Book Description
Whip It!
·Comprehensive overview of all weapons and items
·Combat strategies for ranged and hand-to-hand fighting
·Exhaustive walkthrough for all 10 levels
·Proven solutions to all puzzles
·Effective strategies for every mini-game
·Where to find all three pieces of the Mirror of Dreams
·Locations of all MedKits, Water Fountains, and Ammo packs
·How to climb, swing, and roll through any terrain
Customer Reviews:
Prima's Strategy guide Indiana Jones Emperor's Tomb.......2007-03-20
I like it and it was brand new and it got me through the game levels. I was able to find it only at Amazon, not in any stores locally.
Average customer rating:
- A Pure Delight
- Wonderful
- A veritable Napoleonic museum
- The best visual book on Napoleon Bonaparte
- The best visual book on Napoleon Bonaparte
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Napoleon
Proctor Patterson Jones
Manufacturer: Random House, Inc.
ProductGroup: Book
Binding: Hardcover
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How to Make War
ASIN: 0679414584
Release Date: 1992-09-22 |
Customer Reviews:
A Pure Delight.......2003-04-22
Here is a book that I have been looking for for some time, a book that incorporates the magnificent artwork of the Napoleonic period along with a detailed profile of Napoleon. The result is magic and a pure delight to the eye. Proctor Jones has done a splendid job at merging the two memoirs of Menval (Napoleon's secretary) and Constant (Napoleon's valet) to provide a detailed and intimate account account of Napoleon. This is not a book that details Napoleon's battles or strategic genius but is a book that provides a wonderful insight into his character and personality instead. What comes across is that Napoleon was indeed human with many strengths and weaknesses and is not the ogre or monster as often portrayed by British propaganda. One can see the the unboundless energy, emotion, magnetism and even quirky habits of the man as seen through Menval and Constant. The artwork is plentiful and compliments the events as described in the narrative. This is a superb book, printed on high quality paper and an essential addition to any buff of the Napoleonic period. You will not be disappointed, only delighted.
Wonderful.......2003-04-12
I will begin this review by saying that I knew Proctor Jones and liked him very much. I had the privlege to travel with him and visit many of his friends while I was living and working France. He was a wonderful man and an enjoyable companion and I will fondly cherish my memories of him.
Even today his memory is still strong for those of us who knew him and his name is a talisman which opens doors which otherwise would be sealed.
Many people claim to have access to special or unknown collections. Proctor was the real deal.
This book was a labor of love for Proctor. He set out to publish pictures that had not been seen in other books...he spent an unbelievable amount of money, time and effort tracking down unpublished art and securing the right to publish it in this book.
He then published this book himself because no publisher would print it at the level of quality he wanted. He was particular about the paper, the binding and the detail of the reproductions...
Proctor then was able to get Jean Tulard to do the preface...virtually impossible for an American author...and even launched the French version of the book at a reception at Malmaison (I was there).
Proctor never intended to make money on the book...It was his intention to bring these works to an audience who would otherwise find them inaccessable. I know for a fact that at the print run he authorized he lost tens of thousands of dollars just on the royalties and fees he paid for the permission to reproduce these paintings.
This book is in a limited print run in English and in French and when they are gone they will be gone. Just like Proctor.
Proctor I will miss you and I thank you for producing this book.
A veritable Napoleonic museum.......2002-01-07
This is a fantastic book as it includes within its cover a feast of great Napoleonic paintings and memorabilia which is worth the price alone. The text is finely edited by Proctor-Jones, comprising of an interwoven thread based on two memoirs of two men who were closely linked to Napoleon. One was his secretary, C Meneval and the other is his personal valet W Constant.
Every dedicated Napoleonophile should own a copy.
