Herman Melville : Typee, Omoo, Mardi (Library of America)

Book Description

This first volume of The Library of America's complete prose works of Herman Melville includes three romances of the South Seas. "Typee" and "Omoo," based on the young Melville's experiences on a whaling ship, are exuberant accounts of the idyllic life among the "cannibals" in Polynesia. They remained his most popular works well into the 20th century. "Mardi" ("the world" in Polynesian) is a mixture of love story, adventure, and political allegory, set on a mythical Pacific island, that looks forward to the complexities of "Moby-Dick." Together, these three romances give early evidence of the genius and daring that make Melville the master novelist of the sea and a precursor of modernist literature. Two companion volumes--"Herman Melville: Redburn, White-Jacket, Moby-Dick" and "Herman Melville: Pierre, Israel Potter, The Piazza Tales," "The Confidence Man, Uncollected Prose, and Billy Budd" complete this edition of Melville's prose.

Customer Reviews:

The first Library of America book I read.......2007-08-29

Back a few years ago, I bought the entire series of Library of America books, some 173 books, each with as many as 1,600 small-print pages. Typically, each volume contains several books (say novels) by an author.

The quality of the writing they have selected is marvelous. There are very few "dogs". Below are my ratings of all the stuff I've read so far (a miniscule fraction of the total library), along with, of course, my completely nonsensical (often sports or pop culture) author nicknames.

And they keep sending me new books faster than I can read the existing ones...

Practically all that I've read ranges from good to fantastic, and I stop reading ones I don't like, so almost all of the books cited below are worthy by my standards. No stars means good, * means especially good, ** means great, and I think I also gave one or two books ***. The numbers are the series # of the book out of the 173 published so far.

A book of Henry James' fiction (not in the LOA series) that I read about 3 years ago got me started on this quest, a supplement to my quest of playing the entire history of baseball via APBA.

1. Herman "Franks" Melville: Typee* ("Idyllic") 316 pps
1. Herman "Franks" Melville: Omoo ("Picks up where Typee left off") 330 pps

2. Nathaniel "Nate the Skate" Hawthorne: Assorted Stories ("Some hard to follow") 301 pps

4. Harriet "and Ozzy" Beecher Stowe: Uncle Tom's Cabin** ("Uncle Tom is no 'Uncle Tom'") 520 pps

5. Mark "Shania" Twain: The Adventures of Tom Sawyer* ("Hilarious moments for a different kind of Tom") 216 pps

10. Nathaniel "Nate the Skate" Hawthorne: Fanshawe* ("Young scholar, romance, skullduggery") 114 pps

6. Jack "Gene" London: The Call of the Wild ("Savage") 86 pps
6. Jack "Gene" London: White Fang* ("Roger Vick-type dog-fighting
action") 198 pps

8. William Dean "Bailey" Howells: A Foregone Conclusion* ("Gripping, intricate romance") 172 pps
8. William Dean "Bailey" Howells: A Modern Instance ("Marriage gone awry in repressed times") 418 pps

11. Francis "Shibe" Parkman: Pioneers of France in the New World** ("What it was REALLY like") 330 pps
11. Francis "Shibe" Parkman: The Jesuits in North America* ("More of these accurate depictions") 382 pps

14. Henry "Don" Adams: Democracy** ("Real politics 1800's-style")

16. Washington "Dr. J" Irving: Early writings ("Boring at times") 87 pps

18. Stephen "Whooping" Crane: Maggie: A Girl of the Streets ("Fascinating but grim") 74 pps
18. Stephen "Whooping" Crane: The Red Badge of Courage* ("True face of war") 134 pps

19. Edgar "Teletubbie" Poe: Assorted Stories ("Truly weird") 188 pps

29. Henry "Edgeron" James: Washington Square* ("Plain woman trapped") 190 pps

30. Edith Wharton "School": The House of Mirth* ("Reese Witherspoon plays role in movie") 348 pps

33. Frank "Chuck" Norris: Vandover and the Brute ("Wolf-man emerges") 260 pps
33. Frank "Chuck" Norris: McTeague** ("Greed prevails") 312 pps

