The Cartoon History of the Modern World Part 1: From Columbus to the U.S. Constitution

Book Description

The Cartoon History of the Modern World is a wickedly funny take on modern history. It is essentially a complete and up–to–date course in college level Modern World History, but presented as a graphic novel. In an engaging and humorous graphic style, Larry Gonick covers the history, personalities and big topics that have shaped our universe over the past five centuries, including the Industrial Revolution, the American Revolution, the Russian Revolution, the evolution of political, social, economic, and scientific thought, Communism, Fascism, Nazism, the Cold War, Globalization––and much more.

Volume I of the Cartoon History of the Modern World picks up from Gonick's award winning Cartoon History of the Universe Series. That series began with the Big Bang and ended with Christopher Columbus sailing for the New World. This book starts off with peoples that Columbus "discovered" and ends with the U.S. Revolution.

Customer Reviews:

Shallow and snarky.......2007-08-30

First of all, I was a big fan of the first 3 books. But this one was no where near as good. Here are some of my complaints.

He comes off as more forgiving of the Aztec empire (human sacrifice, slavery and all) than the Spaniards (slavery, sans human sacrifice). A little more examination into the changes in the native populations day-to-day life would have been appreciated.

He seems to dismiss the theory that germs were the dominant factor in allowing Europeans to conquer the Americas. While he does touch on disease in a few instances, his only direct approach is to portray this notion as a way to assuage white guilt. But this was, almost certainly, the reason why Europeans were able to conquer the Americas and not Africa or Asia.

He perpetuates the myth that the croissant was invented to commemorate the victory of the Siege of Vienna. In fact, the myth originally claimed that it was invented for the siege of Budapest, and this was most likely invented as well. The first time that this story is told is in 1938, far too long after the fact to be accepted as fact.

The treatment of slavery and the U.S. constitution is shallow. There were real conflicts here that could have been given better treatment. I'd rather that he'd saved this for another volume than skim over it.

The religious conflicts in Europe were much more complex, and deserved more in-depth treatment. Too often, Gonick makes snarky comments about the participants, but there were real fears, real ambitions, etc. that motivated these conflicts.

In fact, too often, just like his comparison of Aztecs to Spaniards, he seems willing to accentuate European sins over non-European sins. One can't help wondering what types of biases he harbors when addressing these comparisons. Was life in Peru really better under the native lords than under the Spaniards? Under what measurements?

As well, the Ottomans are never addressed directly, even though they were an important world power. And did the Ottomans work in the African slave trade (why yes, they did)? How did this effect Africa, Turkey, etc.?

Some of this may be alleviated in future volumes, but this volume by itself is weaker than previous ones.

EXCELLENT!.......2007-08-22

The most enjoyable entry in Mr. Gonick's series since I read his first volume in 1993. This book covers history from roughly 1300-1750, with a refreshing and rare emphasis on pre-Columbian American cultures, such as the Aztecs and Incas. Gonick also delves into the might of India's Moghul Empire, dishes on the Reformation and Counter-Reformation, the first stirrings of the Enlightenment, global trade in the great age of sail, and more importantly, the sex lives of the rich and famous. Gonick pays particular attention to philosophers and scientists of all stripe, and does so with his trademark good humor and gift for turning what could be dry information into something genuinely fun to read. I'll say it again, you can learn more from one of Larry Gonick's books than from a semester in college!

Raves from a Gonick Fan.......2007-08-10

As I do with all of Mr. Gonick's works, I read The Cartoon History of the Modern World Part 1 from cover to cover, enthralled the whole time. His imagery and narrative combine to make his Histories excellent learning vehicles. Be sure to watch out for the identity of the first human recorded to circumnavigate the globe---it may be a surprise!

From the Universe to the Modern World.......2007-07-24

Gonick contiues the story where he left off in "Cartoon History of the Universe Part 3" - as Columbus sails to the New World.

The modern world is more complex, and there's a lot to cover in this book. Still, it's just as good as his previous work. I take one star away because of the book's smaller page size.

Gonick wins again!.......2007-06-28

Gonick once again has written an excellent book in the same spirit as his others, expressing history in the broad and general, the personal and specific, and the interesting.

Average customer rating:

Laura S.
Mr. Hickam for national pundit!
A novel written while Hickam was developing his skills
I really enjoyed it
One of the best space novels I have ever read

Back to the Moon: A Novel
Homer Hickam
Manufacturer: Delacorte Press
ProductGroup: Book
Binding: Hardcover

Contemporary | General | Literature & Fiction | Subjects | Books

General | Thrillers | Mystery & Thrillers | Subjects | Books

Technothrillers | Thrillers | Mystery & Thrillers | Subjects | Books
Similar Items:

ASIN: 0385334222
Release Date: 1999-06-15

Amazon.com

Space is the final frontier--and its mysteries have fascinated Homer H. Hickam since childhood. In 1957, at age 14, he built his first rocket--and so began his space-age career, which eventually led to an engineering job at NASA. But in 1998, his calling blasted off in a new, unexpected way with the release of a bestselling memoir, Rocket Boys, (made into the mesmerizing movie, October Sky). Now, with Back to the Moon, the man-of-science-turned-memoirist dabbles in the world of fiction.

Despite its high-tech premise and lunar locale--Back to the Moon is no science fiction saga. It is, instead, a fast-paced technological thriller--filled with exceptional scientific know-how. (The author describes how spices are essential for astronauts because the normal aroma of food does not "drift into the sinuses or caress the palate in a microgravity environment.")

The space shuttle Columbia has been hijacked by an ex-astronaut and former employee of NASA, Jack Medaris. But Jack is by no means the bad guy--he has simply grown disillusioned with NASA, with its "timid" bureaucracy that no longer works for the good of mankind. Earth's supply of fuel is in jeopardy, and Jack believes that the moon holds the secrets of an alternative source of power. But a shady organization called the Millennium group is determined to stop the space shuttle from reaching the moon. As the shuttle hurtles through the galaxy, the renegade astronaut battles to steer the ship towards its destination. He also fights to keep himself from falling in love with one of the ship's crew members--a feisty female astronaut named Penny High Eagle.

Even if the plot complexities seems to defy gravity at times, Back to the Moon still dares to tread where few thrillers have gone before--into space. --Naomi Gesinger

Book Description

A renegade rocket man haunted by his past. A beautiful daredevil who thinks she can do it all--until she finds herself on the adventure of her life. A death-defying mission so risky, so audacious that no one would try it...unless the fate of the world depended on its success.

Thirty years after man's first lunar landing, retired NASA engineer Homer Hickam, Jr., offers a brilliantly imagined, endlessly entertaining return to space adventure in his spectacular first novel, Back to the Moon. In his bestselling memoir, Rocket Boys, Hickam memorably evoked our captivation with our nation's first halting ventures into space. Now he reminds us of the long-lost wonder with which we once watched America's conquest of the moon--and celebrated the triumph of mind, soul, and spirit that got us there--in this page-turning tale of the first moon shot of the new millennium.

Jack Medaris doesn't "borrow" the space shuttle Columbia to be a hero or a villain. A man of science driven by the memory of the woman who once inspired him, Jack risks his life, his name, and everything he has, to sidetrack the shuttle crew and take her on an unscheduled detour to the moon, where the secrets of his past--and the future of the world--await him. But when the meticulously plotted launch goes fatally wrong, and payload specialist Penny High Eagle further complicates Jack's plan, he must confront unforeseen challenges both in space and on the ground, where deadly forces are amassing to prevent the Columbia from reaching the moon.

