History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Comedy Writing Secrets, 2nd Edition: The Best-Selling Book on How to Think Funny, Write Funny, Act Funny, And Get Paid For It

Average customer rating:

You'll love it!... if you're 67
Dated, but useful
Well done!!!
What other comedy books don't tell you
VERY HELPFUL FOR ACTORS

Comedy Writing Secrets, 2nd Edition: The Best-Selling Book on How to Think Funny, Write Funny, Act Funny, And Get Paid For It
Mel Helitzer , and Mark Shatz
Manufacturer: Writer's Digest Books
ProductGroup: Book
Binding: Paperback

Comedy | Humor | Entertainment | Subjects | Books

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ASIN: 1582973571

Book Description

Updated and revised, this new edition of the best-selling favorite enables readers to master the fundamentals of humor writing and better understand the demands of the comedic market. Comedy Writing Secrets now includes:

-Examples from comedy greats as well as cutting-edge contemporary comedians, including Jon Stewart, Chris Rock, and Tina Fey

-A complete spectrum of techniques, from writing one-liners and stand-up routines, to finding a market for one's work

-Step-by-step writing exercises accompanied with sample answers, so readers can practice and hone their skills

With this guide, aspiring comics can learn how to sharpen their comedic talent and turn it into a well-paying pursuit.

Customer Reviews:

You'll love it!... if you're 67.......2007-09-21

The reason there are no good books on comedy is because it is an inherently impossible field to "break down" and "explain." These guys do an okay job of relaying the history of comedy, but they do nothing to actually explain anything.

Besides that fundamental flaw, these guys are simply too old and the book reads like my grandfather's "1001 Polish Jokes." This advice would have been pretty helpful is honing your standup routine for Ed Sullivan but in 2007 it just seems pathetic and lame.

Dated, but useful.......2007-09-13

If you can get this book cheap, then I would recommend it simply for the fundamentals. However, it is a painful book to read; it is very old (1987) and, ahem, in some ways politically incorrect (but then again, everyone is so damn sensitive these days). I first read this book in 1989 - and it was useful. I picked it up again this year (2007) and realized two great lessons: 1) That some forms of comedy are classic and will always work. 2) That times change and humor does as well ... what might have worked for you two years ago may need to be reworked and changed around.

Well done!!!.......2007-07-26

This is a good book for anyone who wants to learn methods and concepts on comedy writing, or even how to construct material/jokes for their own personal life. This book is aimed toward people going into stand-up or comedy writing, but it is also very useful for people who just want to broaden their sense of humor. This book is broken down into different concepts and joke types, and each joke type is explained on how it is constructed. This book also has exercises on how to observe things differently, particularly how to "find the funny" in everyday things, and to take these observations and turn them into tools for laughter. I recommend this book to anyone entering the field of comedy, and also to people who would just like to expand their sense of humor. There are also some very good jokes inside! Very enjoyable read!

What other comedy books don't tell you.......2007-07-13

And it's not because they are withholding the information either!

Breaking down comedy into a scientific method is not an easy process. PLUS, there's a lot more to it than just understanding the core structure of comedy. With that being said, I think you'll find a lot of gems in this book that will make you funnier in your every day life.

Not just for writing comedy, this book will help you be funnier in general in your interactions with your friends and co-workers.

A lot of it deal with content. As this book was written for Comedy WRITING, it was written in mind that you cannot use your personality, way of acting as a shtick. So it relies heavily on the CONTENT... it's very potent, because communication is said to be over 90% body language.

If this is true, and you learn (and you can) to be funny with the remaining 10%, IMAGINE... how funny you could be if you started working on your general ating shticks and personas.

I've used this book to see how I could use it in my every day to be more interesting in general I think it will serve you well if that's what you're looking for.

