Book Description
Heyday is a brilliantly imagined, wildly entertaining tale of America’s boisterous coming of age–a sweeping panorama of madcap rebellion and overnight fortunes, palaces and brothels, murder and revenge–as well as the story of a handful of unforgettable characters discovering the nature of freedom, loyalty, friendship, and true love.
In the middle of the nineteenth century, modern life is being born: the mind-boggling marvels of photography, the telegraph, and railroads; a flood of show business spectacles and newspapers; rampant sex and drugs and drink (and moral crusades against all three); Wall Street awash with money; and giddy utopian visions everywhere. Then, during a single amazing month at the beginning of 1848, history lurches: America wins its war of manifest destiny against Mexico, gold is discovered in northern California, and revolutions sweep across Europe–sending one eager English gentleman off on an epic transatlantic adventure. . . .
Amid the tumult, aristocratic Benjamin Knowles impulsively abandons the Old World to reinvent himself in New York, where he finds himself embraced by three restless young Americans: Timothy Skaggs, muckraking journalist, daguerreotypist, pleasure-seeker, stargazer; the fireman Duff Lucking, a sweet but dangerously damaged veteran of the Mexican War; and Duff’s dazzling sister Polly Lucking, a strong-minded, free thinking actress (and discreet part-time prostitute) with whom Ben falls hopelessly in love.
Beckoned by the frontier, new beginnings, and the prospects of the California Gold Rush, all four set out on a transcontinental race west–relentlessly tracked, unbeknownst to them,
by a cold-blooded killer bent on revenge.
A fresh, impeccable portrait of an era startlingly reminiscent of our own times, Heyday is by turns tragic and funny and sublime, filled with bona fide heroes and lost souls, visionaries (Walt Whitman, Charles Darwin, Alexis de Tocqueville) and monsters, expanding horizons and narrow escapes. It is also an affecting story of four people passionately chasing their American dreams at a time when America herself was still being dreamed up–an enthralling, old-fashioned yarn interwoven with a bracingly modern novel of ideas.
"In this utterly engaging novel, the author of Turn of the Century brings 19th-century America vividly to life . . . While this is a long book, it moves quickly, with historical detail that's involving but never a drag on the action; the characters are beautifully drawn. A terrific book; highly recommended."
–Library Journal
"Heyday is fuled by manic energy, fanatical research, and a wicked sense of humor.... It's a joyful, wild gallop through a joyful, wild time to be an American."
-Vanity Fair
Customer Reviews:
A Phenomenal Read!.......2007-09-20
This novel is educational, exciting and well-written. Kurt Andersen is a talented author who has certainly done his research, and beautifully combines history with fiction. Read this book!
Great adventure from east to west coast........2007-09-03
This is a long book but worth it. Be prepared to commit yourself to this. You won't want to miss the ending. Great characters, interesting history. Books written in this era are always so fun to read. You won't be disappointed if you enjoy epic, romantic adventure filled stories.
A fun ride, but lots of negatives.......2007-08-21
I was torn between giving this book 4 stars or only 3. There are lots of negatives that distracted me from really enjoying this book, but, when I got to the end, I realized that it was worth the read.
I won't describe the plot - plenty of others have done that, and the book's summary is sufficient. Suffice it to say that the plot itself is one of the book's weaknesses: other reviewers mentioned the coincidences that forced me to suspend disbelief over and over again, but I think, as the book progresses, you get so used to these coincidences that it doesn't matter. In the end, the book is a kind of fairy tale, and coincidence is essential for such stories.
What bothered me most, however, is the author's need to flex his historical muscles at every turn. He clearly did lots of research, and wants to make sure you know it. He almost uses Tom Swifties - bits of exposition that go overboard to explain what he's presented - when tossing around "authentic" elements from the time. Inventions, clothing, food, and anything else he can present, Andersen keeps reminding us that he did his homework. Yet this ends up more distracting than if he simply mentioned these things in passing, or, rather, _didn't_ mention them all.
I read a lot of 19th century fiction, and Heyday does fit well into that style (though clearly it is contemporary, ie 21st century, 19th century fiction.) It's a fun read, full of interesting characters, and only a few tics mar its overall effect.
