Customer Reviews:
THIS WONDERFUL ANTHOLOGY COLLECTS THESE 20 PLAYS:.......2005-06-03
Heywood -- The Four PP
Mr. S [anonymous] -- Gammer Gurton's Needle
Preston -- Cambyses
Sackville & Norton -- Gorboduc
Gascoigne -- Supposes
Lyly -- Gallathea
Peele -- David and Bethsabe
Kyd -- The Spanish Tragedy
Marlowe -- Tamburlaine the Great, Part I
Marlowe -- Tamburlaine the Great, Part II
Marlowe -- The Jew of Malta
Marlowe -- Doctor Faustus
Marlowe -- Edward II
Greene -- Friar Bacon and Friar Bungay
Lodge & Greene -- A Looking Glass for London and England
Anonymous -- Arden of Feversham
Nashe -- Summer's Last Will and Testament
Anonymous -- Mucedorus
Dekker -- The Shoemaker's Holiday
Heywood -- A Woman Killed with Kindness
And note that volume 2 (ISBN 002339580X) contains an additional 21 plays.
This two-volume set is actually a more convenient and more economical way to collect 41 plays than piecing together single plays in the New Mermaids, Regents Renaissance, or Revels series. In fact, many of the plays in this two-volume set are not otherwise available.
This book is an embarrasment of riches -- enjoy!
Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
|
History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
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Similar Items:
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History: Fiction or Science? Chronology 2 (Chronology)
-
History: Fiction or Science? Astronomical methods as applied to chronology. Ptolemy's Almagest. Chronology III
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Discovering the Mysteries of Ancient America: Lost History And Legends, Unearthed And Explored
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Before the Pharaohs: Egypt's Mysterious Prehistory
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They Cast No Shadows: A Collection of Essays on the Illuminati, Revisionist History, and Suppressed Technologies
ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Book Description
The most extensive new collection in this field published in more than three decades, English Renaissance Drama: A Norton Anthology surveys the astonishing, and astonishingly varied, dramatic works written and performed in Elizabethan and Jacobean England. Popular in their own time, the 27 plays included here—by Christopher Marlowe, Ben Jonson, John Webster, and Thomas Middleton, among many others—reveal why these playwrights' achievements, like Shakespeare's, deserve reading, teaching, and performing afresh in our time. Edited by a team of exceptional scholars and teachers, this anthology opens an extraordinary tradition in drama to new readers and audiences.
Customer Reviews:
Very good, but..........2006-07-21
This is an excellent anthology--good selection, fine editing, helpful notes, BUT it is printed on incredibly light-weight paper. So much so that it can be hard to read because the printing from the other side of the page always shows through.
Some great plays here.......2003-07-26
This is an excellent selection of plays from authors contemporary to Shakespeare. There are some real masterpieces here, such as Women Beware Women and the Maid's Tragedy, that have been unfairly neglected due to the looming presence of Shakespeare. The editing is generally fine, although perhaps a bit overdone. According to the editors, every second line includes a sexual reference. The introductions to individual plays are helpful AFTER you've read the play. For English Majors and scholars, these plays are an unexplored gold mine!!
Book Description
Who knocked wee Thomas over on the lonely road on the island of Inishmore, and was it an accident?
Customer Reviews:
A Bloody Good Play.......2006-07-14
I saw this play at the Lyceum Theatre on Broadway (7/9/06, Sunday matinee) not even a week ago as of this writing. It was nominated for several Tony awards this season and I can easily understand why. It is absolutely the most outrageous comedy I have seen in years of theatregoing. Very dark. Very well written. Very funny. Worth the trip and definitely worth the read.
McDonagh challenges us to laugh at what would be normally very tense, dramatic, serious scenes. He has created a world populated by characters that think they are smart but we can see they have solutions and ideas that are idiotic. These absurdities make scene after scene strikingly laugh out loud funny, despite their violent conclusions.
The point well made - that terrorism is a fool's paradise and is pointless, creating needless hurt and confusion - is spelled out in comedic terms so well drawn that you laugh despite your better judgment. That is, until you understand the logic of placing humor front and center, as the most integral of survival skills.
