Tender Is the Night

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In the wake of World War I, a community of expatriate American writers established itself in the salons and cafes of 1920s Paris. They congregated at Gertrude Stein's select soirees, drank too much, married none too wisely, and wrote volumes--about the war, about the Jazz Age, and often about each other. F. Scott Fitzgerald and his wife, Zelda, were part of this gang of literary Young Turks, and it was while living in France that Fitzgerald began writing Tender Is the Night. Begun in 1925, the novel was not actually published until 1934. By then, Fitzgerald was back in the States and his marriage was on the rocks, destroyed by Zelda's mental illness and alcoholism. Despite the modernist mandate to keep authors and their creations strictly segregated, it's difficult not to look for parallels between Fitzgerald's private life and the lives of his characters, psychiatrist Dick Diver and his former patient turned wife, Nicole. Certainly the hospital in Switzerland where Zelda was committed in 1929 provided the inspiration for the clinic where Diver meets, treats, and then marries the wealthy Nicole Warren. And Fitzgerald drew both the European locale and many of the characters from places and people he knew from abroad.

In the novel, Dick is eventually ruined--professionally, emotionally, and spiritually--by his union with Nicole. Fitzgerald's fate was not quite so novelistically neat: after Zelda was diagnosed as a schizophrenic and committed, Fitzgerald went to work as a Hollywood screenwriter in 1937 to pay her hospital bills. He died three years later--not melodramatically, like poor Jay Gatsby in his swimming pool, but prosaically, while eating a chocolate bar and reading a newspaper. Of all his novels, Tender Is the Night is arguably the one closest to his heart. As he himself wrote, "Gatsby was a tour de force, but this is a confession of faith."

Book Description

Published in 1934, Tender Is the Night was one of the most talked-about books of the year. "It's amazing how excellent much of it is," Ernest Hemingway said to Maxwell Perkins. "I will say now," John O'Hara wrote Fitzgerald, "Tender Is the Night is in the early stages of being my favorite book, even more than This Side of Paradise." And Archibald MacLeish exclaimed: "Great God, Scott...You are a fine writer. Believe it -- not me."

Set on the French Riviera in the late 1920s, Tender Is the Night is the tragic romance of the young actress Rosemary Hoyt and the stylish American couple Dick and Nicole Diver. A brilliant young psychiatrist at the time of his marriage, Dick is both husband and doctor to Nicole, whose wealth goads him into a lifestyle not his own, and whose growing strength highlights Dick's harrowing demise. A profound study of the romantic concept of character -- lyrical, expansive, and hauntingly evocative -- Tender Is the Night, Mabel Dodge Luhan remarked, raised F. Scott Fitzgerald to the heights of "a modern Orpheus."

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"Published in 1934, Tender Is the Night was one of the most talked-about books of the year. ""It's amazing how excellent much of it is,"" Ernest Hemingway said to Maxwell Perkins. ""I will say now,"" John O'Hara wrote Fitzgerald, ""Tender Is the Night is in the early stages of being my favorite book, even more than This Side of Paradise."" And Archibald MacLeish exclaimed: ""Great God, Scott...You are a fine writer. Believe it -- not me."" Set on the French Riviera in the late 1920s, Tender Is the Night is the tragic romance of the young actress Rosemary Hoyt and the stylish American couple Dick and Nicole Diver. A brilliant young psychiatrist at the time of his marriage, Dick is both husband and doctor to Nicole, whose wealth goads him into a lifestyle not his own, and whose growing strength highlights Dick's harrowing demise. A profound study of the romantic concept of character -- lyrical, expansive, and hauntingly evocative -- Tender Is the Night, Mabel Dodge Luhan remarked, raised F. Scott Fitzgerald to the heights of ""a modern Orpheus."" "

Customer Reviews:

a dull book full of dull pompous characters........2007-08-18

i usually finish a book this size in about 3 days. "tender is the night" took me about 7 months to painfully crawl through. i could only handle a few pages at a time. it was like a sleep inducing narcotic, without being any fun at all. I read and (i believe) i loved "the great gatsby" about 20 years ago. i had been thinking it was time to reread that work, but now i am afraid to. "tender is the night," was soooo bad. if the characters in this tedious book were drawn from the lives of the fitzgeralds (as i've read they were), then it's no wonder that zelda went insane & f scott drank himself into an early grave. (Dear God, as i write this i can sense the gravitational pull toward the unhelpful button that is being exerted on computer mouses all over america. what am i doing! yet i can't help myself. on i go.) who could stand such pompous dullards for company? if all books were filled with people like the ones found in this novel, I would simply read "Marley & Me," and call it a day for book reading. yuck.

Fitzgerald's weakest novel, but a good read...........2007-07-07

Through the narrative, it's clear that Fitzgerald cannot choose which character to develop, and in the end, none is explored satisfactorily. As a panorama of failed marriage, "Tender" lacks the strength of "The Beautiful and Damned", which I consider to be similar and superior, though less popular.

But still, F. Scott Fitzgerald is F. Scott Fitzgerald, and the writing is wondrous, but this is not his quintessential book.

If the absurdist movement is regaining steam in American culture, this explains the resurgence of popularity in this novel, which though strong in the first third, turns out as an unsatisfying mess.

Fitzgerald's most personal novel.......2007-06-21

In a Swiss sanatorium above lake Zürich, Dr Richard (Dick) Diver meets a fascinating young patient, Nicole Warren. Nicole suffers from Divided Personality at its acute down-hill phase which translates in her fear of men because she was the victim of incest after her mother's death.

Nicole's state improves after some time at the clinic and Richard marries her. They move to the French Riviera where they live in the glamour provided by Nicole's family money but soon their luck runs out.

This novel is Fitzgerald's most personal one if one considers that his own wife Zelda became increasingly troubled with mental illness in the 1930s and so the story of Dick Diver and his schizophrenic wife Nicole shows the pain that the author went through himself. It is the moving account of the collapse of a marriage and an attempt to diagnose the sickness and destruction that money breeds. Dick's final loneliness in the novel reflects Fitzgerald's own dive into drink and despair.

I love books and this one is just bad..........2007-04-22

Boring, outdated ex-patriate story of life in Paris between the wars, focusing on a young American actress, a psychologist Dr. Diver and his wife, an American baroness with issues. Lots of drinking and gossip.

Fitzgerald would give anything for a happy ending?.......2007-04-16

Why does Nicole and Dick's marriage disintigrate? The obvious answer is that Dick compromised his integrity marrying Nicole for her money and that Dick is an egomaniac, needing to be needed.