A slow start grows into an engrossing, richly detailed book.......2007-08-02
This is a loooong novel (640 pages), and as the editorial review from Publishers Weekly notes, one with a "slowish" beginning. The book opens in April 1948 with young Englishman Ben Knowles' arrival in America. On his first day in the new world, he encounters two of the other main characters, the beautiful actress Polly Lucking and her firefighting brother, Duff (the fourth main character, Timothy Skaggs, is introduced a bit later). However, the timeline then reverts back to six months before, when Ben has traveled to Paris to visit a friend. Although the events that occur in Paris are integral to the story that follows (including the introduction of another major character, Sergeant Drumont), I think that the author's use of a flashback here is the reason the first 100 pages or so of this novel tend to drag somewhat.
Once the book returns to the present time, however, the story begins to pick up. Author Andersen provides a fascinating glimpse of life in the mid-1800s, from dietary staples to the newspaper boom to brothels and bathroom habits. He's clearly done his research--for example, he often makes a point of incorporating more colloquial terms in describing "modern" life at that time. Andersen also uses several major historical events as vehicles for his plot, such as France's "February Revolution" and the California gold rush. Major historical figures appear as well--Charles Darwin, Walt Whitman, and others are actual characters in the book, while Abraham Lincoln and similar famous personage receive prominent mentions.
Each of the four main characters--Ben, Polly, Duff, and Skaggs--is afforded with plenty of time and a point of view voice. Early on, the focus is more on Ben's experiences in France and Polly's checkered history, but as the novel progresses, we learn more of Duff's secret past and Skaggs' aspirations; Drumont's perspective is given as well. Heyday is a book is full of both tragedy and humor, although with more of an emphasis on the latter. At the novel's conclusion, I felt that my extended stay in the nineteenth century was time well-spent, and I believe that you will too.
Appealingly impossible novel.......2007-07-30
"Heyday" presents the reader with a totally impossible plot, in the sense of one filled with outrageous coincidences plus main characters that somehow manage to meet almost every prominent figure and participate in every major event or historical movement on two continents in the middle of the 19th century. The resulting incredulity almost turns the story, despite the intense violence and mayhem, into a comedy.
Then there are the characters themselves, as flat and static as can be. They move around a lot, but they do not evolve, regardless of the monumental challenges with which are are constantly faced.
The book's sole strength--and it's a good one--is in the details of everyday life of the time. The author has done his homework! What luxurious descriptions of life in Paris, London, New York City, the Midwest, and California during the Gold Rush, including numerous titillating details about sexual habits and instruments!
But in the end, the book is just too long to sustain interest in detail alone
Average customer rating:
- Metric Handbook
- This book is all metric - worthless
- Handbook of Hydraulics
- Great reference
- a good reference book
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Handbook of Hydraulics
Ernest F. Brater ,
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Similar Items:
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Standard Handbook for Civil Engineers (Handbook)
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Wastewater Engineering: Treatment and Reuse
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Civil Engineering Reference Manual for the PE Exam, 10th Edition
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Handbook of Hydrology
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Six-Minute Solutions for Civil PE Exam Problems: Water Resources
ASIN: 0070072477 |
Book Description
Your one-stop answer guide to hydraulics engineering and design. Turn to Handbook of Hydraulics, Seventh Edition, for the tables, formulas, computer applications, and other resources you need to design and engineer virtually any hydraulic system. Bringing Ernest F. Brater and Horace W. King's last edition into the 21st century, James E. Lindell and C.Y. Wei have revised and updated this unmatched advisor--coverting all constants to metric units--to give you powerful solutions governing: Viscosity, surface tension, and elasticity; fluid pressures and hydraulic forces; laminar, turbulent, steady, and unsteady flows; oscillatory, breaking, and wind-generated waves plus shore erosion control' flow through orifice gates, tubes, weirs, and pipes; uniform and nonuniform flow in open channels; high-velocity transitions through straight-walled, enlargement, and curved-wall constrictions; unsteady open channel and spatially variable flow; flow measurement with meters, pilot tubes, venture flumes, and other devices; computer-based numerical methods; much more.