Writing with the detail and intelligence that only an insider could have, Hickam takes us to places few have ever seen, strapping us into the cockpit of the shuttle and hurtling us into orbit and beyond. From the crackling tension of mission control to the savage emptiness of deep space, from the massive rocket engines capable of generating millions of pounds of thrust to the tiny killing machines awaiting a bygone era's orders to unleash their high-tech fury, here are the sights and science of space as you've never seen them before. Here, too, are the men and women of unfailing invention and intelligence who are soon caught up in the story: astronauts and attorneys, physicists and politicians, unsung heroes behind the scenes and shadowy agents of darkness behind the veil of history. And at the spiraling tale's isolated center are Jack and Penny, locked in a battle of wit and wills, rocketing weightless through space as their fates grow inextricably intertwined.

A no-holds-barred joyride of a thriller, Back to the Moon confirms that Homer Hickam is a master storyteller like no other, spinning a tale of high-flying adventure while expertly navigating the vast expanses of both the far-flung universe and the human heart.

Download Description

In the year 2002, America's space program is a faded shadow of its former self. Before becoming a permanent display at the Smithsonian, the space shuttle Columbia is scheduled for one final, routine flight. Hijacked on the launch pad by a renegade group of former NASA insiders, Columbia is soon headed for the moon instead of a museum.

At the helm of the rogue spacecraft is Jack Medaris, a brilliant, troubled scientist whose covert refitting of the shuttle for a moon mission has been funded by a mysterious, deep-pocketed consortium. Once in space, Medaris learns that there's more to the story than he has been told. Defending the shuttle against a series of attacks, the fate of his mission, and the future of Earth, depends on his ability to decide who he can trust to bring Columbia back safely.

Customer Reviews:

Laura S........2006-01-04

Back to the Moon by Homer H. Hickam Jr. is an interesting story about a group of people who travel into space to the Shorty crater to solve the age old question of how the crater was originally formed. Gene Cernan and Harrison "Jack" Schmitt were the first men to go on the mission to the moon, aboard the Challenger, to solve the mystery. They collect "fire beads" and soil from the surface of the crater for evidence. Years later, Jack plans another mission, aboard a new shuttle, to the moon for more research. Destroying his plans, someone ruins the facility and the shuttle. Meanwhile, another crew, including Jack Medaris, Virgil, Katrina "Kate" Suttner, and Penney High Eagle, prepare to take off aboard the Columbia. Jack Medaris is in love with Kate, but towards the end, he falls for Penney as well. The crew on Columbia faces many obstacles while in space. They were attacked by defense satellites and bombs. Jack is on his own shuttle, and lands on the moon, recovering pieces from the Challenger, including a love note from Kate to her future husband. While there, he falls into the Short crater and pulls in the Lunar Rover in an attempt to get out, also burying the note from Katrina. The crew heads back to the shuttle and eventually return back to earth. Yet another obstacle comes their way. The shuttle began to fall apart and landed in the ocean. A few of the members escaped by parachutes and the others were safely rescued.

I did not particularly enjoy this novel as much I would have liked to. It was very confusing at times, and I had trouble understanding it. I would recommend this book to anyone who enjoys a detailed story about travels into space, with a bit of a love story addded.

Mr. Hickam for national pundit!.......2003-12-01

I found this a really good read, filled with interesting characters and a great plot.

It starts out with a highjacking of the space shuttle. Hickam has enough inside knowledge to make that perfectly plausible. There is a lot of work in space suits involved, something Hickam apparently was involved in a lot at NASA. Penny High Eagle, the payload specialist, is a great and sympathetic characture. Paco the cat who's aboard is a funny touch. There's a lot of fun to this novel. I think a lot of it is tongue in cheek that some reviewers can't figure out. It definitely is not boring and is a real page-turner.

It is very thought-provoking about the "Star Wars" killer satellites around the moon, plausible, too.

In a lot of ways, this novel is a love story. Jack wants most of all to go to find a message on the moon from his late wife. Yet, his wife never went to the moon so how could it be there? I teared up when I read what Jack actually finds there.

I noticed a note on a review about a pistol being fired in space. Gun powder does not require air to burn. It contains all the ingredients in it to work in a vacuum. A form of gun powder, after all, is what is used in solid fuel rockets! As for a space-suited astronaut getting his finger on the trigger, a .45 caliber pistol has plenty of room in its trigger guard. Recoil is a problem but Hickam has his astronaut well wedged in.

I enjoyed rummaging around the old Apollo 17 site with Medaris. Some really good writing here.

All in all, much recommended. Let there be no doubt that Homer Hickam knows how to write a novel. I love all his books. Remember, even his memoirs are written as novels

Keep it up, Mister Hickam! Can't wait for the Back to the Moon movie!

A novel written while Hickam was developing his skills.......2003-11-21

First off, this was written before Hickam's Rocket Boys according to his web site even though it came out afterwards. Clearly, when he wrote this novel, Hickam was just developing his skills as a writer. Still, even though it's dated (he uses the ill-fated shuttle Columbia for this trip to the moon) this is a very good book and I thoroughly enjoyed it. Hickam's inside knowledge of NASA makes it a unique book. I think his tongue was very much in cheek most of the time while he was writing this but I still get the idea that the characters are based on real people he knew while working for the agency. After reading the novel, I felt as if I actually knew each and every one of the people in this book from old gruff Sam the head of mission control to Cecil the lawyer. I especially liked Cecil. He's a great character and is a good example of Hickam's development while writing this book into the great novelist he's become. Like his latest novel, The Keeper's Son, this is a novel filled with action and adventure but it is also a love story, too, and a good one. Not only is there love between the hero Jack Medaris and the beautiful Amerindian science reporter Penny High Eagle aboard the shuttle but there is also the memory of love still with Jack's dead wife who was also a rocket scientist. The scenes on the moon were especially well done. Hickam makes you feel as if you really are there. And the idea of having Jack walking around the old Apollo 17 site was pure genius. How lonely it must be there in reality. Hickam gave me that sense but also wrote it with wonder and hope. Then when Penny joins him and Jack reads the letter (I won't tell you who it's from), I got goose bumps! Even then, Hickam's talent was very impressive in his ability to make you feel for his characters. I read this novel in one long reading and was very impressed, especially since I've read Hickam's most recent work. He is a much better writer now and it's interesting to see his early work as he learned his trade. I look forward to reading all of his work from here on and I certainly don't hold this early effort against him. Read it for what it is and simply enjoy the ride.

I really enjoyed it.......2003-09-05

I am 14 years old. This novel is fun to read. I couldn't pt it down because I wanted to know what was going to happen to Jack and Penny and Paco (who is a cat). I've really enjoyed all of Mr. Hickam's books, especially his books about Coalwood and growing up there. I and my parents are going to visit Coalwood this October 4 to meet Mr. Hickam and the other rocket boys. It should be a lot of fun. But on this novel, I really think it's a great book. My mom and dad both read it before me and said so. I just like the idea of us going back to the moon but I also really got into Jack and Penny's love story. I also loved when he wrote about Paco. A cat in space is a very funny and interesting idea. I think a cat in space would be just like Paco is described. I felt really bad for Jack when he found the message on the moon. I cried over that. I am getting all my friends to read this book.

One of the best space novels I have ever read.......2003-08-25

It is remarkable to me that a space engineer/reviewer would not like this book. I am such, have worked in the industry for decades, and believe that Homer Hickam has written a delightful techno-thriller that not only is a compelling page turner but gives the reader, space insider or not, much to think about. I guess you'd have to say Hickam is nor has ever been much of a "in the box" kind of thinker. If he was, he wouldn't have written Rocket Boys/October Sky which has sold ten times more copies than any astronaut biography.

Book Description

De pie frente al público, Victor Villaseñor miró al grupo de maestros sentados frente a él, y su mente se llenó de recuerdos de infancia llenos de humillación y abuso por parte de sus profesores. Se sintió enfurecer. Con el corazón en la mano, comenzó a hablar de esos abusos. Y cuando terminó, para su gran sorpresa, encontró a todos los profesores de pie aplau-diéndolo enfáticamente. Muchas de las personas en el público no lograban contener sus lágrimas.

