History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

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Eleven Days In August
Wonderful writing, sad and fatalistic story
Fine characterization
Major but Flawed
The book for the first time Faulkner reader to start with.

Light in August (The Corrected Text)
William Faulkner
Manufacturer: Vintage International/Random House
ProductGroup: Book
Binding: Paperback

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ASIN: 0679732268
Release Date: 1991-01-30

Book Description

Joe Christmas does not know whether he is black or white. Faulkner makes of Joe's tragedy a powerful indictment of racism; at the same time Joe's life is a study of the divided self and becomes a symbol of 20th century man.

Customer Reviews:

Eleven Days In August.......2007-08-12

This book has been touted as being Faulkner's most accessible. Although a bit easier to follow having less stream of consciousness it still requires some patience and appreciation for nuance. Further, if you take the story at face value you will be missing out on 90% of what it has to offer. The themes run deep and the characters symbolic. I'd recommend reading exerpts from One Matchless Time by Jay Parini who provides some good insights into Faulkner's life and his writings. I'd also read the review written by A.Mason (below). This was one of the more violent and sexual books that I have read of Faulkner. Although I was surprised, I was in awe of his tact and style in portraying these events in a subtly gruesome way that takes the reader off gaurd. The climactic scene of Joe Christmas's undoing was Faulkner at his best. I'd recommend this book to anyone who loves good writing and is fascinated with the tragedy of the post-Civil War southerner.

Wonderful writing, sad and fatalistic story.......2007-02-08

This book was my introduction to Faulkner, based on a suggestion by my well-read aunt.

It is certainly possible to recognize the skill of a writer without necessarily finding the story he tells endearing. That was the case here. Faulkner's prose is often like poetry and his use of the language is unquestionably masterful. He shows his talent not so much in the words he uses - the vocabulary is actually quite plain - but rather in the way he combines those words. Simple adjectives are used to create compelling scenes and even more compelling characters.

Faulkner strikes me as the consummate observer. He doesn't moralize, he doesn't become overwrought, he doesn't offer judgement. He simply observes the way things are, not the way we want them to be, and there is a sense that we are being propelled towards not tragegy but simply reality in his writing.

Light in August is ostensibly about Joe Christmas, a headstrong and mysterious drifter in the 1920s deep South, but surprisingly we aren't introduced to him until several chapters into the book. The book chronicles the intersecting people and events that surround Joe Christmas in Faulkner's fictional town of Jefferson, Mississippi. However, the author introduces us to so many other non-incidental characters that it is often hard to separate the leading from the supporting cast.

If I had to describe the characters in this book in a single word it would be "trapped." There is an overwhelming sense of stuck-ness we get in observing their lives. One does not necessarily get the impression that they saw themselves as stuck and hopeless - indeed many seemed to exist in frustrating ignorance of reality. But for the outside observer to whom Faulkner tells this story using his rich narrative, it is obvious that to a person, every character in this book is indeed on a treadmill. Slavery may be over, but the people that populate these pages are in very real servitude to themselves and their pasts.

The book is a glimpse at the deep South immediately prior to the depression era. We're presented with a culture that still hasn't quite come to grips with life on the other side of the Civil War and racialism is so deeply ingrained that although slavery is no longer law, the caste system it birthed lives on in the arrogant attitudes of the whites and the subservient squalor of the blacks.

The loyalties and alliances and relationships in this book are complex, as are the characters, and more than once I found myself wanting to slap these characters into sense. Without exception, each was their own worst enemy and managed to almost single-handedly sail their lives into the rocks. Although many were admittedly pointed rock-ward via their upbringing, they had ample opportunities to change course but continued sailing directly for the cliffs.

Although I have not yet read other books by Faulkner, I'm told this is the most approachable of all his writing, reading the most like a traditional novel. There is plenty of tension in the story, as the saga of Christmas and the other characters unfolds dramatically. Consequently, most people will find themselves turning the pages in anticipation of what happens next. Faulkner takes the reader on numerous side journeys, showing how the characters came to be what they are, and those characters often share certain aspects of their history in common, not just their present circumstances.

As the book draws to a close, the treadmill keeps turning with characters trudging futilely into the sunset, still stuck in the same ruts in which the beginning of the story found them. I'll say little more. To do otherwise is to risk spoiling the plot.

I can perhaps describe the overall experience here as bittersweet. The writing sweet, but the tale itself thoroughly bitter.

Fine characterization.......2007-02-07

I enjoyed this book much more than I expected. It explores the questions of race thoroughly without hitting the reader over the head with it. The characters seem real, neither demonic nor angelic. The impact of race is ultimately devastating to Joe Christmas and many of the people around him.

Major but Flawed.......2007-01-20

Faulkner's was a self-indulgent, irresponsible, uneven gift. But at his best, as sometimes in these pages, he is a poet and rhapsodist without equal, and we continue to read him. As a rational thinker he was a nullity; he had no practical insights, no social program, no agendum, no framework that could serve as a starting point toward a solution of the problems he so tellingly describes. This became abundantly clear around the time of his winning the Nobel prize for literature, when he disappointed and exasperated followers who were looking to him for guidance as to a beacon. At least Faulkner had the self-knowledge to know that he did not know, did not in fact even want to know. For knowledge was inimical to his art, not-wanting-to-know a precondition for it. That, and bourbon. The bourbon released his inhibitions and silenced his inner editor (its voice had never been loud), unleashing a torrent of words, much of it bilge but some diamonds too. The result in Light in August is an exasperating novel that contains some thirty scattered pages of the highest poetic value and one potentially great character in the person of Joe Christmas. I say this as a man of 54 who has read the book five times in the course of his life, having been introduced to it in high school. Of course I didn't understand much of it then, but its inimitable style and voluptuous confusion have beckoned me back to it.

One is attracted above all by the descriptions of the simple processes of life in all their earthy particulars, the negro cabins, the town lights, the smells, everything rank and dark and elemental. Except for Joe Christmas and possibly Gail Hightower, the characters are all stereotypes, especially the women. Intellectually, there is little of substance in the novel, its appeal is entirely emotional. There is a clean, bracing no-nonsense description of hypermasculine elements and experiences to which Joe seems to gravitate naturally. For instance, of McEachern's harness strap ("clean, like the shoes, and it smelled like the man smelled: an odor of clean hard virile living leather") and Joe's rapt expression when being beaten by it; of Joe's preference for the clean, hard air of men. Given his latent homosexuality, one feels Joe would have done much better as a votary of the strap. But there was a problem. Biologically he was wired for pussy, and no mistake. Even as a child in the orphanage with the dietician he showed this susceptibility: "On that first day when he discovered the toothpaste in her room he had gone directly there, who had never heard of toothpaste either, as if he already knew that she would possess something of that nature and he would find it." He was still too young to understand what Charley was enjoying, but when he came of age he learned that it too, like the toothpaste, was not always sweet ("periodic filth between two moons suspended"). Unfortunately, Joe had no use for the rest of the package and never learned to like and appreciate women as people. This was the root of his troubles with women and by cutting him off from a source of life helped to seal his doom.