Customer Reviews:
Metric Handbook.......2007-09-07
This book did not help me at all! It is in metric, no English units are provided in the book. All of the equations are worthless to me!
This book is all metric - worthless.......2003-02-28
We use english units in my state. This book is all metric. They could have at least had both metric and english in the book. I sent mine back, as it is worthless to me.
Handbook of Hydraulics.......2003-02-16
This book was a classic, but why does it have to be metric? I guess converting it gave the academics something to do. Here is a news flash for the publisher: Civil Engineers praticing in the US don't use the metric system. Even our state DOT has given up on converting. I wish that the 6th edition was still available. Its just about useless now.
Great reference.......2001-09-08
If you need a reference manual, this has everything. Although, most people need text books for problem solving, whether they be a student or a professional. This book some how managed to completely avoid sample problems. I returned it.
a good reference book.......2000-05-04
I have used this book in my work, it is a very convenient reference book for hydraulics. I think it is worth every penny I spent. This book covers a wide range of the knowlege in this area.
Book Description
The bestselling barrister is back—and ready to take on his most timely case yet
When Rumpole and the Penge Bungalow Murders—John Mortimer's first Rumpole novel ever—debuted last year, devoted fans came to it in droves. Now, just in time for Christmas, Mortimer returns with another Rumpole novel to tackle a truly relevant topic with his signature wit and style.
While defending a mind-numbingly dull theft charge, Rumpole finds that the new terrorist laws have hamstrung his beloved courts. Meanwhile, a Pakistani doctor has been imprisoned without charge or trial under suspicion of aiding al Qaeda in its plans for a terrorist attack. With the doctor's wife begging him to help her husband, the Great Defender is determined to bring the case before a jury.
Trouble is also brewing at home as Hilda—She Who Must Be Obeyed—sits down to write her own memoirs describing her view of Rumpole and her own love life. Rumpole's battle on the home front threatens to derail his case but where there's a Rumpole, there's a way!
Customer Reviews:
Be Upstanding.......2007-10-08
Mortimer unleashes Horace on the forces of reaction and strikes a blow for the rule of law in this slim but amusing tale. Would that he could practice stateside.
Four Stars Mostly For Sentimentality And Great Characters.......2007-09-10
Since it dealt with the stunned and paranoid Britain of post 7-7-05 this was unquestionably the most topically modern Rumpole novel of all. For Mortimer to take on the crushing of civil rights in this decade was a departure from the lighthearted simplicity of most (note I am saying most) Rumpole cases we've been privileged to read about these many years. I loved seeing Horace Rumpole and the familiar gang set into modern times and knowing that this check-in finds them alive, well, and as true to form as ever, but let's face it, anyone who couldn't see where this plot was heading was a bit innocent in the faculties, and the conclusion to it all represented yet another in a long chain of deus ex machina style endings Mortimer has long favored. I had to get that much said but make no mistake I enjoyed the book a lot, just do wish John Mortimer would add a few twists here and there in these pleasant, character-driven tales of crime and courtrooms, law chambers and the goings on in the venerable Rumpole "mansion flat."
Another great read!.......2007-07-27
These books never fail to entertain me. There's nothing heavy or intellectual about them - just a terrific story, told with humor.
Rumpole and the Reign of Terror.......2007-07-04
I was a little disappointed in this later novel of my favorite character, Rumpole, and one of my favorite authors, John Mortimer. Somehow this book did not have the pace and crackling humor that the earlier novels had. Still, it was enjoyable and I am glad I read it. I imagine it must be difficult to think up new and hilarious plots after all this time.
John Mortimer Forges On.......2007-04-10
Sir John Mortimer is a source of wonder to me. Despite declining health, he still manages to put pen to paper, fingers to keyboard and compose new work. The latest installment of the "Rumpole" series is serviceable effort but has the feeling of a "paint by numbers" approach. Mortimer knows Horace Rumpole so intimately that he can almost channel him (no doubt employing the ghost of the inimitable Leo McKern to facilitate his efforts). Mortimer has long been a champion of civil rights, an outspoken defender of the golden rule of jurisprudence, that the accused is innocent until found guilty by a jury of his/her peers. Sir John's dismay at the increased police powers contained in Britain's onerous anti-terror legislation registers on every page and redeems and ennobles a lesser effort in a worthy, long-running series.