Así comienzan las conmovedoras y apasionadas memorias de Victor Villaseñor. A pesar de ser muy talentoso e imaginativo desde muy niño, tuvo que vivir con una dificultad de aprendizaje (no fue sino hasta los 44 años de edad que fue diagnosticado con un caso grave de dislexia), y la frustración de ser latino en una escuela americana en la que sólo se hablaba inglés. A pesar de los profesores que lo maltrataban porque no podía hablar inglés, Villaseñor se aferró a su sueño de un día convertirse en escritor. Hoy en día, es considerado uno de los autores más importantes de nuestra era.

Customer Reviews:

Disappointing..........2007-05-26

I was under the impression that this book would focus on the author's triumphs over adversity (i.e. dyslexia, racism, etc.). Although the book did touch on the aforementioned themes to a certain degree, I felt that its central focus was steeped in some of the most prosaic, banal details of Villasenor's childhood. The author's writing has a way of making the most tragic experiences of Villasenor's life seem incidental. The majority of children have stories about growing up but I am not sure that they are all noteworthy enough to be chronicled in a memoir. Likewise, I think that Villasenora could have broadened his work's appeal if he would have omitted several lackluster childhood experiences. I started the book with an open mind and with each page I hoped that it would get better. Regrettably, the book did not meet my expectations.

I recommend this book to everyone..........2007-05-13

I've read "Rain of Gold"(which I also recommend) and found "Burro Genius" to be just as wonderful. I recommend this book to everyone. Especially anyone of Mexican/American descent. If you've never read a book of Victor's, now's the time!

¡Excelente!.......2007-04-12

Excellency is the only word that describes this amazing tale! It is not Victor's fantasy but Victor's life in light of his dreams and struggles to be who he is. The Villaseñor's story is still the story of many inmmigrants, from many countries and many races. It is a redemptive experience that helps us to to keep on with life, no matter how hard it might be or turn. In a world where everything is "made" and taken for granted, Victor's creativity and desire to suceed over its limitations, emerges as a clear example for those who want to give up. It is simply remarkable! It is possible!

Outstanding Book and great storytelling........2007-04-12

Victor's storytelling magic lies in his very natural ability to make you feel as if you are 'right there' as an observor or silent participant in the experiences and adventures he is describing. His stories are treasures because they take his Latino readers back to their own lives in this country AND they offer non-Latino readers a golden opportunity to experience life as seen through the eyes of an immigrant. This particular book, BURRO GENIUS, is just such a story. The key to understanding and feeling what Victor writes about is to try and 'check your cultural baggage at the door' and experience the stories with a clean canvas.

No apparent English version........2007-03-16

I ordered this book thinking that it was written in English as are many of Villasenor's books. I received this book and realized that it was totally in Spanish. There was no indication from your review that it was in Spanish, therefore it was a total surprise. When I returned the book, I asked, in writing, for the English version, but did not receive anything more than a refund.

Home Before Dark (Contemporary Classics (Washington Square Press))

Average customer rating:

Confusion in creation- land
Susan is a better writer than John
A Terrific Book
Cheever Still An Enigma
More John Cheever please; less Susan Cheever

Home Before Dark (Contemporary Classics (Washington Square Press))
Susan Cheever
Manufacturer: Washington Square Press
ProductGroup: Book
Binding: Paperback

Authors | Arts & Literature | Biographies & Memoirs | Subjects | Books

General | Biographies & Memoirs | Subjects | Books

ASIN: 0671028502

Book Description

In Home Before Dark, Susan Cheever, daughter of the famously talented writer John Cheever, uses previously unpublished letters, journals, and her own precious memories to create a candid and insightful tribute to her father. While producing some of the most beloved and celebrated American literature of this century, John Cheever wrestled with personal demons that deeply affected his family life as well as his career. In this poignant memoir of a man driven by boundless genius and ambition, Susan Cheever writes with heartwrenching honesty of family life with the father, the writer, and the remarkable man she loved.

Download Description

One of America's most celebrated twentieth-century writers, John Cheever struggled with personal demons that deeply affected his family life as well as his career. Beginning with her own memories, and then drawing on many previously unpublished letters and journals, Susan Cheever has produced an eloquent, intimate portrait that confronts his legacy both as a writer and as a father. John Updike wrote, "Whatever biographers and literary historians of the future make of John Cheever, their ur-text, their indispensable place of beginning will have to be Susan Cheever's beautiful book about her father."

Customer Reviews:

Confusion in creation- land .......2007-03-11

This memoir tells a great deal about the extended family of John Cheever. His is the less reputable wing of of a family which goes back to the early foundations of America. Susan Cheever writes with understanding and consideration of her father's troubled life. The shocking bankruptcy and abandonment of his father remained a basis for his great insecurity throughout his life. Susan Cheever reveals her father to be a man of great charm, and excellent ability to befriend and be helped by wealthy patrons, including those at Yaddo the Saratoga writing colony which for him was a second home. Susan Cheever also describes somewhat fitfully the mixed- up - marriage Cheever never let go of, one in which there seemed to have been infidelity on both sides- and which seemed to go downhill in the later years.
Susan Cheever writes with descriptive elegance about her father 's life. She does not however explain or even hint at the great mystery of how he managed to create his best work. And she does not really tell us what the work consists in, or how it best expressed what her father was.
I also felt the work lacking in another way. It does not really get inside Cheever and reveal to us the world the way he might have seen it. Nor does it trace the effect of his celebrity and alcoholism , of his wit and capacity for friendship on his children. Susan Cheever is silent about her father's effect upon her.
I found that is with all the basic admiration and sympathy that she expresses for her father, a certain coldness in the work- a coldness which was perhaps her father's also.
But again perhaps I found Cheever's story much less 'moving 'than I might have because I too am not a great fan of his stories.

Susan is a better writer than John.......2007-03-02

This is a very interesting look at the demons of the father, from alcoholism to a confused sexuality that wreaked havoc on his family. John Cheever forged a career writing about his own issues, tales of disillusion and disintegration in suburbia, all to alcoholic excess and in search of meaning. Susan, his daughter, is an absolutely excellent writer and explains what he was like as she grew up, so it is not a straight biography but mixed with memoire. Some of it is shocking, such as the way John periodically left to be with men, only to come back to a wife he clearly loved enduringly. But there is also a lot of redemption, of striving to be better though the pain is ever present. Oddly, I have never liked his writing much, finding his personal problems more of a spectacle and indeed more absorbing to learn about. Susan, I think, is the true writing talent in the family - her style is clear and unflinchingly honest, almost exhibitionistic. Few expose themselves so evenhandedly. Indeed, her moments are unforgettably vivid: such as her sitting in the lap of a drunken guest writer, in a tweed jacket reeking of cigarette smoke, saying to herself that she would marry that kind of man; or watching her father, after a few hours of writing and overcoming a hangover, pruning his lawn with ritual energy.

Truly a beautiful, often tormented, book. Warmly recommended.