The deeper more true answer is that Nicole and Dick didn't have a partnership. She was sick and couldn't give very much back to Dick--to the relationship. And it gets tiring or boring always doing the same things for the same person to save them from themselves over and over again. Co-dependent relationships don't work.

Although a lot of the discussions about mental illness are extremely dated, some of the descriptions are painfully accurate. I identified with Nicole's sister who could only stop worrying about Nicole if: 1) Nicole married a Doctor to take care of her, and 2) if Niole lived near a sanitarium.

This is what it is like to have a loved one who is mentally ill:
"It was necessary to treat her [Nicole] with active, affirmative insistence, keeping the road to reality always open, making the road to escape harder going. But the brillance, the versatility of madness is akin to the resourcefulness of water seeping through and over and around a dike. It requires the united front of many people to work against it".

Too bad there are no organized ways of providing an organized front in our culture to help the mentally ill.

Perhaps Fitzgerald (FSF) would have swapped his well being for Zelda's--a prayer, "Lord, take my sanity but give Zelda back hers. Unlike Nicole, Zelda didn't get better.

I loved the description of the Rivera and Switzerland in the 1920s. I wish i could have been a part of it. The first part of the book is like watching the movie "To Catch a Thief" with Cary Grant and Grace Kelly. You just love the ambience.

I liked this book better than _The Great Gatsby_ because I cared more about the characters and because it is autobiographical, and because I have had a loved one who is mentally ill.

Intimate Lies: F. Scott Fitzgerald and Sheilah Graham Her Son's Story

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Insightful and entertaining
Fasinating

Intimate Lies: F. Scott Fitzgerald and Sheilah Graham Her Son's Story
Robert Westbrook
Manufacturer: Harpercollins
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ASIN: 0060183438

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He was a once-praised novelist and short-story writer who battled alcoholism and obscurity and moved to Los Angeles for his third desperate attempt at making money by screenwriting. She was a British expatriate, an up-and-coming Hollywood gossip columnist with a secret past. Although Sheilah Graham wrote about her romance with F. Scott Fitzgerald after his death (one of the many versions she wrote of her life story, Beloved Infidel, was made into a movie with Deborah Kerr and Gregory Peck), she never quite told anyone the whole truth. Her son, Robert Westbrook, works to set the record straight, using his mother's papers and other resources to place the affair within the contexts of Graham's and Fitzgerald's lives and the "golden age" of filmmaking in which it occurred. The result is a love story peppered with scintillating anecdotes about the movie stars and writers with whom they rubbed elbows, an intimate portrayal of an artistic (but financially ruthless) community as viewed through two of its fiercest aspirants.

Customer Reviews:

Insightful and entertaining.......1999-10-11

I love it when nonfiction keeps me up late at night, turning pages. "Intimate Lies" may well be the definitive source on the last years of Fitzgerald's life, during which he tried (and failed) to be a Hollywood screenwriter. Westbrook's evenhanded, well-researched treatment of the romance between Fitzgerald and columnist Sheilah Graham (Westbrook's mother)is a snapshot of Hollywood just before World War II, a mixture of glamor, socialism and absurd censorship.

Fasinating.......1998-11-11

I didn't really expect to like this book. I have always enjoyed F. Scott Fitzgerald's works and that was what drew me to this book. I had heard about Sheilah Graham and i think i had read somewhere of there relationship. Bored one day with my usual 'type' of books i picked this one up amd began to read. What struck me immendiatly was the honesty, brutal at times being displayed by the Miss Graham's own son Robert Westbrook. His writing is presise and detailed recreating the golden age of Hollywood. He presents Fitzgerald honestly showing other aspects of the doomed author. His mother is shown as a master of the 'makeover' recreating herself from a very humble beginning. Take a chance with this book i think you'll be pleasently surprised..

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All the Hollywood hypocrites
Incomplete is incomplete
Betrayal of a Demigod
There will never be another F. Scott Fitzgerald
The Last Achievement

The Love of the Last Tycoon
F. Scott Fitzgerald
Manufacturer: Scribner
ProductGroup: Book
Binding: Paperback

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ASIN: 0020199856

Book Description

The Love of the Last Tycoon, edited by the preeminent Fitzgerald scholar Matthew J. Bruccoli, is a restoration of the author's phrases, words, and images that were excised from the 1940 edition, giving new luster to an unfinished literary masterpiece. It is the story of the young Hollywood mogul Monroe Stahr, who was inspired by the life of boy-genius Irving Thalberg, and is an exposé of the studio system in its heyday. The Love of the Last Tycoon is now available for the first time in paperback.

Customer Reviews:

All the Hollywood hypocrites.......2005-06-30

The book edited by Matthew J. Bruccoli is a work in progress, left with various kinds of incompletion at F. Scott Fitzgerald's death. The narrator, Cecilia Brady, is on planes frequently. She attends Bennington. She is the daughter of a producer. Monroe Stahr is someone who was born sleepless. He has no talent for rest. Pat Brady, Cecilia's father, and Monroe Stahr are partners. Wylie White, one of the travelers on the plane, is a writer.

There is never a time when the studio is absolutely quiet. There are always technicians present. There is an earthquake and a small water main bursts. Stahr's work is secret in part, devious, slow. He seems ready to shelve a work the writers have labored over to bring to the screen. He notes that when he wants a Eugene O'Neill play he will buy one. If a director disagrees with Stahr he does not advertise it. The writers are people who are employed because they accept the system and manage to stay sober.

Stahr sees a girl who resembles his deceased wife. He has her found in order to see her. He has difficulty explaining his interest to her and she is troubled by people fawning for reason of his power and, in general, the notoriety of being seen in his company. Sustained effort is difficult in California it is asserted. It is Monroe Stahr's ability in this area that accounts for his success.

F. Scott Fitzgerlad chased ghosts, evanescence. Stahr pursues a girl, Kathleen Moore, because she is the image of his dead wife. The author pursued the following idea obsessively--when did his life derail. The Kathleen Moore character shares some of the attributes of Sheila Graham. She lived in England previously and was tutored in classical literature by her live-in companion.

It is reported that Fitzgerald had a life-long capacity to hero-worship. A writer character in the novel compares Monroe Stahr to Lincoln carrying on a long war on many fronts. At the end of the volume there are working notes and a brief biography. Revisiting the bright, shining world of F. Scott Fitzgerald, even with the melancholy features, is lots of fun.