Customer Reviews:
Lift Every Voice and Sing II: An African American Hymnal.......2007-07-16
The book is great. I want to incorporate African American hymns in my liturgy and this book is a wonderful resource.
Singing with Joy.......2007-06-27
This book brings back memories of songs I grew up with, plus new songs I have never sung before, and no, I am not an African American, but I did grow up in the South, and went to a Baptist Church, and sang many of these songs.
Lift Every Voice and Sing II.......2007-06-11
It is a wonderful hymnal. I would like to order more used copies.
Wonderful Music.......2006-03-07
These are beautiful arrangements of African American religious songs and melodies, not too difficult for someone with intermediate piano-playing ability. I got this as a Christmas present, and have used it happily ever since. My only suggestion for improvement would be a spiral-bound edition, to make it easier to keep the book open on the piano stand.
Amazon.com
In the foreword to this expanded edition of his 1979 masterpiece, Horace Freeland Judson says, "I feared I might seem the official historian of the movement"--molecular biology, that is. If by official he means "authoritative; definitive; the standard against which all others are measured" then his fears are warranted. Detailed without being overly technical, humane without being fulsome, The Eighth Day of Creation tells of molecular biology's search for the secret of life. "The drama has everything--exploration of the unknown; low comedy and urgent seriousness; savage competition, vaulting intelligence, abrupt changes of fortune, sudden understandings; eccentric and brilliant people, men of honor and of less than honor; a heroine, perhaps wronged; and a treasure to be achieved that was unique and transcendent." And in Judson this drama found its Shakespeare.
Customer Reviews:
Wonderful.......2006-04-29
Judson tells the story of the birth of molecular biology and giants who nurtured it. Insightful not just of the challenges of the science itself but also of the lives of the many who shaped it. It instilled a deep sense of appreciation in me for the efforts of the many scientists involved in shaping the field of molecular biology without the aid of the modern tools and techniques we scientists take for granted. Highly recommended for anyone with an appreciation for science especially, undergrduates.
The Power of Science is not the last answer but the next question.......2006-04-11
A gripping drama with the biggest question of all, what is life? That's what "The Eighth Day of Creation" is, a historical drama capturing the characters, the challenges, the thrills and disappointment that makes science the compelling endeavor that it is. It's unfortunate that this book has not been made into what would be a great mini-series.
The brilliance of this book is that it investigates the people behind the science, and how they approach their problems. Some are matters of pure logic to deduce the results such as the deciphering of the genetic code, while others are pure perseverance such as coming up with the physical structure of myoglobin. But what makes the book powerful is that each discovery is a major accomplishment, but that it also uncovers the next question. And Judson follows the line of reasoning to answer the next question. It also explores the human side of science, the fierce faith that an answer exists and that they will find it. You get a flavor of science as it is practiced in James Watson's "The Double Helix" but you get the full meal here.
A warning, while the book goes to great lengths to explain the science, those lacking at least college biology may find the subject matter difficult to comprehend. More valuable for graduate students in any of the sciences, it is a complement to the facts by giving a perspective on how those facts are discovered.
Biomedical research, as it is actually practiced.......2002-06-30
Judson's book, like Tracy Kidder's "The Soul of a New
Machine", stands out for getting it: the passion, the
politics, and the personalities behind scientific
and technological progress, as well as its pitfalls and
cul de sacs. Judson's book, like no other I've read,
captures molecular biology as it is practiced.
I received this book as a gift in 1980 when I was a
college freshman hoping to major in biochemistry.
Today, much as I like to see the biomedical research I
do as a rational, deductive, "hypothesis-driven"
affair, there is unescapably the human element. Think
ego, and all of the other human qualities, respectable
or scorned. Have you seen genome sequencer J. Craig
Venter on the cover of Time (or was it Newsweek?). What
do you think put him there?