More existentialist than Tarantino.......2006-06-06
With the Tony nomination for Best Play this year, there might be some renewed interest in buying this book (the most recent review on this site was in 2003). This is laugh-out-loud funny stuff, and well worth reading. While "existentialist" may be a bit pretentious, this play deals with absurdity and futility in an atmosphere of constant violence and death. That McDonagh can make this material so funny is a tribute to his gift. This play I believe is a companion piece to McDonagh's Oscar-winning short film Six Shooter (available for download on iTunes), which deals with some of the same subjects, and also reserves its only tenderness for pets. I can see why people make the Tarantino comparison, but I see Tarantino as more of a stylist who sets out intricate time sequences and is less concerned about traditional narrative structures. McDonagh, by comparison, is very much into formal plot devices and structure.
Definitely not for those who don't enjoy black humor. For those who enjoyed The Pillowman (on Broadway last year), this one is an earlier play and doesn't have nearly the creativity and ambition of Pillowman. But it is still very well worthwhile, and a lot of fun.
Wow........2003-03-13
OK. I think McDonagh is a straight genius. I read this play, because I am currently in The Cripple of Inishmaan(the tame McDonagh play), but only because out director didn't think he could get the rights to this one. But I read this play, and I almost [messed] myself almost every other line. it is just that funny. I wish that we could have gotten the rights to it. It would be great to watch our director figure out how he would pull all this crazy stuff off. Overall, this is just a really funny, violent reason as to why I love the theatre. READ THIS SCRIPT. IT IS AMAZING. It is also very, very lean. No fat at all. A very short, perfect read.
Another production challenge from McDonagh.......2002-10-25
I directed McDonagh's "The Lonesome West" for the Station Theatre, Urbana, IL, in January 2000. (See 8am.com for reviews and links.) What an exhilarating ride! The new play -- like all of McDonagh's maddeningly vicious, hilarious efforts -- would be equally frustrating to stage, particularly the need for dead cats, live cats (covered with shoe polish), and other acts to drive directors mad. ("The Lonesome West" required dozens of Catholic religious figurines to be smashed nightly, not to mention an exploding oven and on-stage rain.) Certainly his staging challenges make these plays riveting to see, but they are equally rich in the reading. Be prepared to laugh... and then shocked at yourself for laughing.
An amazing, unconvential work of theatre.......2001-11-28
This play manages to capture on the stage everything that Tarantino brings to life on the screen. I saw the RSC's performance while over in the UK and it was mindblowing. What was totally cool was that rather than a program, one was given a script, which I have read a few times, and proves better each time around.
The play is at the same time very literate and very funny in a morbid sense, the only things coming to mind for comparison being Pulp Fiction and Irvine Welsh novels. This is a new directin in theatre and a great read on it's own.
A truly original piece of work.
Book Description
This volume offers 22 of the central pageants which make up York's famous Corpus Christi cycle. The York cycle is the oldest and best-known of the English mystery cycles, and its depth and scope are reflected in the selection printed here. The shape of the cycle was governed by subject matter of enduring spiritual significance, both to its contemporary audience and in later literary and artistic tradition, and the selection reflects these concerns. Included are plays on the Creation, the Fall of Man, the Incarnation, Passion, and Resurrection of Christ, and the Last Judgement. The Passion sequence has been expanded by six of the eight plays generally attributed to the great poetic dramatist known as the York Realist: the authentic text of these plays is not otherwise available in paperback. As well as providing detailed annotation, this edition offers an introduction which examines the history of the cycle and discusses the immensely popular modern productions in York and elsewhere.
Book Description
The third installment in the Modern Library's Paris Review "Writers at Work" series, this is an all-new gathering of interviews with the most important and compelling playwrights of our time. Their singular takes on their craft, their influences, their lives, the state of contemporary theater, and the tricks of the trade create an illuminating and unparalleled record of the life of the theater itself.