35. Willa "Thrilla" Cather: Assorted stories ("Oblique") 76 pps

36. Theodore "Early" Dreiser: Sister Carrie** ("Young lives go opposite directions") 456 pps

37. Benjamin "Joe" Franklin Assorted Writings* ("Brilliant satire") 87 pps

39. Flannery "Father" O'Connor: Wise Blood ("Liked better at 25") 132 pps

55. Richard "Gary" Wright: Lawd Today!** ("Unforgettable humor, violence") 220 pps

59. Sinclair "Jerry" Lewis: Main Street* ("Small-town USA") 486 pps

69. "Ornery" Sarah Orne Jewett: Deephaven* ("Atmospheric")

72. John "Franken" Steinbeck: The Pastures of Heaven** ("Modern Gothic") 170 pps

74. Zora Neale "Zorro" Hurston: Jonah's Gourd Vine ("Black preacher")

97. James "I think I'm going" Baldwin: Go Tell it on the Mountain ("Conversion experience") 216 pps

101. Eudora "The Explorer" Welty: The Robber Bridegroom ("Ridiculous fairy tale") 88 pps

103. Brockden "Les" Brown: Wieland* ("Early Gothic chills") 228 pps

111. Henry "Etta" James: Assorted Stories 1864-74** ("Consistently compelling") 430 pps

117. F. Scott "Ella" Fitzgerald: This Side of Paradise* ("Ultimately sublime") 252 pps

126. Dawn "Boog" Powell: Dance Night* ("Small-town romance in 1920's") 204 pps

134. Paul "Super" Bowles: The Sheltering Sky* ("Sophisticates lost in Africa") 252 pps

148. James T. "Turk" Farrell: Young Lonigan* ("Coming of age in tough streets") 176 pps

164. William Faulkner "Pontiac, Buick, GMC Trucks": Soldier's
Pay*** ("Unique, gripping") 256 pps
164. William Faulkner "Pontiac, Buick, GMC Trucks": Mosquitos** ("Indescribable romp") 284 pps
164. William Faulkner "Pontiac, Buick, GMC Trucks": Flags in the Dust ("Doomed family") 336 pps
164. William Faulkner "Pontiac, Buick, GMC Trucks": The Sound and the Fury ("Bewildering") 268 pps

The Growth of a Seeker.......2000-11-18

Among the early products of the wonderful Library of America Series were three volumes devoted to the novels of Herman Melville. This volume consists of Melville's first three novels, Typee(1846), Omoo(1847) and Mardi (1849)

Melville's novels are based, more or less loosely, on his life at sea. The first two novels describe voyages to the Marquesas and to Tahiti. They are filled with lush descriptions of scenery, and tales of adventure. Of the two, Typee is filled with encounters with cannibals and Polynesian maidens while Omoo presents a wider canvas of characters and scenes. Both books emphasize the sexual openness and relative simplicity of Polynesian life as compared to life in the United States and both books are critical as well of attempts to Christianize the islanders. These are not unusual themes today and probably were not as radical in the 1840s as one might suppose. The stories are well told and the descriptions alluring. These books made Mellville's reputation as a young writer.

Mardi, however, is the gem of this collection. Its relationship to the earlier novels can be analogized, say, to the relationship between the young Beethoven's first symphony on the one hand and the growth of language and thought in the second and third symphonies on the other hand. Melville prefaces the book with the note that his first two books were fact-based but were received with "incredulity" while Mardi was pure romance and "might be recieved for a verity." (Little likelihood of that)

The book as in a baroque, ornate, and bravado style that Melville would bring to completion in Moby Dick. It is an allegory involving the search for Yillah, a strange, mthical maiden, through the seas of Mardi -- Polynesian for "the world". The narrator is accompanied by King Media, by the philosopher Babbalanja, the singer Yoomi, and the historian Mohi. There are many wonderfully exasperating discussions. They wander far and wide in search of Yillah and in there wandering we here many religious allegories and many depictions of the Europe and United States of Melville's own time. There are shadowy maidens, villans, long scenes in the empty wide ocean, and pages of Melvillian thought and bluster.

The book is high American romanticism and presents a religious and personal quest by the narrator that resounds of similar quests by many in our own day. For example, there is a famous unfinished novel of the religious quest called Mount Analogue by a French writer, Duhamel, which fits quite compactly into just a few chapters of Mardi. Mardi is a long, maddenlingly difficult book but worth the effort.