The best visual book on Napoleon Bonaparte.......1998-01-15
There are numerous books on Napoleon Bonaparte, but this is THE book that I had to possess on the great man himself. The visual feast of illustrations compiled in this book alone more than justifies the ridiculously low price of the book relative to other pictorial books on the same subject. The judicious use of illustrations and the careful editing of two writing styles, one by Meneval (Napoleon's secretary) and the other by Constant (Napoloen's valet), by Proctor-Jones has transformed what could have been a boring translation of two French diaries into a vivid account of Napoleon's life as Emperor of Rome. Both accounts may have been biased in favour of the Emperor but Proctor-Jones was clever in not interjecting any of his personal opinions as editor and thereby, has created a classic work on the subject.
The best visual book on Napoleon Bonaparte.......1998-01-15
There are numerous books on Napoleon Bonaparte, but this is THE book that I had to possess on the great man himself. The visual feast of illustrations compiled in this book alone more than justifies the ridiculously low price of the book relative to other pictorial books on the same subject. The judicious use of illustrations and the careful editing of two writing styles, one by Meneval (Napoleon's secretary) and the other by Constant (Napoloen's valet), by Proctor-Jones has transformed what could have been a boring translation of two French diaries into a vivid account of Napoleon's life as Emperor of Rome. Both accounts may have been biased in favour of the Emperor but Proctor-Jones was clever in not interjecting any of his personal opinions as editor and thereby, has created a classic work on the subject.
Average customer rating:
- A great story with a weak ending...
- Fremont Jones You Go Girl!
- Quite a disappointment
- Fremont and Spiritualism
- This has quickly become one of my favorite mystery series.
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Emperor Norton's Ghost (Fremont Jones Mysteries)
Dianne Day
Manufacturer: Bantam
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The Strange Files of Fremont Jones (Fremont Jones Mysteries)
ASIN: 0553580787
Release Date: 1999-06-01 |
Amazon.com
Like all good historical mysteries, Dianne Day's books about a feisty young woman from Boston named Fremont Jones who winds up solving crimes in and around San Francisco in the early 1900s are a delicate balance of odd and exotic period details and characters with motivations we can sympathize with today. The notion that Fremont's lover-partner, a Russian named Michael Kossoff, might be involved in a plot to murder the mad monk Rasputin is made more believable by his endearing habit of bringing home fresh pastries for breakfast. That Fremont's new friend Frances McFadden seems to have summoned up at a seance the spirit of that infamous 19th-century San Francisco character who crowned himself Emperor Norton I of the United States and Defender of Mexico is balanced by the bruises Fremont notices on the battered wife's arms. And descriptions of a determined San Francisco rebuilding itself after the 1905 earthquake remind us of more recent Bay Area disasters. Day writes with wit and energy, and her Fremont Jones is a totally plausible modern woman born a few decades before her time but making the most of that accident of history. The first three books in this laudable series are The Strange Files of Fremont Jones, Fire and Fog, and The Bohemian Murders. --Dick Adler
Book Description
Caroline Fremont Jones revels in her return to San Francisco, where a new city rises from the ruins of the 1906 earthquake. Even more rewarding is her business partnership and rekindled love with ex-spymaster Michael Archer Kossoff. But their private investigation agency is barely off the ground when Fremont's new friend, lovely but quirky Frances McFadden, becomes their first client--and it's a most troubling case.
The adventurous but skeptical Fremont, lured by Frances to a séance, sees her companion fall into a disturbing trance. Despite the opposition of her powerful, controlling husband, Frances is determined to develop her budding psychic ability. Soon she confides to Fremont that a restless spirit from San Francisco's legendary past has entrusted her with a mission.
But when one of the city's female mediums is murdered, and then another, Fremont's reservations turn to dread. Who has killed these women who wield their own power in the metaphysical world, and why? As Fremont's investigation takes her into the murky depths of spiritualism, she places not only herself, but also her dearest friends in mortal danger.
Customer Reviews:
A great story with a weak ending..........2007-02-04
Emperor Norton's Ghost was well written and quite entertaining... all the way up to the final chapter, which wrapped everything up quite rapidly and rather weakly, and with what appeared to be a giant leap of intuition on the part of the main character, Fremont. To me, a good mystery story is littered with clues which can help a savvy reader to solve said mystery. The skill of a mystery writer lies in the peppering of the story with these clues without allowing the reader to determine whodunit before the denouement. The one clue discovered by Fremont which connects the victims to the killer is tenuous at best, and the conclusion is, well, rather vague and hasty, rather a disappointment, given how great the rest of the book was.