Several reviewers have stated that Joe had some negro blood. This is an error and is refuted by the evidence given in the book, although it suits Faulkner (if not Joe) to make Joe out as a possible negro and even to foist him off as one. I think Faulkner's device here, of using the negro as the ultimate symbol of the outcast, is a dreadful mistake, so serious as even to call into question his integrity as an artist and his understanding of his greatest character. Why? Partly because it is too easy, too cheap a shot. It's also overkill, since Joe's alienation has already been powerfully delineated by other, artistic means. But the main, the fatal objection, is that raising the N question does great damage by introducing confusion precisely where the novel demands clarity and restraint -- it entangles Joe's problem of identity with something completely separate and other. This other is a serious communal problem in its own right and certainly should not be abused as a symbol in the way that Faulkner abuses it (neither should the word Christmas). Faulkner is monkeying around with things bigger than himself, things he does not understand, in an attempt to endow his work with a greater significance than he was capable of developing on his own horsepower as a creative writer; this is what I mean when I say he is irresponsible. Joe's problem is in fact his alone. Damaged in childhood and partly cut off from the sources of life, he has to renew and rebuild himself to a degree not necessary to his complacent countrymen, who by virtue of their utter mediocrity are granted automatic membership in small, stultifying, inbred towns like the one in which the action unfolds. Faulkner's punishment is swift and certain -- it is precisely here in the book that he begins to stumble, to overreach for a grand synthesis that isn't there. The performance is increasingly over-the-top until eventually artistic control is lost. He doesn't seem to grasp the limitations of his creations, and the book becomes a stew. Faulkner was nothing if not confused, and here alas the confusion damages the work. Where was that inner editor?

After the murder, a building momentum sweeps the reader on to the end. However, there is no true catharsis and no real tragedy, only an overreaching for a grand synthesis that fails. The reader is struck by the feeling that something has gone wrong, and on going back finds he has been the victim of a swindle. The book closes with that sucker Byron Bunch in tow with his damaged goods in the form of Lena Grove and her bastard infant. Faulkner seems to be saying that in spite of some mistakes, life has returned to its immemorial path. But if this is salvation, one must be glad for Joe that he is safely dead and out of harm's way. Not everyone is cowed by the eternal feminine, and Joe himself would have no trouble giving the Lena Groves of the world what they deserve -- the back of his hand.

So after forty years and five attempts at this book, what of value can I take away? Perhaps some thirty pages of beautiful poetry, and the memory of Joe Christmas. He sought to rebuild and renew himself through the transformative power of hard physical labor and I would like to leave him there, continuing now and forever on the roads he freely chose for himself, that run "through yellow wheat fields waving beneath the fierce yellow days of labor and hard sleep in haystacks beneath the cold mad moon of September, and the brittle stars."

The book for the first time Faulkner reader to start with........2007-01-15

Light in August by William Faulkner is the book for the first time Faulkner reader to start with. The book is very readable. Unlike some Faulkner stories, the story line is easy to follow. His verbosity is not as apparent in this work as in some of his others where lengthy sentences and tangent monologues within the story derail the reader. The plot is more typical than any of his other works. The average reader will appreciate the book and get a hunger to dip into other works by this southern master writer.

Read and reviewed by Jimmie A. Kepler

Play It As It Lays, Second Edition: A Novel

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In the Thick of Nothingness [T]
Memorable Book
Compelling, but depressing
one of my favorites
Why Not

Play It As It Lays, Second Edition: A Novel
Joan Didion
Manufacturer: Farrar, Straus and Giroux
ProductGroup: Book
Binding: Paperback

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ASIN: 0374529949
Release Date: 2005-11-15

Book Description

A ruthless dissection of American life in the late 1960s, Play It as It Lays captures the mood of an entire generation, the ennui of contemporary society reflected in spare prose that blisters and haunts the reader. Set in a place beyond good and evil-literally in Hollywood, Las Vegas, and the barren wastes of the Mojave Desert, but figuratively in the landscape of an arid soul-it remains more than three decades after its original publication a profoundly disturbing novel, riveting in its exploration of a woman and a society in crisis and stunning in the still-startling intensity of its prose.

Customer Reviews:

In the Thick of Nothingness [T].......2007-05-05

I have now read two books by Didion - this and the Pulitzer Prize winning "The World of Magical Thinking." Each is devilishly depressing.

The similarities do not end there. The main character of this book, Maria Wyeth, physically resembles the author. Her roots are similar. And, she is an actress in the Hollywood that the author wrote and wrote more for.

But, there are differences too. This is fiction, "Year" is nonfiction. This book revolves around a plundered marriage. Her own was good until it ended with her husband's unfortunate death as explained in "Year." This book delves with reproaching nothingness - Didion's continued works evidence her life was well beyond the expanse of void. Didion survived in a world beyond Maria's nullity.

Some characteristics may or may not have been Didion's own - and the reader really cannot care. Maria sleeps around more than she probably should, drinks too much, may smoke more pot than she should, and experiences a horrible emotional scarring with an unwanted abortion.

The intense emotional depiction is painted evenly and simply by Dideon's masterful use of language. The first chapter biographically recites Maria's entire life in a Valley-girl way, with each sentence appearing to be disjunctive from the previous - but actually all tie together magnificently and very intentionally.

Portions of this book reminded me of the angst experienced by the dipsomaniacal protagonist in Malcolm Lowry's "Under the Volcano." Each book crawls under your skin as you feel the emotion -- the pain and strain experienced by the respective characters who fall into deep funks in their apparent inevitable demise.

This is a quick read, unlike "Volcano." If you wonder if your psyche is strong enough for such literature, read this first as it is shorter and much less intense.

Memorable Book.......2007-01-21

Play It As It Lays is a book that stays with you after you read it. It's also a book that you will probably want to read more than once. I read it for the first time back in November and I've already gone back and re-read it to pick up on subtleties that I missed the first time. The storyline is very sad and depressing, but quite realistic, I think. I can feel Maria's (the main character) pain and the emptiness of the life she lives. Masterful writing here.

Compelling, but depressing.......2006-09-30

If you want something to lift your spirits, this isn't it. And yet, I still found myself turning the pages to see what happens to Maria.

one of my favorites.......2006-08-17

I'm really into dry, unemotional writing like Shopgirl, the Graduate, The King is Dead, stuff full of melancholy. And this is the absolute best of that type. I've read others by Didion but they all sort of pale in comparison to what she's done in Play It as It Lays. The detachment of her lead character is perfect.

Why Not.......2006-05-06

That alternate world we know as "Hollywood" has always fascinated me, so I had no problem getting interested in this book. It's definitely not for everyone, but if you can accept people and things for what they are ("play it as it lays") without too many moral judgments; and, if it doesn't bother you to read about things like unconventional behavior, vague reality, desolation and despair; then you just might like it. I find myself very sympathetic to the main character, actress Maria Wyeth, and her friend, BZ, a producer involved in her personal life. I relate to many of their feelings and actions. Others will find them guilty of a good deal of wrongdoing. But I say, remove the blinders and you may see yourself in these pages. Technically, the book is an easy read. The prose is concise - one short sentence can generate a volume of pictures - and loaded with bitter wit. One more thing: if, as I have read, this is supposed to be a depiction of the crass and empty society of the late 60's, I don't find that our society has made any progress, since today's average American aspires to little more than owning a gas-guzzling SUV, staying attached to a cell phone and vacationing in DisneyWorld. I'll put today's crassness and emptiness up against that of the 60's any day.

On Liberty and Other Essays (Oxford World's Classics)

Average customer rating:

The great defender of individual liberty
Liberty for all
Triumph of the individual
On "On Liberty..."
Liberal, Utilitarian and First Feminist. Essential reading.