A Terrific Book.......2003-12-07

Home Before Dark is a beautifully written, moving book that stays with you long after you have finished reading it. It helps that Susan Cheever's subject, her father, was (and remains long after his death) one of the finest fiction writers in the history of American literature. What distinguishes John Cheever's stories, outside of his magical touch with words, is the passion and love he brings to illuminating his small corner of the world -- life in the New York suburbs of the 1950s and 1960s. Most writers who explore the suburbs do so with an arm's length superiority -- taking pains to distance themselves politically, emotionally, and intellectually from their characters. What makes Cheever's stories such a joy it that he loves the world he writes about -- even as he recognizes its banalities and limitations. In Cheever's hand, the commuter life becomes a sad, beautiful symphony of lost hopes and desires. The 5:45 train, the clinking of cocktail glasses, the smell of meat cooking on an outdoor grill are not just dull routines of modern life, but thrilling and exotic elements of that peculiarly American optimism and quest for success that flowered after World War II -- all the more alluring because the quest is so often doomed.
In the same way, Susan Cheever brings passion and honesty to the telling of her father's life. In her hands, John Cheever's own outwardly unremarkable search for the suburban dream life of wife, kids, dog and station wagon in Ossining, New York becomes a dark romantic quest of longing, passion, success and disappointment. She is thoroughly honest (sometimes brutally so) in detailing Cheever's alcoholism, philandering, phobias and parental shortcomings -- so it is all the more remarkable that the final portrait of Cheever that emerges is so rich and full of love.
This book is the perfect companion piece for Cheever's indispensible Collected Stories (with that famous red cover). Think of Home Before Dark as a sort of lexicon to John Cheever's world. I keep both books on a special bookshelf -- easily accessible -- containing the books I come back to again and again, like old friends.

Cheever Still An Enigma.......2000-06-11

As a memoir of a daughter's relationship with her father, this is very touching, but there is little here that sheds much light on John Cheever, the writer. Given the various levels of family dysfunction and unhappiness in Cheever's stories and novels, it is gratifying that his daughter found so much to love in her father. For a more abrasive, but still admiring view of the man, you might also enjoy reading Benjamin Cheever's novel, The Plagiarist.

More John Cheever please; less Susan Cheever.......2000-02-03

This would have been a better book if Susan Cheever had more to write about. For example, she could have delved more into the business of his writing, how much money he made, or his friendships with other writers. A little bit of research wouldn't have hurt. This is a very slight book. Also, I could care to know less about Susan Cheever; i.e. how she had been the source of some of John's stories....

Portrait of a Marriage: Vita Sackville-West and Harold Nicolson

Average customer rating:

PORTRAIT OF AN OPEN MARRIAGE AND ONE AFFAIR
Searing, totally blows you away
The Great Adventure Is Never Over
a compelling must-read
A Remarkable Journey

Portrait of a Marriage: Vita Sackville-West and Harold Nicolson
Nigel Nicolson
Manufacturer: University Of Chicago Press
ProductGroup: Book
Binding: Paperback

Authors | Arts & Literature | Biographies & Memoirs | Subjects | Books

General | Biographies & Memoirs | Subjects | Books

Women | Specific Groups | Biographies & Memoirs | Subjects | Books

ASIN: 0226583570

Book Description

Vita Sackville-West, novelist, poet, and biographer, is best known as the friend of Virginia Woolf, who transformed her into an androgynous time-traveler in Orlando. The story of Sackville-West's marriage to Harold Nicolson is one of intrigue and bewilderment. In Portrait of a Marriage, their son Nigel combines his mother's memoir with his own explanations and what he learned from their many letters. Even during her various love affairs with women, Vita maintained a loving marriage with Harold. Portrait of a Marriage presents an often misunderstood but always fascinating couple.

"Portrait of a Marriage is as close to a cry from the heart as anybody writing in English in our time has come, and it is a cry that, once heard, is not likely ever to be forgotten. . . . Unexpected and astonishing."--Brendan Gill, New Yorker

"The charm of this book lies in the elegance of its narration, the taste with which their son has managed to convey the real, enduring quality of his parents' love for each other."--Doris Grumbach, New Republic

Customer Reviews:

PORTRAIT OF AN OPEN MARRIAGE AND ONE AFFAIR.......2007-10-03

The centre of the book and its raison d'etre is Vita Sackville-West's own extraordinary memoire about her life so far including her catalytic 3 year affair with Violet Trefusis. The affair came very close to wrecking her life with her husband, Harold Nicolson, who she loved deeply but no longer felt sexual passion for. Harold threatened to leave Vita and it was only under such pressure - on both sides of the affair - that it was ended. The memoire, written in 1920-21, and discovered by Nigel in 1962 begged a narrative and an afterword; Nigel provided this and presented an eloquent, classic book which has never been out of print since it was published in 1973.

Whether this marriage is to be admired as much as Vita, Harold and Nigel felt it should be admired is for the reader to judge. What makes it most extraordinary is the homosexuality of Vita and Harold and the fact that their once discreet open marriage is now in the public domain. They would each be getting on for 120 years old today but they still seem so fresh that readers, whatever their sexual preferences are, might learn lessons (positive and negative) from them even today.

I suppose I can't help feeling that Vita's wild and romantic nature was too penned in by the arrangement leading her to truncate or diminish all her romantic relationships. Towards the end of her life in 1961, she wrote (in a letter to Harold not included in 'Portrait') that she had been 'madly in love' with Violet but the affair was now 'passion completely spent'; she wrote 'the true love that has survived is mine for you, and yours for me.' She also gently rebuked Harold for not explaining his own homosexuality in the first place. 'It would have saved us a lot of trouble and misunderstanding. But I simply didn't know.' Harold's reply, if there was one, is not published.

The intimacy of Vita and Harold's relationship is contained in their voluminous correspondence. Harold's diary, Violet's letters and Vita's mother's diary are also key sources for this book. All these were at Sissinghurst in the early 1970's. Nigel separates Vita's memoire into two chapters, draws from the other sources and adds his own voice and, to a lesser extent, that of his brother Benedict. Vita's relationship with Virginia Woolf is affectionately documented. The book created the legend of Vita and Harold who led compartmentalised lives, had multiple relationships, multiple careers and remained devoted to one another. It is a well written and well crafted tribute.

`Portrait' is, as it would be, slanted in favour of Vita and Harold. This book could not be the whole truth or a detailed portrait of the marriage but it is a portrait of two fascinating and productive people. Because of the scandal it caused, Nigel was excoriated by some for publishing this book and in essays written afterwards he would defend his decision and fill in some of the aps. But the gaps are justified in this labour of love because it is written from such a personal stand-point. This is a wonderful read and is well recommended.

Searing, totally blows you away.......2005-05-27

I recently re-read this book for research on the novel I was working on (having not looked at it in many years). Unlike many things read in youth, it was even more searing and electrifying this time than the first go-round. Perhaps that's because the subject matter has become routine (there are even web sites devoted to polyamory, lesbianism, bisexuality, open marriage, etc.), while the emotions that Vita Sackville-West's affair with Violet Trefusis have not been dealt with by this explosion of sexual variety.

This book is not for the faint-hearted. It's not great writing, as it was meant to be a personal diary of Vita's passage through fire, and is not literary in that sense. But given the weakness of Vita's professional writing (most of which has been forgotten), it's perhaps a good thing she couldn't re-write and mar the freshness and raw emotion of this tale.

The book has been a Bible for some, including the protagonist of my novel. It has that kind of "read me if you dare" emotional dynamite.

The Great Adventure Is Never Over.......2003-04-08

Both those unfamiliar with the extraordinary life of British aristocrat Victoria (Vita) Sackville - West and those who have read Victoria Glendinning's compelling Vita (1983), Virginia Woolf's Orlando (1928), or Sackville -West's own multiple published works of fiction, poetry, or nature and travel writing will thoroughly enjoy Portrait Of A Marriage (1973). Composed around a posthumously discovered confessional manuscript Sackville - West wrote and hid away in 1920, the book's chapters alternate between portions of Vita's nuanced, forthright manuscript and son Nigel Nicholson's more objective recounting of the facts in the lives of his parents, Sackville - West and her spouse, author and diplomat Harold Nicholson.

