1991.......1997-05-02

Unfortunately, the synopsis left out that this book won the Pulitzer for Non-fiction in 1991. Maharidge and Williamson followed the footsteps of James Agee who had profiled sharecroppers during the Depression. They found their decendants, and showed that while cotton and sharecropping had died, rural poverty for these families had been passed down to new generations. The front section of the book is a series of photographs by Williamson, and they are tremendous. Moreover, in their reporting, they filled a gap left by Agee by finding a black family of sharecroppers to add to the others profiled. This is a tremendous book. It works on multiple levels, giving both the sweep of Southern social and economic history and bringing it down to individuals. Beyond that, the book is a metaphor for our own time. "If we understand the death of cotton," Maharidge writes in this book, "we understand many things about modern America." This is a tremendous work, highly readable and moving. The recognition these two craftsmen received for it is well-deserved

Average customer rating:

If nothing else, certainly brilliant and thought-provoking
Topic great, writers not so great.
I thought I hated it at points, but I've never been able to get it out of my head.
A Classic
A Puzzle to be piece together....

Let Us Now Praise Famous Men
James Agee
Manufacturer: Mariner Books
ProductGroup: Book
Binding: Paperback

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ASIN: 0395488974

Amazon.com

Just what kind of book is Let Us Now Praise Famous Men? It contains many things: poems; confessional reveries; disquisitions on the proper way to listen to Beethoven; snippets of dialogue, both real and imagined; a lengthy response to a survey from the Partisan Review; exhaustive catalogs of furniture, clothing, objects, and smells. And then there are Walker Evans's famously stark portraits of depression-era sharecroppers--photographs that both stand apart from and reinforce James Agee's words.

Assigned to do a story for Fortune magazine about sharecroppers in the Deep South, Agee and Evans spent four weeks living with a poor white tenant family, winning the Burroughs's trust and immersing themselves in a sharecropper's daily existence. Given a first draft of the resulting article, the editors at Fortune quite understandably threw up their hands--as did several other editors who subsequently worked with a later book-length manuscript. The writing was contrary. It refused to accommodate itself to the reader, and at times it positively bristled with hostility. (What other book could take Marx as the epigraph and then announce: "These words are quoted here to mislead those who will be misled by them"?) Response to the book was puzzled or unfriendly, and Let Us Now Praise Famous Men sputtered out of print only a few short years after its publication. It took the 1960s, and a vogue for social justice, to bring Agee's masterwork the audience it deserved.

Yet the book is far more interesting--aesthetically and morally--than the sort of guilty-liberal tract for which it is often mistaken. On an existential level, Agee's text is a deeply felt examination of what it means to suffer, to struggle to live in spite of suffering. On a personal level, it is the painful, beautifully written portrait of one man's obsession. In its collaboration with Evans's photographs, the book is also a groundbreaking experiment in form. In the end, however, it is more than merely the sum of its parts. Let Us Now Praise Famous Men is, quite simply, a book unlike any other, simmering with anger and beauty and mystery. --Mary Park

Book Description

The clasic that became the prototype of the modern nonfiction novel. A watershed literary event at its first publication in 1941, LET US NOW PRAISE FAMOUS MEN is an "unsparing record of the harsh existence of three Alabama families, and a poetic meditation on the terrible beauty of their lives," recognized by the New York Public Library as one of the most influential books of the century.

Customer Reviews:

If nothing else, certainly brilliant and thought-provoking.......2006-09-16

Let us Now Praise Famous Men, in all its poetry and prose, reminds me of an epic, like the Hindu Mahabharata or Homer's Iliad and Odyssey. The lyrical narrative reveals just as much, if not more about Agee, than his subjects. His writing style excludes his subjects as readers.

His prose, which tends to be lofty and cerebral, is also beautiful and brilliant. But, I often wondered, who he was
writing for? The New Yorker audience? The distance in his observations often left me feeling cold. I imagine these hardworking sharecroppers exhibiting some joy, some evidence of warmth, of hope. But I had difficulty finding it in Agee's voice.

The length of Agee's sentences and paragraphs were long, each containing an entire scene, and I labored through them, hoping sleep would not steal me from a passage I might not finish. It was as though Agee too, was afraid sleep would come and steal him from his mission, and so kept hacking away at each sentence, adding commas and colons and semi-colons, lingering his thoughts across the page.