Fremont Jones You Go Girl!.......2006-06-16
This was my first Fremont Jones adventure; it certainly won't be my last. The city as it was a century ago, a woman ahead of her time, with an obviously adoring lover who respects her knowledge and ability. AND the murder...Yessir a real whopper of a whodunnit!
Quite a disappointment.......2005-07-04
For the longest time, I couldn't figure out in what period this book was set. Stilted language that I guess is supposed to sound like the language of the early 1900s. References to things that happened during that period, but the main character seemed too modern.
I live in the San Francisco Bay area, am familiar with "Emperor Norton", and the spiritualist movement, so I was prepared to like this book.
It's difficult to articulate exactly what I didn't like about it - past my initial confusion, it turned out to be less than interesting. This was my first Dianne Day book and I'm not sure I'm willing to take a chance with another.
Fremont and Spiritualism.......2002-10-22
Fremont and her partner in life and business, Michael Kossoff are now running an investigative business, J & K and sort of sharing a duplex with the office on the ground floor. Their former policeman friend Wish Stephenson is working for them. Fremont has made friend who doesn't care for her unusual lifestyle, Frances McFadden. Frances is an abused wife with an interest in Spiritualism. While at a seance with Fremont, she finds herself taken over by a spirit. The medium orders her out of the building, but later asks for a visit. Fremont and Frances arrive at her house to find her murdered and very recently. Fremont of course wants to investigate and to save her friend, but Michael counsels her to be cautious. In the midst of all this, Fremont's father is coming for a visit without his despised wife Augusta. Michael tactfully leaves town. Another medium is also murdered and Fremont wonders if it is a trend and if Frances' brutal husband is involve.
The two plotlines of this novel blend beautifully. The murder mystery was a little more difficult than most, maybe because I was distracted by Fremont's reunion with her father. This is the best of the series so far.
This has quickly become one of my favorite mystery series........2001-08-20
This is another marvelous entry in the Fremont Jones series. Once again the author creates a full sense of place, and her main characters continue to develop into even more interesting people. This time the story is about psychic phenomena and the people who pursue the paranormal. It's nice that the author does NOT make fun of either the people or the pursuit! A tension-filled and interesting twist on murder and familial abuse.
Average customer rating:
- From Croatia to Korea
- Beyond the stereotypes, a still-powerful play
- Welcome to the Emperor's nightmare
- Emperor Jones--One of O'Neill's Best
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The Emperor Jones (Dover Thrift Editions)
Eugene O'Neill
Manufacturer: Dover Publications
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ASIN: 0486292681 |
Book Description
Powerful drama, rapidly shifting scenes describe fall of Brutus Jones, the self-proclaimed, plundering monarch of a West Indian island, whose flight into the jungle from rebellious subjects is plagued by ghosts and visions. Bold, expressionistic work established O’Neill as one of America’s most important dramatists.
Download Description
His hand going to his revolver like a ftash-menacingly: Talk polite, white man! Talk polite, you heah me! I'm boss heah now, is you fergettin'? The Cockney seems about to challenge this last statement with the facts but something in the other's eyes holds and cows him.