Chiefly remembered today for her garden at Sissinghurst Castle in Kent and for being the romantic ("Better to gloriously fail than dingily succeed"), daring, and bisexual inspiration for Woolf's historical, gender-addressing novel Orlando, Sackville - West was a temperamental, multifaceted, and deeply emotional woman who followed the dictates of her heart and defied the conventions of her era to what many would think an alarming degree. As her manuscript clearly reveals, Sackville - West was a very human, self - honest individual who was conscious of her moral and ethical weaknesses and who continually struggled with her wayward nature and its debilitating affects on her husband, children, and extended family. Today a hero to some and a somewhat ridiculous figure to others, readers of Portrait Of A Marriage are likely to come away with more than a modicum of sympathy for the not - entirely enigmatic Vita; throughout her life she managed to straddle a great number of seeming paradoxes and today remains potent proof that many Western conventions concerning love, marriage, parenthood, sexuality, and friendship are as not as tightly mapped out as most would generally like to believe. Unlike fellow writers and contemporaries Hilda Doolittle, Djuna Barnes, or Jean Rhys, her excesses, dependencies, and emotional vacillations did not ultimately undo Vita, either psychically, artistically, or socially. Admittedly, Sackville - West was a child of privilege and remained financially comfortable most of her life. However, her managerial skill, expert monetary planning, and her own hard work as an author, radio broadcaster, lecturer, and internationally acclaimed gardener went a long way towards securing that position.

Portrait Of A Marriage and the story of Sackville - West's life may be the ultimate romantic tale of the twentieth century, though one in which the glamour of wealth, palatial family estates (365 - room Knole), creative talent, international fame, and steadfast love were offset by dark episodes of betrayal, spousal abuse, transvestitism, emotional violence, and apparent child abandonment. Remarkably, Vita's story was ultimately a happy one, and the end of her life, relatively serene. Increasingly a loner with age, Sackville - West sequestered herself in her private tower at Sissinghurst, where she continued to write novels and other literature. But men and women continued to fall in love with her and she with them; as Victoria Glendinning wrote, "For Vita the great adventure was never over."

a compelling must-read.......2002-08-01

Despite the fact that Vita Sackville-West was the subject of Virginia Woolf's Orlando as well as her lover, the author of numerous books, and a world famous gardener, she still manages to be a somewhat enigmatic character. This unusual and engrossing portrait, written by her son, contributes a great deal to bring substantial light on Vita's very interesting life and loves. Nicolson is generous in quoting her verbatim from her diaries, the most compelling of which recounts her wild affair with Violet Trefusis, during which the two women fled to Paris pursued by their husbands, where Vita passed as a man by dressing as a wounded soldier. This is one of the most passionate accounts of any love affair I have read.

Nicolson's act of documenting his parents' intimate passions is a great contribution to literary history. He did us a great service by writing this book and in quoting liberally from their own writings, in many ways lets his parents speak for themselves. Any one interested in Bloomsbury, women of the left bank, passing women, feminism, gay/lesbian/bisexual history should make this part of their library.

A Remarkable Journey.......2002-07-24

I have had a copy of "Portrait of a Marriage" since it was published in 1973. For me, it has been a revelation on marriage, but it is also a story of two remarkable people: Vita Sackville-West and Harold Nicolson. Nigel Nicolson relates the story of his mother's Sapphic affair with Violet (whose mother was the mistress of Edward VII) with great detachment, allowing Vita to speak for herself in the form of a secret diary. The non-conformity of this marriage was the reason for its success and that it survived love affairs and differing interests speaks to us of the toleration, forgiveness and understanding that is lacking between so many married people. This book was not put together by Nigel Nicolson as a guide to married life but is a story of the adventure of living.

Book Description

This collection of letters includes correspondence between Mrs Gaskell and over 100 coresspondents including: Carlyle; Ruskin; Rossetti; Dickens; and the Brownings. In addition Mrs Gaskell's own writing is considered, including her biography of Charlotte Bronte.

Average customer rating:

Very simply written yet superb autobiograpy...
You Wouldn't Call Her "Edy"
The writing life, uncloseted
Age of Innocence....

A Backward Glance: An Autobiography
Edith Wharton
Manufacturer: Scribner
ProductGroup: Book
Binding: Paperback

Authors | Arts & Literature | Biographies & Memoirs | Subjects | Books

General | Biographies & Memoirs | Subjects | Books

Women | Specific Groups | Biographies & Memoirs | Subjects | Books

ASIN: 0684847558

Book Description

A Backward Glance is Edith Wharton's vivid account of both her public and her private life. With richness and delicacy, it describes the sophisticated New York society in which Wharton spent her youth, and chronicles her travels throughout Europe and her literary success as an adult. Beautifully depicted are her friendships with many of the most celebrated artists and writers of her day, including her close friend Henry James.

In his introduction to this edition, Louis Auchincloss calls the writing in A Backward Glance "as firm and crisp and lucid as in the best of her novels." It is a memoir that will charm and fascinate all readers of Wharton's fiction.

Customer Reviews:

Very simply written yet superb autobiograpy..........2003-03-28

This autobiography which really gives a feel for the times in, which Wharton lived as well as for her own life experiences, contains some the most stunningly succinct annecdotes I've ever read. Wharton is truly brilliant at conveying the importance of literature in her life and sharing the possibilities of the literary life with her reader. She reaches through time to inform us of universals and redefine our value systems without being the least bit pedantic. She is a genius. And her autobiography is as entertaining and resonant as a great novel.

You Wouldn't Call Her "Edy".......2001-09-11

Such a lovely child, so patient and well behaved. New York and its society are made magic by her eyes. The opening sections of this memoir are a delight as Mrs. Wharton recounts the sights and feel of New York City in the 1870's. I liked it that she gave us a knee-high view of taking a walk with her beloved father and meeting his friends along the way. (She could never tell what the people's faces looked like, as her view only extended to their knees). Her total recall of her very best bonnet is amazing, and a very pretty bonnet it must have been.

If there is such a person as a "born writer," Edith Wharton is that person. Before she could write, she made stories, and situations "flew around her head like mosquitoes." The world she lived in had no place or interest in a writing lady, so she made her own world, and it was a life-long undertaking.

When Mrs. Wharton received her first acceptance of publication, she was so excited she "ran up and down the staircase in glee." I couldn't have been more surprised if I had read that George Washington played kickball in the back yard. Mrs. Wharton rarely lets you see anything but a very reserved and proper Victorian lady. Yet she did get a divorce (though it is never mentioned.), she lived almost her entire adult life abroad; she compartmentalized her friends like a butterfly collector, and had no interest in being part of the New York society she describes so well. When she was well into her writing career on a family visit to New York, she was invited to a dinner party where she was told a "Bohemian" would be one of the guests. When she got there, she discovered that she herself was the "Bohemian" in question.

The book has a wonderful introduction by that fine author of New York manners, Louis Auchincloss, who is obviously fond of Mrs. Wharton, but not intimidated. Mrs. Wharton has a couple of insightful (and often hilarious) chapters on Henry James that are alone worth the price of the book. But then there are the "friends." I felt I was being buried in endless pages of formal introductions to people I had never heard of, who wrote books that were never read, who gave parties which are long forgotten, and men who were great conversationalists according to Mrs. Wharton, though the witticisms she quoted were so arch and refined, I felt they belonged in bad drawing room comedy.

The book reads well, except for the stretches of introductions. Mrs. Wharton firmly believes that if you can't speak well of someone, you shouldn't speak of him or her at all. Not a bad idea at that

The writing life, uncloseted.......2001-07-24

In this orderly collection of autobiographical sketches Edith Wharton - generously and with nearly photographic recall - begins by inviting readers into her early life in nineteenth-century New York. We are treated to its cast of characters, old New York, country life up the Hudson River, the clothes, the houses, and the remarkable (and unremarkable) personalities - Washington Irving was a friend of the family - as well as the sensibilities of a sociable, bright, and wonderfully observant little girl.