Book Description

Herman Melville's dark and brilliant late works contain some of his most powerful writing. After "Moby-Dick" he turned from the high seas to record his keen, bleak vision of life at home in America. "Pierre," "Israel Potter," and "The Confidence-Man," satirical dissections of moral breakdown and social hypocrisy, anticipate modernist fiction with their black humor and formal experimentation. With them here are "The Piazza Tales"--including "Bartelby the Scrivener," "The Encantadas," and "Benito Cereno"--and the haunting, posthumously published masterpiece, "Billy Budd, Sailor." Rounding out this third volume of Melville's complete prose in the Library of America are many pieces rarely collected, including magazine stories, comic sketches, and reviews of Nathaniel Hawthorne, Francis Parkman, and James Fenimore Cooper.

Customer Reviews:

It ain't all Moby Dick.......2002-03-16

If you think that you can't read classic American Literature because it's all so big and intimidating (i.e., Moby Dick) think again. Some of the short stories in this collection of Melville's "other" work are incredibly well-written insights into human nature. (As is Moby Dick, but I digress).

Billy Budd's encounter with "justice," Bartleby's statement that he would "prefer not", Benito Cerino's exploration of slavery-- these tales are not to be missed. You should read this book as a starter, then move on to the BIG OLD white whale.

The Lonesome Latter Years.......2001-05-12

Darkly humorous, cynical, horrific and melancholy, Melville's later works are the capstone to the author's deepening discontent with his America. The vision here can be frustrating: Melville conjures up the most painful, soul-searching mysteries, and then refuses to knot them up with tidy solutions. Instead, Melville deepens the moral ambiguity that seeped through the skin of the transitional Moby Dick in full-length works like Pierre and Billy Budd, Sailor. And the shorter works--among them The Piazza Tales, Benito Cereno, and Bartleby the Scrivener--are imbued with such a longing for any kind of graspable meaning, that their readers, like their characters, find themselves in a ponderous state of shock. The human condition, Melville seems to say, is one of isolation, cast adrift, searching alone for a truth that is, and always will be, inscrutable.

Moby Dick: or the Whale (Modern Library)

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Some "classics" aren't. This one is.
Slog Through It -- It's Worth It
Free SF Reader
Strange but...
Key Work of Literature

Moby Dick: or the Whale (Modern Library)
Herman Melville
Manufacturer: Modern Library
ProductGroup: Book
Binding: Hardcover

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ASIN: 0679600108
Release Date: 1992-09-05

Book Description

"As a revelation of human destiny it is too deep even for sorrow", was how D.H. Lawrence characterized MOBY-DICK. Published in the same five-year span as The Scarlet Letter, Walden, and Leaves of Grass, this great adventure of the sea and the life of the soul is the ultimate achievement of that stunning period in American letters.

Customer Reviews:

Some "classics" aren't. This one is........2007-09-21

A few years back I made a conscious decision to read (and in some cases re-read) a number of books that fall into the category of "classics." The books that stand the test of time the best have an uncanny ability to feel modern and relevant no matter how long ago they were written. It's almost as if there is a certain current that runs down through the years that flows with a permanence that most don't. If a writer can tap into this current, their writing can be timeless; a classic.

Herman Melville tapped into that current in spades in this story. Despite this book being over 150 years old, the themes Melville selected from many obviously available to him are themes that are just as relevant an engaging today as they were in 1851. Further, Melville somehow had a handle on using language that would not seem outdated even after a century and a half.

What you get is a great story about a revenge-obsessed man, characters to whom you can easily relate and colorful descriptions of the life of a whaleman. It all comes together beautifully.

Any drawbacks? Sure, Melville's story slows in the middle of the book as he goes into a deep examination of the physical characteristics of various whales, but it's still interesting and it's just not enough to take away from the rest of this novel.

Highly recommended.

Slog Through It -- It's Worth It.......2007-09-18

This great American novel of the 19th Century, like some of the great novels of the 20th Century, is at times unreadable. Long riffs about whale biology and whale trivia made me put down this book when I tried to read it many years ago. I got through it this time, with the help of Frank Muller's classic reading on audiotape. Don't bother with anyone else's reading -- go to the library and check out Muller's version. He is one of the top readers and does justice to the poetry and great language of this novel.

The book is not told in the way we would find conventional today -- a fast paced narration of the adventures of men at sea. Melville clearly wants to tell the tale in the epic style. He writes in very short chapters that resemble Biblical passages, both in the poetic use of language and in addressing the most elemental themes of good vs. evil, man vs. nature, and the human condition. In the end, even the whale trivia serves the epic purpose in driving home the extraordinary courage and heroism of these whalers.

