Book Description
Not yet famous for his Civil War masterpiece,
The Red Badge of Courage, Stephen Crane was unable to find a publisher for his brilliant
Maggie: A Girl of the Streets, finally printing it himself in 1893.
Condemned and misunderstood during Crane’s lifetime, this starkly realistic story of a pretty child of the Bowery has since been recognized as a landmark work in American fiction.
Now Crane’s great short novel of life in turn-of-the-century New York is published in its original form, along with four of Crane’s best short stories–The Blue Hotel, The Bride Comes to Yellow Sky, The Monster, and The Open Boat–stories of such remarkable power and clarity that they stand among the finest short stories ever written by an American.
Customer Reviews:
Heads up...this version is not the complete story.......2007-09-17
Just to let folks know--this version has passages that have been altered, shortened, or entirely removed from the original, and the ending is considerably changed. If you want Crane's work as it was originally published--and the ending that is both heartbreakingly bleak and visually evocative of her descent into the depths, definately buy another version. I recommend the Penguin Classics edition.
What could have been?.......2007-08-06
Let me first state that I do not own this specific edition of Maggie, and that I am only reviewing the actual story of Maggie: A Girl of the Streets. I wasn't going to review this book since it is not the one that I own; however, after reading a previous review I decided that I had to review it.
First, this book is pretty much about what everyone said it is about. It is about a family living in the slums of turn-of-the-century New York. The protagonist of the book is a young girl named Maggie, whom is full of dreams and aspirations, unlike her loser relatives. Her main dream is to meet a good man and fall in love with him and start a family, to live happily ever after. However, the fellow that she chooses to fall in love with is a loser whom ends up leaving Maggie. Her family, not yet satisfied with all the harm that they caused Maggie during her childhood, disowns Maggie and drives her to her doom. I won't spoil the ending, but let's just say that it doesn't end well for Maggie. It is extremely sad and disappointing to realize what Maggie could've been so much more. She was a beautiful and moral girl. Instead, she ends in tragedy.
Now, the previous reviewer stated that this book cannot be a classic because it is too short. I wasn't aware that there is a length requirements for classics. Also, the outdated slang and cussing is outdated because the story takes place in turn-of-the-century New York. I personally felt that this slang added greatly to the feel of the story.
You, the reader, should be the judge on the quality of this novel. Do not let poor reviews detract you from picking it up and giving it a good read. I am confident that if you focus on what Maggie could have been, it will make it easier for you to enjoy the story.
Maggie: Beaten From The Start.......2006-08-30
For those who read the full title of MAGGIE: A GIRL OF THE STREETS, it is forgivable if they assume that Stephen Crane's novel is a sensationalistic tale of a fallen woman. Sensational it may be in parts, but it is far closer to the flood of naturalism that was dominating American literature in 1893. Naturalistic writing was marked by a belief that human beings were at the mercy of a brute and unfeeling nature that rigged the deck against anyone who dared to attempt to rise above his station. The usual result was the crushing defeat or death of that person. Crane had done extensive reading of European authors who led the way with their own naturalistic writings. In MAGGIE, Crane wrote of a good girl who wanted no more than to find the right guy to love, but everyone in her environment, even her own family, worked in tandem not only to stop her from achieving her goal but to demolish her in the process.
Maggie lives in the slum section of New York. Her dreams to better her life are much more modest than the heroines of any novel by Edith Wharton. Lily Bart of Wharton's HOUSE OF MIRTH was poor like Maggie but Lily sought to mingle with money and to marry into it. Maggie's dream was no more than to find love, and when her brother brought home his friend Pete, she thought she found it. Pete was handsome and what today we would call a "player." He dates Maggie for a while, raising her hopes of marriage, but after living with her, he tires of her and dumps her. Maggie's family is outraged, not so much at Pete for being a cad, which he certainly was, but at her for violating the Puritanical rules that forbad such a relation. Her family itself was not a paragon of virtue. Her mother and father drank heavily and alternately abused or ignored Maggie and her brother, who himself had impregnated several women and then dodged them when they showed up at Maggie's apartment demanding that he own up to his responsibilities. Maggie's sin, such as it is, pales into insignificance by comparison. Her family will not accept her back so she is left to wander the streets as a prostitute. The ending is predictable; Maggie jumps into the East River and drowns. In the literary world of naturalism, Crane had to create a hostile universe and people it with uncaring characters whose only function was to show that this universe truly was a hideous place to live. Once readers finish the novel, they are often stunned with the imbalance in the scales of cosmic justice, suggesting that Crane's vision of a brute nature may never go completely out of fashion.