On Liberty and Other Essays (Oxford World's Classics)
John Stuart Mill
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Paperback

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ASIN: 0192833847

Book Description

Collected here in a single volume for the first time, On Liberty, Utilitarianism, Considerations on Representative Government, and The Subjection of Women show John Stuart Mill applying his liberal utilitarian philosophy to a range of issues that remain vital today--the nature of ethics, the
scope and limits of individual liberty, the merits of and costs of democratic government, and the place of women in society. In his Introduction John Gray describes these essays as applications of Mill's doctrine of the Art of Life, as set out in A System of Logic. Using the resources of recent
scholarship, he shows Mill's work to be far richer and subtler than traditional interpretations allow.

Customer Reviews:

The great defender of individual liberty.......2006-12-24

John Stuart Mill, 1806-73, worked for the East India Co. helped run Colonial India from England. Minister of Parliament 1865-68 he served one term. Maiden speech was a disaster his second was great success. He was first MP to propose that women should be given the vote on equal footing with the men who could vote. He got 1/3 support, England gives franchise to women after U.S. He was a great Feminist, his essay "Subjection of Women" is written with great passion and prose. It was a brave position for him to take he was ridiculed for it. He favored democracy, and letting more men from lower classes the right to vote, but believed that people that are more educated should have more votes then less educated because they would make better decisions about what government should do. He would have wanted to extend education to the masses, so that all may have gotten 2-3 votes and so on. He didn't think it should be extended to where a small elite could carry the day on votes. The idea was that if the working class, and middle class, where divided on an issue, the people with more intelligence would have the power to tip the balance. Mill thought that people with more education would probably not only be better able to make political decisions, especially in terms of intellectually being able to see what would be best for the government to do, but that they would also be more concerned about the common good publicly then people in general. He was intensely educated by his father James. John could read Greek, and Latin at 6 yrs.; his Dad tutored him at home. Dad thought environment was everything. He was treated like an adult, never played games with kids; he had a very cerebral upbringing. He had a period of depression in his twenties, it changed his philosophy, and he recognized the importance of developing feelings along with the intellect, this is something that he stressed in his work. He read poetry to get out of depression; he became devoted to poetry and became a romantic. He fell in love with a married woman Harriet Taylor, was a platonic relationship, after her husband's death they married 3 years later and probably never consummated the marriage maybe due to his having syphilis. His dedication to "On Liberty" is to her, very devoted to each other. Both buried together in Avignon France where they used to vacation.

Mill as a moral theorist subscribed to a theory we call Utilitarianism. It means---In some way morality is about the maximization of happiness. Whether actions are right or wrong depends on how happiness can be most effectively maximized. I say in some way, because there are allot of different kinds of Utilitarians. Allot of different ways of saying exactly how it is the maximization of happiness comes into morality. Therefore, happiness is clearly an important idea for Utilitarians. Mill has a hedonistic view of happiness, he thinks that happiness can be defined in terms of "pleasure in the absence of pain." What is distinctive about Mill in this area is that he believes that some kinds of pleasure are better than others are, and add more to a person's happiness than other kinds of pleasures. He believes in what he calls, "higher quality pleasures." These are pleasures, he says, that we get from the exercise of faculties that only human beings happen to have. So the intellect, imagination, the moral feelings, these are the sources of higher quality pleasures people use. His view seems to be that a certain quantity of intellectual pleasure just adds more to your happiness, and a given quantity of some lower pleasure like a kind we would share with the animals such as sensation, taste, sexual pleasure, etc. His "higher quality pleasures" in a way echo Aristotle's ethics. The idea of those things that make us distinctly human that are the real key to our happiness, that is in Mill also. It is not as limited to reason and intellect as Aristotle thinks. Mill recognizes the importance of the appreciation of beauty, aesthetic pleasure, and moral pleasure. He frankly owes a debt to Aristotle that he never properly acknowledges, never gives him proper credit.

"On Liberty" is Mill's is his most widely read and enduring work. It is an indispensable essay on political thought, which strenuously argues for individual liberty. He is defending what he calls the "liberty principle." It is a principle that guarantees individuals quite a bit of personal freedom. "That the only purpose for which power can be rightfully exercised over any member of a civilized community, against his will, is to prevent harm to others. His own good, either physical or moral, is not a sufficient warrant." These quoted sentences in John Stuart Mill's book, "On Liberty," embody the crux of his argument; that the power of the state must intrude as little as possible on the liberty of its citizenry. In essence, Mill was against using the power of the state through its lawmaking apparatus to compel citizens to conduct themselves in ways that society deems moral or appropriate. Mill thought that people had not only a right, but also a duty to develop their intellectual faculties, which is indispensable to maximize their happiness. He believed that society improved for all its citizens when they where left unfettered to the maximum extent possible, allowing them to use their imagination and intellect to improve themselves. Mill postulates a theory that societies usually institute laws based primarily on "personal preference" of its citizenry instead of established principles. This lack of clarity of opinion often leads to the government frequently interfering in the lives of its citizens unnecessarily. For Mill, there are very few times when the state can infringe on the personal liberty of others. Firstly, the state has the right to promulgate laws that prevent a person's actions from harming others. Secondly, the state must protect those citizens who are not mature enough to protect themselves, such as children. Thirdly, he exempts, "... backward states of society in which the race itself may be considered as in its nonage." In Mill's view, immature societies need a benevolent leader to rule them until they have developed to a point where they, "... have attained the capacity of being guided to their own improvement by conviction or persuasion ..." Mill said this third exemption did not apply to any of the countries in Europe. Mill believed that forced morality by the state on its citizen's liberties was destructive to their inward development, and could even lead to a violent reaction by them against the government.

There are different parts of his defense of this, different arguments that he gives. He has a long chapter on freedom of speech and press. He has some very specific reasons why he thinks those freedoms are important. Always in the background for Mill is the idea of development, and making it possible for more people to enjoy these higher quality pleasures. How do we help people develop their distinctly human faculties, in ways that will help them enjoy their higher quality pleasures? Because for him that is the way, we maximize the total amount of happiness that is enjoyed in the world, and that is the object of morality as far as he is concerned. Utilitarianists believe that maximizing happiness is ultimately, what morality is all about. That does not mean maximizing your own happiness that means maximizing the total amount of happiness that is enjoyed, not only by yourself but also by everybody else as well.

Roger Kimball, in his book "Experiments Against Reality" wrote, "On Liberty" was published in 1859, coincidentally the same year as "On the Origin of Species." Darwin's book has been credited--and blamed--for all manner of moral and religious mischief. But in the long run "On Liberty" may have effected an even greater revolution in sentiment.

I read this book for a graduate class in Philosophy. Recommended reading for anyone interested in philosophy, political science, and history.

Liberty for all.......2005-09-12

It is surprising to me how many people assume that 'On Liberty' was written before or during the American Revolution - Mill was certainly influenced by the spirit of American liberty, which was variously romanticised and adapted in Britain and Europe during the nineteenth century. Published in 1859, 'On Liberty' is one of the primary political texts of the nineteenth century; perhaps only the writings of Marx had a similar impact, and of the two, in today's world, Mill's philosophy seems (please note that I only said 'seems') the one that is triumphant.

One of the interesting ideas behind 'On Liberty' is that this may in fact be more the inspiration of Harriet Taylor (later Mrs. J.S. Mill) than of Mill himself; Taylor wrote an essay on Toleration, most likely in 1832, but it remained unpublished until after her death. F.A. Hayek (free-market economist and philosopher) noticed this connection. Whether this was the direct inspiration or not, the principles are similar, and the Mills were rather united in their views about liberty.