VERY HELPFUL FOR ACTORS.......2007-03-09

THIS IS A GREAT BOOK OVERALL. AS AN ACTOR I HAVE FOUND THE TECHNIQUES HELPFUL FOR MY ACTING AND SCREENWRITING AS WELL. YOU REALLY NEED TO BE PATIENT WITH THIS BOOK AS IT IS LONG-WINDED AT TIMES. IT'S QUITE THROUGH THOUGH AND DOING THE LITTLE HOMEWORK EXERCISES IS IMPORTANT. THE FUDAMENTAL CONCEPTS ARE HERE AND I LOOK FORWARD TO THE NEXT BOOK IN THE SERIES, IF THERE WILL BE ON.
JAY MADHAV, HOLLYWOOD

Average customer rating:

Worth the price
Step by Step to Stand up
Informative and Focused
Okay, it works
Thorough and precise

Step by Step to Stand-Up Comedy
Greg Dean
Manufacturer: Heinemann Drama
ProductGroup: Book
Binding: Paperback

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ASIN: 0325001790

Book Description

If you think you're funny, and you want others to think so too, this is the book for you! Greg Dean examines the fundamentals of being funny and offers advice on a range of topics, including:

writing creative joke material
rehearsing and performing routines
coping with stage fright
dealing with emcees who think they're funnier than you are
getting experience
and lots more.

Essential for the aspiring comic or the working comedian interested in updating his or her comedy routine, Step by Step to Stand-Up Comedy is the most comprehensive and useful book ever written on the art of the stand-up comedian.

Customer Reviews:

Worth the price.......2007-09-27

A fresh, and mostly original approach to stand-up, with a technique for creating mounds of material. Really good.

Step by Step to Stand up.......2007-09-24

This is a very heady book. If you are natural comedian with a gifted right brain who is looking for some refinement ideas, it might provide some good pointers, otherwise stay away from it and go to Zen and the art of Stand up by Jay Sankey.

Informative and Focused.......2007-05-24

I have avoided reading "guide books" on stand up comedy since I wanted to approach my shows from my personal perspective, with limited influence from others. However, after having written material and performed my own shows, I felt the need to re-evaluate my material and performances. I found this book really helpful.

Greg Dean presents a structured framework for joke writing. I initially shuddered at the prospect but, on reading the chapters, I certainly found ways to improve jokes I had written. His advice is practical. He inspires without being preachy and has a "no nonsense" approach to his subject. The book is also useful in possibly reminding of vital things one may have learnt on one's own but subsequently neglected.

He offers a lot of practical advice, using entertaining examples to demonstrate his points. This is well worth reading whether you are a novice or a more accomplished performer.

Okay, it works.......2007-02-12

Provides something that is almost completely missing from other How-To manuals on Stand-Up: set up and punch-line structure. Is otherwise an introduction to stand-up preparation which most books seem to provide, but the laying out in clear simple terms of the potentially complex set up and punch-line, sets it apart. No need to "look inside yourself", or piece together cryptic clues about the mystery of funny, just nut it out through years of hard, humiliating, thrilling slog with this one piece of technical information you can't do without.

I made a joke out of the topic of conversation, in a social setting the other day, for the first time since getting my head around the concepts in this book. With no real interest in the topic and an objective application of the technique, I made a punchline - that I thought was fairly banal - which made someone weep at length with laughter. I thought, "okay it works."

I guess the message I took from this book was, "here is the trick, but other than that, there are no shortcuts, now do the work!"

Thorough and precise.......2007-01-15

This is a fantastic read and by far the best book on the subject that you are ever likely to find. The "Joke Mine" and "Prospector" really helped me to understand joke structure and creation. The rest of the chapters ARE even better. There is a lot of value to be found here. I have re-read nearly every part of Greg's book at least twice and I still keep getting new ideas. Brilliant.

Average customer rating:

A Solid Book
I scanned it straight to the money
Inspiring to all students of writing.
Sitcoms from the ground up
A must-read for would-be sitcom writers

Writing TV Sitcoms
Evan S. Smith
Manufacturer: Perigee Trade
ProductGroup: Book
Binding: Paperback

Direction & Production | Movies | Entertainment | Subjects | Books

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ASIN: 0399525335

Book Description

With guidance from top sitcom producers and examples straight from the screen, this book can help anyone write, revise--and sell--a script.

With twenty years in the business--as a writer, programming executive, and university instructor--Evan Smith knows what it takes to get from spec script to sitcom success. Here he offers the first published description of Premise-Driven Comedy, the writing method he has developed and popularized; tips from writer-producers who have worked on series from "Frasier" to "The Cosby Show" to "Roseanne;" a complete story outline from the series "Home Improvement;" explicit advice on how the business works and how to get an agent; and script layout guidelines for all three sitcom formats.