Maggie.......2006-06-20
This was a classic????????
Not that that this book was terrible, but a classic?
Ha Ha Ha!!!!!!!
Maggie was this street girl from the 1890's New York. She came from a poverty-stricken home who cussed a lot and beat up their children whenever they had the chance. She grew up an urbane child, and she fell in love with this butt-head, at first the Butthead appeared romantic and caring, yet when he dumped her for some other whore Maggie became insane and craved to become a prostitute. In the end she ended up hooking a man who was probably the most disgusting piece of s*** in all of New York. This book is a true tragedy indeed.
Just because this author wrote a classic book doesn't mean that every book he'd ever wrote was a classic. This book was filled with outdated cussing, outdated slang, and some more outdated cussing. Besides, it was too short to be a classic NOVEL anyway. However, there are some good things about this book. The plot is definitely well-written. It gives us a glance of how miserable some people truly are, and that fate can guide them to a very destructive ending. They have nothing to live for because they do not have futures. And so their hopes often are tied to a string, such meeting a man who you really love, and soon finds out that he doesn't love you. If you were Maggie, what would you have done. Wouldn't you probably end up walking the same path as she did?
A wonderful story, and the extra stories are just bonuses to a great package........2006-05-05
I read Maggie: A Girl of the Streets in about an hour and a half, but it didn't seem nearly that long, and I was sad when it was over. It's a very tragic story, and the reader feels real sympathy and pity for Maggie, making the end of the story even more sad. While I haven't read all of the other stories, the two that I have read were excellent. The Bride Comes to Yellow Sky was absolutely wonderful, and it's a testament to what love can do for someone. I read The Open Boat the other day, and I was impressed with that one as well. The camaraderie of the men in the boat was unparalled, and it really made me feel for them. As for the other stories, I haven't read them yet, but I will shortly. Highly recommended.
Customer Reviews:
Realistic; very sad.......2007-07-08
Of all his works--'The Red Badge of Courage' included--Stephen Crane loved most his 'Maggie,' and for good reason.
'Maggie' is the tale of an inevitable fall from grace on the part of a young, innocent girl trapped in the vicious world of New York City's slums. Yearning for acceptance and love, beaten at home by alcoholic parents, Maggie sets out with Pete, a local bartender whose "cultured" mannerisms elicit great respect from the impressionable young girl. However, when Pete spurns her for another, Maggie is ejected out onto the street, forced into prostitution to make a living. We last see her moving off, a huge, oily fat man in tow, for a darkened corner in the city's seedy underworld.
If Upton Sinclair's 'The Jungle' is a torrent of social anger and protest, Crane's 'Maggie' is like a brilliant lightning strike, flashing across our vision and leaving us temporarily blinded. The book--scarcely 70 pages--is succint, brutish, and merciless. Crane allows his readers to form their own opinions regarding the characters. His innovative use of near-phonetic spelling to depict in the reader's ear the local dialect of New York's rough neighborhoods was shocking and difficult to comprehend when the book was first released. It lends "Maggie" an air of earthy legitimacy.
Ultimately, "Maggie" is a cry for the plight of poor children--the souls we overlook with a callous unease mirrored in Pete's offhand, uncaring rejection of young Maggie's genuine love and affection. It is, without qualification, Stephen Crane's greatest and most moving achievement.
Boring.......1999-03-03
This book was a good story but the way it was written was really hard to understand and hardly worth reading.
Book Description
With its unflinching portrayal of the squalor and brutality of turn-of-the-century New York, Maggie: A Girl of the Streetsproduced a scandal when it was first published in 1893. Crane's novel chronicles the life of Maggie Johnson, the daughter of a cruel father and drunken mother, who finds work in a collar factor and is seduced by her brother's menacing friend, Pete. Disowned by her mother, Maggie becomes a prostitute and, ultimately, a victim of despair. But more than the tale of a young woman's tragic fall, the novel is also a powerful exploration of the destructive forces that underlie urban society and human nature.
This volume also includes "George's Mother" and eleven other tales and sketches of New York written between 1892 and 1896. Together in their poised realism these tales confirm Crane's place as the first modern American writer.