'On Liberty' is more of an extended essay than a book - it isn't very long. It relates as a political piece to his general Utilitarianism and political reform ideology. A laissez faire capitalist in political economy, his writing has been described as 'improved Adam Smith' and 'popularised Ricardo'. Perhaps it is in part the brevity of 'On Liberty' that gives it an enduring quality.

There are five primary sections to the text. The introduction sets the stage philosophically and historically. He equates the histories of classical civilisations (Greece and Rome) with his contemporary England, stating that the struggle between liberty and authority is ever present and a primary feature of society. He does not hold with unbridled or unfettered democracy, either (contrary to some popular readings of his text) - he warns that the tyranny of the majority can be just as dangerous and damaging toward a society as any individual or oligarchic despotism. Mill looks for a liberty that permits individualism; thus, while democracy is an important feature for Mill, there must be a system of checks and balances that ensures individual liberties over and against this kind of system. All of these elements receive further development in subsequent sections.

The second section of the text is 'Of the Liberty of Thought and Discussion'. Freedom of speech and expression is an important aspect here. Mill presents a somewhat radical proposition that even should the government and the people be in complete agreement with regard to coercive action, it would still be an illegitimate power. This is an important consideration in today's world, as governments and people contemplate the curtailment of civil liberties in favour of increased security needs. The possibility of fallibility, according to Mill, makes the power illegitimate, and (again according to Mill) it doesn't matter if it affects many or only a few, people today or posterity. It is still wrong. Mill develops this argument largely by using the history of religious ideas and religious institutions, in addition to the political (since the two were so often inter-related).

The third section is perhaps the best known and most quoted, 'Of Individuality, as One of the Elements of Well-Being'. It is perhaps a natural consequence of Enlightenment thinking that individuality over communal and corporate identity would dominate. Our world today goes back and forth between individual and communal identities (nationality, regionality, employment, church affiliation, school affiliation, sports teams, etc.). Mill's ideas of individual are very modern, quite at home with the ideas of modern political and civil individuality, with all of the responsibilities.

Mill states, 'No one pretends that actions should be as free as opinions.' He recognises the increased limitations on individual liberty given that we do live in communal settings, but this does not hinder the idea of individuality and individual liberty, particularly as it pertains to thoughts and speech. Mill explores various ideas of personal identity and action (medieval, Calvinist, etc.) to come up with an idea of individuality that is rather modern; of course, this is political personhood that pre-dates the advent of psychology/psychoanalytic theory that will give rise to a lot more confusion for the role of identity and personhood in society.

The fourth primary section looks theoretically at the individual in community, 'Of the Limits to the Authority of Society Over the Individual'; the final section looks at specific applications. Mill discounts the idea of social contract while maintain that there is a mutual responsibility between individuals and community. Mill looks at the Temperance movements and laws as an example of bad laws (not only from the aspect of curtailment of liberty, but also for impractical aspects of enforcement); in similar examples, Mill looks at the role of society in regulating the life of the individual, calling on good government to always err on the side of the individual.

Mill puts it very directly -- Individuals are accountable only to themselves, unless their actions concern the interests of society at large. Few in the Western world would argue with this today; however, we still live in a world where 'thought police' are feared, and 'political correctness' is debated as appropriate or not with regard to individual liberties.

Mill wrote extensively beyond this text, in areas of philosophy (logic, religion, ethics). The particular text here includes other essays of interest: 'Utilitarianism', 'Considerations on Representative Government', and 'The Subjection of Women', and also has a useful bibliography and index. The essay on Utilitarianism is one of the more contentious works of Mill; the later two contain ideas well ahead of their time, and many parts can be seen at work in modern democracies.

This should probably be required reading in civics classes, if not in the pre-university years for students, then certainly in the early university years.

Triumph of the individual.......2005-01-12

This Oxford collection of four definitive essays by John Stuart Mill, arguably the most famous Victorian writer who could be called a philosopher, gives an excellent profile of a rigorous social reformer and political thinker. The subjects of these essays--liberty, utilitarianism, government, and women's rights--are interrelated to the extent that they reveal a man with a sharp sense of history and its impact on the methods and mores of contemporary society. Mill, after all, was of Charles Dickens's generation and therefore witnessed an era in which the British crown was inclined to manifest its power through tyranny in its efforts to maintain a costly worldwide empire.

Mill's basic concern is liberty, both social and civil. He identifies a difference between freedom and liberty--freedom is the state of being free, while liberty is the freedom that a government or governing body grants its people. Briefly a member of Parliament (the workings of which are described in great detail in "Representative Government") and heavily informed and influenced by Alexis de Tocqueville's "Democracy in America," Mill recognized that the most important (and perhaps the only proper) function of a government is to protect the liberties of its citizens. However, people generally get the form of government they deserve; if laws they allow to go unchecked become the tools of despotic powers, they have only their own ignorance or indolence to blame.

An enumeration of Mill's finer points may suffice as a summary of his ideas:

1. Freedom of the press and freedom of expression are essential rights of man. You don't have to accept as true what other people say, but let them say it because there's always the chance that they're right and you're wrong. Mill points out that even the Roman Catholic Church, most intolerant of religions (his words, not mine), allows a "devil's advocate" to offer repudiative evidence before it canonizes a new saint. He notes instances in which religious intolerance still rears its ugly head in the British Empire of his day.

2. Christianity does not have a monopoly on moral authority; literary history gives evidence of this.

3. Individuality should be fostered so that new ideas may flourish, but society, specifically the middle class, establishes the normative values that unfortunately tend to stifle individuality. You have an unlimited right to your opinion, but you are free to act only so far as you do not harm or molest others. Long before Orwell, Mill had the insight that institutional deprivation of liberty is effectively suppression of thought, for how can someone train himself to think independently when doing so could lead to persecution for heresy or treason?

4. State-sponsored education should restrict itself to teaching scientifically provable or reliably documented facts rather than push religious or political agenda. When or if polemical issues are raised, arguments for and against are to be presented as opinions so that students may draw their own conclusions.

5. The utilitarian principle states that actions that promote happiness (in its most obvious form, pleasure) are "right" and those that reduce happiness are "wrong"--in other words, utilitarianism is the opposite of puritanism. Consider how much better it is to be a dissatisfied human being than a satisfied pig, because the human has the potential for so much more happiness than the pig, whose breadth of experience is contained entirely between the trough and the slaughterhouse, could ever know.

6. Women deserve the same rights as men because the social and mental limitations attributed to women are for the most part a male-conceived artifice. Chivalry is a fallacy.

And so on. I'm not sure if it's correct to call Mill a libertarian in modern terms, but he was certainly concerned with the issues with which modern libertarians are concerned. Much of his discourse is relevant to today's world, even though he often draws upon the past for contrast in order to make his conclusions, the implication being that improvement comes with increased knowledge and experience. Anyone who is interested in nineteenth-century thought on democracy and individualism will find much to ponder in Mill's eloquence.

On "On Liberty...".......2004-05-15

Don't get me wrong. This book is quaint and it certainly has its merits. However, I was disappointed that the character on the cover isn't featured anywhere within. Who is the man with outsretched arms? Is he pleading for alms? Is he offering to pull someone out of a river? In fact, if you look closely he appears to be standing in a body of water which could support the latter theory. Who is he pulling from the river? Or is this a metaphor... do these essays figuratively pull one out of the river - the river of intellectual darkness? Perhaps not, which brings me back to my original point. Who is this man? Like all great philosophical questions... we may never know.