"At its best, theater is an antidote to the whiff of barbarity in the millennial air. 'My feeling is that people in a group, en masse, watching something, react differently, and perhaps more profoundly, than they do when they're alone in their living rooms,' Arthur Miller says here. In the dark, facing the stage, surrounded by others, the paying customer can let himself go; he is emboldened. The theatrical encounter allows a member of the public to think against received opinions. He can submerge himself in the extraordinary, admit his darkest, most infantile wishes, feel the pulse of the contemporary, hear the sludge of street talk turned into poetry. This enterprise can be joyous and dangerous; when the theater's game is good and tense, it is both."
--from the Introduction by John Lahr
Customer Reviews:
WORTH BUYING.......2007-01-04
It feels like these playwrights opened up to the interviewer in a big way.
Palywrights definitely Work.......2006-03-10
I had to read this book for my Playwriting class, and it helped me when I later went on to read each playwright's work. I think that it gives an excellent inside look at these playwrights' lives. It was not the most entertaining, and some interviews seemed to drag on, but for the most part, it gave a very detailed, in-depth look at these playwrights and their work.
An inspiring work!.......2001-08-17
I bought this series of interviews in hopes of discovering more about these playwrights' points of view on writing. I was pleasantly startled to find that their stories were inspiring, as well. As a young playwright, I find the business of theatre rather disheartening. Egos are batted around much like cricket birdies, while fad and fashion dictate what is theatrically acceptable. These playwrights coped with the same obstacles, with great success. I found it interesting that each playwright had his/her own particular challenges to confront, and that one theme, throughout all the interviews, was constant: writing a play is akin to facing one's own soul, and a playwright has to confront the mirror dead-on and keep going.
A wonderful read.
Playwrights at Work Succeeds.......2000-08-18
This book is excellent for teachers of theatre, or really for anyone who is interested in the inner workings of a playwright. Its only down-fall is that the playwrights themselves were sometimes less than forth-coming with answers we all want to know: HOW DOES THE PLAY GET ON THE PAGE??? However, it is very interesting in that we get into the heads of some very famous playwrights and shows us a personal side. I could barely put it down because I've read and taught these playwrights for years, but now have personal insight into their work and lives.
Average customer rating:
|
Journeymen in Murder: The Assassin in English Renaissance Drama
Martin Wiggins
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Hardcover
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ASIN: 0198112289 |
Book Description
Torture and murder are the sort of dirty jobs that rich and powerful men have always considered beneath them. In sixteenth and seventeenth-century English drama, they often employed others to take care of that side of the business of being a villain. Such characters developed from being minor but memorable Elizabethan bit-parts into key figures in some of the greatest Jacobean tragedies: The White Devil, The Duchess of Malfi, and The Changeling. Journeymen in Murder shows how assassins, embroiled though they are in violence and intrigue, often served to address issues of political and moral concern in the period, such as the dangers of tyranny, or the corrupting power of money. The book's scope is broad, covering the entire corpus of English Renaissance drama, and it offers detailed critical consideration of many plays, including several that are here studied in depth for the first time. Throughout, the achievement of major dramatists is placed in the context of other writers' use of similar material, illuminating the ways in which they create their own distinctive and disturbing effects by using playgoers' prior experience of the character.
Average customer rating:
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Shakespeare's Legal Language: A Dictionary (Athlone Shakespeare Dictionary Series)
B. J. Sokol , and
Mary Sokol
Manufacturer: Athlone Press
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Binding: Hardcover
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ASIN: 0485115492 |
Books:
- Dreaming in Code: Two Dozen Programmers, Three Years, 4,732 Bugs, and One Quest for Transcendent Software
- Great Short Works of Leo Tolstoy (Perennial Classics)
- Halsey's Typhoon: The True Story of a Fighting Admiral, an Epic Storm, and an Untold Rescue
- Harry Potter and the Deathly Hallows (Book 7)
- Here It Is! The Route 66 Map Series
- Herland, The Yellow Wall-Paper, and Selected Writings (Penguin Classics)
- Hermaphrodites and the Medical Invention of Sex
- History: Fiction or Science? Chronology 2 (Chronology)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
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