Book Description
The detailed, clearly illustrated guide to federal patterns
Federal Style Patterns 1780-1820 is a single-source book of pattern drawings illustrating the form, character, scale, and proportion of Federal Style ornament and detail built in New England primarily from 1780 to 1820.
Conveniently organized in sections for cornices, door and window casings, chair rails, baseboards, mantels, and fences, Federal Style Patterns 1780-1820 features 300 detailed line drawings that are useful to architects, interior designers, and preservationists. An accompanying CD-ROM contains the drawings in the following formats: vector PDF, Postscript, DXF for PC, and PowerCadd for Mac.
Federal Style Patterns 1780-1820 offers architects and interior designers a fresh look at this uniquely American style to provide a springboard for design inspiration and new ideas.
Customer Reviews:
Book has given me some ideas.......2007-03-30
The book is well illustrated and true to the topic. I thought a little too much time was spent on the dimensions of the illustrated work in how the book need to be adjusted for the size of the book and not any time spent explaining how the woodworkers of the time accomplished the work, Example how was a flute cut with the top end round and the bottom end flat. How are tongues added to a fluted column? There are no explanations of the wonderfully illustrated woodworking just where the work is located and how to measure the work.
A Great Book for Sure, Including Strong Support from Authors.......2007-01-22
"Federal Style Patterns 1780-1820" is the culmination of an astounding research project. The detailed drawings are based on design elements from homes built during the Federal Era in the New England region, and include detailed images of cornices, door and window casings, chair rails, baseboards and more.
All drawings are captured in a variety of formats on a CD-ROM that comes with the book, which is a helpful tool for modern day designers hoping to faithfully reproduce the elegance of Federal Style architecture.
For some time now, I have been fascinated with the Federal Style, so much so that I decided to decorate and furnish my new office as if it were a page from history, circa 1815. I was a bit confused how to adapt a door arch to my particular circumstance, so I e-mailed the authors of this book, MaryBeth Mudrick and Lawrence D. Smith, for advice. I was most pleased with the prompt and professional reply I received from them. Throughout the duration of my project, which stretched out for many months, MaryBeth and Lawrence provided invaluable guidance at many critical junctures, always with patience and a friendly touch. With my copy of their text close by at all times, these pros led me toward a Federal Style look that far exceeded my original expectations. Thomas Jefferson would have felt right at home!
Elegant, exhaustive and authoritative.......2005-09-13
Oh, this is an elegant book, with highly detailed drawings of every molding, mantels, doors, room designs, etc. that you can imagine, all in the beautiful American Federal Style. In this book, you can 'invade' historic homes and 'walk out' with measured detailed drawings of all of the best features -- without anyone catching you in the act.
Book Description
This is a book about why history matters. It shows how popularized historical images and narratives deeply influence Americans' understanding of their collective past. A leading public historian, Mike Wallace observes that we are a people who think of ourselves as having shed the past but also avid tourists who are on a "heritage binge," flocking by the thousands to Ellis Island, Colonial Williamsburg, or the Vietnam Memorial.
Wallace probes into the trivialization of history that pervades American culture as well as the struggles over public memory that provoke stormy controversy. The recent imbroglio surrounding the National Air and Space Museum's proposed Enola Gay exhibit was reported as centering on why the U.S. government decided to use the A-Bomb against Japan. Wallace scrutinizes the actual plans for the exhibit and investigates the ways in which the controversy drew in historians, veterans, the media, and the general public.
Whether his subject is multimillion dollar theme parks owned by powerful corporations, urban museums, or television docudramas, Mike Wallace shows how their depictions of history are shaped by assumptions about which pasts are worth saving, whose stories are worth telling, what gets left out, and who is authorized to make the decisions.
Customer Reviews:
Mickey Mouse History.......2007-01-29
Is this guy for or against preservation? It's hard to tell sometimes. Gives another, if not confusing, viewpoint of the preservation movement.
Not a Mickey Mouse History, but a Donald Duck Rebuttal.......2002-09-16
Aside from a proverbial axe that Mr. Wallace is grinding (especially in the Reagan essay), the text employs a down-to-earth approach, avoiding the typical multi-syllabic lingo that is usually associated with academia. In addition, the broad purpose of his text is applaudable: the deconstruction of the myths and ideologies of history and the return to historical research and study.