"A powerful, severe, and harshly comic portrayal of Irish immigrant life in lower New York exactly a century ago."--Alfred Kazin
Customer Reviews:
The underbelly of New York at the turn of the century.......2007-01-31
If Edith Wharton captures the snobbery, superficiality, hypocrisy, materialism, and coldness of New York City's turn-of-the-century elite, Stephen Crane reveals the toughness, callousness, brutality, and violence of New York's working class. Ironically, Wharton's Lily Bart and Crane's Maggie Johnson, both romantics moving in anti-romantic spheres, share a similar fate--abandoned by their respective societies.
Unlike Wharton, Crane wrote from a primarily journalistic, dispassionate point of view. The settings, the situations, the speech, and the similes reveal the underbelly of life among the working poor. Maggie opens with "a very little boy," her brother Jim, serving as "champion" of Rum Alley, an aptly named area where life is centered on working, drinking, and fighting.
Maggie and Jim's father can't keep him from fighting because that's all the boy knows, and the torn clothes that his drunken mother bemoans cannot compare to the furniture and crockery damage that occur during their violent marital spats. The father, a drunken brute like his wife, does not understand the irony of his demand when he says, ". . . Yer allus pounding 'im . . . I can't get no rest 'cause yer allus poundin' a kid. Let up, d'yeh hear? Don't be allus poundin' a kid." The infuriated mother responds with increased savagery. "At last she tossed him to a corner where he limply lay cursing and weeping." Jim, Maggie, and even the baby Tommie seem to be as disposable as the rest of the household goods.
Life in the city is lived outwardly, and the strong do not question themselves. While "Jimmie had an idea it wasn't common courtesy for a friend to come to one's home and ruin one's sister," his contemplations of his own actions toward women are cut off by self-absolution before such introspection can lead to self-incrimination. Later, Pete will share this attitude when Maggie attempts, in his mind, "to give him some responsibility in a matter that did not concern him."
Maggie and Jimmie's parents represent an extreme. Everyone knows their family's business, from the residents who share their tenement with its "gruesome doorway" to the group of urchins who waylay the mother as she is ejected from a saloon for "disturbance." The Johnsons' troubles delight the neighbors; the old woman downstairs tells Jim that "deh funnies' t'ing I ever saw" was Maggie "a-cryin' as if her heart would break, she was. It was deh funnies' t'ing I ever saw."
In the midst of this squalor, Maggie does have an inner life. Combined with her romanticism and naïveté, it convinces her that Pete is the height of urbane sophistication as he bullies waiters, telling them to "git off deh eart'." Interestingly, as she toils over "eternal collars and cuffs," Maggie has a daydream that foreshadows Pete's final chapter in the novel; she imagines him with a half dozen women "and thought he must lean dangerously toward an indefinite one, whom she pictured with great charms of person, but with an altogether contemptible disposition."
In Maggie's final appearance, Crane does not use her name, which perhaps answers her question from the preceding chapter: "Who?" She begins her anonymous journey near a theater district, where the affluent emerge from "a place of forgetfulness." Her wanderings on this one night reflect her life over the previous several months, as she leaves behind the bright light and glamor on a trail of rejection that leads ever downward, until she meets a wreck of a human, who follows "the girl of the crimson legions." No longer Maggie, she represents those whose naivete, hopes, and foolish romantic dreams are crushed by the code of toughness that Jimmie fights for at the beginning and the hypocrisy that her lamenting mother exhibits at her fall.
These stories can be hard to read, partly because most of the relationships seem detached or distant at best and bitterly heartless at worst. Maggie's father talks about pounding "a kid" as though they are not his own and have nothing to do with him. Pete is "stuck" on Maggie's shape only until she gets in the way of greater desires. George of George's Mother is happiest when he has made his old mother miserable. At the same time his "friends," whose habits and exhortations have led to his downfall, abandon him, just as he turned on his mother.
Love is a rare visitor to Crane's pages, apparent mostly in the maternal indulgences of George's Mother and the rediscovered affection of Mr. and Mrs. Binks in "Mr. Binks' Day Off." It is only in the countryside of New Jersey that the battling Binkses find a moment in which to express genuine affection: "Mrs. Binks had stolen forth her arm and linked it with his. Her head leaned softly against his shoulder."