Incomplete is incomplete.......2005-06-06

I have no doubt that The Last Tycoon would have warranted at least one more star if Fitzgerald had lived to finish it. But like it or not, we have no way of knowing what he would have written and can only judge the merits of what he did write. And that, in any case, is still pretty good. It is definitely a departure from his earlier works, and a tantalizing taste of what he might have continued to do with his talent later on. The images of Southern California back when it was a nice place to live are wonderful, as is the behind-the-scenes look at the movie industry during its golden era.

This is also the only Fitzgerald work I know of in which the narrator is a woman, and it's defnitely fascinating to see how he went about that exercize. Cecilia Brady is just about as egotistical and cynical as most of his other protagonists, but her innocence is refreshing. Also, telling the story through the eyes of one just outside the loop of the movie industry (she's the daughter of one producer, and hopelessly in love with another) was a very clever move. It allowed the plot to develop around the personal life of Cecilia's crush, Monroe Stahr, with only a bit of the bitterness from his work-related troubles seeping through.

But the sad truth is that that plot had only begun to develop. We know far more about Monroe Stahr from the notes and sketches Fitzgerald never intended for publication than we do from the "finished" part of the novel (which wasn't entirely finished either). If nothing else, though, this was a great start. As long as you don't expect more than that, it's worth reading.

Betrayal of a Demigod.......2005-04-02

Fitzgerald's last novel--left unfinished due to his heart attack--presents darker themes than his masterpiece, The Great Gatsby. Told by Cecelia, the 18-year-old daughter of a studio hotshot,and alternately by an omniscient narrator, this story depicts the glory days of the Hollywood studio system, where producers were America's new royalty. Egos collide, budgets quail and the earth quakes at the dawn of the Forties, when the country was threatened by the red menace of Communism. Not even Hollywood was immune from the birth pangs of unionism and pre- McCarthy era political paranoia over the secret revolution of the masses.

The protagonist is 44-year-old Monroe Stahr, a successful and powerful producer whose insight re movie-going America usually proves correct. Having a hopeless crush on this associate of her father's Cecelia gradually realizes that her workaholic idol has fallen in love with a mysterious lady--a British Cinderella raised completely outside the glittering purviews of starlets and gossip columnists. The tragic affair between the mogul and the lovely Kathleen (who resembles his beloved dead wife) is doomed by her prior commitment to an American man, her humble past and Stahr's own failure to take decisive action at critical moments in their poignant relationship.

The completed storyline may be deduced from Fitzgerald's extensive notes for each chapter,plus his conversations with associates. Health concerns plagued both Stahr and ultimately Cecelia--presaging the author's own private medical battle. How frustrating for him (and his alter-ego) to be snuffed out while yet so productive and mentally alert. It would be curious to see how contemporary Hollywood might finish this story if made into a movie. Like rats caught in a maze of their own devising, the characters are trapped by weakness and vanity, while naively convinced of their own personal or business power. As evil schemes corrupt backstage Hollywood, filth and crime trickle down to ultimately contaminate even the once idealistic Stahr. Tragically he did not live long enough to impress the man on the beach: that movies Were worth attending. THE LAST TYCOON proves a starkly grim but gripping tale of searing emotions at the end of the Depression era.

There will never be another F. Scott Fitzgerald.......2003-03-09

No other author in history has so astutely penned such profound and sublime novels with such amazing social insight as has Scottie(as his contemporaries called him) - all the while doing it with such amazing and unparalleled grace and lucidity. While The Love of the Last Tycoon may not be finished, I can easily discern that F. Scott was well on his way to achieving his goal -penning a novel on the level of The Great Gatsby and not as "depressing" as Tender is the Night.

What makes this so amazing, yet so painful, is the extraordinary potential that this work exudes. The Last Tycoon does seem to be like Gatsby moreso than any other Fitzgerald work in its endearing and sympathetic characters such as the self-made Monroe Stahr, the young Cecilia, & tragic Kathleen. As usual, Fitzgerald recreates and tells of his life experiences - this time of his tumultuous years in Hollywood as a screen writer. Although hardened somewhat at this stage of his career, Fitzgerald, like his hero Stahr, still purveys his characteristic idealism laced with a latent hint of foreboding tragedy inevitably awaiting on the horizon. Stahr, like Fitzgerald, is forever viewed as a boy wonder, despite being a seasoned veteran at this stage of his career, due to his overnight success at age 23. So, Fitzgerald, who had the splendid This Side of Paradise published at age 23, and who also was known for his propensity to turn a sickly pale white just as Stahr does, ingeniously incorporates himself into his work one last time.

The incredibly insightful notes, outlines, and revisions written by Fitzgerald shown at the conclusion of the book open an amazing new world of intropection to the reader. I give it 5 stars not for what it is, but for what it would have been. I just finished reading all of his works chronologically and I must say, unequivocally, that this very well could have eclipsed his other works of fiction, all of which are truly sublime.

"It is an escape into a lavish, romantic past that perhaps will not come again into our time." - F. Scott on The Last Tycoon

The Last Achievement.......2002-06-03

This work derives part of its importance from what it says about Fitzgerald at the untimely end of his career: fans of his earlier work will be pleased to see that this final tome showed all the hallmarks of becoming another masterpiece. By 1940, when "Tycoon" was written, FSF hadn't written a book in six years. But the familiar voice, though muted, had not been lost.

The lapse provides welcome proof of the endurance of Fitzgerald's talent over time. We can only imagine what biting, incisive insights he would have come up with if magically sent to chronicle the 1990s.

Fitzgerald's "Unfinished Symphony" is presented in this Scribner paperback edition in a way that will appeal to both casual readers and serious students. Leading Fitzgerald expert Matthew Bruccoli has assembled the fragments of this book into a gripping and highly readable narrative, and the publisher has included a detailed preface exploring FSF's thoughts at the genesis of the work, as well as a selection of working notes which will delight writing students looking for some insight into the workings of a great mind.

This book tells the story of Monroe Stahr, an early Hollywood producer who makes his mark on the industry almost at its very inception. Stahr's word is law within his studio, and a single order from him is enough to reshape, delay or outright kill a film in process. Since the death of his wife, actress Minna Davis, Stahr's job is his life - a life that illness and overwork threaten to cut short. But a chance sighting of englishwoman Kathleen Moore brings back a flood of old memories and new desires. Stahr's pursuit of Moore leads him briefly into the world outside the studio, and then her actions leave him reeling from the blows just when his rivals gang up against him.