Liberal, Utilitarian and First Feminist. Essential reading........2004-03-31

JS Mill is rightfully so one of the most studied political theorists and philosophers. His radical ideas on women started a womens revolution during the Victorian era. His ideas about good government and freedom are applicable today, and obviously not being listened to in this neofascist age. His 'harm principle' for freedom remains one of the most enlightened theories out there, and it is with an open heart that I recommend his readings to anyone with an open mind, who is not afraid of change.

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Sightless and unable to hear, but hardly mute.
A continuous page-turner
The Story of My Life
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The Story of My Life (Bantam Classic)
Helen Keller
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ASIN: 0553213873
Release Date: 1990-05-01

Amazon.com

Helen Keller would not be bound by conditions. Rendered deaf and blind at 19 months by scarlet fever, she learned to read (in several languages) and even speak, eventually graduating with honors from Radcliffe College in 1904, where as a student she wrote The Story of My Life. That she accomplished all of this in an age when few women attended college and the disabled were often relegated to the background, spoken of only in hushed tones, is remarkable. But Keller's many other achievements are impressive by any standard: she authored 13 books, wrote countless articles, and devoted her life to social reform. An active and effective suffragist, pacifist, and socialist (the latter association earned her an FBI file), she lectured on behalf of disabled people everywhere. She also helped start several foundations that continue to improve the lives of the deaf and blind around the world.

As a young girl Keller was obstinate, prone to fits of violence, and seething with rage at her inability to express herself. But at the age of 7 this wild child was transformed when, at the urging of Alexander Graham Bell, Anne Sullivan became her teacher, an event she declares "the most important day I remember in all my life." (Sullivan herself had once been blind, but partially recovered her sight after a series of operations.) In a memorable passage, Keller writes of the day "Teacher" led her to a stream and repeatedly spelled out the letters w-a-t-e-r on one of her hands while pouring water over the other. This method proved a revelation: "That living world awakened my soul, gave it light, hope, joy, set it free! There were barriers still, it is true, but barriers that could in time be swept away." And, indeed, most of them were.

In her lovingly crafted and deeply perceptive autobiography, Keller's joyous spirit is most vividly expressed in her connection to nature:

Indeed, everything that could hum, or buzz, or sing, or bloom, had a part in my education.... Few know what joy it is to feel the roses pressing softly into the hand, or the beautiful motion of the lilies as they sway in the morning breeze. Sometimes I caught an insect in the flower I was plucking, and I felt the faint noise of a pair of wings rubbed together in a sudden terror....

The idea of feeling rather than hearing a sound, or of admiring a flower's motion rather than its color, evokes a strong visceral sensation in the reader, giving The Story of My Life a subtle power and beauty. Keller's celebration of discovery becomes our own. In the end, this blind and deaf woman succeeds in sharpening our eyes and ears to the beauty of the world. --Shawn Carkonen

Book Description

An American classic rediscovered by each generation, The Story of My Life is Helen Keller’s account of her triumph over deafness and blindness. Popularized by the stage play and movie The Miracle Worker, Keller’s story has become a symbol of hope for people all over the world.

This book–published when Keller was only twenty-two–portrays the wild child who is locked in the dark and silent prison of her own body. With an extraordinary immediacy, Keller reveals her frustrations and rage, and takes the reader on the unforgettable journey of her education and breakthroughs into the world of communication. From the moment Keller recognizes the word “water” when her teacher finger-spells the letters, we share her triumph as “that living word awakened my soul, gave it light, hope, joy, set it free!” An unparalleled chronicle of courage, The Story of My Life remains startlingly fresh and vital more than a century after its first publication, a timeless testament to an indomitable will.

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I recall my surprise on discovering that a mysterious hand had stripped the trees and bushes, leaving only here and there a wrinkled leaf. The birds had flown, and their empty nests in the bare trees were filled with snow. Winter was on hill and field. The earth seemed benumbed by his icy touch, and the very spirits of the trees had withdrawn to their roots, and there, curled up in the dark, lay fast asleep. All life seemed to have ebbed away, and even when the sun shone the day was.

Customer Reviews:

Other Books.......2007-09-03

A deaf dumb and blind girl, but no pinball. Helen Keller, bereft of the senses that your average person is able to utilise, has to learn other ways to communicate. She is instrumental in forming systems that will lay the foundation to enable other people so afflicted to do the same, with the work she does herself, and with her tutors.

Well worth a look.

Sightless and unable to hear, but hardly mute........2007-05-20

Helen Keller gives a sweetly innocent rundown of her life in this brief book. It's just enough to get a glimpse into her well publicized transformation into a girl lost in her own inability to communicate to a wonderfully prolific soul; a person who changed the world. She is disarming and self aware and isn't afraid to gloss over a little bit of the struggle to paint a journey of searching that led to many rivers of experience. It's a charming book and if one is curious about Helen Keller it is best to 'hear' the words from the author than another source.

A continuous page-turner.......2007-04-18

The Story Of My Life was a life-changing book for me. The reason for this is because I never thought that a person who had no power could do so much and have so much of it. As soon as I read this book it made me feel that no matter how small you are you can accomplish your dreams and goals. My opinion about this book is that it taught me that even if you are disabled, like Helen Keller you can still do many things. I think what Helen Keller did was outstanding because even though she was blind, deaf, and only a kid she did some indescribable things. I think this book will be a page-turner for people in middle school and up. This has inspired me to do anything and believe that I can accomplish many goals that I have.

The Story of My Life .......2006-12-15

"Helen, you are charged with plagiarism of a whole book. Your sentence is to never see Miss Sullivan again." The Story of My Life is an autobiography by Helen Keller. Helen Keller was a blind and deaf girl who came over all these odds by learning how to read lips with her fingers, how to speak, how to read Braille, and understand things like a normal child. Her teacher throughout her life was Miss Sullivan. She taught Helen Keller just about everything she could when it came to communicating. Because of how she overcame her handicaps, many people, including celebrities, wanted to meet her and have her as a friend. I recommend this book if you like learning about amazing people.

Helen Keller wrote this book on her own. If you can think about how hard it would be to write a book when you are deaf and blind, then you will be amazed at how she did this. She wrote a book in her early childhood, but apparently it was read to her when she was younger and it was very close to the same thing, so the institution she was going to accused her of plagiarism. She could not see Miss Sullivan again as long as Miss Sullivan worked for the institution. So, Miss Sullivan quit her job and moved in with Helen and her family and taught her until she was older.

Helen Keller got to do many things a normal child would not. She got to travel the world with Miss Sullivan because everybody wanted to meet her and celebrities would pay to fly her out to where they lived. She also had to go to the institution for the deaf and blind, which was far away. Many people there were also amazed at how Miss Sullivan had taught Helen to communicate.

If you read this book, also note how many things Miss Sullivan taught Helen. Miss Sullivan taught Helen how to communicate with everybody. Even though Helen has been deaf since she was 3 months old, she learned how to pronounce words so she could talk to people. The hardest thing was probably to teach her to read Braille, which would have been hard because she would not understand the letters at first and what they meant.

Helen Keller is one amazing person. She overcame two very harsh defects, being blind and deaf. Any person having just one of those defects may never overcome these illnesses but she did. She not only overcame them she was taught how to communicate even though it was along and struggling process. Helen Keller is an amazing person and you should read the book she wrote.

-Jaycee Elliott

A Classic.......2006-07-21

Of course this book is a classic. It is Helen Keller in her own words. It is well written and interesting to be "there" as she developes and learns. If you haven't read the book yet, I recommend you do. I "read" the book as a book on tape. Email:boland7214@aol.