However, I can say that while I agree with most of Mr. Wallace's viewpoints, I should also note that he has many fallacies in his case studies, particularly those with Disney. As a former Disney employee, I have to wonder how much time he truly spent researching the inner cogs of the "Mouse Machine," and who he spent time interviewing.
As a volunteer museum curator/collections manager, I must agree with other reviewers about Mr. Wallace's critical analysis of museums. "Could," "should," and "would" are great words when theorizing and idealizing about the historical preservation process, but until one actually experiences the real-world struggles of museum revitalization and artifact preservation, I tend not to pay any heed to the noisy cymbals of criticism.
Finally, as a graduate student of Popular Culture, and from an academic viewpoint, the lack of detailed citations and direct references in this book raises my concern about the integrity of the research that was done. The bibliography, while impressive in its depth, is not annotated enough to make up for the missing footnotes of works cited.
accesible, critical and still with a sense of humor.......2001-04-20
for someone interested in museum, spaces of exhibition and the like you will find section one and two of this book quite interesting. the first deals with different sorts of museums placing a critical point of view from communitary museums to opend air museums, to technology museums. the second part is great dealing with the forms of exhibition at disney. dystory, that special kind of reality that it is at once purified and sanitized and tha is quite part of the essence of thematized environments. parts three and four deal, respectively, with the restoraton movement in america and the politics of culture during regan's era, specially with the enola gay case.
Accessible and Thoughtful.......2001-03-02
Mike Wallace uses the kind of academic writing that all scholars should aspire to achieve--lively, free of jargon, and entertaining. His subject, as suggested by the book's title, is history and the debates that surround different depictions of history. Wallace observes, astutely, that the struggles over how to portray history reveals much about ourselves, our beliefs, and our agendas. Wallace points out that history is never neutral, a point that is well worth reinforcing.
My particular interest is Disney Studies, and Wallace has a section (actually two essays) devoted to Disney and it use of history. The first essay concentrates on Disney's use of history in its theme parks, particularly in places such as the Hall of Presidents and EPCOT. While Wallace does not shy from criticizing Disney's portrayal of history (in fact, one of Wallace's strengths is he does not shy from representing his own viewpoint clearly), he also does not simply dismiss the potential in integrating history, entertainment, and the kind of technological wizardy that Disney is known for. He makes a serious case for a reconsideration of Disney and its techniques, all without constantly hitting his reader over the head with things. In his second essay, Wallace concentrates on the failed Disney's America project, providing background information and a critique of Disney with a call to re-examine Disney's use of history as emblematic of other movements and struggles over American history. He also makes it clear that he believes simply dismissing Disney is not an effective strategy for considering how portrayals of history could engage the public. The strength here is that Wallace is not afraid to criticize both Disney and kneejerk criticisms of Disney, or to envision the melding of history and entertainment. Nor does he abandon the quest for critical presentations of history that open history to even further investigation. While this is no easy task, Wallace does succeed.
If there is one thing I would suggest, perhaps the element I feel is missing, is a better development of these strategies for the presentation of history that Wallace supports. Although that could indeed be a book in itself, it would have been nice to see more of Wallace dwell more on his own engagement with, even answers to, the questions he has raised in this book.
An accessible and essential look at the fight over history.......2001-02-15
This is a very easy-to-read, jargon-free book about various ways in which the American past has been marketed to the American public. Wallace makes clear that the past should not be sanitized or exaggerated for any purpose, no matter how noble. And he makes clear how dangerous distortions of the past can be, particularly in chapters that discuss Ronald Reagan's or Newt Gingrich's . . . shall we say, passing acquaintance with history as it happened, as opposed to how they wish it had happened.
That last sentence makes pretty clear that Wallace has an ideology of his own. He interprets much of American history in terms of the conflict between classes. He does not insist that his interpretation is the only valid interpretation, but the force with which he makes some of his ideological points keeps me from giving this a five star review. That said -- everyone should read this book. It pokes away at some of the myths that keep us from doing what we can to make American society even better. Mickey Mouse History might make you uncomfortable -- but it's a discomfort that has plenty of rewards in understanding.
Book Description
A thoroughly revised and significantly expanded edition of the popular 1980s original, Googie Redux is the authoritative history of the mid-20th century icon that ignited an architectural revolution: the coffee shop. Emblematic of Southern California car culture, stylized eateries and other roadside buildings built from the 1930s to the 1950s were dismissed as lowbrow stylistic folly in their heyday. Yet, as Alan Hess points out, in many ways they were the realization of modern architecture's grand promises. They were populist, employed new materials, and captured their purpose, place, and culture as vividly as any great architectural style. The influential original edition helped to spark a robust preservation movement and kick-started the reappreciation of mid-century architecture and design. This latest edition features extensive up-to-date research and dozens of rarely seen and newly found photographs. Googie Redux is the definitive document of a style born in California that has spread to all corners of the world.