Science as a human endeavor was put forth theoretically
in 1962 by historian Thomas Kuhn in his "The Structure
of Scientific Revolutions". Complementing Kuhn, Judson
illustrates it in deliciously readable human terms. For
this reason this book is unmatched and is worth six,
not five, stars.
Max Perutz appears significantly in Judson's story. In
1990, as a beginning graduate student, I had the
priviledge of meeting and conversing with Perutz. He
was just as Judson portrayed him: modest, plodding,
dedicated, pursuing what he might learn from the
structure and properties of hemoglobin. Reading Judson
a decade earlier prepared me for this most important
meeting for me.
Though dated (the story stops about 1975), I heartily
recommend this book to anyone considering a career in
biomedical research. Judson successfully conveys the
human reality of that honorable profession. Some times
it hurts -- crystallographer Rosalind Franklin never
got her due -- but that's the state of the profession.
Great piece of historical writing.......2001-04-23
I loved this book. Before reading it, I had the rather naive view that Crick and Watson discovered the structure of DNA and suddenly "all was light". I hadn't realised the huge effort required over the next twenty years to attain an understanding of the linkages between that structure and the biological processes it codes for. Judson's book tells that story, in detail, and is written at a level that I could follow (as a layperson with a keen interest in science).
Judson talked to the researchers responsible for all the major developments in molecular biology, and quotes extensively from his interviews, so the reader gets a feel for the human side of the great adventure, the sense of community and the rivalries, the frustrations and dead ends as well as the victories.
Be warned that it is not a light or short read. It demands the reader's close attention. Fortunately, though, it is a pageturner that (with only minor exceptions) keeps the reader gripped.
It should also be noted that the first edition of the book was written in the early seventies and, while no doubt Freedland has updated it, the main narrative ends in about 1972. There is a final chapter on developments since then, but it is of necessity quite brief and touches on a limited number of highlights.
A magnificent Eighth Day.......2000-06-13
Wonderful, it is simply the best book on the subject. An account that carefully balances scientific contents and personal issues of the scientists from the early times of molecular biology and conveys the the thrill of professional research.
Customer Reviews:
Rumpole Forever.......2007-08-04
I have read all three Rumpole Omnibuses several times. I ordered an additional set for my mother, a former probate judge. What I find remarkable about John Mortimer's work, is that Rumpole is as engaging at the end of the series as at the beginning. I have also enjoyed Mortimer's three autobiographical books. I read and reread these stories, not as mysteries, but as a series of one act plays, where the dramas are spun out of the interaction of stock characters in the style of commedia dell'arte. Rumpole himself plays the part of the buffoon as barrister: fat, vain, self-centered, addicted to greasy food and cheap wine; but also extremely intelligent, perceptive, and compassionate. As I read more of the stories, Rumpole became less of a stock character and more of actual human being. Unlike Perry Mason, Rumpole does not necessarily win all of his cases. When Rumpole loses, we get to see him go down to cells beneath the Old Bailey, with all of the sounds and smells of prison life, to say goodbye to his former client. The stories are often very funny, but occasionally poignant and even sad.
Finally, John Mortimer is one of the masters of modern English prose. Just read a few paragraphs of any airplane novel (preferably one that has "Code" in the title), and then read a few paragraphs of any Rumpole story, and you will see what I mean. And nobody, including Raymond Chandler, does dialog better than John Mortimer.
Rumpole.......2006-08-27
I certainly don't need to review "Rumpole of the Bailey." You know all about it. So, I'll just mention that he's especially good company when you fly. You can read a well-crafted story in what, 30 minutes? Ideal for airports and airplanes. Do this, sit for an hour, do that, sit for another hour, etc.
Horace Rumpole, no silk-stockinged Q.C........2006-07-29
Horace Rumpole presents himself as just an Old Bailey hack doing run-of-the-mill burglary defenses and the odd car-heist case. In reality he defends the best in the Anglo-American legal traditions against modern forces (for example, the presumption of innocence) - and this was written 20+ years ago!
Rumpole is the lovable defender of the average man and foe to all stick-in-the-muds. His motto "Never plead guilty." It could just as well be comfort the afflicted and afflict the comfortable. Hilarious, warm, human, touching, self-effacing and ever-ready to pierce the pompous gasbag - that's Rumpole of the Bailey. Start with the First Rumpole Omnibus and work your way through the rest.
