Average customer rating:
- A good start, though, not much use
- Worth re-buying
- not too much info
- Great Symbology Resource
- guide for tattoos
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The Tattoo Encyclopedia : A Guide to Choosing Your Tattoo
Terisa Green
Manufacturer: Fireside
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Binding: Paperback
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Similar Items:
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500 Tattoo Designs
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Ink: The Not-Just-Skin-Deep Guide to Getting a Tattoo
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Total Tattoo Book
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Accessories:
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philosophy hope in a jar daily moisturizer
ASIN: 0743223292 |
Book Description
A unique illustrated reference on the origins and meanings of nearly one thousand tattoo symbols that serves as a guide for choosing a personal image and provides a fascinating look at the tattoo as a work of art.
Tattoos continue to move into the mainstream and grow in popularity with each passing day. For people contemplating getting a tattoo, however, the choice of images can be overwhelming. A comprehensive, informative exploration of the colorful world of tattoos, The Tattoo Encyclopedia presents concise descriptions of symbols both common and unusual and sheds light on their historic, religious, and cultural significance.
Organized in a convenient A-to-Z format, cross-referenced, indexed by category, and illustrated with three hundred samples of authentic tattoo line art, this book features a stunning array of images ranging from ancient Buddhist and Chinese designs to those sported by twenty-first-century bikers. The definition of each symbol includes the widely accepted interpretation based on historical fact and cultural source, as well as various interpretations that have developed across different cultures and time periods.
Whether choosing a personally significant tattoo, wanting to learn more about a symbol, or simply being interested in tattoos as a form of art and body decoration, readers will discover the richness of tattoo culture in The Tattoo Encyclopedia.
Customer Reviews:
A good start, though, not much use.......2007-05-14
I had previusly bought and read Ink, from the same author (book that I highly recomend for people new to tattoing like me) and I was thrill to receive this book, though, I must admit, at lest it gives you some structure to determine a bit closely what you want, but the collection itself is not as big as I would have liked, and most of them you can see them on any tattoo shop.
Worth re-buying.......2007-04-15
I loaned this book to a friend, and she kept it when she moved. It is worth re-purchasing because it gives some meaning to some of the designs out there. While not all of the descriptions are useful, and the drawings included are not at all what I would want permanently on me, I have used the explanations as a springboard for some of my more meaningful pieces. It's worth checking out if you want to know about more obscure designs.
not too much info.......2007-04-02
there is not much to this book a few pictures and mild reading rather informative yet not as much help as popup books would have been.
Great Symbology Resource.......2006-11-10
I picked up this book a while ago second hand on a college campus because of my interest in tattoos as well as symbology (apologies to Willam DaFoe). The book has given me some ideas for new ink as well as clarified some misconceptions about ancient Christian symbology.
There were a few connections the author made that seemed to be stretching it, but I would absolutely recommend this book!
guide for tattoos.......2006-10-31
This book give you a good idea of what the symbols represent.
Average customer rating:
- out of print not out of mind
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Mirrors Messages Manifestations
Minor White
Manufacturer: Aperture
ProductGroup: Book
Binding: Hardcover
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ASIN: 0893813346 |
Customer Reviews:
out of print not out of mind.......2005-05-03
Most commentators have pointed out that Minor White's most important aesthetic influences were Ansel Adams, Alfred Stieglitz, and Edward Weston, the great trilogy of Modernist American Art Photography. In many ways it's true. From Adams, White learned the Zone System of exposure and development and the technical virtuosity that was a hallmark of his photography. From Stieglitz, White picked up the notion of equivalency-that photographs could communicate emotional and symbolic meaning as well as visual information-and also sequence form-the combination of photographs into larger visual statements. From Weston, White gained a sense of subject, an intuitive connection between place, photographer, and camera. As important as these relationships were for White, they are only part of his artistic lineage, basically his formal training. The meaning White attempted to construct from these formal techniques was very different that anything attempted by the Big Three.