The book is truncated at a very unfortunate point, Episode 17 of 30 - the precise point at which events begin to turn against Stahr. To finish the book in our minds, we can visualize the ending put forth in Fitzgerald's surviving notes, though we have not his words to shape it for us. But even in unfinished form, this book is still worth reading, if only to revisit one last time the mind that produced phrases such as this, in describing loops of unedited film hanging in a projection room: "Dreams hung in fragments at the far end of the room, suffered analysis, passed --- to be dreamed in crowds, or else discarded."

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F Scott Fitzawesome

Deadline Looming....

Beautiful writing

Fitzgerald's Stories--Short and Sweet

A wonderful, quick read

The Short Stories of F. Scott Fitzgerald
F. Scott Fitzgerald
Manufacturer: Scribner
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Binding: Hardcover

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Tender Is the Night

The Complete Short Stories of Ernest Hemingway: The Finca Vigia Edition

This Side of Paradise

The Beautiful and Damned

The Love of the Last Tycoon

ASIN: 0684842505

Book Description

Today, F. Scott Fitzgerald is known for his novels, but in his lifetime, his fame stemmed from his prolific achievement as one of America's most gifted (and best-paid) writers of stories and novellas. In The Short Stories of F. Scott Fitzgerald, Matthew J. Bruccoli, the country's premier Fitzgerald scholar and biographer, assembles a sparkling collection that encompasses the full scope of Fitzgerald's short fiction. The forty-three masterpieces range from early stories that capture the fashion of the times to later ones written after the author's fabled crack-up, which are sober reflections on his own youthful excesses. Included are classic novellas, such as "The Rich Boy," "May Day," and "The Diamond as Big as the Ritz," as well as a remarkable body of work he wrote for the Saturday Evening Post and its sister "slicks." These stories can be read as an autobiographical journal of a great writer's career, an experience deepened by the illuminating introductory headnotes that Matthew Bruccoli has written for each story, placing it in its literary and biographical context.

Together, these forty-three stories compose a vivid picture of a lost era, but their brilliance is timeless. As Malcolm Cowley once wrote, "Fitzgerald remains an exemplar and archetype, but not of the 1920s alone; in the end he represents the human spirit in one of its permanent forms." This essential collection is ample testament to that statement, and a monument to the genius of one of the great voices in the history of American literature.

Customer Reviews:

F Scott Fitzawesome.......2007-01-07

F Scott Fitzgerald is the greatest American author of the 20th Century. It's easy to see why with this collection of short stories. What I enjoy best about this book is seeing the experimentation of Fitzgerald's writing from one story to the next. It's fun to see the literary and thematic chances that he took as his career progressed. You should buy this book.

Deadline Looming...........2006-07-24

It was, after all, the Great Cham, Samuel Johnson, who said that "Nobody but a blockhead ever wrote for anything but money"-I don't believe this is true. I don't even believe Johnson that "harmless drudge" as he describes himself in the dictionary he spent several unrewarded years compiling believed it either. But it does, anent Fitzgerald and his stories, as comprised in this book, come to mind. Simply put, Fitzgerald was a much better short story writer than a novelist. Indeed, one can argue that Fitzgerald was not a novelist at all and was, as he described himself, a writer who wanted to "preach at people." In any event, the Johnsonian dictum cited above seems to apply to Fitzgerald: He wrote much better when under some pecuniary deadline than otherwise. I am not so much concerned here as to whether "Fitzgerald" was a "great" writer or not. But he was certainly no Keats or Shelley, as one reviewer eulogizes.

There is a gossamer quality to Fitzgerald's prose that, it seems to me, is mistaken for lyricism. Pick up any page of Fitzgerald's contemporary, Thomas Wolfe, (specifically Look Homeward, Angel) and you'll see the difference. -What this lightness of touch amounts to in his novels and stories, for the most part, is that the characters come off as two-dimensional, and when Scott tries to delve deeper for what he called "psychological moments" or whatever, the reader is left with a gracefully penned alternative two-dimensional figure. It's quite frustrating. ----All this is to say, though I'm not a great fan of Fitzgerald's writing, some of these stories are worth any reader's while, and I shall list them:

"Bernice Bobs Her Hair" p.25

"Dice, Brassknuckles & Guitar" p.237

"Love In The Night" p.302

"A Short Trip Home" p.372

"The Swimmers" p.495

"A New Leaf" p.634

"Afternoon of An Author" p.734

"The Lost Decade" p.747

These stories stand out for one of two reasons, they lack the strain put on the reader by the gossamer sketching described above, or, for a few of them, Fitzgerald actually manages to pull it off - a powerful or haunting story touching the human condition.

Sorry, F. Scott acolytes, but only three stars for these pearls amidst the Period-Writing paste.

Beautiful writing.......2003-07-14

The use of language doesn't get much better than this. Each sentence is a work of art and a pleasure to read. I smile as I read. The stories themselves are so clearly placed in a post-WWI setting that they are a glimpse into life in the 1920's - as, I believe, Fitgerald wanted to show. Also, to me, any Fitgerald work edited or or explained by Matthew Bruccoli is informative & interesting.

The above, though, is to those who like Fitzgerald. To me, his is special beyond many other authors' writing. If you've never enjoyed his work before, this book won't change that. If you've never read anything by Fitzgerald, I would suggest starting with "The Great Gatsby."

Fitzgerald's Stories--Short and Sweet.......2002-09-27

F. Scott Fitzgerald wrote tons of stories during his lifetime--something around 134, total. This book, however, contains the most elite chunk of those writings. To start, "Bernice Bobs Her Hair" is one of Fitzgerald's most-read stories. I have read it myself, but have found better ones. "The Ice Palace", for instance, has a remarkable ability to make its readers walk away saying "I relate to this!". "May Day", my personal favorite, is about people on top sinking to the bottom, and people on the bottom sinking lower. At least, that's the abridged summary, there's alot more to it then that. "Winter Dreams" is another winner, but I liked "May Day" better. All of his stories generally pertain to Fitzgerald's masterpiece, "The Great Gatsby". In other words, they all contain that one character desperately searching for the missing piece of the puzzle. That can be either the one element that would make his/her life complete, or launch it in a different direction. Why does he do this so well? Because this theme is partially autobiographical. Fitzgerald started off at Princeton where he made hardly any friends. Then he moved on to the Southern US when he joined the army. This is where he met Zelda. But Zelda did not want to marry him due to his lack of money. So Fitzgerald began writing in persuit of the dollar to support Zelda. His plan worked and he was a big success...for a while. Then he moved, in despiration, to Europe in order to gain a better status. This didn't work either and he ended up dying in Hollywood at age 40. His wife, Zelda, went mad and was institutionalized a few years prior. This should be kept in mind as you read his short stories, there are definate parallels!