Customer Reviews:
From Croatia to Korea.......2005-10-11
Eugene O'Neill's classic play was originally produced on Broadway in 1920 with Charles S. Gilpin in the lead. It reappeared for 3 more Broadway productions. Although O'Neill himself did not embrace the label, "The Emperor Jones" seems a quintessential expressionist piece as the little formless fears, Jeff the gambler, the convicts and the auctioneer all seem to be projected from Jones' deteriorating inner emotions. The opening scene between Jones and Smithers, the Cockney trader, is powerful with the brutal dialogue & interplay between characters. The next 6 scenes all reflect Jones' inner state with the tremendous mechanism of the increasingly intense tom-tom drums driving him to the breaking point and his increasingly tattered clothing reflecting how he is being worn down. Demonstrating the expressionist technique, frequently at the conclusion of these scenes the forest seems to draw around Jones after he shoots his revolver at his illusion. Scenic designer Cleon Throckmorton broke new ground by using a plaster skydome in place of the traditional canvas cyclorama to enhance the outdoor visual effects, which would be a challenge to produce. The play climaxes offstage in Scene 8 as Jones is cornered and executed. The play shows us an island on the edge of civilization where local dictators can use muscle to loot the public treasury for personal gain as they create and evade their own laws. The sad universality of the piece is that 85 years after its first production, whether you call them Taliban, Castro or Saddam Hussein, we can still see places in the world where similar dramas of dictatorship are played with various ethnicities and geography. The savagery of O'Neill's Emperor Jones may seem different; but from Croatia to Korea, it still exists in many places. This is a play that still resonates thematically and dramatically. Enjoy!
Beyond the stereotypes, a still-powerful play.......2004-10-03
"Emperor Jones" is a significant entry in American theater history for a number of reasons. With its dreamlike sequences featuring scenes built entirely around monologues, the play is O'Neill's first foray into experimental theater, it was the first Broadway play featuring an African-American in the lead role, and it became a 1933 film featuring Paul Robeson. And when the New York Drama League initially refused to invite Gilpin to its annual awards dinner, O'Neill led a successful protest.
The story is simple: a Pullman porter, after a conviction for murder, escapes to a Caribbean island and becomes the ruler of the natives. Once the natives grow restless, the Emperor Jones takes flight through a haunted forest, only to be confronted by the ghosts of his own past (his murder victim, prison guard) and of African American history (slavery). Through each of the six middle scenes, which would be a challenge for any actor, we see Jones deteriorating mentally and physically. It all seems entirely implausible, but this short drama is not an exercise in naturalism; instead it is a dark fable prefiguring a later tradition of magic realism.
In spite of its place in African American cultural history, however, both the stage directions and the dialogue (as A. R. Gurney points out in another edition of this book) "seems nowadays to be badly stereotyped." This is somewhat of an understatement. In addition to the "Heart of Darkness"-inspired drumming of the natives and the monologues of the fleeing, scared-witless "emperor," O'Neill includes stage directions that make the reader wince, as when he describes the chief of the native soldiers is "a heavy-set, ape-faced old savage of the extreme African type, dressed only in a loin cloth."
These uncomfortable representations are set off only slightly by the play's only white character, who is a two-faced and greedy manipulator of the situation. Once you get past these considerable faults, typical of the societal attitudes of yesteryear, the play's power and originality are impressive.
Welcome to the Emperor's nightmare.......2003-04-08
"The Emperor Jones," by Eugene O'Neill, is a striking work by one of America's most significant dramatists. A bibliographic note in the Dover edition states that the play was first performed in 1920 and published in 1921. It's a one-act play in 8 scenes.
The play tells the story of Rufus Jones, a former Pullman porter who has become the monarch of a West Indian island. But as the play opens there is trouble in his empire.
This is a surreal, nightmarish character study, full of violent and disturbing images. There is some biting dialogue, as well as an intriguing exploration of tension between Black Christianity and Black "heathen" religion.
Jones is a memorable figure, powerful and tragic. O'Neill's stage directions are full of fascinating visual and audio touches--his mastery of the genre is quite evident. Ultimately, "Jones" is a haunting meditation on power, belief in the supernatural, and the seemingly inescapable pull of history.
Emperor Jones--One of O'Neill's Best.......2002-01-28
While psychological drama does not often achieve its goal, O'Neill gets it right with "The Emperor Jones." Even when reading the play, one develops a sense of inexorable dread as the native drum speeds up and the Emperor runs into one hallucination after another. All in all, a decent play, though I cannot give it five stars, since I really do not buy into the whole "Emperor" idea. It is the one thing O'Neill does not pull off.