To understand what and why White was trying to communicate, we would have to look even further into his past-to his pre-photographic journal (begun in 1932 and kept up for over 40 years). White called his journal "Memorable Fancies," a term borrowed from William Blake, the eighteenth century English religious mystic and poet. Discovered while taking English Literature courses at the University of Minnesota, Blake became White's first and longest lived inspiration. Like Blake, White combined words and pictures into works whose meaning depended on both. Like Blake, White was a mystic, a religious artist whose true subject was Spirit. We don't necessarily have to agree with White's mysticism, but if we don't grant those views some validity, if we don't consider the religious component in his work, we can never understand his true accomplishment. White bent the secular tools of modernist photography into a religious art and practice. Based on a rigorous photographic technique that produced prints of great sensual beauty, White's work and spirituality arose from and remained grounded in the specific processes of photographic rendering.
Luckily, White created a record of the way art and religious experience coalesced in his work. Published in 1968, Mirrors Messages Manifestations (MMM) functions both as a spiritual guidebook and as that most important modernist form: the retrospective catalog, complete with extensive documentation (a complete listing of White's writings numbering over 200 articles is included). The first thing that is apparent from MMM is that White's early work examined subjects that were not exactly what we would think of as religious. Adding poetry to strings of photographs, White explored a hybrid form he dubbed "sequence." One of White's first explorations was "Amputations," a bitter and devastating anti-war statement produced in 1947 and banned by the San Francisco American Legion. While teaching at the California School of Fine Arts, White pushed the boundaries of sexual representation, a period recalled in MMM through the symbolic homoeroticism of "Sequence 4" and "Sequence 8." Interspersed with these early works are a variety of texts that provide a running commentary on everything from the theory of sequential meaning to the experience of photographing at Point Lobos.
Beginning in the late 1940s, White met several people who introduced him first to Christian mysticism (John of the Cross, Catherine of Sienna) then to Zen Buddhism, and finally to the teachings of the twentieth century mystic G.I. Guardjieff. The second half of MMM is the story of White's understanding and commitment to these various religious systems, all of which conceive of a physical relationship with the Divine, whether through prayer, meditation, or physical movement. More importantly, MMM maps out the ways White approached religious experience through photographic technique and meaning. From the early symbolism of "Rural Cathedrals" (created to accompany Evelyn Underhill's masterpiece Mysticism) to the visual physicality and formal brilliance of "One Hand Clapping" to the book's coda "Sequence 1968," White pushes beyond the symbolic illustration of religious texts into a mystical experience of Spirit consummated at the moment of exposure and based on a profound rereading of the photographic act.
The heart of White's new understanding of photography is a short piece situated at the center of MMM and titled "Three Canons":
Be still with yourself
Until the object of your attention
Affirms your presence
Let the Subject generate its own Composition
When the image mirrors the self
And the self mirrors the subject
Something might take over
A combination of how-to and aphorism, "Three Cannons" is a perfect illustration of White's hybrid of contemporary photographic conventions and the traditions of mystical experience. But the revolutionary tenet of "Three Cannons" is a new idea of photographic relations. Gone is the modernist tenet of authorship in which everything in a photograph depends and can be traced to a single photographer acting in isolation. In its place, White supposes a relationship with subject that is a two way street: by granting the world some role in its own representation we create a photograph that is not so much a product solely of individual actions as it is the result of a negotiation in which the world and all its subjects might participate. White then takes the next step and proposes that when this relationship is truly entered into, something might take over the entire process, something larger than subject or photographer, something like Spirit. Mirrors Messages Manifestations is White's proof that Spirit did just that, the autobiography of a soul born in the age of mechanical reproduction and nurtured on the possibility of the eternal.
Book Description
City streets abound with billboards, posters, and corporate advertising that almost invite a subversive response ...and increasingly are getting one. Many of today's graffiti artists have adopted the stencil and spray can, and are using the street as a giant creative forum for their arresting artwork. "The image," says San Diego artist Shepard Fairey, "is integrated with the texture of the street." This book showcases the work of the originators, the innovators, and the new generation who, as UK artist Nylon puts it, are "breathing life into derelict spaces." Stencil graffiti is beginning to filter off the street too, as artists are inspired to use stencils on canvas, clothing, and metal. Tristan Manco has chosen over 400 of the most visually exuberant, subtle, and creative examples of the genre from cities all over the world. With subject matter ranging from the political to the poetic, from the funky to the frankly curious, stencil graffiti is graphic innovation on an international scale. Inspirational in form and content, this book is an essential record for everyone with an interest in design or in contemporary urban culture. 405 illustrations, 400 in color.