A wonderful, quick read.......2001-12-04

I've read almost all of F Scott Fitzgerald's work and I was delighted to find this compelation of short stories. I read this book alomst four years ago and I can still remember the characters and details of each story - my favorite was Diamond as Big as the Ritz. Try it out and you will not be dissapointed!

Scottie the Daughter Of...: The Life of Frances Scott Fitzgerald Lanahan Smith

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Scottie the Daughter Of...: The Life of Frances Scott Fitzgerald Lanahan Smith
Eleanor Lanahan
Manufacturer: Harpercollins
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Binding: Hardcover

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ASIN: 0060171790

F. Scott Fitzgerald: Novels and Stories 1920-1922: This Side of Paradise / Flappers and Philosophers / The Beautiful and the Damned / Tales of the Jazz Age (Library of America)

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The Polly Parker Stories
Short Stories
Good Collection of Pre-Gatsby Work

F. Scott Fitzgerald: Novels and Stories 1920-1922: This Side of Paradise / Flappers and Philosophers / The Beautiful and the Damned / Tales of the Jazz Age (Library of America)

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Binding: Hardcover

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ASIN: 1883011841
Release Date: 2000-08-24

Customer Reviews:

The Polly Parker Stories.......2005-12-27

I am really shocked that this first rate Fitzgerald collection does not have the "Polly Parker" stories that originally were printed serially in THE SATURDAY EVENING POST in 1922. Apparently these uncollected stories remain unavailable anywhere in book form.

Polly Parker was a typical Fitzgerald heroine -- a blue-eyed flapper with a pert nose and golden hair bobbed very short. The reason her stories are omitted, I gather, is that they were slightly more sexual in tone and also addressed taboo subjects such as alcoholism, racial violence, incest, and insanity.

"GRANDPA'S GOLD" the first Polly story, deals with lasting echoes of the Civil War. Spoiled Polly goes to Vermont for the summer to stay with her aging grandfather -- the last remaining Union army veteran in Vermont. Ultimately she robs him of a small fortune in gold coins which he had originally intended to donate to a Negro orphanage. This story highlights Fitzgerald's ambivalence towards the young women of the day -- Polly is cruel and selfish, but also winningly spontaneous, free and independent. Fitzgerald's racism is in full flower here as well. The fact that she is "only" robbing colored people seems to make her crime an amusing prank rather than a vicious crime.

"ALLIGATOR QUEEN" is both darker and more sophisticated. Polly is a houseguest in Georgia, where she meets Eleanor Hiss, a jazz age siren who may or may not have negro blood. The two girls deliberately lead a young Harvard man out into quicksand, then go joy riding in his car while he slowly drowns. Fitzgerald later wrote that Eleanor seduced Polly in an early draft -- but in 1922 the SATURDAY EVENING POST would never have carried a story with an explicit lesbian seduction.

"HOLY MATRIMONY" is the ironic finale to the Polly Parker stories. Invited on a weekend yachting party, Polly is compromised by an Eastern Prince and forced to marry silent movie star Reginald Dashwood. Dashwood is a homosexual who needs "discreet companionship." Polly marries him, assuming he is a pushover, but instead he is cruel, domineering and controlling -- and aided by an iron-willed mother who treats Polly like a servant. Polly's "punishment" is ironic, since she now has unlimited wealth and a dazzling husband -- but no freedom and no hope of either sexual or spiritual release.

Taken together, these three stories represent Fitzgerald's darkest early work -- and they should be included in any "definitive" collection.

Short Stories.......2002-09-12

I bought this book for the short stories. They are like small diamonds on a necklace, sparkling in a row, each one a wonder. Fitzgerald's short stories are like that.

"The Off Shore Pirate" is hilarious. The "Ice Palace" is strange and beautiful. "The Curious Case of Benjamin Button" is about a baby born very old who gets younger every year.

"The Diamond As Big As The Ritz" is classic Fitzgerald, about the rich.

The story that is missing is "The Rich Boy." This is the story that started the famous spat between Hemingway and Fitzgerald.

In this short story, Fitzgerald writes: "The rich are very different from you and me." Hemingway responds in his short story, "The Snows Of Kilimanjaro:" "Yes, they have more money."

But you will not find "The Rich Boy" in this book. Too bad.

Included with the short stories are two novels:: This Side Of Paradise and The Beautiful And Damned. They are very adolescent novels. High school students might enjoy them.

Maybe not.

The short stories do more to describe the Jazz Age than his novels.

If you are serious about this author, his greatest novel is The Great Gatsby. His next best novel is Tender Is The Night. "The Rich Boy" is his best short story.

Good Collection of Pre-Gatsby Work.......2000-11-13

This is a very attractive packaged, comprehensive collection of Fitzgerald's early work, containing his first two novels (This Side of Paradise and The Beautiful & Damned) and his first two short story collections. Included are some classic short stories such as May Day and The Diamond As Big As The Ritz. Some of the other stories are less than classic, but all are enjoyable. As is the case with all Library of America volumes, the book is very easy to handle and read. There is a useful set of notes and chronology of Fitzergald's life in the back. All in all, this is well worth the price.

F. Scott Fitzgerald: The Great Gatsby (The Cambridge Edition of the Works of F. Scott Fitzgerald)

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Great Book
"Great" doesn't even begin to describe this one
Fantastic
I HATED IT!
Better with each reading

F. Scott Fitzgerald: The Great Gatsby (The Cambridge Edition of the Works of F. Scott Fitzgerald)
F. Scott Fitzgerald
Manufacturer: Cambridge University Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0521402301

Amazon.com

In 1922, F. Scott Fitzgerald announced his decision to write "something new--something extraordinary and beautiful and simple + intricately patterned." That extraordinary, beautiful, intricately patterned, and above all, simple novel became The Great Gatsby, arguably Fitzgerald's finest work and certainly the book for which he is best known. A portrait of the Jazz Age in all of its decadence and excess, Gatsby captured the spirit of the author's generation and earned itself a permanent place in American mythology. Self-made, self-invented millionaire Jay Gatsby embodies some of Fitzgerald's--and his country's--most abiding obsessions: money, ambition, greed, and the promise of new beginnings. "Gatsby believed in the green light, the orgiastic future that year by year recedes before us. It eluded us then, but that's no matter--tomorrow we will run faster, stretch out our arms farther.... And one fine morning--" Gatsby's rise to glory and eventual fall from grace becomes a kind of cautionary tale about the American Dream.