I don't buy the idea that Moby Dick, malevolent as he is, somehow represents evil. The sometimes destructive and overwhelming force of nature is more likely the right allegorical symbol. Evil for me is Ahab, given the truly heartless choices he makes in his obsession for the White Whale -- and given what happens to a man after 40 years at sea.

The most attractive characters are Ishmael and Queequeg, Ishmael's cannibal friend. Each demonstrates the best quailities of human nature --companionship, courage, acceptance of their lot in life. Given the racial turmoil of the 1850s, Melville may have been making a political point by portraying the nobility of the dark-skinned. I don't buy the idea that the allegory was any more elaborate than that, though it's clear to me that the novel is a gold mine for all sorts of Ph.D. thesis topics.

In the end, I do think that the great themes explored by Melville are more effectively explored less allegorically and more through character development and moral choices. For that reason, I'd say that Huckleberry Finn is the true Great American Novel of the 19th century and that the great Russian contemploraries of Melville wrote better books. But this certainly is a classic work worth the effort.

Free SF Reader.......2007-09-03

This whale hunting job really drives me crazy.

or, longer version:

Take on really stupendously big arse white wale. Add a crazed, obsessive monomaniacal Captain. Add in a couple of narrators and quite a few other unfortunates who get stuck in the middle of his quest for the white whale.

Add in an author waxing lyrical, often at length, and you are left with a pretty decent and often interesting novel.

Strange but..........2007-08-29

The strangeness is what makes Moby-Dick so exceptional and an indisputable classic. It was quite a difficult and long read, but upon completion, it was, without a doubt, completely and utterly worthwhile. The characters were some of the most unique in all of fiction and each of them is leaves their mark.

Key Work of Literature.......2007-08-27

Moby-Dick is a sprawling, unwieldy yet very great novel about the obsessive pursuit of happiness and fulfillment. "Call me Ishmael..." the famous opening lines establishes the omniscient narrator for this whale of an epic. The novel is filled with remarkable characters; their composite comradery is a true achievement of writing. Melville's insistence on explicating precise technical minutia on the craft of whaling and oceanography turned off most readers when the book was initially published (these sections still turn off most who dare penetrate this tome), yet it is really these sections that allow the reader to become immersed in the world of Ahab, the deranged symbol of evil amidst the beauty and sublime grace of the sea. Melville was an undisputed master of literary style, and this masterpiece is difficult to place for the simple reason that its' incomprehensible scale defies categorization. This is a reader's book; it is a divine allegory, a conventional adventure, and a bewitching construction all at once. Not for the weak minded.

Understanding Melville's Short Fiction: A Student Casebook to Issues, Sources, and Historical Documents (The Greenwood Press "Literature in Context" Series)

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Understanding Melville's Short Fiction: A Student Casebook to Issues, Sources, and Historical Documents (The Greenwood Press "Literature in Context" Series)
Claudia Durst Johnson
Manufacturer: Greenwood Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0313331294

Book Description

Herman Melville is best known as the author of Moby-Dick, a novel which reveals his epic powers of observation and analysis, but most students first become acquainted with his works by reading Bartleby the Scrivener and Billy Budd, two enduring works of short fiction that have secured a lasting place in the American literary canon. Like Moby-Dick, these shorter works reflect many of the issues central to 19th-century society and continue to illuminate contemporary social concerns. This reference is a helpful guide to understanding Billy Budd and Bartleby. Through insightful literary and historical commentary and a generous selection of primary documents, this companion locates Bartleby the Scrivener and Billy Budd in their economic, social, and cultural contexts. The first part of the book discusses Bartleby, while the second examines Billy Budd. Each section includes chapters on specific issues, accompanied by a wide range of documents. These include the will of John Jacob Astor, 19th-century newspaper articles, excerpts from the works of Charles Dickens and other writers, and modern historical, psychological, and political works, including the Patriot Act. The volume relates Melville's works to contemporary social concerns, lists works for further reading, and suggests topics for papers and classroom discussions.