Customer Reviews:
you get what you pay for.......2007-08-28
it's a cheap book, and it's got cheap information. nothing much to it. i would probably spend a bit more and buy a book that's more in depth with the culture and such of graffiti art. but if you must, like me buy this book to be a part of your growing art book collection, then by all means, no one is stopping you.
I like it!.......2007-05-01
I like this book. It's a thin book. It's not too much stuff in the book but I think it's a nice book to have in your collection just to have something different. Since I'm not too much into stencil graffiti, this book is just right to have it in my collection. I like it. It has great work of art in it.
There is one book that tops it.......2006-08-26
Its a great book, but Stencil Pirates is better.
Book lacks depth.......2003-08-17
This book is being reviewed quite heavily these days and after reviewing it myself, I can only conclude that this is because of the Publishers' credentials in publishing books on street art. I found that this book fell short on my expectations, even though much of the material was interesting. While it was enlightening to read the brief articles on the history of stencil graffiti, and how stenciling started back to 22,000 in cave paintings, the book quickly lost steam. Many of the artists featured here are well known, however there are many photos featuring industrial uses of stencils which neither are graffiti art, stencil graffiti or art in any type of form. This really detracted form what I assumed the book was featuring. Most of the interesting features were on European artists such as the "bananensprayer" in Cologne, Germany, or Bansky who mixed political satire with his various works. Although many stencil artists are features from all over Europe, and the United States as well as a whole page spread of works from Morocco, I really missed the interviews which should have accompanied these images. While I would not purchase the book for my personal collection, many of the photos showcased the dizzying array of effects which were possible to achieve with something as simple as a stencil.
Handsome book; not too deep.......2003-02-24
For someone who is simply interested in seeing full color photos of stencil graffiti then Manco's book would be a great purchase. Manco profiles key artist from around the world as well as touching lightly on stencil and graffiti history (Information which is readily available else where both online and in print.) As an aside, the book does speak briefly on the philosophy of graffiti in the urban landscape.
Sadly the book is little more than a nice looking coffee table book. Artist looking for a guidebook or text that speaks more about the technical aspects of stencil graffiti should look elsewhere. As it is the book is an interesting (though not too informative) slide show of street art.
Still, it's a good purchase for fans of the art form or those who are interested in street pop art.
Book Description
We're back! And this time we've got your back when it comes to you and your car.
In
Dare to Repair: A Do-It-Herself Guide to Fixing (Almost) Anything in the Home, we opened the door for you into the world of basic home repairs. Now, we're opening a different one -- a car door.
Dare to Repair Your Car is a basic car care and safety book written by women for women ... and men, and new teen drivers, and senior drivers. Okay, it's for every person who dares to drive a car.
Here are just some of the things that will keep you and your family safe:
- Changing a flat tire
- Maintaining fluids
- Jumpstarting a battery
- Replacing a headlamp
- Finding a great mechanic
- Installing a car seat
- Driving tips for teens and seniors
- Preparing for a road trip
Filled with detailed illustrations and easy-to-follow instructions,
Dare to Repair Your Car will help you shift gears and get you moving in the direction of maintaining your car -- yourself. You'll be so excited about what you've learned you'll want to toot your own horn!
Customer Reviews:
Excellent Book for Beginners.......2007-09-18
I'm finding this book useful, practical, and empowering. Not only do the authors explain how your car works, they describe how to do the work yourself or seek a mechanic's services confidently. The book is easy to read, yet doesn't talk down to the reader.
Stereotypes.......2006-11-19
This book supports the cultural assumption that all men know everything about cars. I'll give one example of how shallow it is. I looked up the section about if you're not getting any heat in your car. It states that you may have a problem with heater core, a valve, or the motor itself. It then shows a diagram with no illustration of the valve they're talking about. Left hangin.
More interior decorating, than "repair".......2006-01-02
I was just given this book for Christmas, and the first page I randomly flipped to was How to Use a Seatbelt. The second page I flipped to was How to Remove a Bumper Sticker. Not exactly the repair advice I was looking for.