It's also a love story, of sorts, the narrative of Gatsby's quixotic passion for Daisy Buchanan. The pair meet five years before the novel begins, when Daisy is a legendary young Louisville beauty and Gatsby an impoverished officer. They fall in love, but while Gatsby serves overseas, Daisy marries the brutal, bullying, but extremely rich Tom Buchanan. After the war, Gatsby devotes himself blindly to the pursuit of wealth by whatever means--and to the pursuit of Daisy, which amounts to the same thing. "Her voice is full of money," Gatsby says admiringly, in one of the novel's more famous descriptions. His millions made, Gatsby buys a mansion across Long Island Sound from Daisy's patrician East Egg address, throws lavish parties, and waits for her to appear. When she does, events unfold with all the tragic inevitability of a Greek drama, with detached, cynical neighbor Nick Carraway acting as chorus throughout. Spare, elegantly plotted, and written in crystalline prose, The Great Gatsby is as perfectly satisfying as the best kind of poem.

Book Description

Since its publication in 1925, The Great Gatsby, F. Scott Fitzgerald's account of the American dream gone awry, has established itself as one of the most popular and widely read novels in the English language. Until now, however, no edition has printed the novel exactly as Fitzgerald intended. The first edition was marred by errors resulting from Fitzgerald's extensive rewriting in proof and the conditions under which the book was produced; moreover, the subsequent transmission of the text introduced proliferating departures from the author's words. This critical edition draws on the manuscript and surviving proofs of the novel, together with Fitzgerald's subsequent revisions to key passages, to provide the first authoritative text of The Great Gatsby. This volume also includes a detailed account of the genesis, composition, and publication of the novel; a full textual apparatus; crucial early draft material; helpful glosses on the peculiar geography and chronology of the book; and explanatory notes on topical allusions and historical references that contemporary readers might otherwise miss. Fitzgerald's masterpiece is thus brought closer to a cross-section of readers, more accessibly and more authentically than ever before. Matthew J. Bruccoli has published widely. He is the author of Some Sort of Epic Grandeur: The Life of F. Scott Fitzgerald (1980) and editor of New Essays on The Great Gatsby (CUP, 1985).

Customer Reviews:

Great Book.......2007-09-29

I use this book as a college student for the course of "Critical Thinking Skill" . Easy to follow and to understand.

"Great" doesn't even begin to describe this one.......2007-09-29

This is a seriously awesome book. Quite simply, you must read it. I know you've heard it before: allow me to join in praising it.
The first thing I'd like to point out is Fitzgerald's brilliant use of symbolism. The cars, the colors, various characters' glasses... these aren't just trivial things, you know. Pay close attention to them.
Anyway, the next thing I'd like to discuss is the character of Gatsby himself. A very intriguing figure. In fact, he's a bit of an enigma to me in that I have no definite opinion on whether or not I admire him. My opinion on the other characters is clear-cut (I mostly dislike them, other than Nick - which I believe was Fitzgerald's intention, to portray the rich as shallow and irresponsible - another thing that comes off brilliantly). But Gatsby... I'm not sure on Gatsby. I have to salute him for sticking with his dream for so long, in spite of its hopelessness, but the ends of said dream would have resulted in disaster for all parties involved, and his motives would be questionable. Gatsby is charismatic, well-read, determined, and intelligent; he is also greedy, self-absorbed, and stuck in the past. In other words, very human. And that's the most intriguing part of his character: when the end comes, I am unsure whether or not I feel Gatsby deserved his fate. Something to ponder. I like books that make me think deeply, and this is one of them.
As for Fitzgerald's language, let us say he has total mastery over it. I knew he was a phenomenal writer from reading a collection of his short stories before I picked up Gatsby, but nothing could prepare me for what this book would present. Fitzgerald was a very, very talented writer, and there's a fine reason why he is widely considered one of the best. Books don't get much better.
As an attack on the fast, hard lifestyles of the wealthy (something Fitzgerald himself knew a lot about), and as a meditation on how time's passage can ruin lives, this is equally brilliant. Easily one of the best books I've ever read. Every character is fully fleshed out, even seemingly (but only seemingly!) trivial characters like Old Owl Eyes; the symbolism is perfect, the language is stunning, and the book is just the right length. I can think of no criticisms.

Fantastic.......2007-08-18

Most classics fall into one of two traps. The first: thick, tedious prose, tiny font, 800 pages of 18th, 19th century drama. The second: a theme so blatant it sits beating the reader on the head, neglecting the fact that stories still have things called a story. Most fall into one of those two situations--thick or preachy.

Not Gatsby. Oh no. Gatsby falls into neither classic trap. You can read it in a day and enjoy yourself doing it. Actually, you can read it in a few hours and enjoy yourself just as much as if you were rereading The Hobbit or Harry Potter. Then, once you've finished, you look back and see, to your wonderment, how powerful and deep The Great Gatsby really is.

And that is only part of Fitzgerald's success.

The entire work is highly precise. Every word has its reason for being there. None are wasted. The themes are embedded in precise locations so as not to jump out at the reader and consequently distract them from the story.

Speaking of the story, Fitzgerald does what many classical novelists fail to do--tell one. Fitzgerald told a story about this man, Gatsby, who invented himself. As a result, he told a story about following dreams, and ambition, and living life, and viewing life, and carelessness. But he told the story about Gatsby, and the people around him, first.

In that way, he avoided theme device, and plot devices, and made for an impeccable, enjoyable, thought-provoking read. Thus, five stars from me for the best classic I have ever read, The Great Gatsby.

I HATED IT!.......2007-08-01

AM I THE ONLY PERSON IN THE WORLD WHO HATES THIS BOOK?!?!?! I found the characters insipid, vacant and superficial, and I know that's the point Fitzgerald was trying to make, but instead of being deeply moved and inspired by the depiction of our society as shallow and meaningless like THE REST OF THE WORLD, I found myself incredibly disgusted and repulsed. I know this is the Great American Novel. I know that I'm supposed to appreciate it for its sublime beauty and honest portrayal of the Diseased Elite. But I don't.