Clear, comprehensive, and cutting-edge, this is the true insider's guide to becoming a sitcom writer. Who knows--it might just be the book that inspires the world's next Seinfeld!

* Includes examples from classic and contemporary sitcoms, tips from successful writer-producers, and a complete "Home Improvement" story outline
* An author with twenty years of experience in the business
* Advice on both the business and creative aspects of a sitcom-writing career, including a discussion of Premise-Driven Comedy, Smith's innovative new writing technique

Customer Reviews:

A Solid Book.......2005-10-02

Although it has an unfortunate title (who the hell wants to write sitcoms? - aren't they supposed to be dead?), this book is one of the better resources on the subject of television writing in general. It paints a very realistic picture of the business and acknowledges some of the changes that are taking place within the industry. This is a good book for someone who already knows how to write a solid script, but who'd like to learn more about the TV biz.

I scanned it straight to the money.......2001-04-13

I scanned right throught the pages like I needed the cool breeze and stopped on the "how much will I make" page and well, it looks good to me. I also looked in other areas of the book and before I even read it I know it's exactly what I was looking for. A must for even a dream sitcom writer like me. This is a real shortcut, it covers all the information you will ever need.

Inspiring to all students of writing........2001-01-13

Evan Smith introduces Writing Television Sitcoms as the all-in-one writer's guide to sitcoms. It sounds heavy, but honestly true. There is no aspect of TV sitcom writing a student, or otherwise, could dream up a question for which Smith doesn't have an answer. He covers how to create a sitcom, write it, and sell it. And in the first chapters he even details how anyone can make a career in writing. You will find yourself beaming with childlike enthusiasm as your eyes run through Writing Television Sitcoms.

Sitcoms from the ground up.......2000-09-24

Smith goes right to the foundations of sitcom writing, and leads his reader through all the steps to a funny, saleable product. He explains his 'premise-driven comedy' in terms a beginner can comprehend and put to immediate use; a pro will find suggestions for boosting his batting average, and will recognize the voice of someone who's been there, and done that. Kudos to Smith

A must-read for would-be sitcom writers.......2000-09-21

This book is very well-organized, well-written and very informative. I have found that I refer to it often. It is worth the investment if you are serious about sitcom writing.

What are You Laughing at?: How to Write Funny Screenplays, Stories, and More

Average customer rating:

An Excellent Learning Tool
Who, me?!
Over 70 excerpts from top screenwriters
an example of what it teaches
Brad Schreiber: WHAT ARE YOU LAUGHING AT?

What are You Laughing at?: How to Write Funny Screenplays, Stories, and More
Brad Schreiber
Manufacturer: Michael Wiese Productions
ProductGroup: Book
Binding: Paperback

Comic | General | Literature & Fiction | Subjects | Books

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ASIN: 0941188833
Release Date: 2003-12-15

Book Description

At last. A how-to book by someone who actually knows how to. -- Larry Gelbart

Customer Reviews:

An Excellent Learning Tool.......2007-06-02

This book is a bit of a contradiction, insofar as it is very entertaining reading, yet you learn a great deal almost by accident. I also intuitively feel I'd like the author; whether as an instructor or just a nice guy to share a cold beer with. If you are interested in how to make humor "click," this is the place to look. Highly recommended.

Who, me?!.......2005-08-23

So someone once asked me, "Pamela, do you write comedy?". "Not on purpose", I replied.

But now, with the help of a really funny guy who wrote a really helpful book, I can make a good go at it.

Like Brad Schreiber himself, this book is intelligent, witty, accessible, inspiring, and fun.

It offers overviews of various forms of humor, theories of humor, examples of humor, excerpts from humorists, practical advice on writing funny, and even provocative exercises that guarantee at least a giggle, most often a guffaw.

As a story consultant myself, I recommend Brad's book to my writing clients.

As a reader, I recommend Brad's book to anyone -- writer, speaker, performer -- who wants to lighten their life and the presentation of their message with humor.