Whatever level of consciousness Agee existed, I could not hang with him for any more than a couple of sentences, as I would fall off the page and have to find my way back into the scene. Where was I? You get the picture...

Agee also uses parenthesis and colons, often not giving his parenthesis a mate: (This struck me as rather unusual and often, cold and detached--more like a voyeur. Did he fabricate his own method of communication using punctuation or was this being done elsewhere at the time? I felt left out of his thoughts when he did this, like when two people are communicating via sign language and you can't make out a word they're saying. Was he doing this in a way to urge us to "think," to stretch beyond the ordinary conventions and try something on that is foreign and unfamiliar, like his subjects and their hardship?

Topic great, writers not so great........2006-05-27

The eloquence of composition surely necessitated infinite use of superlatives and verbs, resulting in a requisite painstaking remostrance to the reader, thus fettering the effusion and disembogulation of the document. In other words, wouldn't it have been better to just leave all of the fluff out of the book and just write as if the reader is someone other than the Queen of England? If you can weed through all of excessive use poems and verbs, it's a halfway decent book

I thought I hated it at points, but I've never been able to get it out of my head........2005-09-23

This book is an amazing work of art. At times it's baffling, and at times almost impertinent--like when the author decides to describe every object in an entire home, and yet in all these things and in all the conflicting emotions it evokes, it creates a mood and a feeling and a setting that will seep into your skin and fog your brain for months.
The writing is beautiful, the story it tells--of poor, sharecropping, depression-era families--is heartbreaking, and the experience of reading about it all is like a baptism by fire. This book just might re-wire your brain.
I think this is a much better read than Agee's "A Death in the Family," and that one won the Pulitzer Prize. Read this, for sure.
I read it on a bus trip across Guatemala, and the way Agee's descriptions of the old southern poverty fit the poor little towns full of Guatemalan coffee pickers was uncanny.
Let Us Now Praise Famous Men, and let us start with James Agee.

UPDATE: It's years later, and this book has never stopped haunting me. I think of it almost daily. If I were to review it today, I would definitely give it Five Stars.

A Classic.......2005-08-05

Excellent editon of this wonderful, classic work. A series of visual and verbal snapshots of the South as a third world country, the South of the 1930's.

A Puzzle to be piece together...........2004-04-12

James Agee's book on the sharecroppers of the American south during the great depression is a book not to be taken lightly. I read this book for a college english class and I can honestly say that most people in the course including myself are confused by Agee's intent and purpose. Agee's highly lyrical and philosophical tone allows a deep analysis into the question of human existence in the depression south. Yet, the very scope and difficulty of his subject is expressed in his confused, perhaps confusing writing. There are lonely moments of insight stacked alongside pages of seemingly irrelevant and baseless speculation. I say seemingly because each time I re-read the passage I find that Agee's words have quite a bit more meaning than I had originally found. This book is not a novel, not journalism but a puzzle which Agee could not piece together. Only with time and care can the reader hope to understand the frustratingly complex yet real message of Agee's work.

Law and the Rural Economy in the Roman Empire

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Law and the Rural Economy in the Roman Empire
Dennis P. Kehoe
Manufacturer: University of Michigan Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0472115820

Family and Farm in Pre-Famine Ireland: The Parish of Killashandra

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A groundbreaking study.

Family and Farm in Pre-Famine Ireland: The Parish of Killashandra
Kevin O'Neill
Manufacturer: Univ of Wisconsin Pr
ProductGroup: Book
Binding: Hardcover

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ASIN: 0299098400

Book Description

Now available in paperback, Kevin O'Neill's highly praised study of rural Ireland in the years leading up to the "Great Hunger" of the 1840s explicates the social, economic, and demographic conditions of the era. He argues that overpopulation and deprivation were inextricably linked to a third variable-the rapid economic development of rural Ireland that was shaped by British interests.

Customer Reviews:

A groundbreaking study........1998-06-04

This is a demanding, scholarly book, but one which anyone interested in the historical causes of the Irish Famine should read. O'Neill focuses on a parish in Co. Cavan which has incredibly complete records, allowing him to portray the true nature of landholding and tenancy in the century before the Famine. In doing so, he counters some of the myths on both sides of the question about who was responsible for a potato blight becoming the killer of millions. The statistical information can be daunting, but the use O'Neill makes of it is eye-opening.