Marquesan Encounters: Melville and the Meaning of Civilization

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Marquesan Encounters: Melville and the Meaning of Civilization
Jr, T. Walter Herbert
Manufacturer: Harvard University Press
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Binding: Hardcover

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Melville's Billy Budd - The Complete Text of the Novel & of the Unpublished Short Story

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Melville's Billy Budd - The Complete Text of the Novel & of the Unpublished Short Story
Herman [Freeman, F. Barron, Ed.] Melville
Manufacturer: Harvard University Press
ProductGroup: Book
Binding: Hardcover
ASIN: B000JL93BM

Melville's Short Novels (Norton Critical Editions)

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Great Volume
Three masterpieces in one
borrring
great edition here, footnoted text and relevant criticism

Melville's Short Novels (Norton Critical Editions)
Herman Melville
Manufacturer: W. W. Norton
ProductGroup: Book
Binding: Paperback

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ASIN: 0393976416

Book Description

Collected in this volume are Bartleby, the Scrivener, Benito Cereno, and Billy Budd—presented in the best texts available, those published during Melville's lifetime and corrected by the author. Each text has been carefully edited and annotated for student readers. As his writing reflects, Melville was extraordinarily well read. "Contexts" collects important sources for each novel, including writings by Ralph Waldo Emerson, Amasa Delano, and Nathaniel Hawthorne. "Criticism" includes twenty-eight essays about the novels sure to promote classroom discussion. Contributors include Leo Marx, Elizabeth Hardwick, Frederick Busch, Robert Lowell, Herschel Parker, Carolyn L. Karcher, Thomas Mann, and Hannah Arendt. A Selected Bibliography is included.

About the series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.

Customer Reviews:

Great Volume.......2007-07-26

This book contains 3 stories: "Bartleby The Scrivener", "Benito Cereno", and "Billy Budd". About a half of the book is "contexts", which are essays about the stories and other texts that shed light on the three stories.

For the scholar, this book is probably the best edition around as far as the "Killer B's" are concerned (Bartleby, Benito, Billy Budd). It contains excellent criticism, and has a neat bibliography which any lit student or scholar will find useful.

As to the stories, well, I have mixed feelings. I absolutely love "Bartleby" and I think it's one of my favourite stories ever. If you are interested by a story which poses the problem of the uncommunicable and inherently hermetic, and of the impossible divisions between humans, that's the fone for you. Considered the ancestor of "absurd literature" by some, by a Christic parable by others, "Bartleby" is of utmost interest in either case.

"Benito Cereno" is a story that I found myself disliking quite a bit. It was as usually wordy as you'd expect Melville to be - which of itself isn't the problem - but the story feels pointless and boring. That is, until you read on, then it gets interesting, but I felt I found that out too late. Also, I readily admit not having given it my best reading time. I got confused and and bored with the style and I had a hard time "seeing" much. So I didn't like this one too much, and whether this is because I poorly read or because of the story, I don't know, and I don't want to read it a second time.

"Billy Budd" is good. I didn't like it as much as "Bartleby", but I liked it a lot more than "Benito". Another tale with an odd character and with Christic aspects. Definitely worth reading.

On the whole, I understand that some readers may find Melville boring; he usually gets that from readers of Moby-Dick, even though that novel is not boring at all (when you know how to read). However, I assume that the usual client of this Norton Critical Edition will have more than "a good time" in mind when considering to purchase it. Although, if you're not a scholar and like to know about the context of the work, then you will definitely have a good time too reading the critical material added to the stories (and more than just critical, you also get Emerson's "The Transcendentalist", which is quite a read). You will not find a better volume containing all three stories. This one has everything you could ask for: notes, additional texts to enlighten your understanding of the stories, and also you will have a joined perception of the three stories as one significant unit, which makes a lot of sense (remember the B's, the fact that each character can be said to be Christic, etc.).

The best edition for those three stories, doubtless.