The Poetry and Short Stories of Dorothy Parker (Modern Library)

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From one who only read the short stories of the book
Just A Little One
Words that Cut Like Diamonds and are Twice as Pretty
4 books in one, and at a great price
The Poetry and Short Stories of Dorothy Parker

The Poetry and Short Stories of Dorothy Parker (Modern Library)
Dorothy Parker
Manufacturer: Modern Library
ProductGroup: Book
Binding: Hardcover

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ASIN: 0679601325
Release Date: 1994-08-30

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From one who only read the short stories of the book.......2006-08-05

Not that I dislike her poems (I only read about a dozen) but I bought this book primarily for the stories. And I still don't regret it. Parker's stories can be separated in 2 or 3 groups; the cleverly sarcastic ones (most of the stories I believe), the third-person narrative ones (much rarer) with a rather grave tone (quite emotionally loaded), and the third group I do not remember because I read this book a while ago. Bear with me...

I have to say that nearly all of these stories made me want to purchase a gun and start to kill people randomly. Why? Because Parker has a way to present us the unnice sides of humans in such a way that you feel it like a personal attack (not an attack from the author to you, but one from the characters to another character, and that will make you want to break something). I guess that means Dorothy is good at making the reader emotionally involved; and she is. However sarcastic and cynical she gets, you always know how to take it, you always know what it means. It's a bit like someone telling you something terribly sad and adding a smile to it; you know it does not mean they are happy at all, but you understand it in a deeper way. Sorry if this all sounds far-fetched and fancy; I do suck at reviews. (This being said, that's a purely personal standard, on an amazon standard, I think I'm doing fairly well.)

Lastly, a word about Modern Library. Their books are definitely classy. I always prefer a hardcover to a paperback, so this edition made my day. The paper quality is a quite a fine one as well and the font is classy too (it has some special "e" in it, with a diagonal bar, but I don't think you'd notice that unless you were told).

Just A Little One.......2006-01-12

This is the Modern Library edition of the classic Dorothy Parker collection of stories and poems. If you want to introduce someone to Mrs. Parker - maybe with a birthday gift book - get this.

The first half is divided into verse from the collected editions Enough Rope, Sunset Gun, Death and Taxes; the second half is more than 25 short stories. It's a compact little hardcover book, with an old style typeface, and moderately priced. Even the dust jacket is classy.

Words that Cut Like Diamonds and are Twice as Pretty.......2004-07-22

Here you have it, all of the wit and charm of Dorothy Parker in one neat compact volume. The poems, many of which I had read before, are brilliant and stunning, having the punch of an O. Henry story in one or two little pages. The short stories, of which I had read exactly none before I picked up this book, are, incredibly, just as good as her verses. Full of the pathos and drama of a wide variety of domestic experience, these prose gems are brimming with smart and realistic dialogue seldom found in any medium. Some of the best tales are simply inner monologues of a woman doing ordinary things like waiting for the man she adores to call her on the phone or dancing with a clog footed bore who keeps kicking her in the shins. These pieces are so well done and so dead on that they would make great audition pieces for budding actresses to impress a casting agent with. Much has been made of Dorothy Parker's unhappiness and self destructive behavior, but despite, or possibly because of, her abject misery, the lady could put pen to paper. Her work, much more than her biography, is what should stand the test of time. If you like this book and simply have to have more, you should also pick up "Not Much Fun: The Lost Poems of Dorothy Parker" compiled by Stuart Silverstein and collecting, many for the first time, the poems that Dottie wasn't that fond of--they are brilliant as well.

4 books in one, and at a great price.......2003-03-13

This book is a compilation of all three of Parker's books of poetry as well as her published book of short stories. As for the price, it can't be beat, especially considering it's in hardcover. Plus, you also don't have to worry about buying 2 or 3 books to make sure you've got all of the poems you wanted.

Dorothy Parker's writing is fantastic anyway, and uses cynical wit to draw the reader into the poem. The reader laughs, but manages to feel empathetic. Her style is unique and doesn't seem outdated, even though most of this was written at least half a century ago. If you've ever wanted to laugh about being broken-hearted, this is the book for you.

The Poetry and Short Stories of Dorothy Parker.......2000-01-31

Great book. Ideal for any Dorothy Parker fan

The Flame Trees of Thika: Memories of an African Childhood (Penguin Twentieth-Century Classics)

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Nostalgia for Happy Valley
The Flame Trees of Thika: Memories of an African Childhood
Love this Author
Truly A Classic
When can I get a plane to Africa?!

The Flame Trees of Thika: Memories of an African Childhood (Penguin Twentieth-Century Classics)
Elspeth Huxley
Manufacturer: Penguin Classics
ProductGroup: Book
Binding: Paperback

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ASIN: 0141183780
Release Date: 2000-01-31

Book Description

New editions of Elspeth Huxley's stirring account of her childhood in Kenya and her novel of the destructive forces of colonization.

In an open cart Elspeth Huxley set off with her parents to travel to Thika in Kenya. As pioneering settlers, they built a house of grass, ate off a damask cloth spread over packing cases, and discovered--the hard way--the world of the African. With an extraordinary gift for detail and a keen sense of humor, Huxley recalls her childhood on the small farm at a time when Europeans waged their fortunes on a land that was as harsh as it was beautiful. For a young girl, it was a time of adventure and freedom, and Huxley paints an unforgettable portrait of growing up among the Masai and Kikuyu people, discovering both the beauty and the terrors of the jungle, and enduring the rugged realities of the pioneer life.

Customer Reviews:

Nostalgia for Happy Valley.......2007-06-23

This is by now a revered classic of a young girl's childhood in the Kenyan countryside under British rule. One reads this and instantly identifies with the colonial family. It's a kind of Swiss Family Robinson story about that magical time in Kenya and thereabouts before World War I when the world seemed to be at the feet of the British King and all globes glowed pink under the Empire. Were people ever so free and happy as the colonialists in Africa who instantly had countless servants, nearly free land, and the British fleet for protection? This is Out of Africa for the middle class, as opposed to Isak Dinesen's aristocratic take on things. Still, the going was good, as Evelyn Waugh once said. Ms Huxley is a charming writer. Required reading for lovers of things African.

The Flame Trees of Thika: Memories of an African Childhood.......2007-02-02

The Flame Trees of Thika is a wonderfully written book giving the reader a glimpse of what it must have been like to grow up in Colonial Africa. It is an experience most of us will only have through reading and can only be compared to what it must have been to be one of the early settlers on the American Frontier.

Love this Author.......2007-01-10

I loved this book. It is beautifully written and is a gripping story on growing up in Africa.

Truly A Classic.......2006-02-16

In 1913, a little English girl named Elspeth relocated with her family from their native country to begin a coffee plantation in the wilds of Kenya. Similar in a way to Laura Ingall Wilder's adventurous and sentimental "take" on what was surely a very difficult experience for her family, Elspeth remembers Kenya as a wonderful place and tells us with lingering excitement of her experiences there in the short time before the First World War changed nearly everything. A delightful memoir that is a pleasure every time it's read.

When can I get a plane to Africa?!.......2004-10-18

If you are interested in other cultures and ways of life, this book is a treasure. Yes, there has to be a bit of willing suspension of disbelief that this would be the way a child would see and describe things, but if you can live with the fact that this is an adult looking back on her childhood, it's a small thing to get over. The descriptions I found perfect--very vivid, yet not so extensive that they became boring and slowed down the story. And just in what happens and isn't even excused (her parents leave her with neighbors, she accompanies the neighbor's worker to the city, where he leaves her with some more strangers--we'd be calling the police, and her parents are just slightly inconvenienced! And everyone else there has just left their small children at boarding school, not seeing them for years!), the book gives a lot of food for thought about the realities of life in that time and place.