You can do it Girls!.......2005-11-11
This is a really good guide, not only is it for girls who dont know what a dipstick is, but its also for men and women alike, who have a basic understanding of the inner workings of their cars and would like a guide book to help them with repairs. Every chapter in the book has a do-it-yourself section where you can learn to replace your fueses or clean your fuel injectors. There is also some preventitive maint tips to keep your car from NEEDING un-needed repairs. The diagrams are pretty dumbed down, which can get a little annoying at times, but its good so even the novice can understand, and its fairly obvious the book was written for women (aside from the Betsy on the cover) because the text has a bit of a girly feel to it. There are a few blurbs here and there with some cute humorous parts to it, which makes this also a fun, enjoyable read.
This is a great book to have around the house for when you need it. My husband is currently in Iraq, and with him being gone Im in charge of repairs of the house, and our two vehicles, and this book has already saved me!
dare to repair: a do-it-yourself guide to maintenance, etac.......2005-10-17
Great book! We bought it for our daughter who lives 250 miles away. Now she has the ability to figure out what is happening under the hood, if it can be fixed, how it can be fixed and how involved the repair will be. I don't see her putting her head under the hood and doing the reapairs herself anytime soon, but it surely makes her a more informed consumer when she heads for the repair shop.
Average customer rating:
- Street Art and Graffiti are Political
- Best Graphic Art Book of 2004
- the most comprehensive stencil book to date!
|
Stencil Pirates
Josh MacPhee
Manufacturer: Soft Skull Press
ProductGroup: Book
Binding: Paperback
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ASIN: 1932360158 |
Book Description
Stencil Pirates is the first comprehensive book dedicated to stencil street art. Included are artist profiles, an in-depth history of stencil graffiti, its political context, and how stencils fit into the larger pantheon of street expression. Also here are a detailed “how-to” manual with designing, cutting, and painting tips from the artists, as well as 20 perforated cardstock stencil templates for readers who can’t wait to hit the streets.
Customer Reviews:
Street Art and Graffiti are Political.......2006-01-10
In the flood of recent books about graffiti - this is one of the only books to seriously take on the 'function' of illegal public markings in society. There must be 50+ well-distributed books about graffiti that manage to suck out most of the political implications of graffiti in exchange for ego boosting. Additionally, the descriptions and history of graffiti in the global south make it quite unique and equitable.
From page 36 " At their best and most cryptic, stencils are signs that are both hollow yet simultaneously pregnant with meaning. They are signs without signifiers, images or statements with no clear or fixed meaning..."
MacPhee infuses the graffiti research process with the semeotic and anthropoligical tools that are necessary for interpreting urban space. I highly recommend this book
Best Graphic Art Book of 2004.......2005-06-20
From my New York Press review of Stencil Pirates, 11/04 (vol. 17, issue 45):
A FEW YEARS AGO, while walking down a sparsely traveled block in my old Brooklyn neighborhood, I came across three-foot-tall, carefully rendered cursive on an otherwise blank red wall: "Cap'n Jazz" in silver spray-paint. I did a triple take. Who'd bother to apply the name of a little-known early-90s punk band from Chicago to a Brooklyn wall in 2001, and why? I didn't much care; those shimmering letters brought on a surge of memories from my years in DC punk; it was as if a long-lost friend or secret admirer had left me a note. Though "Cap'n Jazz" swiftly vanished under a fresh coat of paint, those same memories slip into mind every time I'm there, three years later-that block, to me, transformed.
The power of street art, namely stencils, to shape public space, and the ways in which it does so, is the subject of Chicago artist Josh MacPhee's Stencil Pirates, a handsome publication that both documents and casts a critical eye upon a thriving art form. Early on, MacPhee quotes artist Russell Howze: "Traditional art is usually a static experience... Most traditional art is found in galleries, chosen by someone else and viewed by a select group of people... Even when thousands of people see larger exhibits, traditional art's exposure is still limited by the price of admission at the door."
Stencils, however, to the joy of some and consternation of others, are the great equalizer: With the help of basic, affordable materials, the same work of art can reappear throughout a city, cities or countries, meeting with a broad audience and reception. Some stencils remain for months or years on a sidewalk or wall, insinuating themselves into a neighborhood's character and landscape. What prompts residents or city workers to paint over some and not others can be as intriguing as the work itself. (What causes some stencils to fade before others, on the other hand, is a simple matter of paint quality, which MacPhee discusses in the practical, informative "How-To File" section.)