Three masterpieces in one.......2006-04-24

In each of these works Melville creates and probes deeply into a complex world of difficult and mysterious human relationships. This is even true in 'Bartleby' the story of the great solitary scrivener who at one point 'prefers not to' do the work he is hired for. The story of Bartleby is the great American parallel to Dostoevsky's 'Notes from the Underground' It is the man who revolts against the urban mass pressing against him to make his own statement of radical individualism and freedom.
'Billy Budd' is a different kind of martyr hero whose innocence and nobility arouse the envy and lust of the cruel Claggart, and whom even the noble Captain Vere is unable to save. 'Benito Cereno' is like Conrad's 'Heart of Darkness' a trip into the lower regions of the horror- filled nature of the human soul.
In each of these great tales Humanity is tested and driven to extremes of knowing uncomfortable truths about itself, in language of great literary power and beauty.

borrring.......2004-03-28

this book was extremely boring. Good story line though. Maybe Melville should have stopped after his bad review of M.D.
Billy Budd has many symbolic meanings but just never could keep my interest. It was as if Melville tried to fit in too much symbolism and did not pay enough attention to the story itself.

great edition here, footnoted text and relevant criticism.......2002-02-13

This book includes both the text of Melville's short works (Bartleby, Benito Cereno, and Billy Budd)-approx 175 pages, and approx 225 pages of contexts (which are just what they sound like, historical background regarding each work, something I find invaluable when reading books written long before I was born) and literary criticism (generally interesting and almost always opened my eyes to new layers of meaning in Melville's writing.)
Invaluable for any reader of 19th century american fiction, college undergrad or grad student.

Book Description

In Billy Budd, The Bell-Tower, and Bartleby the Scrivener, Herman Melville explores in miniature the themes of isolation and defeat found in his great novels. Among his best works, they respectively deal with the irony of tragedy, arrogance, and failing communication.

The title, Herman Melville's Billy Budd, Benito Careno, Bartleby the Scrivener, and Other Tales, part of Chelsea House Publishers' Modern Critical Interpretations series, presents the most important 20th-century criticism on Herman Melville's Billy Budd, Benito Careno, Bartleby the Scrivener, and Other Tales through extracts of critical essays by well-known literary critics. This collection of criticism also features a short biography on Herman Melville, a chronology of the author's life, and an introductory essay written by Harold Bloom, Sterling Professor of the Humanities, Yale University.

Customer Reviews:

Office Without a View.......2004-01-09

Melville's darkly curious novella about a mysterious new hire
who refuses to leave his place of employment--even when dismissed--is subtly compelling; the conflict is revealed
gradually in small, psychological increments. This story, which could just as well have been set in Victorian London, is related by an elderly narrator--a lawyer with two regular scriveners (legal copyists) and an office boy. But the addition of the inscrutable, pallid Bartleby creates a sensation in the small office. He quietly but simply refuses to do anything but copy documents, eventually disintegrating to not even that. Yet he will not leave; he "prefers not" to do anything but waste time and waste away. How can his decent, compassionate employer remove the unwanted fellow, without resorting to crass police intervention?

Melville's unchaptered tale is characterized by with long paragraphs and a rich tapestry of vocabulary. Less a mystery than one at first expects, the simple plot unfolds eventually to comment on the role of humanity. How easy it would be to assuage our collective conscience by institutionalizing the misfits. This may be the first literary example of Passive Resistance. With no clear cut villain in this seemingly actionless tale, readers are left in moral disquiet, yet this short work provides a glimpse into Melville's dark genius.

Classic.......2003-08-04

Herman Melville's "Bartleby" is undoubtedly one of the finest short stories known in the canon of Western literature. It is the story of a stubborn, yet ultimately passive scrivner (copyist) that despite his individuality has alienated himself from society. Melville contemplates whether a true individual can really function or even survive in society.

Book Description

Oh, shipmates and world-mates, all round! we the people suffer many abuses. Our gun-deck is full of complaints. In vain from Lieutenants do we appeal to the Captain; in vain--while on board our world-frigate--to the indefinite Navy Commissioners, so far out of sight aloft. Yet the worst of our evils we blindly inflict upon ourselves; our officers can not remove them, even if they would. From the last ills no being can save another; therein each man must be his own saviour.

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Customer Reviews:

Harsh Life Aboard a US Navy Ship in the Last Days of Sail.......2007-06-22

The title, "White Jacket", serves as a double entendre by the author, Herman Melville. He actually sews up a hand-stitched jacket made from white sail cloth and other material, but it is ill-fitting, continually wet, ineffective against the cold, and actually the source of trouble between himself and the crew. So, the white jacket is a suit of his own making that very well brings about his own downfall. In the end, he discards it when he sees himself about to drown. And so, Melville uses this theme to serve as a metaphor for white superiority and the threatening danger of civil war over slavery.