The Norton Anthology of Literature by Women: The Traditions in English

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A must for any Women's Studies student
Review
At Last!
Plethora of Wonderful Works of Women
One of my favorite books of all time

The Norton Anthology of Literature by Women: The Traditions in English

Manufacturer: W. W. Norton & Company
ProductGroup: Book
Binding: Paperback

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ASIN: 0393968251

Customer Reviews:

A must for any Women's Studies student.......2007-07-20

I was made to buy this for an English class, but I am sure glad that I did. The overview of literature written by women is exhaustive, but this book is a must have for any student of Women and literature, as well as Women's Studies majors or minors.

Review.......2004-03-25

This anthology is an invaluable resource. It certainly must omit some works that "should" be in it. There is only so much space and future editions will surely correct the omissions. I would like to point out, however, that Buck is not the only woman to win both Nobel and Pulitzer. Toni Morrison has also won both awards for her literature.

At Last!.......2002-06-30

The female literary tradition, long neglected, emerges as one that has not only developed concurrently with, but has also influenced male literati. In this large and fascinating volume we meet the minds that analyzed and chronicled the lives these women lived and observed.

One might argue about the selections included and excluded here. Pearl Buck, the only woman to win both a Nobel Prize (1938) and a Pulitzer (1932) is excluded.

The book is divided into 6 eras, each with a lengthy "period introduction" giving historical and thematic backgrounds for the works included in that section.

From the five earliest women writers (dating from 700 to 1600), women began to shape and define their literary voices. England's first professional woman writer, Aphra Behn, whose literary career began in 1670, is the writer who women must honor above all others. According to Virginia Woolf, "it was she who earned them the right to speak their minds."

Here the reader will find rare works such as Jane Austen's "Love and Friendship" and George Eliot's "The Lifted Veil." Three notable novels are included in their entirety: JANE EYRE by Charlotte Bronte, THE AWAKENING by Kate Chopin, and THE BLUEST EYE by Toni Morrison.

Poems, stories, memoirs, essays, plays, letters, novels -- all literary works originally composed in English -- over 150 authors decrying, exalting, agonizing over, and celebrating the things we all have in common: Life...love...and death.

This is a fascinating collection and one that will stand reading and re-reading over a long period of time.

Plethora of Wonderful Works of Women.......2001-07-29

I first opened this book because of a Women's Lit class I took last year. Sure, I was excited, but I really did not expect to find it interesting. After all, the public school system only allows a few women writers to be taught: Mary Shelly, Jane Austen, Charlotte Bronte, Kate Chopin, and Emily Dickerson. But what about the many wonderful women writes who have not been taught at length? Anne Sexton, Toni Morrison, Elizabeth Bareet Browning, Christina Rosettie, Maya Angelou, Sylvia Plath, Anne Finch...the list is endless, literally. Every woman should own a copy of this book, regardless of whether you need it or not. It is time to spread the enormous talent of the world's best poets and authors. Many could not publish their works or gain the respect of their equally talented male writers, now it is time to give the Ladies all the credit they deserve.

One of my favorite books of all time.......2001-02-05

This anthology has been more relevant to me over the years since I've graduated from college (with a BA in English) than any of the others I own. For bibliophiles who have an interest in understanding the unique position women have had over the centuries in articulating their thoughts, lives, concerns, desires, etc., this anthology is a must. I am constantly pulling it from the shelf to look up the author bios, historical background information, etc. But more than that, I really enjoy returning to it to read favorite poems and short stories by the most celebrated women writers of all time. I have given this anthology as a gift and recommended it on numerous occasions to friends and acquaintances who are interested in further understanding women's history, literature, feminism, etc. I also have some of the literary criticism the editors have written (Madwomen in the Attic, others) and recommend those as well.

My Journey to Lhasa: The Classic Story of the Only Western Woman Who Succeeded in Entering the Forbidden City

Average customer rating:

A history of Tibet that no longer exists, we all owe David-Neel a debt
The Pilgrim was a Lady
An unusual journey to say the least
Massively Overrated
Worth the Effort

My Journey to Lhasa: The Classic Story of the Only Western Woman Who Succeeded in Entering the Forbidden City
Alexandra David-neel
Manufacturer: Harper Perennial
ProductGroup: Book
Binding: Paperback

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ASIN: 0060596554
Release Date: 2005-08-23

Amazon.com

In any time, Alexandra David-Neel would have been considered an extraordinary woman, but in the Victorian era, she was truly exceptional. Born in 1868, David-Neel eschewed the dances, dinners, and formal marriages common to women of her era and social standing in order to indulge her fierce independence and insatiable intellectual curiosity. Her interest in comparative religions dated back to early childhood; even as a student in a Catholic convent school, she kept statues of both Christ and the Buddha in her room. She made her first trip to Asia in 1891, then supported herself as a light-opera singer and journalist before marrying a seemingly conventional man, Philip Neel. Fortunately for both Alexandra David-Neel and for posterity, Philip was less stodgy than his position as a well-off engineer might imply; though he did not accompany her, he supported his wife's explorations and even acted as her literary agent when she began to write about the places she visited. Alexandra and Philip remained the closest of friends until his death in 1941.

David-Neel spent years traveling in India and China, but perhaps her most daring adventure was the trip to Tibet's forbidden city of Lhasa. She was 55 years old at the time, fluent in Tibetan and well versed in both Sanskrit and Buddhism. Disguised as a man, she spent four treacherous months on the road before finally becoming the first European woman ever to enter Lhasa. My Journey to Lhasa is David-Neel's own account of her astounding journey, one fraught with hardship and danger. It is both a chronicle of a bygone time and a testimonial to a remarkable human.

Book Description

An exemplary travelogue of danger and achievement by the Frenchwoman Madame Alexandra David–Neel of her 1923 expedition to Tibet, the fifth in her series of Asian travels, and her personal recounting of her journey to Lhasa, Tibet's forbidden city.

In order to penetrate Tibet and reach Lhasa, she used her fluency of Tibetan dialects and culture, disguised herself as a beggar with yak hair extensions and inked skin and tackled some of the roughest terrain and climate in the World. With the help of her young companion, Yongden, she willingly suffered the primitive travel conditions, frequent outbreaks of disease, the ever–present danger of border control and the military to reach her goal.

The determination and sheer physical fortitude it took for this woman, delicately reared in Paris and Brussels, is inspiration for men and women alike.

David–Neel is famous for being the first Western woman to have been received by any Dalai Lama and as a passionate scholar and explorer of Asia, hers is one of the most remarkable of all travellersߴales.

Customer Reviews:

A history of Tibet that no longer exists, we all owe David-Neel a debt.......2007-07-16

Personally, I love this book and have read it more than three times. If, for no other reason, you have an interest in Tibet prior to the Chinese invasion in 1950, this book leaves for posterity a Tibet that no longer exists. The border is gone from modern maps, but even a Westerners' interpretation of their daily lives, is treasure to us all of what once was, a free and spiritually ruled Tibet.

The Chinese have a built a "Disneyland" at the foot of Potalla Palace. I need to remember it before the modern attempt at Chinesification of Tibet.