Over 70 excerpts from top screenwriters .......2005-02-10

Produce winning comedic screenplays using fiction and nonfiction alike with Brad Schreiber's What Are You Laughing At?: How To Write Funny Screenplays, Stories, & More. Included are over 70 excerpts from top screenwriters and pairing them with writing exercises and details on the differences between writing comedy for TV versus stage. There are eleven modes of comedic dialogue, 13 common problems screenwriters encounter and valuable insights into the rhythm and sound of words in What Are You Laughing At? Brad is himself a L.A. screenwriter, so his tips come from an insider's hand.

an example of what it teaches.......2004-06-11

This book is funny -- even if you don't feel like learning anything from it, you'll laugh. Writers will recognize themselves in the examples for sure. I like that the book is about *writing funny* as opposed to writing screenplays or columns or novels or [insert genre here]. Schreiber breaks down the principles of humor writing and gives you guidance on applying them to any type of project.

Brad Schreiber: WHAT ARE YOU LAUGHING AT?.......2004-04-09

This is a wry, dry, witty and comprehensive piece of work which is excellent reading in itself as well as being essential for the aspiring writer. Schreiber draws on his experience as TV development executive, teacher, script consultant and actor to hand on a wealth of useful information on everything from Aphorisms to Yiddish Sound Theory and from the Author's Voice to Vulgarity - and for the really keen student there are 'Do This Now' exercises at the end of every section. This is a high quality publication by Michael Wise Productions. It has a useful index and an excellent introduction by Christopher Vogler. I enoyed it hugely.

History: Fiction or Science? Chronology 2 (Chronology)

Average customer rating:

Check and see
Suprise! Suprise!
Prescient St Augustine?
Something of a disappointment
Romulus courts Helen, Paris founds Rome, Moses goes to Troy..

History: Fiction or Science? Chronology 2 (Chronology)
Anatoly T Fomenko
Manufacturer: Delamere Resources LLC
ProductGroup: Book
Binding: Paperback

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ASIN: 2913621066

Product Description

`History: Fiction or Science? Chronology 2` is the second volume of the most explosive and astounding tractate on history ever written - however, every theory it contains, no matter how unorthodox, is backed by rock solid scientific data. The book is easy and pleasant to read; it is well-illustrated, contains hundreds of charts, graphs and illustrations, copies of ancient manuscripts, and countless facts attesting to the falsity of the chronology used nowadays. You will be amazed to discover: - That the chronology universally accepted today and taken for granted is simply wrong; - That ALL methods of dating of ancient sources and artefacts known today are erroneous or non-exact; - That there is not a single document that could be reliably dated earlier than the XIth century; The Author refers to the Middle Ages as the Antiquity and proves mutual superimposition of the Second and the Third Roman Empire, both of which become identified as the respective kingdoms of Israel and Judah. Furthermore, he asserts that the famous reform of the Occidental Church in the XI century by Pope Gregory Hildebrand was the reflection of the XII century reforms of Byzantine emperor Andronicus who in his turn identifies with Jesus Christ. The Trojan war counted by Homer happened only as late as of the XIII century A.D. and the great poet actually lived in XIV century A.D. No stone in history of Antiquity is left unturned. Literally. This book is the beginning of a major correction to the chronology we live with.

Customer Reviews:

Check and see.......2007-06-21

I don't care what other people say of this book. Those affirmig it's fake, they hadn't ever read it. Or have some special reasons to do so. "Living is easy with eyes closed, misunderstanding all you see..." This book won't make you feel comfortable. It'll make you feel free. It'll make you feel you're "not the only one" to feel you'd been lied to for centuries.

Suprise! Suprise!.......2007-03-22

Here is a serie of books which turns "the whole world" upside down. I learned a lot of it and I hope that a new book from A.T. Fomenko will follow very quick. A absolute must for everybody who is interested in history or even a little bit from it.

Prescient St Augustine?.......2006-02-05

We can so far divide the New Chronology into the following three parts:

a) The verifiable theory that proves consensual chronology wrong with the aid of astronomy, statistics and mathematics;

b) The new chronology hypothesis based on a new understanding of known historical facts and the most likely logical explanation of the most obvious inconsistencies inherent in the official version of history;

c) The history conjectures, that is experimental historical reconstructions based on assumptions that the authors believe to make sense in the light of their research and linguistic parallels - void of ironclad factual support to date.