Customer Reviews:
Achingly Beautiful.......2007-08-24
Googie was fading by the time I came along, but even in the remote area of the Midwest that I grew up in, its influence was felt. As a child, I didn't know what those slanted roofs and skewed-ball sign spires were called or where they came from, but I found their spacey, cartoonish vibe appealing (if increasingly worn and ill-maintained as the 70s wore on). This book, "Googie Redux," puts "ultramodern roadside architecture" in historical context and tells the stories of the commercial architects who invented Googie, primarily in Southern California. There's also an excellent section on automotive design of the postwar era, the ideas which inspired it, and its relation to Googie architecture. Fans of Americana, architecture, capitalism, and pop culture in general will adore this thick compendium of intelligent analysis and, in many cases, superb photographs documenting the glorious heyday and painful decline of this once-dominant style. Though Googie was shunned by the architectural establishment in its time, it is now given its due in this beautiful book. Buy it, read it, and catch a glimpse of an era in which roadside architecture was more than just the series of bland, inoffensive, lookalike boxes dispensing burgers, burritos, and coffee that we must suffer today. This book will feed your postwar fantasies and break your heart when you realize how homogenized commercial architecture has become.
A True Gem in My Library!.......2004-10-21
I can start off this review by stating pretty much any book Alan Hess writes will find its way to my shelf. Googie Redux is an incredible update to the original which was a masterpiece in itself.
The new photographs and line drawings are a very nice touch along with the updated text. Mr. Hess has proven himself again as the leading authority on this genre of architecture.
The insight and presentation of the information is what this architecture truly deserves. To ignore this style and consider it a joke is something that will bite us back in years to come. By then most of these places will be torn down and we'll be left with only this book as a resource. But, oh what a resource it is!
Now, if only Mr. Hess could fly over to the East Coast and write a book about the architecture in the seaside community of Wildwood, New Jersey. Then the circle would be complete. Many of these motels were built around the same time as the West Coast structures and would make for a very interesting comparison. Same style and philosophies, but with different architects, locales, and climates. Very interesting indeed.
In summary the equation is simple...great author plus great architecture equals doubly great book!
Average customer rating:
- a-frames coffee table book
- I live in an A-Frame
- A-Frame is Clever and Compact: A Review by Michael Hawker
- A Ripping Good Read
- The A-frame book I always hoped someone would write
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A-frame
Chad Randl
Manufacturer: Princeton Architectural Press
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Prefab Modern
ASIN: 1568984103 |
Book Description
"A" was the architectural letterform of leisure building in postwar America. Eager to stake out mountain and lakeside retreats, an entire generation of high-end homebuilders and weekend handymen found the A-frame an easy and affordable home to construct; its steeply sloping triangular roof distinctive and easy to maintain )almost no exterior walls to paint!). Fueled by A-frame plans and kits, the style became something of a national craze, with tens of thousands of houses built.
Indeed, the A-frame was an icon for recreation, and acceptable form of modernism (although its origins go back thousands of years), and a convenient tool for marketing a wide range of products, including gas-powered toilets, motorcycles, and canned vegetables; Fisher-Price even made one for children. So popular on the domestic front, the A-frame was eventually adapted to other building types, from roadside restaurants to churches.
In a fascinating look at this architectural phenomenon, Chad Randl tells the story of the "triangle" house from prehistoric Japan to its lifestyle-changing heyday in the 1960s. Part architectural history and part cultural exploration, A-Frame documents every aspect of A-frame living using cartoons, ads, high-style and do-it-yourself examples, family snapshots, and even an appendix with a complete set of blueprints in case you want to build your own!
Customer Reviews:
a-frames coffee table book.......2007-07-06
big beautiful book, lots of pictures, an easy read, lots of interesting history. I was hoping for something a little more technical, with details for a do-it-yourselfer to actualy build one but its not here. A fun book if you're interested in a-frames.
I live in an A-Frame.......2007-03-27
I live in an A-Frame so this book has much meaning for me. I loved reading about the history and seeing many A-Frames from around the world. I certainly would have let the author come to my house. It's a bit larger than most in the book - 2,800 sq. ft. I highly recommend the book to anyone with interest in the subject.