Indeed, Melville experiences effective slavery during his voyage aboard the USS United States (USS Neversink in the book) during its run from the Pacific back to the Atlantic. And like so many black slaves, he and his crewmates suffer the ever-present threat of public lashings for even minor infractions. So, Melville also uses his book as an indictment against a hypocritical system, whereby officers are never wrong and never experience corporal punishment but the enlisted crew remain in perpetual danger of arousing the slightest displeasure of any officer with the ultimate result of a humiliating public lashing. However, no military organization could function effectively if it were a democratic institution; who would ever risk their life in such a case? (Even the early Communists quickly abandoned that principle.)

But the vast majority of the book focuses on the minute details of life aboard a frigate during the age of sail. Several hundred (500?) souls are packed into the space of a single wooden vessel for months on end. How the ship is organized and the rituals of life aboard ship are the mainstay of the book. Melville describes in factual detail the actual work (trimming sails, cleaning decks, etc.), the daily routines (meals on deck, standing watches, playing cards in secret, sleeping in the crew's quarters), the professions (sailor, waistman, quartermaster, boatswain, carpenter, surgeon, captain, commodore, purser, midshipmen, chaplain, pharmacist, cook, cockswain, gunner, and yeoman), the less usual events (floggings, making a port of call, receiving official dignitaries aboard ship, rounding Cape Horn, the order of Neptune initiation rites, rumors of war), and all the underlying social structure and tensions ever-present.

I enjoyed the book and would recommend it to anyone interested in life aboard naval ships in the days of sail. With the rise of modern wireless communication, captains no longer enjoy such an absolute despotism as in times previous, but he still remains the unchallenged master aboard US navy vessels. While much of life aboard ship has changed, probably half of the book would still be quite familiar to modern-day sailors.

Second to one.......2004-10-26

This book is second only to Moby-Dick in the list of Melville's greatest works. And Melville's greatest works are America's greatest works.

White-Jacket has it all; humor, pathos, poetry and philosophy. This book makes me not only admire Melville the author but love Melville the man.

To suggest that the book would be better off without its "sermons" against cruelty in the Man-of-War's world is to suggest that Melville should have written some other book. He didn't write that book, he wrote this one and this is the one he wanted us to read. God bless him.

Life Within A Total Institution.......2003-09-30

I read this book after reading Erving Goffman's "Asylums". In that book, Goffman, a sociologist, discusses the rise of "Total Institutions", i.e. institutions that totally control the lives of those within. Melville's "White Jacket" is a book that Goffman often referred to in order to illustrate different aspects of life within the total institution.

The introductory essay to this book discusses White Jacket in relationship to the growing bro-ha-ha over slavery, but I thought the book was much more interesting then that.

What was most suprising to me, having never read Melville before, was how funny some of the chapters were. Episodes involving Surgeon Cuticle amputating the leg of an unwilling seaman recall the funniest moments of television shows like Monty Python or the Simpsons.

Melville's accurate portrayal of life within the "T.I.", reminded me of Ken Kesey's "One Flew Over the Cuckoo's Nest". There, the setting is an insane asylum, here it is a Man O' Wear, but both books deal with the tactics and strategies an individual might employ when faced with an oppressive living environment.

Although I am not sure when, or if, I might try to tackle author's masterpiece 'Moby Dick', I did come away from this book with a profound respect for Melville's capabilities as a writer. I will no longer take for granted his status among the pantheon of American writers.

White-Jacket.......2001-12-12

I feel quite strange presuming to give a numerical rating to a book by one of American literature's greatest authors.

It's important for readers to realize that White-Jacket is not what would, in the modern day, be considered a novel. There is essentially no plot structure. It's a melange of events, descriptive passages and polemic, narrated by the eponymous White-Jacket, whom I suspect of being Melville himself. At times the book is entertainingly humorous - as when the narrator tries to get rid of his famous jacket. And much of the description of life aboard a man-of-war is fascinating -- the book would make a helpful companion for people reading modern novels such as O'Brian's series. (And, of course, White-Jacket probably was one of the sources used by O'Brian and other aquatic novelists.) The polemic -- Melville's rants against flogging and his pacifist pleas -- I found tiresome, as I always find polemic, regardless of its aims.

Questionable Authority.......1999-12-09

If you find yourself in a position where the individuals in authority over you are, in the actual state of affairs, your moral inferiors, then on this level alone you will be able to appreciate this book.

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