Guaranteed to tickle your funny bone and warm your heart.
Rumpole - the Anglophile's Best Friend.......2005-09-21
John Mortimer's Rumpole is so satisfying that this is my second copy - I wore the covers off the first SET of the three omnibuses (or is it omnibusi?) I've read every Rumpole story in existence, as far as I know. While there are tiny inconsistencies in the names of characters and small subplot variations from story to story (that only a committed Rumpolean would notice), Rumpole remains a literary sustaining gulp of claret and a warm and fuzzy blanket on a cold foggy night. Long after the belly laughs passed and every crime and misdemeanor was committed to memory, I've still enjoyed the comfortable reek of Rumpole's small cigars and the warm memory of Leo McKern in the title role of "Rumpole of the Bailey."
Rumpole Is A Lark!.......2005-09-17
These amusing tales of London's favorite claret-loving, Wordsworth-spouting, hen-pecked barrister are neither proper mysteries nor courtroom dramas, but really exist as amusing character-driven light fantasies. Horace Rumpole, who NEVER works on behalf of the prosecution, merrily stomps through the Old Bailey in defense of his eclectic clients, as he has for half a century. All the while Rumpole practices law, he is dodging the slings and arrows of outrageous fortune in the form of the "Mad Bull" Mister Justice Bullingham, his arch enemy, and his own wife Hilda (better known in the Rumpole lexicon as She Who Must Be Obeyed). As Rumpole serves if not always the common good, then at least the individual good in his ardent defense of such clients as career petty thief Peanuts Molloy, he does it with a style best described as...inimitiable. Rumpole is a completely likable old coot, perpetually claret-soaked and clad as he is in the same courtroom wig which he's worn since before the Queen took the throne. Reading through this Omnibus edition of his earliest cases makes for a happy adventure through the twisting passageways of the British justice system as it SHOULD be.
Average customer rating:
- Television is NOT mindless entertainment!
|
Television: The Critical View
Manufacturer: Oxford University Press, USA
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Binding: Paperback
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ASIN: 0195301161 |
Book Description
First published in 1976, Television: The Critical View set the foundation for the serious study of television, becoming the gold standard of anthologies in the field. With this seventh edition, editor Horace Newcomb has moved the book from one merely intended to legitimize the critical inquiry of television to a text that reflects how complex critical approaches to television have become today. Comprised of virtually all new selections that deal with both classic and contemporary programming, the seventh edition adds new material on television history, the reception context of television, and international programming such as Chinese soap operas and Brazilian telenovelas. Television: The Critical View remains a well established and critically acclaimed text essential for courses in critical studies, communication studies, cultural studies, media history, television criticism, television history, and broadcasting.
Customer Reviews:
Television is NOT mindless entertainment!.......2001-02-28
I was assigned this book in a college course on television as popular culture. I seriously struggled with the text at first, but luckily I didn't sell it back. After rereading it again, it has completely smashed the myth that nothing on television is culturally viable. Do not fall into the trap of believing there is no culture left in America. This book will teach how to engage your television in a way that is as mentally stimulating as anything I can imagine. Do yourself a favor and get this book! It might take you a couple reads, but it's well worth it. Enjoy. (I took points off for density, but I have the 5th ed.)
Amazon.com
Literature and film buffs will be delighted by this collection of pulp novels, most of which were made into important films. James M. Cain's The Postman Always Rings Twice is a literary masterpiece with its spare prose invoking a savage, sexy, desperate world. It inspired no less than three great movies: Luchino Visconti's classic Ossessione, in 1942; the 1946 remake, starring John Garfield and Lana Turner and directed by the extraordinary Tay Garnett; and Bob Rafelson's underrated 1981 version with Jack Nicholson and Jessica Lange. When you read the magnificent source for these movies, you'll be astonished at how three different incarnations could all, in their own ways, be faithful to the novel.