The Development of Agrarian Capitalism: Land and Labour in Norfolk 1440-1580 (Oxford Historical Monographs)

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Economic history of the late Medieval countryside in Norfolk

The Development of Agrarian Capitalism: Land and Labour in Norfolk 1440-1580 (Oxford Historical Monographs)
Jane Whittle
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Hardcover

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Book Description

This is an important new scholarly study of the roots of capitalism. Jane Whittle's penetrating examination of rural England in the fifteenth and sixteenth centuries asks how capitalist it was, and how and why it changed over the century and a half under scrutiny. Her book intelligently relates ideas of peasant society and capitalism to a local study of north-east Norfolk, a county that was to become one of the crucibles of the so-called agrarian revolution. Dr Whittle uses the rich variety of historical sources produced by this precocious commercialized locality to examine a wide range of topics from the manorial system and serfdom, rights to land and the level of rent, the land market and inheritance, to the distribution of land and wealth, the numbers of landless, wage-earners, and rural craftsmen, servants, and the labour laws.

Customer Reviews:

Economic history of the late Medieval countryside in Norfolk.......2000-12-11

This book's aim is to search out the early beginnings of agrarian capitalism in England. In particular, the book focuses on the transition from a rural, peasant society based on subsistence-oriented agriculture to a market-dependent economy.

By looking particularly at the period from the end of serfdom in England to the dispossession of the majority of the English population from the land, this historical review of the rural economy falls into both the late Medieval and early Modern periods of history.

The book takes a detailed look at one village in northeast Norfolk - Marsham - and the primary manor in the village - that of Hevingham Bishops. The manorial rolls of this manor are compared to its neighboring manors for details about tenure and transfer of land. In addition, surviving wills & parish registers from Marsham and several additional parishes are reviewed to determine family relationships, inheritance strategies, and information on landless families. Finally, tax assessments, quarter session rolls, and church warden accounts are used to provide information about wealth distribution and wage labor rates.

By studying the local data within the limits of the time boundaries mentioned in the title and the specific region described above, the author provides a fascinating look at economic life of that particular area of Norfolk.

This book contains many interesting insights into the lives of this rural population. The market for land bought and sold between tenants was active from the earliest period. The annual "hiring fairs" for agricultural and domestic servants were not common in the period - hiring being done throughout the year. Different villages benefited from the Worsted trade in differing degrees. There is much more.

Book Description

Farmers, who own or rent most of the private land in America, hold the key not only to the nation's food supply, but also to managing community growth, maintaining an attractive landscape, and protecting water and wildlife resources.

While the issue of protecting farmland and open space is not new, the intensity of the challenge has increased. Farmers are harder pressed to make a living, and rural and suburban communities are struggling to accommodate increasing populations and the development that comes with them. Holding Our Ground can help landowners and communities devise and implement effective strategies for protecting farmland. The book:

discusses the reasons for protecting farmland and how to make those reasons widely known and understood
describes the business of farming, federal government farm programs, and the role of land in farmers's decisions
analyzes federal, state, and local farmland protection efforts and techniques
explores a variety of land protection options including purchase of development rights; transfer of development rights; private land trusts; and financial, tax, and estate planning
reviews the strengths and weaknesses of the farmland protection tools available

The authors describe the many challenges involved in protecting farmland and explain how to create a package of techniques that can meet those challenges. In addition, they offer appendixes with model zoning ordinances, nuisance disclaimers, conservation easements, and other documents that individuals and communities need to carry out the programs discussed.

Holding Our Ground provides citizens, elected officials, planners, and landowners with a solid basis for understanding the issues behind farmland protection, and will be an invaluable resource in developing techniques and programs for achieving long-term protection goals.

Customer Reviews:

Daniels Describes Basics of Preserving AG Land.......2000-10-12

Tom Daniels provides this concise yet detailed description of several land use based agriculture preservation tools including, TDR's, PDR's, conservation easements, ag zoning, urban growth boundaries, and local right-to-farm laws. There are model documents provided in the appendices which give a detailed view of specific preservation measures.

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