Edith began to read so early that it surprised her upper-class (but unintellectual) family. Before long she became an "omnivorous reader," happiest plowing through the volumes of the classics in her father's library. She soon found that she required time alone - to invent characters, to make up stories. She knew that she had to write fiction - from childhood on, despite realizing by young adulthood that "in the eyes of our provincial society authorship was still regarded as something between a black art and a form of manual labor." Of the social imperative to closet one's writing urges she elaborates: "My father and mother were only one generation away from Sir Walter Scott, who thought it necessary to drape his literary identity in countless clumsy subterfuges, and almost contemporary with the Brontes, who shrank in agony from being suspected of successful novel-writing." The idle rich, Wharton makes clear, were intended to stay idle - and not busy themselves with writing, especially for (horrors!) pay. Her descriptions of her early popular successes are memorable.

In subsequent chapters Wharton lays out her well-thought-out opinions regarding childhood, self-discovery, the formation of the writer's imagination and intellect, and the importance of finding one's own way - as an intellectual and as a social being. There is dry humor, too. She treasured good literature and good conversation - and pursued (and found) them throughout her life. She loved beautiful things and places, too. Finally, she describes her sojourns abroad (mainly England, France, and Italy) and the relationships and places that sustained her and nurtured her creativity, her productivity - and her soul.

Lifelong friends play a central role in much of this memoir. She describes people well, without breaches of privacy or confidences. This is not at all limiting. She writes tenderly of the blossoming of her friendship with "American gentleman" Egerton Winthrop, a man of "cultivated intelligence," a shy, physically awkward man whom Wharton considered "the most perfect of friends." Others were George Cabot Lee, Vernon Lee, Howard Sturgis, Geoffrey Scott, Percy Lubbock, and most of all, Henry James, who is drawn wonderfully (and not uncritically) in this book. Of her friendship with James she remarks "The real marriage of two minds is for any two people to possess a sense of humor or irony pitched in exactly the same key, so that their joint glances at any subject cross like interarching search-lights."

I loved this memoir, and greatly admired Wharton's ability to reveal herself and her world so fully and well.

Age of Innocence...........2000-08-25

Edith Wharton wrote "The Age of Innocence" (I believe it won the Pulitzer), the only fiction she wrote that I have truly liked--and an excellent book. She also wrote much nonfiction, and I have enjoyed her travel writing very much.

In this book, Ms. Wharton reflects on her childhood and adulthood to middle age. (A short biography of her life is included in the introduction by Louis Auchincloss.) She speaks of her parents and growing up in 'Old New York' and living on the Gold Coast of New England with her husband.

Ms. Wharton was a great friend of several men of letters who were prominent during her era, including Henry James. Her writing describes these relationships in part. She may have had an affair with one of them (not James), but unlike writers of today, more is not said than said. Mrs. Wharton divorced her husband in an era when it was not the best thing to do if one wished to remain a member of high society. She seems to have cast off New York society and moved to France to live permantly after her divorce. If you're interested in the story behind the story in "The Age of Innocence" this book is a good resource.

Amazon.com

If one had to choose just one of Michael Reynolds's five volumes on Hemingway, The Final Years would probably be the best choice. Beginning with the fanfare surrounding the publication of For Whom the Bell Tolls on the eve of the Second World War and ending with Hemingway's suicide in 1961, the book puts all that had come before into perspective even as it probes these last two decades of its subject's life. The amount of detail is staggering--and sometimes, particularly in the case of his troubled fourth marriage to Mary Welsh, painfully discomfiting. (Long before Mary interrupts a conversation between Hem and Lauren Bacall to show Bacall a bullet she keeps for anybody who makes a move on her husband, the reader has figured out that the marriage was not exactly happy.)

The sections on Hemingway's wartime exploits, both in Cuba as a volunteer U-boat hunter and in Europe as a correspondent, are fascinating. But even in these moments--hell, even when he won the Pulitzer and the Nobel--Hemingway was subject to what he called "black ass" bouts of depression, an inherited condition that (as Reynolds notes) wasn't helped by his drinking or his tendency to put himself into dangerous situations in which he could suffer yet another severe concussion. Reynolds has traced the great writer's psychological decline so thoroughly that, when Hemingway puts the shotgun in his mouth in the final chapter, it is not as if the expected conclusion has finally arrived; rather, the reader has been made to feel an even deeper sense of the inevitability of the act. --Ron Hogan

Book Description

Hemingway's triumphs as a writer during the 1940s and 1950s accompanied a life of risk and danger. Michael Reynolds discovered the truth about Hemingway's activities during the war years, which included running a counterintelligence operation in Havana. The postwar period was the most productive of Hemingway's writing life, when he authored the Pulitzer Prize-winning The Old Man and the Sea and received the Nobel Prize. Even as Hemingway graced the cover of Life magazine, his physical and mental health deteriorated while his public image as hunter and sportsman continued to demand the strenuous life. In 1961 he committed suicide, leaving behind the stuff of which American myths are made.

Customer Reviews:

A Worthy Finale for a Scholarly Giant.......2001-07-10

There is little I can add to the above reviews. Long before this final volume of Michael Reynolds' masterpiece came out, he had already taken his place as our finest Hemingway scholar and one of the five or six greatest literary biographers of our time. This last volume merely confirms his position. Tragically, he succumbed to cancer shortly after this book appeared, but he left us a daunting legacy as a scholar. I doubt anyone ever understood the infinitely complex Hemingway as well as Professor Reynolds did. It is a cause for celebration when a major writer and a great biographer come together; these volumes will never grow old.

Literary Lions, Political Tigers, and Papa Bears.......2001-01-05

Reviewed by TOMA 1999

Here's one to add to your Hemingway collection. Michael Reynolds tells us the story of Ernest Hemingway's last score years from the era of World War II to his suicide in Ketchum, Idaho on July 2, 1961. We have here the Hemingway hero we love and wish we personally knew: the articulate man full of high sentence, the man among men, the behemoth drinker, the virtuoso hunter, the dedicated idealist to his craft, the continent jumper, the fun-loving and cherished father especially to his three boys, the husband now going on his third wife in Martha Gellhorn and the literary lion in his last years where the Victor finally reaps the spoils of a lifetime pitted against the dragon called writing. Icon would be too small a word for such a colossal figure. Hemingway through all his own growling, fist-fighting, taunting of literary figures, strutting in and out of wars, promenading through world events, and arguing with his own publisher in Charles Scribner remains like the figure of the Greek Odysseus, the figure as Tennyson put it who set his life "to strive, to seek, to find, and not to yield." This is why many admire this American son while others see him as full of sh--, a braggart, and fraud for having never truly experienced the larger than life adventures he immortalized in his war books: For Whom The Bell Tolls, To Have and Have Not, and A Farewell To Arms not to mention his slew of other relevant stories set in exotic locations. At the date marking the century of his birth and with the latest Hemingway piece-meal work to be drawn together by his son Patrick in True at First Light, and the dozen or so other "timely" biographies, fancy-covered reprints, and photobooks presented during the summer of 1999, Reynolds does his duty to his subject with skill, organization, and insight. Although sentiment is not always unbiased, for it is obvious this research has been a labor of love, this book marks Reynolds' fifth and apparent last volume in a series of the chronologically-based Hemingway biography. In this final version, Hemingway is never idolized but shown in the somewhat balanced color of black and white where Hemingway can not but create his own shadow like some vibrant oak towering above Finca Vigia in Cuba or with his skeleton crew of "agents" monitoring the inland waterways for German submarines or as the bespectacled ancient literary lion much like his own tiger at Kilimanjaro, worn and heavy, resting within the expanse of Idaho country far below the mountains at his Sun Valley Lodge. Other exotic landscapes nicely slip into view along the journey: Hong Kong, Venice, Paris, Key West, New York, and Mombasa like a set of snapshots upon a reel. We find the sensitive Hemingway trying to keep together a marraige that seems over just as it has begun. We have a vivid image of Martha Gellhorn, the reluctant housewife and bonafide journalist torn between the woman Hemingway wishes and the one she desires to be. We feel him sparring with Scribner's over language in his novels and courtroom battles. We get a feel for the atmosphere of Finca Vigia with its bug-ridden sunburnt rooms, and for the silent, pine-washed Ketchum ranch where the echo of a rifle blast stills remains today. Characters saunter in and out of the story like locals into their corner bar. The quoted material from various personages of the times has been expertly chosen to move the Hemingway legend along its way. These haunting voices create such atmosphere and setting that the imagination has little to do but continue to create a story that unfolds in cinemagraphic slow motion. Moreover, we seem to capture a panoramic view of our literary past so important to reflect upon as we step over the century divide. This is a joyous read especially for summer reading not only for the enthusiast but for the academic who wishes to gain a fuller insight into the one of our greatest literary figures this nation has ever produced.