The Pilgrim was a Lady.......2006-08-11

In 1923 at the age of 55, Alexandra David-Neel put on the robes of a Buddhist monk and walked across Tibet for four months on a pilgrimmage to the holy city of Lhasa. No European woman had ever entered the holy city before, and the road promised many dangers, from wild animals to blizzards to bandits. Her descriptions bear witness to a spunky evolved soul whose scholarly knowledge of Buddhism served her well in her adopted role as an itinerant monk. Her writing is elegant, punctuated by an unselfconscious humor and relentless perspicacity. Truly an adventure trek of many wonders.

An unusual journey to say the least.......2004-01-26

When I was reading the reviews of this book, I was struck by the one of the reviews. It was very negative, and the reviewer missed the beauty of this book entirely. I was glad that I had already read it. I read the reviews because I was curious to see if others had enjoyed the book as much as I did. I was buying it again as a present for a friend. The author was a very unusual person, and this book is very much worth the read. She wrote about customs and values honestly as she saw them. She was not a dispassionate viewer, but I also felt that she was not judgemental or superior. When customs of two peoples are as different as some of Tibet and France are, they will shock a person and that person will remark. However, I felt that she loved and respected the people she wrote about, and she did a remarkable job in recounting what she saw. She gave her readers the pleasure of a most unusual journey with her and her young companion through a country that was worth writing about.

Massively Overrated.......2003-12-24

I did not see what the big deal was, and would not recommend it. Her language and the way she treated people is offensive, Eurocentric, condescending and narrow-minded -- typical of many travel books of this period. For those trying to learn about Tibet, there is not enough here to satisfy. This is your classic I-am-to-be-admired-because-I-left-the-comforts-of-civilization-applaud-me themed books. She is not a traveller but a trophy collector.

Worth the Effort.......2001-03-10

This is a book which I think of often. Ms. David-Neel had or should I say has quite a strong spirit. I would recommend all of her books to anyone interested in spiritual growth, women's triumphs or walking accross high Himalayan passes in the dead of winter with the Lama Yongden. I cross high Rocky Mountain passes regularly, but always in the comfort of an 18-wheeler.

The Fountain Overflows (New York Review Books Classics)

Average customer rating:

Intriguing characters, sparkling writing
Once Of My Favorite Books
My favorite novel of all time--and I've read thousands...
Quite Simply One of the Best Books in English Literature
Beautiful, wise, witty, and, yes, you guessed it, timeless

The Fountain Overflows (New York Review Books Classics)
Rebecca West
Manufacturer: NYRB Classics
ProductGroup: Book
Binding: Paperback

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ASIN: 1590170342
Release Date: 2002-12-31

Book Description

The lives of the talented Aubrey children have long been clouded by their father?s genius for instability, but his new job in the London suburbs promises, for a time at least, reprieve from scandal and the threat of ruin. Mrs. Aubrey, a former concert pianist, struggles to keep the family afloat, but then she is something of a high-strung eccentric herself, as is all too clear to her daughter Rose, through whose loving but sometimes cruel eyes events are seen. Still, living on the edge holds the promise of the unexpected, and the Aubreys, who encounter furious poltergeists, turn up hidden masterpieces, and come to the aid of a murderess, will find that they have adventure to spare.

In The Fountain Overflows, a 1957 best seller, Rebecca West transmuted her own volatile childhood into enduring art. This is an unvarnished but affectionate picture of an extraordinary family, in which a remarkable stylist and powerful intelligence surveys the elusive boundaries of childhood and adulthood, freedom and dependency, the ordinary and the occult.

Customer Reviews:

Intriguing characters, sparkling writing.......2007-08-11

This was my first encounter with Dame Rebecca West's writing, but it won't be my last. Nearly every paragraph stood alone, as a description to savor or an emotion remarkably described. The characters linger long after the book is closed. I believe that someone has suggested that they are somewhat Dickensian, with which I would agree. The plot conveys to the reader a deep understanding of the frustrations encountered by women whose lives are held in thrall by men who are indifferent to their wellbeing.

The only thing that keeps this book from being 5-stars in my mind are occasional spots where you want it to move more quickly. Its subtlety and richness make it a book well worth revisiting.

A general comment about the Classics series of the New York Review of Books. I am particularly pleased to have discovered this series for two reasons. First, because of the beauty of the books themselves; the cover art is of a very high quality and the paper, printing and binding is as well. The books themselves are pleasurable to experience. Second, the series is introducing me to literature that I would otherwise have never read. I just finished "A High Wind in Jamaica," have begun "Indian Summer" by William Dean Howells (and my middle-school introduction to "The Rise of Silas Lapham" would have predicted that I would never have picked up a book by Howells again, which would have been my loss - I might even tackle Silas Lapham again), and have ordered a few more. I recommend that readers explore some of these treasures.

Once Of My Favorite Books.......2006-11-07

to be savored - a real treasure.
This book is hard to classify because it is both densely written, and yet, it is like cotten candy. If you like to be transported to another place and time, and enjoy writers who know how to use the English language, this is a book for you!

My favorite novel of all time--and I've read thousands..........2005-01-10

The header says it all. If pressed, I will have to admit that this is my absolute favorite novel of all time. There is something so haunting and so human and so memorable about this book, I can't stay away from it--I must have read it 20 times, and I never grow tired of it.

Quite Simply One of the Best Books in English Literature.......2003-08-16

I had heard of author Rebecca West, mainly as the young woman who had a long term affair with a much older H.G. Wells and produced a child out of wedlock, back when things like this were considered shocking. I stumbled across a copy of this book and decided it might make an interesting read.
I never imagined that I had found a true classic, a book that uses the English language to a degree unsurpassed by any other author I have ever read. The story of is simple, that of a down on their luck family, living in London during the early 1900's. Their trials and tribulations are faithfully described, as are the multitude of characters they befriend. Actually to describe the plot, one might assume that not much really happens and to be honest, the plot is not the main attribute of this novel. But the language! I have often thought that I would some day like to write a novel but after reading this book, I would not even attempt it! This is how language should be used...clear and concise but also able to convey atmosphere and emotions. Page after page of luscious words, all combining together to create an unforgettable reading experience. If, like me, you wanted to read more, please note that the sequel, This Real Night is almost as good. A third book, Cousin Rosamund is much weaker since it was not completed at the time of the author's death.
Please do yourself a favor and read this book. I think this ranks with Pride and Prejudice and Wuthering Heights as books which define the best that the English language can offer.

Beautiful, wise, witty, and, yes, you guessed it, timeless.......2003-03-27

About two pages into this I realized I'd come across a sublimely intelligent and aware narrative voice -- that of a 12-yr-old girl in turn-of-the-century London -- and from that point on I read the rest of the novel in a page-turning fever of delight and pleasure. A fictionalized account of Rebecca West's real family, the story follows the lives of the narrator, Rose Aubrey and her twin sister Mary (both of whom are prodigies on the piano), their older sister Cordelia, who apparently stinks at the piano, but doesn't realize it (much to the chagrine of the rest of the family), their thoroughly unflappable and adored younger brother, Richard, a flautist, and their ragged, heroic mother who tries to keep the family above water while the father, a brilliant essayist and pamphleteer who is completely lacking in all matters of practicality, loses one job after another. It's a brilliant cast brought unforgettably to life by West's flawless prose and the intelligence, generosity, imagination and wit poured into it. When you close the book, you feel as if you had just remembered moments from a real family you'd known while growing up, but who you lost touch with because your family moved away. Truly wonderful. Please, if you love beautiful things, read this.

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