A-Frame is Clever and Compact: A Review by Michael Hawker .......2006-12-06
A wonderful survey of the A-frame, including many photos and plans of architect-designed versions. Included are interesting designs from those many Modern lovers will know. Rudolph Schindler was the first to have designed one, back in the 1920's. There is also a refreshing and very modern design by Campbell & Wong, and the one by Robert Broward in Florida from 1960 whose front end cantilevers over the sandy beach is exceptional. The rendering portrays its drama. Broward's design was one of the few structures along the Ponte Verde beach to survive Hurricane Dora in 1964.
But Mr. Randl does not stop at architect-designed A-frames. He carefully traces the historical development of the A-frame and how it became an icon in post-war America, weaving it with plenty of photographs, construction drawings, ideas on variations, and vintage advertisements from magazines to demonstrate its high popularity between the 1950's and 1970's.
The author does well to support the premise that the A-frame became an American icon, making its way from vacation homes to restaurants and motel designs as well as religious buildings. He cites its influence upon Googie's (Lautner) and the Unitarian Meeting House in Shorewood Hills, Wisconsin (Wright). Even the now popular Lindal Cedar Homes of today grew out of Mr. Lindal's first design: an A-frame.
If I had a critical wish for this book, it would be a much larger size, an oversize that perhaps presented many more architect-designed A-frames. I am sure more modern and organic architects have done them and it would be interesting to see those designs. Randl has in fact inspired me to consider one for a country retreat in my own home state. With this book's small size as the only demerit, I give Chad Randl's A-Frame an "A".
A Ripping Good Read.......2005-12-04
In this book, Chad Randl announces himself as one of the bright lights in the genere of architectural history. This book is authoritative, yet compelling. Randl makes mid-century architecture come alive in this beautifully composed book. Bravo!
The A-frame book I always hoped someone would write.......2005-05-18
I've always thought someone should do a retro coffee table book on A-frames. Someone did. It's perfect. The book has a great cover in cool 60s colors. Inside is a detailed history with pictures, illustrations and everything one would ever want to know about A-frames. Thank you Chad Randl!
Book Description
The definitive volume on how paint has been used in the U.S. in the last 250 years. Eminent contributors cover the history of this medium in American buildings from the 17th century to the end of the 19th century. Contains a survey of practices and materials in England, cutting-edge techniques used by today's researchers in examining historic paints, fascinating case studies and an important chart of early American paint colors. Explains how to identify pigments and media, how to prepare surfaces for application and apply paint. Includes the chemical properties of paint with a table of paint components, plus a glossary and bibliography.
Average customer rating:
- Historic House Museums
- Better than string and tape
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Historic House Museums: A Practical Handbook for Their Care, Preservation, and Management
Sherry Butcher-Younghans
Manufacturer: Oxford University Press, USA
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ASIN: 0195106601 |
Book Description
Historic house museums can be found in nearly every city in the United States and Canada. These are the homes of the earliest settlers, statesmen, frontiersmen, great writers, artists, architects, and industrial magnates. These are the places, carefully saved and preserved, that represent a cultural heritage. Despite their popularity, it is not uncommon to find museums that are in poor repair, their collections neglected and their staffs grossly overworked. Many are run by well-meaning and hard-working volunteers who have little or no professional training. Often they survive on shoestring budgets and are able to present only limited programs. Serving both as a hands-on guide and reference, this book examines these problems, offering practical advice and solutions which can be easily implemented. Its useful "lessons" include governance, where to find help, care of collections, conservation, security, and interpretation--all designed to increase the professionalism of the historic house museum.
Customer Reviews:
Historic House Museums.......2006-02-20
In historic house museums, the author provided useful information and tips for the operation of a small museum on a shoestring budget. The authors extensive experience in the museum industry is evident from the suggestions offered. Many resources were listed for the museum staff to consider, however there are no web addresses which severely limits the usefulness of the book.
Better than string and tape.......2001-11-10
I selected this book for a report for a museum studies class -- and because I volunteer at a small "historic house museum". Because such museums often operate with meager staff and an even more meager budget, I expected the book to be something of the "How-to-do-an-exhibition-with-string-and-Scotch-tape" genre. I was very pleasantly surprised to find that, on the contrary, the author presented what seem to be the currently-accepted professional museum standards, with suggestions as to how the small historic house museum can rise to meet them. I was equally pleasantly surprised to find suggestions throughout the book that the museums also recognize their limitations and if they find that they can't meet minimum standards, to consider turning over their collections to an institution that can care for them properly.