Take A Bow, Mr. Reynolds.......2000-08-04

In all respects -- in terms of research, sensitivity, perception, analysis, and style -- Mr. Reynolds has written the finest biography of one of the most fascinating and complex personalities the world has ever known.

Three citicisms, if I may: First, though very well written, there are occasional lapses in editing. Second, Mr. Reynolds owes it to his appreciative readers, as well as to himself, to provide somewhat more in-depth and revealing final thoughts than he has. My final "gripe" is admittedly extremely trivial. It irritated me, though -- in such a superbly researched endeavor, such a silly mistake should have been easily avoided. Hold on to your hats, ladies, because here it is: At one point, Mr. Reynolds mentions that Hemingway met Barbara Stanwyck and her husband, Robert Montgomery. Well, Robert Taylor, not Mr. Montgomery, was Miss Stanwyck's husband. A trivial mistake, to be sure, but why make it?

Despite the mix-up with the Roberts (which can be easily made right in future editions), this is an outstanding biography, which I heartily recommend.

An excellent biography, although by no means definitive.......1999-08-25

Michael S. Reynolds' "Hemingway: The Final Years" is excellent and a worthy addition to any library, as are the previous volumes. I have read every Hemingway biography (I even have such paperback quickies as HEMINGWAY: LIFE AND DEATH OF A GIANT and THE PRIVATE HELL OF HEMINGWAY that were published shortly after Papa's death) since my father, twenty-two years ago, gave me a copy of Carlos Baker's 1967 authorized biography (which I also recommend; it gives you the a great overview of Hemingway's life and work and is very readable), and I have found Reynolds biographies to be wonderful and informative.

Brilliant.......1999-08-20

The story of Hemingway's last years lets you enter a world of desillusion, faked grandeur and, ultimately, madness.

It seems as if the reader was present at the scenes which are brilliantly depicted by Reynolds.

Book Description

In the fall of 1897, eight whaling ships became trapped in the ice on Alaska's northern coast. Without relief, two hundred whalers would starve to death by winter's end. Mercifully, an extraordinary missionary, Tom Lopp, and seven Eskimo herders embarked on a harrowing journey to save the whalers, driving four hundred reindeer more than seven hundred untracked miles.

At the heart of the rescue expedition lies another, in some ways more compelling, journey. In a Far Country is the personal odyssey of Tom and his wife Ellen Lopp-their commitment to the natives and the rugged but happy life they built for themselves amid a treeless tundra at the top of the world. The Lopps pulled through on grit and wits, on humility and humor, on trust and love, and by the grace of God. Their accomplishment would surely have received broader acclaim had it not been eclipsed by two simultaneous events: the Spanish- American War and the Alaska gold rush. The United States and its territories were transformed abruptly and irrevocably by these fits of expansionist fever, and despite the thoughtful, determined guidance of the Lopps, the natives of the North were soon overwhelmed by a force mightier than the fiercest Arctic winter: the twentieth century.

Customer Reviews:

Life in Alaska in the late nineteenth century was frought with constant danger and unimaginable challenges........2007-06-17

They certainly were a hardy lot. Those who chose to come Alaska in the latter part of the nineteenth century faced obstacles and hardships that most of us simply cannot comprehend. So why did they come? Despite the fact that the industry was in decline, fleets of whaling ships from such distant ports as New Bedford, Mass. and San Francisco, CA still made the trek to the Bering Sea each year in an effort to eke out a living. Those in the business of saving souls viewed Alaska as fertile territory to spread the Good News. And as the nineteeth century drew to a close there was yet another important reason why thousands would risk life and limb to come to the Alaskan wilderness. The Great Alaskan Gold Rush was on! "In A Far Country" is author John Taliaferro's remarkable account of the events that were unfolding in Alaska during these years.
Tom and Ellen Lopp were missionaries who came to Alaska in the early 1890's. Tom was a Presbyterian from Indiana while Ellen was a Congregationalist who hailed from Minnesota. Both were assigned to a mission at Cape Prince of Wales on the western tip of the Seward Peninsula. Only a month after meeting in July 1892 Tom and Ellen were married. As things turned out Tom and Ellen would start a family and spend the next dozen years ministering to the Eskimos at Cape Prince of Wales. The work was dirty, difficult and exhausting but proved to be extremely rewarding nonetheless. During their years at Cape Prince of Wales the Lopps opened a mission school and assisted in the effort to establish a herd of reindeer in the area. The man who had attracted both Tom and Ellen to Alaska through an advertisment in "American Missionary" magazine was one Sheldon Jackson. Jackson, who was at the time the general agent for education for the new U.S. Territory of Alaska was absolutely convinced that bringing reindeer to Alaska was the key to the regions economic future. Reindeer were indigenous to neighboring Siberia and had been used there for centuries as both a source of food and for transportation. Jackson envisioned teams of reindeer driven sleds moving people, commodities and even the mail throughout the Alaskan territory. At the same time Sheldon Jackson argued that the reindeer could replace the dwindling numbers of caribou as the primary source of food for the native Eskimo population. "In A Far Country" details how large herds of reindeer would eventually be established in several areas of the Alaskan wilderness. Finally, John Taliaferro spends a great deal of time chronicling what became known as the Overland Relief Expedition. At the end of the summer of 1898 a total of 8 whaling ships who were operating in the Chukchi Sea off the northwest coast of Alaska became trapped in the ice and were unable to leave the area. It was feared that unless help arrived in time more than 200 sailors would eventually starve to death. The Overland Relief Expedition was organized and Tom Lopp was tapped to lead the final leg of this Herculian rescue effort. What an incredible adventure!
I found "In A Far Country" to be quite compelling reading indeed. The publishers quite wisely furnished a detailed map of the region at the beginning of the book and I found myself referring to it again and again. I find that inclusion of maps like this often greatly enhances my understanding of the events being discussed in the text. All in all this is a nicely written book about important history that has been largely forgotten. Recommended!

Excellent adventure .......2007-03-24

This is a little known adventure story of missionary people, personalities, government polititians, native Americans, & foreigners. It has graphic illustrations of problems and errors made when dealing with different cultures in unknown and adverse climates. I enjoyed reading it and would recommend it.

Life on the Edge of Civilization.......2007-03-09

It must have taken individuals of rare inner strength to even have the desire to go establish a Christian mission at Cape Prince of Whales, 55 miles across the Bering Strait to Russia and only 70 miles south of the Arctic Circle. Even more surprising to me was the number of women, single or married to missionaries, who went as well. Tom and Ellen Lopp were both single, that is until six weeks after they met.