Better with each reading.......2007-07-30

Jay Gatsby lives in a large mansion on the water in Long Island, New York, circa 1925. He hosts enormous parties each weekend attended by hundreds of people whom are uninvited and do not even know him. But that does not bother him. He is the perfect host, always making sure that his guests have everything their heart's desire. Nick Carraway lives next door and works in the City selling bonds. He is originally from the midwest but has relocated East to seek his fortune. He is befriended by Gatsby and others in elite social circles including a college friend Tom Buchannan and his wife Daisy, who is also Nick's cousin. But the world appears smaller and smaller as Nick discovers that Gatsby is in love with Daisy and that they dated once, years before, prior to her wedding to Tom. Gatsby has never gotten over Daisy and spends his every minute in an effort to win her back and prove his love.

Fitzgerald's best known novel is filled with love, hate, intrigue, and friendship. He describes the frivolity of the time as contrasted with the sadness of human lonliness and insecurity. What seems to say so little given that it is a very short book, really says quite a bit in what it does not say. Romantic relationships that are described as happy clearly illustrate the dispair and sadness that is truly being suffered by those that are not truly in love with each other. Platonic relationships that seem losely connected actually describe tight friendships that are closer than others that portend to be strong.

With each reading of this novel more of what Fitzgerald meant to convey comes through. It is the type of novel that grows with the reader. Reading it at different times in ones life will change what the reader gets out of it and enjoys. It is a timeless classic that continues to get better over time.

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A Collection of Classics
the best collection of short fiction yet
Review
The Basil stories are tremendous, Josephine's are bland.
Yes!

The Basil and Josephine Stories
F. Scott Fitzgerald
Manufacturer: Scribner
ProductGroup: Book
Binding: Paperback

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ASIN: 0684826186

Book Description

Fourteen of F. Scott Fitzgerald's best-loved and most beguiling stories, together in a single volume

In 1928, while struggling with his novel Tender Is the Night, Fitzgerald began writing a series of stories about Basil Duke Lee, a fictionalized version of his younger self. Drawing on his childhood and adolescent experiences, Fitzgerald wrote nine tales that were published in the Saturday Evening Post about his life from the time he was an eleven-year-old boy living in Buffalo, New York, until he entered Princeton University in 1913. Then from 1930 to 1931, with Tender Is the Night still unfinished, Fitzgerald wrote five more stories (also published in the Post) that centered around Josephine Perry, Basil's female counterpart. Although Fitzgerald intended to combine the fourteen Basil Lee and Josephine Perry stories into a single work, he never succeeded in doing so in his lifetime. Here, The Basil and Josephine Stories brings together in one volume the complete set, resulting in one of Fitzgerald's most charming and evocative works.

Customer Reviews:

A Collection of Classics.......2000-11-02

Originally published serially in "The Saturday Evening Post," Fitzgerald's "The Basil and Josephine Stories" was probably underappreciated in its time--the late 1920s. Fitzgerald's mastery of prose and storytelling shine, however, in this collection of short stories. The book is divided into two halves, the first dealing with Basil (a fictionalized version of Fitzgerald as a young man) and the second with Josephine (a fictional young woman in America in the early part of the 20th century). We follow Basil through the adventures and misadventures of his early life as he searches for acceptance and meaning. Josephine searches for love and friendship, among other things. Both meet with success that can only be described as questionable. Beautifully written and suprisingly deep, this collection offers profound insight into the psyche of the Lost Generation. I highly recommend it to anyone interested in modern American literature.

the best collection of short fiction yet.......2000-10-04

this charming collection of stories written by f. scott fitzgerald follows the physical, emotional, and social growth of two characters at the turn of the century. Basil, the typical rebellious child, struggles to find some understanding of life, school, friendship, and, most importantly, women. fitzgerald details a number of episodes in basil's life starting with his childhood and following him through his entrance into school. i don't know if basil ever entirely grew up or learned as much as he desired, but he came as close as any man can. the josephine stories follow roughly the same time span, but tend to focus more on her relationships and her place in society as a young woman at the turn of the century. all of the stories are masterfully told and it is obvious why fitzgerald became such a well known and respected writer. his storytelling is unparalleled and his descriptive language and imagery transports the reader to a different place and time. i highly recommend this book to any fitzgerald fan, whether an experienced one or a not-so-experienced one. i think it a shame that this book does not get more recognition than it does, recognition that it most definitely deserves.

Review.......2000-01-17

I really liked this book. And this isn't coming from some super-articulate adult. This is coming from a 14-year-old High School Freshman. It really shows you what life was like back then in the early 1910's, and how teens back then deal with the same stuff as we do, such as popularity, dating, cars, etc.

The Basil stories are tremendous, Josephine's are bland........1998-07-25

I found the Basil stories to be much better written than the Josephine stories. Basil's stories are fun and full of irony and satire. The reader sees definite growth in Basil. The Basil stories are excellent and worthy of great praise. As for Josephine's stories, I often found myself loosing interest in the stories. They tended to be bland, and I found it much more difficult to connect with Josephine than with Basil. The four star rating is largely based on the Basil stories, which account for about 2/3 of the book, and for the one Josephine story I really liked.

Yes!.......1997-09-16

Pure genius! Only Gatsby is better. Basil and Josephine are lyrical, magical; everything good that can be said about writing can be said about this book. It's great. Genius.

Passionate Lives: D.H. Lawrence, F. Scott Fitzgerald, Henry Miller, Dylan Thomas, Sylvia Plath-In Love

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Passionate Lives: D.H. Lawrence, F. Scott Fitzgerald, Henry Miller, Dylan Thomas, Sylvia Plath-In Love
John Tytell
Manufacturer: Carol Publishing Corporation
ProductGroup: Book
Binding: Hardcover

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Tropic of Cancer

ASIN: 1559720778

Dear Scott/Dear Max (Hudson River Editions)

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Required Reading for Editors and Authors

Dear Scott/Dear Max (Hudson River Editions)

Manufacturer: Scribner
ProductGroup: Book
Binding: Hardcover

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ASIN: 0025384813

Amazon.com

Many writers profited from Maxwell Perkins's ministrations. Most famously, the saintly editor hacked almost 300 pages out of Look Homeward, Angel, reducing Thomas Wolfe's debut to a (relatively) readable form. F. Scott Fitzgerald's work required much less in the way of major surgery. Yet as these letters reveal, the novelist and his editor had a highly productive correspondence, allowing Fitzgerald to bounce big-picture ideas off Perkins and exchange reams of literary gossip. Fitzgerald tends toward the earnest and apologetic: "If I ever win the right to any liesure [sic] again I will assuredly not waste it as I wasted this past time. Please believe me when I say that now I'm doing the best I can." And Perkins tends toward the downright prescient: "At any rate, one thing I think, we can be sure of: that when the tumult and shouting of the rabble of reviewers and gossipers dies, 'The Great Gatsby' will stand out as a very extraordinary book."