Information included in the book covers the soup-to-nuts, from the mission statement to housekeeping and with a few minor exceptions (and one surprisingly larger one), the information on caring for the house and items in the collections is virtually identical to that which has been presented to us, by guest professional lecturers, in our grad school classes. One small suggestion which seems to conflict with what I have frequently read and been told was the author's suggestion to use clear nail polish as a base coat in marking objects -- something we were told not to do. The other thing that I would have liked to see left out of the section on cleaning chandeliers was to put several layers of padding and a piece of plywood on a dining room table (if made of "hardwood and in stable condition") beneath the chandelier...then "place a step ladder of suitable size on top of the plywood in order to reach the chandelier". Not on MY dining room table you won't!
Other than that very surprising bit of information, I found the book to be an invaluable, thorough and professional reference that is going to be a permanent reference at our small museum -- and it is even printed on acid-free paper, for a longer life!
Average customer rating:
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Urban Neighborhood Revitalization and Heritage Conservation: The Architecture of Urban Redesign
Chukwunyere C. Ugochukwu
Manufacturer: Edwin Mellen Pr
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Binding: Hardcover
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ASIN: 0773456635 |
Book Description
NEPA, ARPA, NAGPRA, SHPOs, THPOs, CEQ, EIS, SIA, Section 106, the National Register, Executive Order 11593. The federal laws, regulations, protocols, and agencies associated with the identification and protection of American cultural resources can be bewildering to the outsider. Thomas F. King, who has been actively involved in cultural resources management practice for almost three decades, demystifies this web of regulation, providing frank, practical advice on how to ensure regulatory compliance in dealing with archaeological sites, historic buildings, urban districts, sacred sites and objects, shipwrecks, and archives. In this brief, informally written guide, he discusses the various federal laws that govern the protection of resources, how they have been interpreted, how they operate in practice, and even how they sometimes contradict each other. The author also provides helpful guidance to the wide array of federal, state, and tribal offices that are concerned with cultural resources management and the special challenges of working with each. King's insider's guide is an essential tool for CRM work by archaeologists, historic preservationists, environmentalists, tribal governments, agency managers, and students. Sponsored by the Heritage Resource Management Program, University of Nevada, Reno
Customer Reviews:
I was dreading this book..........2003-07-12
I was dreading this book. It was required for a class in CRM law, but I have now decided that it is an essential reference that will always be found on a handy shelf in my office.
King is recognized as a leader in the field of federal cultural resource management and has written a comprehensive, digestible overview of the history of the subject and the laws that govern archaeology on federally-funded projects. The chapters are informative, yet to the point, opinionated, and, dare I say, actually funny! King gives bibliographic references to most case studies, in case you'd like to chase down the details behind a certain cultural resource management decision, but it is also the perfect, readable beginner's guide to the history and development of CRM law.
The one critique I have is that it may be time to do an update of the book to reflect the ways that CRM law has changed since 1998. However, the fundamental concepts and laws are still the same, and the book remains the best on the subject. Today, I'm buying his newest book "Thinking About Cultural Resource Management: Essays from the Edge" (2002) to see what else King has to say. I will definitely seek out other books by the author.
Book Description
Throughout the country, historic preservation has become a veritable industry. In New York City alone, the preservation movement has acquired a great deal of power, saving numerous edifices from the wrecking ball. New York is not alone, across the country, grassroots movements to preserve various aspects of the nation's past-Indian burial grounds, slave quarters and deco buildings. In this volume, some of the best figures in the field have come together to write on preservation movements
Giving Preservation a History also touches on the European roots of the historic preservation movement; on how preservation movements have taken a leading role in shaping American urban space and urban development; how historic preservation battles have reflected broader social forces; and what the changing nature of historic preservation bodes for the effort to preserve the nation's past.
Average customer rating:
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Gingerbread Gems of Willimantic, Connecticut
Michele Palmer
Manufacturer: Schiffer Publishing
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Binding: Paperback
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ASIN: 0764326031 |
Customer Reviews:
Gingerbread Gems.......2007-06-12
This was a nice book, nicely done. The photographs and descriptions gave a thoughtful picture of a town justifiably proud of its history.
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