Cornell Woolrich's I Married a Dead Man also became three movies: No Man of Her Own, with Barbara Stanwyk; the French I Married a Shadow; and the American comedy, Mrs. Winterborne, which starred Shirley MacLaine and Ricki Lake. Edward Anderson's vivid Thieves Like Us was transformed into They Live by Night, Nicholas Ray's first important movie and one of the seminal noir films of the 1940s. It was brilliantly remade in 1974 by the great revisionist director Robert Altman. Kenneth Fearing's The Big Clock was transformed into a marvelous film starring Charles Laughton; 40 years later, the same source, retitled No Way Out, brought Kevin Costner to stardom. William Lindsay Gresham's Nightmare Alley was the source for Tyrone Power's best movie; Horace McCoy's experimental They Shoot Horses, Don't They? became one of the seminal films of the 1960s.
These dark, evocative novels, when taken together, are a fascinating study of how words can inspire a magnificent variety of cinematic images and styles.
Customer Reviews:
Splendid Read.......2007-06-04
This collection of novels from the 30s and 40s was terrific fun and an outstanding introduction to the genre. You can debate whether they're all noir (at least what I expected noir to be); but nonetheless they each convey a distinct impression and view of the time. Without getting into lengthy reviews, I enjoyed Woolrich's "I Married a Dead Man" the most--from his eloquent style to the actual story-line. You know you're reading a master story-teller. Second was Gresham's "Nightmare Alley;" although sometimes I thought he could have expanded on some aspects of the story and shortened other passages (i.e., a little bit of editing would help). But each novel was distinct and enjoyable. Highly recommended.
Crime Novels -- 30s/40s.......2006-11-07
Ha! Just skimmed some other reviews and I wanna add my two cents. Yes, this volume is definitely something. Some impressions follow.
The Postman Always Rings Twice: Indeed, Cain knew how to make the reader keep turning pages. Short, sweet, and fascinating. After I discovered the significance of the title (which is a bit of a "trick"), I liked the whole effort all the more.
They Shoot Horses, Don't They?: A bit monotonous to read; a bit dark. That was the point. All told, a fascinating novel. Among all literature named in the world, *this* is one of few titles inspired by God: so memorable and unique, so perfect. It turns out to impart chilling meaning, as well, on several levels.
Thieves Like Us: My least favorite. This was a subjective reaction, however. I wanted the story to take turns it didn't take. Moreover, Anderson as an author took note of things I found not-so-interesting; apparently, the book's status to this day speaks otherwise on behalf of many other readers, however.
The Big Clock: Short, sweet and sterile. Almost machine-like in its plotting and execution -- if so written intentionally, a fascinating stylistic choice given its title -- but, notably, full of interesting and colorful characterizations. Possibly my favorite.
Nightmare Alley: Relentlessly grim and ugly. I'm not so sure there is a single character to root for in this story. That was probably very much intended. Fascinating but, again, very grim. Literary nihilists of today would do well to take a lesson from Gresham's characterization, plot and style.
I Married A Dead Man: Although the novels were presented chronologically, this was a nice way to end the volume. A very simple, linear, domestic story, without hard-boiled criminality or complication, which unfolds with some plot which stretches credibility, but lies ultimately within the realm of the possible. Notable among noir novels for Woolrich's ability to evoke two unexpected emotions at the end: a sense of deep and abiding love between two of the main characters -- before the real and final ending -- and a sense of genuine sadness.
Worth owning. Might take the reader a while to get through. This is, in effect, six books in one, running to nearly a thousand pages. But it was definitely fun; and as another reviewer implied, it's surprising how little has changed.
Thank God for the 1930's and 1940's/ .......2006-07-11
First of all, the Library Of America collection provides the reader with some of the most beautiful hardcover editions available today. That said, the selections chosesn for this edition are all first class; for someone just getting into hard-boiled fiction, this is the ideal place to start. If you're like me and have been reading this genre for many years, this is a perfect volume to add to one's collection.
The Dark Underbelly of the American Dream.......2005-09-29
Noir emerged in the early 20th-Century from Pulp paperbacks published for mass consumption. Highlighting in gritty and sensationalistic detail the sordid undercurrents of Western society, Noir became an artistic force that became the medium for the representation of the down and out segment of the populace. Whether set in the impersonal grime of urban reality or at the deceptive simplicity of rural picturesqueness, Noir in Film and Literature revealed the odyssey and travails of lost souls whose misguided characters bore too much of the weight of their selves and their pasts to break from the shackles of their present.