Average customer rating:
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Suetonius: The Flavian Emperors (BCP Classical Studies) (BCP Classical Studies)
Brian W. Jones , and
Robert D. Milns
Manufacturer: Duckworth Publishing
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Binding: Paperback
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ASIN: 1853996130
Release Date: 2002-09-01 |
Product Description
Nero's suicide in AD 68 was followed by a disastrous civil war that left the empire in a parlous state and saw the demise, in quick succession, of another three emperors (Galba, Otho and Vitellius). Normality returned with Vespasian and his sons, Titus and Domitian, who ruled from 69 to 96. They changed the face of Rome, with massive public works such as the Flavian amphitheatre (later called the Colosseum) and the palace-complex on the Palatine, which provided much-needed employment while at the same time enhancing the city s status as the capital of the Mediterranean. Suetonius provides the most detailed account of the new dynasty and its achievements. What he has to say about these three Flavians constitutes the best source we have for the period. This edition of the three "Lives" includes a new translation, a general introduction to Suetonius and a detailed commentary that concentrates on the social and political history behind each "Life."
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- A Quartet of Great Theatrical Extremes
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Four Plays by Eugene O'Neill: Anna Christie; The Hairy Ape; The Emperor Jones; Beyond the Horizon
Eugene O'Neill , and
A. R. Gurney
Manufacturer: Signet Classics
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ASIN: 0451526678 |
Customer Reviews:
A Quartet of Great Theatrical Extremes.......2004-03-18
Eugene O'Neill (1888-1953) is generally considered the greatest American playwright of the 20th Century. Today casual readers and playgoers are most likely to know his work through two plays written in the early 1940s: the celebrated The Iceman Cometh and the Pulitzer Prize-winning Long Day's Journey Into Night. But the great bulk of O'Neill's work was done between about 1914 and 1933--and although the power of his later work is undeniable, it was actually his earlier work that led to his 1936 Nobel Prize for Literature.
With an insightful introduction by A.R. Gurney, author of such playscripts as The Dining Room, this reasonably-priced volume presents four of O'Neill's earliest successes, including two Pulitzer Prize winners. Each of the four is remarkable in its own way, and taken together they offer a memorable overview of the ideas, themes, and theatrical concepts that O'Neill would continue to expand upon throughout the rest of his career.
The two "realistic" dramas of the quartet took the Pulitzer Prize: Beyond the Horizon, first staged in 1920, and Anna Christie, first staged in 1921. But although the plays are realistic in tone, it would be a mistake to consider them realistic in ultimate quality--for it is here that O'Neill begins to grapple with themes of fate, of inevitability that critics would tag as "naturalistic."
Beyond the Horizon offers the tale of two brothers who separate and experience a role reversal of sorts when one marries the love of his life--only to find bitterness, disillusionment, and disappointment. Anna Christie, a play which is still frequently revived, offers the tale of a young prostitute who attempts her past behind by returning to her father--only to find herself caught up in another but equally harsh fate. Both plays are extremely powerful and both offer O'Neill's richness of theme and concept and both had extremely positive critical and popular support when they debuted; both, however, are also deeply flawed works with final acts that do not quite manage to bring O'Neill's ideas to a completely satisfactory conclusion.
It is really in the two remaining plays that O'Neill first finds complete artistic success, plays which are not in the least realistic and which critics would describe as expressionistic. Whatever word is used, again O'Neill plays with the same sense of inevitability, the same idea that each person is his own prisoner, a prisoner who can only be released from his cage by death.
First staged slightly before Beyond the Horizon in 1920, The Emperor Jones proved extremely startling in form. The play presents the tale of "Emperor" Jones, a black man of great physical power but limited insight who escapes from racially repressive America to an island where he bullies his way to the throne. But ironically, instead of working to create a society that is less repressive, he merely repeats what he has learned and evolves into an abusive ruler. When his subjects rebel, he makes a marathon run through the jungle to escape ... only to find his past transgressions rising before him as the pursuing drums draw ever closer. Like Anna Christie, The Emperor Jones remains one of O'Neill's most frequently staged early works.