Customer Reviews:

Required Reading for Editors and Authors.......2005-01-07

Though it's either incredibly expensive or simply out of print (or both?), I'd like to submit that Dear Scott/Dear Max: The Fitzgerald-Perkins Correspondence should be required reading for every editor and every author (or anyone else interested in learning how the publishing industry works) who can get their hands on it.

The collected letters between F. Scott Fitzgerald and his editor, Maxwell Perkins (editor par excellence to Edith Wharton, Thomas Wolfe, Henry James, and Ernest Hemingway, just to name a few), illustrate the various aspects, intricacies, tensions, and ultimate value of the ideal editor/author relationship. Every conceivable aspect of this relationship is detailed in the book, and there's gold on almost every page.

This behind-the-scenes look at the crafting and delivery of content as a collaboration between editor and author is priceless for the access it offers. (It's also quite interesting to learn that Fitzgerald couldn't spell or punctuate grammatically correct sentences by himself to save his life. All errors in the quotes in this post are sic.) Take, for example, this passage from Fitzgerald regarding the title for the book he was working on at the time:

"I have now decided to stick to the title I put on the book [Trimalchio in West Egg]. The only other titles that seem to fit it are Trimalchio and On the Road to West Egg. I had two others Gold-hatted Gatsby and The High-bouncing Lover but they seemed to light."

This note came in response to the following suggestion, gently offered by Perkins:

"I always thought that 'The Great Gatsby' was a suggestive and effective title, -- with only the vaguest knowledge of the book, of course. But anyway, the last thing we want to do is divert you to any degree, from your actual writing, and if you let matters rest just as they are now, we shall be perfectly satisfied. The book is the thing, and all the rest is inconsiderable beside it."

In the end, we know who won this battle, but Fitzgerald stuck to his guns, even as the book was going to press:

"I wired you on a chance about the title -- I wanted to change back to Gold-hatted Gasby but I don't suppose it would matter. That's the one flaw in the book -- I feel Trimalchio might have been best after all."

The title of Fitzgerald's first book with Maxwell Perkins (and Scribner's) also underwent a title change, though Fitzgerald suggested this switch. Perkins actually thought that "The Education of a Personage ... strikes us as an excellent title," but Fitzgerald bluntly changes his own mind in his follow-up letter on the subject:

"The title has been changed to This Side of Paradise from those lines of Richard Brookes: '... Well, this side of paradise/ There's little comfort in the wise.'"

These exchanges are perhaps the juiciest, and the most fun with the benefit of hindsight, but the interesting and substantive parts of their letters begin from Fitzgerald's very first contact with Perkins, in which, even before the editor has even seen a bit of the book or expressed any interest in signing it, the author is already trying to dictate the precise month in which the book should be released:

"Now what I want to ask you is this -- if I send you the book by August 20th and you decide you could risk its publication (I am blatantly confident that you will) would it be brought out in October, say, or just what would decide its date of publication?"

Perkins' response captures perfectly how the needs of the publisher to have sufficient time to adequately sell the book to buyers make this timeline impossible:

"But there is one thing certain: no publisher could publish this book in October without greatly injuring its chances; for the canvasing of the trade for the fall season began several months ago, and would now order grudgingly, and in much lesser quantities than they would at the beginning of the season."

Of course, even in the face of a well-articulated business reality, the author always reserves the right to still be upset and to make bizarre, passive-aggressive, guilt-inducing statements regarding the personal nature of his disappointment:

"Both last week & this noon at lunch I tried to say this but both times couldn't get started because you personally have always been so good to me -- but Mr. Perkins I really am very upset about my book not coming out next month. I explained to you the reasons financial, sentimental & domestic but more than any of these its for the psychological effect on me."

Once Perkins expresses early interest in the book that would become This Side of Paradise, he immediately gets down to business. One great voyeuristic insight offered by the book is its peek into the specific terms of Fitzgerald's publishing contracts:

"As for terms, we shall be glad to pay a royalty of 10% on the first five thousand copies and of 15% thereafter, -- which by the way, means more today than it used to now that retail prices upon which the percentage is calculated, have so much advanced."

It seems that in almost every other letter, Fitzgerald is asking for another advance to get him through, which Perkins usually ends up giving him. Fitzgerald's gratitude for this understanding brings him to request a smaller advance on his next book. Not knowing this is the cause for Fitzgerald's changed terms, Perkins responds:

"Why do you ask for a lower royalty on this than you had on the last book where it changed from 15% to 17 1/2% after 20,000 and to 20% after 40,000? Did you do it in order to give us a better margin for advertising? We shall advertise very energetically anyhow and if you stick to the old terms you will sooner overcome the advance. Naturally we should like the ones you suggest better, but there is no reason you should get less on this than you did on the other."

Fitzgerald sees the reasoning behind Max's interest on his behalf and decides to revise his original request for terms with this compromise:

"I made the royalty smaller because I wanted to make up for all the money you've advanced these two years by letting it pay a sort of interest on it. But I see by calculating I made it too small -- a difference of 2000 dollars. Let us call it 15% up to 40,000 and 20% after that. That's a fair contract all around."

Of course, once the terms have all been settled, the content has been finished, and the book is actually in print, Fitzgerald questions and bemoans his book's sales:

"I thank you very much for the $1500. I thought as there have been 41,000 printed the sales would be more than 33,796, but I suppose there are about five thousand in stock and two thousand given away or sold at cost."

I could go on and on with gems from this book (I'm not exaggerating when I say there's something amazingly relevant on almost every page of the book), as their discussions cover marketing, promotion, cover design, reviews, proofs and galleys, and just about everything else I discuss with my authors on a daily basis (including actual book content), but I leave you to check out all the gory details for yourselves, if you are so inclined (and I do hope you are).

I hope I'm not giving away the ending to anyone by pointing out the result: a successful and respected editor and a happy author, who, through all of his editor's feedback and guidance, was able to say, "I feel I've certainly been lucky to find a publisher who seems so interested generally in his authors."

Oh yeah, and more than a few pretty good books. ;-)

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