This is a story of the mission at Cape Prince of Wales, the Lopp's and of a dramatic rescue where Tom and seven Eskimo herders drove a heard of reindeer some 700 miles to rescue stranded sailors whose ships had become frozen in the ice. This was a trip to rival the other famous trip in the cold, but up until now has been little known.

All in all, a most interesting book about life on the very edge of civilization.

epic adventure.......2007-02-06

This book rightly takes its place among the other tales of heroic arctic travel. It is well researched, the writing is sprightly, and the characterizations both compassionate and vivid.

Unsung Heroes.......2007-02-06

This was a fascinating book. It takes an honest look at subjects as diverse as; culture clashes, mission work, family struggles, man verses nature, government inner workings, and humanity's dual nature (good and evil). A whole cast of unsung heroes finally get their day. Unfortunately, it comes about 100 years too late. Although the author resides in our current day of political correctness, his characters do not. Frankly, I find them refreshing.

The Alaskan frontier is shown as the mishmash that it must have been. Competing groups vied for their own goals and dreams. They inevitably mixed and influenced each other resulting in the lines that formerly demarcated distinct people groups being erased and blurred. The outcomes of this amalgamation ranged from laudable triumphs to scandalous tragedies.

For some reason (maybe growing up in the hot South), I have always enjoyed books about Polar Regions. The first book I ever read was Jack London's Call of the Wild. I read In a Far Country in less than a week because the story kept my interest. It is one of the few books that I really hated to complete. I did not want to leave the characters.

The Birth of the Beat Generation: Visionaries, Rebels, and Hipsters, 1944-1960 (Repr of 1995 ed) (Circles of the Twentieth Century)

Average customer rating:

Great guidebook to the early Beats
By Far the Best
A good book for so many reasons....
For the New Beat Reader
From Birth to Death the Beats...

The Birth of the Beat Generation: Visionaries, Rebels, and Hipsters, 1944-1960 (Repr of 1995 ed) (Circles of the Twentieth Century)
Steven Watson
Manufacturer: Pantheon
ProductGroup: Book
Binding: Paperback

Popular Culture | Social Sciences | Nonfiction | Subjects | Books

ASIN: 0375701532
Release Date: 1998-02-03

Book Description

The second volume in the acclaimed series that brings to life the groups of avant-garde writers, artists, and patrons who were keystones of what has come to be called Modernism, this book sheds new light on the hard-living, maverick poets and novelists--William S. Burroughs, Allen Ginsberg, Jack Kerouac, and others--who coalesced into the Beats. Illustrations.

Customer Reviews:

Great guidebook to the early Beats.......2005-12-21

There are few literary movements in American history that have been as influential as that of the Beat Generation. Together they expressed discontent with life in postwar America and decried the literary traditions of their age. Their subjects were their very own lives, particularly their relationships, their travels, and their experimentation and use of mind-altering chemicals, all of which was in defiance of the social norms of their times.

In this book, Steven Watson chronicles the formative years of the movement, from their initial encounters in 1940s New York to the publication of Burroughs's novel "Naked Lunch." In this, Watson follows an outline of the history of the Beats once articulated by Allen Ginsberg, starting with how they came together as a group and then moving on to describe the writing of their key works, their struggles against censorship, and their eventual success and notoriety. While his focus is primarily on the major figures - Ginsberg, Kerouac, Burroughs, Neal Cassady, and Herbert Huncke - and their influences on one another, his scope is wide-ranging, and includes examinations of the San Francisco Renaissance, the avant-garde Black Mountain College, and the subsequent commercialization of the Beats by the end of the 1950s.

Watson describes all of this in a brisk and informative narrative. Generously illustrated, the margins are peppered with quotes, definitions of Beat terminology, and lists of people, books, and traits that define the movement. Together it makes for an invaluable guidebook to the Beats; while no substitute for the writings themselves, it is an excellent resource for understanding the origins and development of the Beat movement.

By Far the Best.......2002-07-04

This is by far the best book about the Beats that I have read to date. I really enjoyed the entire book. Its a quick read, has fun anecdotes, quotes and definitions printed in the margins of every page, and delivers a tremendous amount of information about the Beat Generation. I was impressed by the amount of history covered for the main Beat characters, Kerouac, Ginsberg, Carr, and Burroughs. I especially enjoyed the in depth looks at their first meetings with one another and the focus on what each one was reading during the early years. The aforementioned writers are definitely the focus of this book, but there is also a decent amount of time dedicated to minor characters involved in the generation.
You really can't go wrong with this book, rather this will be your first introduction to the Beats or your a veteran of Beat lore, you will definitely gain something from reading this text. This book also includes an awesome year to year run down of important events in the Beat movement shown in correlation with important social and political events of the time. If you enjoy this book you may want to check out 'Rolling Stone's Book of the Beats' also, another great addition to the Beat fan's bookshelf.

A good book for so many reasons...........2000-08-29

This is a great book for a numer of reasons. I'm going to list a number of them and then write a bit in conclusion.

1. It deals with many of the 'Beats' rather than focusing, as is typical, on Kerouac and Ginsberg and forgetting the rest of them. It provides an illuminating portrait of Burroughs (who is definately a key figure), Neal Cassidy (who is also), and alot of the girls, etc. who were around them. 2. It provides reading lists, etc. of what they were reading. This is HUGE if you want to understand the bitterness/despair that is found in Burroughs and Ginsberg... as well as insight into how they interpretted their life and times (i.e. because they read these books, they in a dialogic sense would interpret things along such-and-such lines.... as a psychologist would interpret a 'vision of God' one way and a believer a second.... 3. Lots of minutia/trivia that is just fun.

It's a really good book and more stimulating than one would expect from a book that is in the shape of a square. It would not suffice as a literary biography of any of the authors contained in the 'movement' nor could it supplant any social history book. But, it suppliments them and is fun to read: sort of an academic version of 'Seventeen' at points. I really love this book. I'd definately recommend this book to anyone who wants to become first among their band of friends if all their friends want to do is read a little bit of 'On the Road' and 'Howl' (and then think they know about this time period....

For the New Beat Reader.......2000-06-06

Steven Watson does an admirable job of bringing together the various strands of Beat history through an engaging, storyteller-like style. Though he doesn't cover much new ground, his treatment of the Beat Women, Black Mountain Poets and the San Francisco Renaissance will be particularly helpful for those who are just beginning to explore the ancillary figures of the Beat movement. However, anyone already familiar with the lives of Ginsberg, Burroughs, and Kerouac will find nothing revelatory here.

One point of concern is Watson's often overzealous descriptions of Beat sexuality. While sexual liberalism was certainly a significant tenet of Beat existence, it was not, in my estimation, the raison d'etre for Ginsberg, Burroughs, Kerouac, etc. It could be argued that Neil Cassady illuminated the sexual experience for core Beats, but his contribution as an iconic figure should not be devalued by presenting him as merely the sexual driving force of the Beats. Moreover, Watons implies that Ginsberg's homosexuality was the primary facet of his literary development. This is more than debatable. Certainly, Ginsberg's supernatural visions of Blake and his relationship with his mother served a much more profound purpose.

Though Watson should be commended for his thoroughness, the result at times is an overemphasis on the sexual side of the Beats. In Watson's book, this serves to lessen the importance of the Beats' dramatic contributions to literature and poetry.

From Birth to Death the Beats..........1999-12-29

The most unbiased and honest writing on the beats I've read to date. Steven Watson stears clear of glorification and awe, and brings you inside the little worlds of these real life characters. Swings you around to the outside looking in observing these dark lost drug induced literary masters. I especially appreciate the in depth look at Joan Vollmer Burroughs, an often overlooked main character of the Beats.

Books:

Books Index

Books Home

Recommended Books