MacPhee parses out Stencil Pirates according to several dozen themes. In "It's Official," he explores the influence of industrial stencils; in "Argentina," the revival of the stencil as a tool of communication and political expression after the country's 2001 economic collapse. Intentionally succinct in narrative and commentary, MacPhee devotes page after page of Pirates-quite a few of them full-color spreads-to more than 1000 images. Plenty of the work in Pirates, if noteworthy in message or placement, is rudimentary, skill-wise.
But just as much of it is gorgeous, sometimes awe-inspiring in its intricacy. "Are We Free Yet," a collaboration by JSO4 and Sevenist, is a painstakingly executed multicolor mural of telephone wires, tiny birds, two bright kites and a placid, curly head on a floral pillowcase. Upon the sleeper's torso, this text: "Only in my dreams is my memory restored, so I sleep all the time so I don't forget how 2 live." In an example of "stenciling as civic duty," artists Scout and Stain created moving color portraits of neighborhood children on abandoned buildings and boarded-over windows throughout decaying downtown Albany, as, according to Scout, "an offering to the people who live there."
One section presents snapshots of stenciled poetry-reproductions of well-known verse as well as stenciling as self-publishing. And all over, from Argentina to San Francisco, stencils have a vibrant history as public service announcement, whether it's "Dyke March 1996, Market & Castro, Saturday June 29, 7 p.m.," or markings from the 1989 Anti-Nuke Port Stencil Project, which organized a team of stencilers to create anti-nuke images that included their exact mileage from a proposed nuke-equipped Staten Island Navy base. Pirates shows that even a single word or phrase can adorn a wall, lovely, depending on factors such as placement or use of typography.
For MacPhee, all of this is "liberatory." Decrying the highly regulated state of public space in America as a forum where homogenous, calculated corporate messaging rules, MacPhee says that "encouraging people to think off the conveyor belt of work, shop, eat, sleep, work, shop, eat is downright revolutionary." Indeed, the book overflows with stencils that shout their message as loud as the paint allows. Other images are subtler, even cryptic. Anton van Dalen, who worked mostly in the 70s and 80s, shot for the subliminal, aiming for his stencils "to operate as traffic signs, you absorb the meaning before you even know it."
Of course, not every stencil artist is inhaling toxic fumes for the sake of art, political beliefs or to convey any particular message. Shepard Fairey has used his Andre the Giant stencil to launch an industry of "Obey"-branded clothing and posters; he also designed Radiohead's noxious "Hail to the Thief" stencil campaign. MacPhee explains corporate forays into stenciling as an attempt to garner street cred for their products-and of course, to move product. Even when corporate patrons have been revealed, the ensuing hubbub "is better exposure for their advertising than money could possibly buy."
MacPhee doesn't delve far into the history of stenciling; his focus is on modern-day work. He does, however, outline its past-from Egypt and China and Greece to the Soviet Union and Nicaragua, South Africa, Mexico. Over thousands of years, the basic technique of applying paint over a design cut out of a solid material has endured. The word "stencil" has its roots in the French estenceler, "to decorate with bright colors," which in turn comes from the Latin scintilla-"spark."
the most comprehensive stencil book to date!.......2005-02-04
highly recommended! this book is beyond your pretty picture book. the author's essays give an excellent overview of stencil graffiti, and his list of bibliography and end notes provide the best starting point ive found for further research.
it's missing one star simply because i find tristan manco's "stencil graffiti" more interesting in terms of the art work selection.
these 2 books are essential for stencil graffiti lovers!
Average customer rating:
- I trained in this program and it helped tremendously
- Living a Healthy Life with Chronic Conditions...