Fomenko's theory complies with the most rigid scientific standards as a whole:

It gives a coherent explanation of what we already know.

- It is consistent: independent lines of inquiry all lead to the same conclusion.

- The predictions it makes are confirmed empirically.

Fomenko goes by the following axioms:

- Chronology is the basis of history;

- Human evolution has always been linear, gradual and irreversible;

- The "cyclic" nature of human civilization is a myth, likewise all the gaps, duplicates, "dark ages" and "renaissances" that we know from consensual history;

- The accumulation of geographical knowledge as reflected in cartography is a gradual and irreversible process;

- The chronological distance between a given manuscript and the events described therein is proportional to the amount of distortions it contains;

- There is no "useless" information in authentic ancient sources.

Why the mainstream historians do not shower mathematician Academician Dr.Prof Fomenko with thanks and laurels?

The Russians:

Because Fomenko asserts that there was no such thing as the Tartar and Mongol invasion followed by three centuries of slavery, providing a formidable body of documental evidence to prove his assertion. The so-called "Tartars and Mongols" were the actual ancestors of the modern Russians, living in a bilingual state with Arabic spoken as freely as Russian. The ancient Russian state was governed by a double structure of civil and military authorities. The hordes were actually professional armies with a tradition of lifelong conscription (the recruitment being the so-called "blood tax"). Their "invasions" were punitive operations against the regions that attempted tax evasion. Fomenko proves that Russian history as we know it today is a blatant forgery concocted by a host of German scientists brought to Russia by the usurper dynasty of the Romanovs, whose ascension to the throne was the result of coup d'état, charged with the mission of making their reign look legitimate. Fomenko proves Ivan the Terrible to be a collation of four rulers, no less. They represented the two rival dynasties - the legitimate rulers and the ambitious upstarts. The winner took it all! Over some 30 years of controversy, Russian historians have made a most remarkable transition - they were initially accusing the young mathematician Fomenko of anticommunist dissident activity and attempts to deface the historical legacy of Soviet Russia; nowadays the middle-aged mathematician is accused of adhering to "pro-communist Russian nationalism" and defacing the proud historical legacy of Great Russia.

The Westerners:

Because Fomenko blows consensual Russian history to smithereens, successfully removing a crucial cornerstone from underneath the otherwise impeccable edifice of World History. Fomenko adds insult to injury, wiping out one by one the Ancient Rome (the foundation of Rome in Italy is dated to the XIV century A. D.), the Ancient Greece and its numerous poleis, which he identifies as the mediaeval crusader settlements on the territory of Greece, and the Ancient Egypt (the pyramids of Giza become dated to the XI-XV century A. D. and identified as the royal cemetery of the Global "Mongolian" Empire, no less). The civilization of the Ancient Egypt is irrefutably dated to the XII-XV century A. D. with the aid of the ancient Egyptian horoscopes cut in stone. He was the first one to decipher and date all such horoscopes, coming up with mediaeval dates in every case. English historians rage at the suggestion that the history of Ancient England was de facto a Byzantine import transplanted to the English soil by the fugitive Byzantine nobility. To reward the English historians who consider themselves the true scribes of World History, the cover of the present book portrays Tintoretto's Jesus Christ crucified on the Big Ben.

The Chinese:

Because Fomenko wipes out the Ancient History of China outright. No such thing. Full point. The compilation of the so-called Ancient Chinese History is reliably datable to the XVII-XVIII century only. It is perfectly recognizable as the Ancient European history, reworked and transcribed in hieroglyphs as yet another historical transplantation, this time performed on the Chinese soil by the loving Jesuit hands. The Chinese are the next in line to go berserk. Chinese history is inevitably bound to get both more ancient and more eventful, proportionally to the growing involvement of China in the world affairs. Chinese historians will keep on finding valid proof of prehistoric Chinese spaceflights until the Politburo orders them to shut up.