"Crime Novels: American Noir of the 1930's and 40's" is the American equivalent in prose of the influential and enduring genre. The grim and unforgiving tales of the dejected cast of mid 20th-Century American life are openly depicted ("The Postman Always Rings Twice"; "They Shoot Horses, Don't They?"; "Thieves Like Us"; "Nightmare Alley"); vicissitudes of fate ("The Big Clock"; "I Married a Dead Man"). Whether set in scenic California, the vast and open Midwest, or a high-rise office in Manhattan, these novels uniformly render a panorama of blighted dreams, twisted turns of fate, and the sad recurrence of misfortune in desperate individuals doomed to tragedy.
None too substantial in content but highly readable, this edition is the first of a handsome 2-Volume anthology on American Noir fiction published by the venerable Library of America. Edited by Robert Polito (Poet, writer, anthologist on Noir Lit. and author of a biography on Jim Thompson), these stories enduring relevance are seen in various forms of contemporary society: from the writings of James Ellroy, Brett Easton Ellis, Lawrence Block, and Robert Bloch; in films like "Scarface", "Pulp Fiction", "Fight Club"; and in everyday life.
A Real Discovery: 4 or 5 of these make amazing reading.......2005-01-23
This is an impressive collection of early and now scarce Noir novels. "The Big Clock" and "Nightmare Alley" are particularly hard to find outside of this volume.
Cain's "The Postman Always Rings Twice" was probably the first crime novel I ever really got into, and it's a stunning departure from Agatha Christie-style mysteries. So much happens in this short book (as turns of plot, but also development of character) that it compares favorably to the first half Camus' "The Stranger." The drifter plumbs the depths of his desperation in a brutal attachment to another man's wife: it's not greed or lust that drives him, but a base need for someone to whom he can anchor himself. A raw and amazing experience, unmatched by anything else of Cain's.
McCoy's "They Shoot Horses, Don't They?" is impressively vivid. I had no idea these dance-hall marathons took place before reading this story. This circus of exploitation of young and apparently desperate people certainly makes for excellent Noir. One of these benefits of reading these novels is the unearthing of buried episodes in America's past.
"Thieves Like Us" has been reviewed here as the weaker end of the collection, and I have to agree. It's still a very capable story of outlaws; and the stoicism of the young people caught up in the criminal's lives is admirably depicted here. I recommend reading Andersen's novel before the others (it's still definitive Noir), so one can more easily avoid expectations built up by the Cain and McCoy.
"The Big Clock" is interesting in the depiction of power relationships between employer and employee, and the shifting first-person style of telling the story works here. I never heard of Fearing before reading this novel, but he evidently had a deep understanding of the motivations of very different kinds of people. This novel has the most suspense of the collection, and is a great and sophisticated read.
The most surprising and bizzare novel is "Nightmare Alley," a strange and memorable journey of an aspiring carnival charlatan. It defines Sleaze. The longest and most complex novel, it feels like a long-lost classic that's been hidden away because of its disturbing content. Some may think of it as too long, but the twisting journey through sweaty farming towns, railroad stations and addled big-city martiarchs required time to establish some crediblity: by the end, I was convinced that such a grotesque collection of stunts actually belonged in the story of this country. "Nightmare Alley" alone is worth the price of the book. Fans of Tarot might be a little offended, but this is especially recommended for understanding fans of Ray Bradbury.
Finally, "I Married a Dead Man" by Woolrich is a suspense novel set up by a tragic accident. The protagonist, literally and figuratively hungry, siezes the opportunity to substitute herself into a more fortunate woman's life. Excellently done, and more grounded in comparison to "Nightmare Alley."
Overall, there's no legitimately weak entry in this collection. The variety of content in these novels is enormous, and acquiring this book will allow the reader to experience the different flavors of American Noir. Most modern crime/suspense movies will seem ridiculous by comparison.
Books:
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
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