Notably, the other loving relationship, between a child and "A Dark-Brown Dog," is marked by the brutality of the one and the submissiveness of the other. Their friendship begins when "the child lifted his hand and struck the dog a blow upon the head"; the dog "sank down in despair at the child's feet." In the world both know, the more powerful must domineer, and the weaker must submit. Living by this simple rule, however, does not guarantee survival.
Crane self-published Maggie, and it is sometimes clear that his work could have benefited from an editor's counsel. For example, similes such as, "The little boy ran to the halls, shrieking like a monk in an earthquake," are ineffective and draw too much attention to themselves. Yet these stories are an amazing accomplishment of observation and writing that make Crane's premature death at age 28 even more tragic.
A bleak uncompromising novel of New York's "lower depths"........2004-11-16
This is a great book,I love this book,though it is almost unbearably sad.The novel's uncompromising realism in its portrayl of stunted,wasted and degraded lives in the New York tenements of the 1890's,horrified many of Stephen Crane's contemporaries,and he initially had to pay to have it privately published(it was his first novel).Only when he became famous as the author of "The Red Badge of Courage",was there a proper edition.Crane railed at "sentimentality",which he saw as an artistic curse.There is no sentimentality in this book,and Crane proved that a good writer could still move the reader to tears without purple prose.
Brilliant Writing!.......2004-04-07
I am amazed at the fact that Stephen Crane was only twenty-one when he wrote this story "Maggie: A Girl of the Streets". I found it to be a genuine effort to tell a story from the inside-out instead of the usual outside-in.
I also found Crane's style very addictive. When I moved on to my next novel, I truly missed Cran's writing style. If you haven't read any of Crane's works, I suggest you start off with Maggie to see how you like him.
See ya next review:
www.therunninggirl.com
Well written book about 1890's slum life.......2003-12-31
This book was well written. The naturalistic setting and expressive use of slang transport you back to the nasty means streets of New York at the turn of the century. Some of their values seem kind of quaint and rustic as compared to 100 years later, however the realism is staggering. One can feel the despair of a terrible life that never gets better. Death and disease are the only fates that await and there is no release.
This is not just a book to be read as an assignment, read it for the realistic view of history as a slice of life to understand what New Yorker's were going through then, and as a parable to ghetto life today. Some things have changed but some still stay the same......plus ca change.......
What Are You People Thinking?.......2001-02-02
I'm sorry, but real life is not as pleasurable as you and I would like it to be. Stephen Crane was one of the first authors to write about life and war as an unpleasant, realistic thing. I think his writing is like a wakeup call for people like the writers of previous entries, because life is full of sad, depressing things, such as pain and rejection. As for the vocabulary and writing style, I assume that the writers of previous entries are not in second grade anymore, so they should be able to follow, understand, and appreciate the works of some of the greatest American novelists, such as Stephen Crane.
Average customer rating:
- Conjures up Images that Stay with You
- The great American war novel plus
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Stephen Crane : Prose and Poetry : Maggie, A Girl of the Streets / The Red Badge of Courage / Stories, Sketches, Journalism / The Black Riders / War Is Kind (Library of America)
Stephen Crane
Manufacturer: Library of America
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ASIN: 0940450178 |
Book Description
"Maggie: A Girl of the Streets," "The Red Badge of Courage," "George's Mother," "The Third Violet," journalism, tales and sketches, poetry. Includes firsthand accounts from Greece, and from Cuba during the Spanish-American war.
Customer Reviews:
Conjures up Images that Stay with You.......2006-03-02
His prose is excellent, but his poetry (the black riders / war is kind) is what stays with me. The striking images, dark humor and subversive fight against authority bring me back to the book decade after decade. These aren't Shakespearean sonnets; if he was born a hundred years later he would be channeling his raw feelings into writing lyrics for Rage Against the Machine. His poetry seems so modern it is hard to reconcile it with the completely different feel of The Red Badge of Courage and his splendid Spanish American War reporting.
The great American war novel plus .......2005-11-16
This volume contains all of Crane's major writings. I believe it is fair to say that it is 'The Red Badge of Courage' that gives Crane his place in the American pantheon. This is arguably the finest war novel ever written by an American. Its imaginative construction of the inner conflict of a young dreamer when confronted with the reality of battle-and the redemptive aftermath is a tautly and beautifully written realistic , moral drama. Its perception of the part imagination plays in our apprehension of reality connects it with a long tradition of the novel from 'Quixote' to ' Lord Jim'.