The Arabs:

Too bad. Islam with all its key figures is datable to XV-XVI century A. D. Arabic historians may find consolation in the crucial historical role of the Ottoman Empire in the XVI-XVII century. The trouble is that this empire was initially a Christian state, with Hagia Sophia identifiable as Temple of Solomon, according to Fomenko! We can only guess if the acquisition of Alexander the Great (a Macedonian and a Christian) as the founder of the Muslim World Empire will make Fomenko's theories more acceptable to the Arabic mainstream. He certainly does not spare any holy cows at all, claiming The Stone of Qa'Aba in Mecca to contain the lost Arch of the Covenant.

The Divinity:

Despite of reiterated statement that his theory is all about chronology and not Religion, Fomenko stirs up a whole condominium of wasp nests. His collection of anathemas, fatwa, and other condemnations from all parties concerned is already considerable. Little wonder, considering that the history of religions à la Fomenko looks as follows: the pre-Christian period (before the XI century and JC), Bacchic Christianity (XI-XII century, before and after JC), JC Christianity (XII-XVI century) and its subsequent mutations into Orthodox Christianity, the Catholicism, Islam, Buddhism, and so on.

According to Fomenko we know strictly NOTHING about the events that predate the X century A. D.

St Augustin was prescient when he spoke unto us: "be wary of mathematicians, particularly when they speak the truth."

Something of a disappointment.......2005-09-09

After having read the first volume of this expected series of 7 volumes I was triggered by the thesis of these authors that ancient Greek and Roman history did in fact take place in the Middle Ages. So I started studying medieval history of the Middle East - also known as Islamic history - to find out if the opponents of the ancient Greeks and Romans - the Acheamenid Persians, Sassanids, Scythians, Egyptians, etc. - also have their duplicates in medieval history. My search was disappointing: none of the many medieval Islamic dynasties seemed to correspond to the ancient middle eastern rulers.

However, I did find a close correspondence between Herodotus' Persian kings and medieval events:

- the defeat and capture of an Anatolian king - the Lydian Croesus - by the Persian conqueror Cyrus is identical to the defeat and capture of another Anatolian king - sultan Bayezid - by the Asian/Mongol conqueror Tamerlane;
- the Persian conquest of Egypt by the cruel tyrant Cambyses reds almost exactly as the Ottoman conquest of Egypt by Selim the Grim (note the nickname!);
- Darius the Lawgiver of the Persian Empire looks very much alike to Sulayman the Magnificent, the Lawgiver in Islamic history;
- Xerxes, whose main claim to fame is to be defeated by the Greeks at the naval battle of Salamis, looks like Selim II (the Sot) whose main claim to fame is to be defeated by a Spanish-Italian alliance at the naval battle of Lepanto.

I should have expected Fomenko et al. to arrive at similar conclusions, however, they claim that the Persian kings are the alter egos of the Angevin kings of Sicily whose biographies do not contain the exploits of the Persian kings.

The similiarities I indicate lead to the conclusion that Herodotus must have written his Histories at the close of the 16th century. But this is extremely late, given that Herodotus is "the Father of History", so therefore all other "ancient" histories must have been fabricated even later. Yet, the founders of modern chronology - Scaliger and Petavius - laid their foundations also at the close of the 16th century and had the full corpus of ancient histories already at their disposal.

It seems to me that Fomenko has to address these inconsistencies, maybe in the forthcoming 5 volumes?

Another critique of their book is that the correspondencies between different rulers are often based on a superficial comparison of the biographies; upon a more thorough comparison many details appear that do not correspond at all.

Finally, the authors rely heavily on the works of Gregorovius (1821-1891!!) - his medieval histories of Rome and Athens - as the source of medieval history; these works are - at least in the West - hoplessly outdated and have been superceded by more up-to-date works (for instance, Julius Norwich's trilogy on Byzantine history is not even cited).

Romulus courts Helen, Paris founds Rome, Moses goes to Troy.........2005-07-30

If you agree with Fomenko that Roman chronology is basically the foundation of the entire edifice of global chronology; you would also certainly agree that despite its numerous gaps and inconsistencies, Roman history is the best-documented field of ancient history, and thus a reference scale. But how well is the actual date of the Eternal City's foundation known?

Firstly, Rome is supposed to have been founded by the Trojans who had to flee after the fall of Troy. Some claim Rome to have been founded by Aeneas and Ulysses shortly after Troy had fallen; others are of the opinion that there was an entire dynasty that ruled for 500 years between the fall of Troy and the foundation of Rome.