- Good resource for seniors
|
Living a Healthy Life with Chronic Conditions: Self-Management of Heart Disease, Arthritis, Diabetes, Asthma, Bronchitis, Emphysema & Others
Halsted, M.D. Holman ,
David Sobel ,
Diana Laurent ,
Virginia Gonzalez , and
Marian, Ph.D. Minor
Manufacturer: Publishers Group West
ProductGroup: Book
Binding: Paperback
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Patient Education: A Practical Approach
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Braun IRT 4020 ThermoScan Ear Thermometer
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Tanita BC533 Glass Innerscan Body Composition Monitor
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philosophy hope in a jar daily moisturizer
ASIN: 0923521534 |
Book Description
Drawing on input from people with long-term ailments, this book points the way to achieving the best possible life under the circumstances.
Customer Reviews:
I trained in this program and it helped tremendously.......2003-12-23
This book started the Self-Management approach to chronic illness. I trained in the Self-Management program and have led groups for years, and have seen people make wonderful changes. This experience and knowledge inspired me to write my book, The Art of Getting Well.
Drs Lorig, Holman, Sobel and the other authors lay out all you need to know to develop your programs of exercise, relaxation, emotional support, and healthy eating. They also teach how to deal successfully with medical systems and treatments.
The book stresses living the best possible life, not just following medical orders or watching everything you eat. It's an excellent complement to my book, which will provide some inspiration to attempt the behavior changes that "Living a Healthy Life" explains so well.
Living a Healthy Life with Chronic Conditions..........2003-12-12
This book does an excellent job of presenting how chronic illness patients are overwhelmed and how they can aggressively
confront the debilitating cycle and successfully manage the lifestyles they must lead. Everyone with a chronic illness is forced to live differently than all others, no matter their age.
The book analyzes and describes the depleting cycle that anyone with a chronic, dibilitating illness encounters, and offers proven solutions on how to break the debilitating cycle and progress outward inspite of the illness.
Good resource for seniors.......2000-07-01
This book, written in a very simple, "self-help" style, seems to be geared to the senior citizen suffering from chronic illness and emphasizes developing and implementing management plans for exercise, diet, and medical care. While much of it is common sense, it does offer bulleted, structured outlines for communicating with medical professionals, managing medicines, planning for the future (and possibly greater physical degeneration), and most of all acknowledges the feelings and depression that often accompany chronic illness.
Amazon.com
Whether you're thinking about stenciling something simple such as a floral motif around a doorway or have set your sights on turning your bedroom into a medieval castle, this guide will help. Stenciling, we learn, comes from an old French word meaning to sparkle, and the lively projects certainly do. Beyond good coverage of all the necessary basics (equipment, fixing mistakes, cutting your own stencils) and the usual candidates for rampaging stencil artists (walls, fabrics, home decorating accessories), the book offers information on advanced techniques (like airbrushing and trompe l'oeil) and adapting the process to unusual surfaces (ceramic tiles, ceilings, exterior walls). And if you've ever dreamed of becoming a professional stenciler, the no-nonsense advice on setting prices, finding clients, and other tricks of the trade will prove invaluable.
Customer Reviews:
Very dated.......2006-08-05
I found this to be very dated in techniques and style. I knew it was ten years old, but I didn't realize the vast changes in stenciling. I didn't find the instruction to be particularly detailed, and learned far more from the many other books available.
best stenciling book i've found.......1998-02-11
I bought stenciling techniques because it has some of the best information i've found on stenciling. It has a variety of techniques and a good list of resources. The book is easy to understand and has information i've been looking for
good base book for beginners or advanced stencilers.......1998-02-05
This book nicely covers the basics such as materials and techniques, with good full color photos to further illustrate what is explained. For the advanced painter, there are some good ideas, again with full color pictures. I've even brought this book with me to a client to show them some samples of what can be done.
Average customer rating:
|
Bridging the Sutras and the Tantras: A collection of ten minor works
Dge-dun-grub
Manufacturer: Gabriel/Snow Lion
ProductGroup: Book
Binding: Unknown Binding
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ASIN: 0937938122 |
Book Description
One of Liszt’s most admired and performed masterpieces for piano, along with the 6 Consolations, 10 Harmonies poetiques et religieuses, 2 Ballades and 2 Legendes, all reprinted from the authoritative Franz Liszt-Stiftung edition published by Breitkopf & Härtel of Leipzig.
Book Description
Collection of three superb pieces for piano and orchestra, including the popular Piano Concerto in A Minor. Reprinted from Breitkopf & Härtel edition. Glossary of terms.
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