O'Neill's 1922 The Hairy Ape is only slightly less successful than The Emperor Jones, and again finds O'Neill working concepts of personal inevitability into an expressionistic form; indeed, it is easily the single most expressionistic play of O'Neill's entire output. It presents the story of Yank, a burly lowbrow stoker who works in the flaming hell of an ocean liner's boiler room. Proud of his work and of himself, Yank is outraged when he is insulted by a society woman as a "hairy ape"--and goes in search of the newly discovered society that rejects him. But the instant Yank steps outside his boiler room he falls victim to repeated rejection, and like the Emperor Jones he pays the ultimate price for rattling the bars of his personal prison. Difficult to cast and extremely hard to stage, for all its power The Hairy Ape is rarely revived today.
Although all four plays, flaws and all, are remarkably fine and extremely important in the development of 20th century theatre, I do not normally recommend any O'Neill script to the casual reader. On the page, his dialogue and constructions have an unnatural quality that makes for difficult reading, and although he is usually very specific in scenic and business description it is often very difficult to imagine how the play performs before an audience. Consequently, readers without a significant background in theatre are likely to find his works challenging to read--but even so it is a challenge worth the effort, and for any one serious about theatre arts all four of these plays are essentials.
GFT, Amazon Reviewer
Book Description
Winner of the Nobel prize for literature and 4 Pulitzer prizes, Eugene O'Neill is generally acknowledged as America's greatest playwright. The Emperor Jones is an expressionistic play much-admired for its powerful psychological portrayal of brute power, fear, and madness. The Hairy Ape combines elements of class struggle and surreal tragedy. Also includes Anna Christie.
Book Description
Was Domitian a despot? Jones argues that the Court rather than the Senate was the centre of Domitian's power and of his cultural ambitions. This is the first biography of the ruler ever to appear in English.
Customer Reviews:
a balanced and helpful portrait of an important Roman figure.......2006-08-12
The Emperor Domitian presided over a period in which many of the later New Testament texts were written, such as Revelation and the Gospel of John. Close study of the reign of Domitian provides enormous insight into these biblical texts and the situations they addressed for their own readers. Jones' biography of Domitian should be standard reading for anyone seeking to understand the world that generated such claims for Jesus as "savior of the world" (John 4) and "Lord and God" (John 20), both attributed to Domitian. One of the great strengths of Jones' book is its placing of Seutonius' own "Twelve Caesars" in historical context. Many previous interpretations of the lives of the caesars took Suetonius as a reporter, rather than as the imperial propagandist for his patron that he was.
Very readable and highly recommended.
This book is a reliable, readable and valuable biography........1998-08-05
When it was published in 1992 this book was the first significant scholarly biography of the emperor Domitian (ruled AD 81-96) since 1894. The author is an Associate Professor and a leading specialist in Flavian political and prosopographical history, and has produced a very reliable, readable work that is a critical and valuable interpretive synthesis of the considerable modern scholarship relating to Domitian. The study is organized thematically and with a very solid prosopographical approach. The first chapter examines the social and political rise of Domitian's family, his early life and role under his father Vespasian and brother Titus (both emperors). The next two chapters provide a detailed examination of Domitian's court and his relationship with his courtiers. These are then followed by two chapters on Domitian's financial, administrative and provincial policies. Chapters 6 and 7 examine the major wars of Domitian's reign and his military and foreign policies.! After these there are two chapters on the senatorial and equestrian aristocracy during Domitian's reign, and his relationship with them and other policies and problems. The conclusion completes the study with detailed end-notes and an exhaustive bibliography. The three indices (on persons, ancient authors and general subjects) at the end of the book are very useful and effective. For serious scholars of this period this biography is an indispensable work. A more recent biography of Domitian with a psychological approach ('Domitian: Tragic tyrant') is in many ways simply based upon the present study.
Product Description
Three plays in one volume. Three times winner of the Pulitzer award and in 1936 the recient of the Nobel Prize ofr literature, Eugene O'Neill stands pre-eminent amoung the world's dramatists.
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