Crane like Keats was a literary fire that burned briefly but deeply and intensely.
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Maggie, a Girl of the Streets and Other New York Writings (Modern Library Classics)
Stephen Crane
Manufacturer: Modern Library
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ASIN: 0375756892
Release Date: 2001-03-13 |
Book Description
This harrowing tale of a young girl in the slums is a searing portrayal of turn-of-the-century New York, and Stephen Crane's most innovative work. Published in 1893, when the author was just twenty-one, it broke new ground with its vivid characters, its brutal naturalism, and its empathic rendering of the lives of the poor. It remains both powerful, severe, and harshly comic (in Alfred Kazin's words) and a masterpiece of modern American prose.
This edition includes Maggie and George's Mother, Crane's other Bowery tales, and the most comprehensive available selection of Crane's New York journalism. All texts in this volume are presented in their definitive versions.
Book Description
This comprehensive volume of Crane's work includes the first published editions of The Red Badge of Courage and Maggie: A Girl of the Streets, both of which were considerably toned down in subsequent editions for a genteel 1890s reading public. In addition to Crane's longer works, this volume presents his short fiction, as well as a wealth of supplementary material, including historical and cultural contexts, essays on urban life and reform in the late 19th century (to accompany Maggie), Civil War backgrounds (to accompany The Red Badge of Courage), and Spanish-American War backgrounds (to accompany Crane's short writings on the subject).
Book Description
In 1892 Stephen Crane (1871-1900) published "Maggie, Girl of the Streets" at his own expense. Considered at the time to be immature, it was a failure. Since that time it has come to be considered one of the earliest American realistic novels.
"Maggie" is the story of a pretty child of the Bowery which is written with the same intensity and vivid scenes of his masterpiece - "The Red Badge of Courage". In her short life, Maggie "blossomed in a mud puddle", was driven to prostitution, and died by her own hand while still a teenager.
Crane, who worked as a free lance reporter, was in many ways addicted to the low life of the cities. He died at the age of 29.
Book Description
When Maggie was published, society was unprepared for its grim and stark tale of a pretty young girl's fall in New York's Bowery, and its criticism of the irresponsibility of men toward women. Stephen Crane also exhibits his stunning genius in the five other stories of this collection, from the local color of small-town life to the bustle of the city to war stories full of the irony of heroism. The six make up an enduring testimony to one of America's finest writers.
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Maggie: a Girl of the Streets (1893) (Broadview Editions)
Stephen Crane
Manufacturer: Broadview Press
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ASIN: 1551115972 |
Customer Reviews:
Maggie:Girl of the Streets.......2006-10-26
The literary element that I chose to write about was conflict. The book is about a brother and a sister who grew up in a very poor part of New York. They did have a younger brother but he died. Maggie and Jimmies (the brother) parents were both abusive drunks. They were always telling each other to go to hell, always fighting, hitting, breaking furniture, and passing out on the floor. Their dad eventually dies and the mother lives. Jimmie and Maggie both get jobs. Jimmie ends up with a negative outlook on life and acts just as he was raised, but maybe a little bit soberer. Maggie on the other hand didn't seem to end up like Jimmie. She knew her life was crappie that she lived in a crappie place, her mother was a very big drunk but yet she seemed unfazed, infact Maggie turned into quiet a looker. So some of her conflicts started when she was young, but the got even worse when she met her brother's friend Pete. Pete was sort of like Maggie's brother, but maybe in my opinion a little more stupid and cockier. And to Maggie he was the classiest person she knew, even though in reality he really wasn't, so maybe Maggie really didn't understand what classy was. Pete took Maggie out a few times on dates and she was crazy about him and he seemed to be some what amused by her too for the minute. One day Maggie and Pete had came home after Maggie's mother had just finished a drunken fight with Jimmie and then her mother turned on her and basically suggested that she was a slut or a "fallen woman" and told her to leave and she was never welcomed again. Maggie ended up living with Pete and things were ok for a while, but he ended up tired with her anyways. Maggie did try to move back in but Jimmie and her mother had felt like she was a fallen woman, so to keep her going from time to time she ended up prostituting an d eventually killed her self when her Maggie's mom hered about Maggie's death she said she forgave her.
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