Well, that's just an innocent 500 years long misunderstanding compared with what heretic Fomenko says, asserts, proves in his second volume: Second Roman Empire, Third Roman Empire, Biblical Kingdom of Israel, Biblical Kingdom of Judah, Holy Roman Empire are stories about basically same events, written from different points of view at different times. The underlying events have actually taken place during xii-xv cy. These histories have been written and perfected by multitude of highly talented humanist and clerical writers of xiii-xvi cy disguised as "ancients" with glorious names like Homer, Pluto, Thucydides etc..Chronology 2.0 beta..

Historians are kindly invited to report the bugs.

Lives of the Writers: Comedies, Tragedies (and What the Neighbors Thought)

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Lives of the Writers
Authors Come Alive
They shared a singular conviction to write
Lives of the Writers is a fun, informative book....

Lives of the Writers: Comedies, Tragedies (and What the Neighbors Thought)
Kathleen Krull
Manufacturer: Harcourt Children's Books
ProductGroup: Book
Binding: Hardcover

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ASIN: 0152480099

Book Description

Here are inside views of twenty writers--people of all shapes, sizes, temperaments, and lifestyles, from various countries and historical periods. Included are William Shakespeare, Edgar Allan Poe, Mark Twain, Zora Neale Hurston, Isaac Bashevis Singer, and many others. “There’s enough substance here for a quick report or to enliven a longer one. Let’s hope this team continues through all the arts. An irresistible package.”--School Library Journal

Customer Reviews:

Lives of the Writers.......2006-04-30

This is another charming addition to Krull's outstanding series. I have read all but one of the books and was very excited about Lives of the Writers, since writing is my area of expertise. The illustrations were lovely, as always, but the writing (of all things!) lacked vigour, droning on with archaic facts about the authors. Towards the end I had trouble identifying the authors or the books they are most famous for. Krull would have been better served to write about familiar, yet interesting authors, such as J.R.R. Tolkien or Lucy Maud Montgomery, as opposed to Zora Neale Hurston and Isaac Bashevis Singer.

Nevertheless, this is a good, witty, and light book, and it is a welcome addition to Krull's series.

Authors Come Alive.......2003-10-01

Kathleen Krull's Lives of the Writers Comedies, Tragedies (and What the Neighbors Thought) was an exceptionally informative book for young readers. Krull presented basic biographical information for up to nineteen well-known authors from the past and more resent times. Along with this standard information, Krull also offered not-so-common facts about the life, personalities, and actions of the authors. While reading the book, I found myself feeling as if I had came to know some the authors as a person rather than simply an author from the past. Also, I enjoyed the illustrators' drawings of the each author. The illustrations seemed to add a bit of humor and light-heartedness to the information. I believe this book would serve as a great introductory tool for students of various ages.

They shared a singular conviction to write.......2000-05-31

"How can you print a piece of your own soul," Dickinson, p. 51

This is the 2nd in the Krull and Hewitt's "Lives of ..." series. The book contains 19 chapters on 20 writers in birth order: Murasaki Shikibu (973?-1025?), Miguel de Cervantes (1547-1616), William Shakespeare (1564-1616), Jane Austen (1775-1817), Hans Christian Andersen (1805-1875), Edgar Allan Poe (1809-1849), Charles Dickens (1812-1870), Charlotte & Emily Bronte (1816-1855 & 1818-1848), Emily Dickinson (1830-1886), Louisa May Alcott (1832-1888), Mark Twain (1835-1910), Frances Hodgson Burnett (1849-1924), Robert Louis Stevenson (1850-1894), Jack London (1876-1916), Carl Sandburg (1878-1967), E. B. White (1899-1985), Zora Neale Hurston (1901?-1960), Langston Hughes (1902-1967), Isaac Bashevis Singer (1904-1991)

This is a perfect book for young adolescents and pre-teens who as they grow and mature frequently feel awkward. Krull introduces us to the idiosyncrasies of the literary. Some of the authors were loners, eccentric, a wee bit peculiar. Michael Jackson's behaviors might seem normal when held in comparison. Some retreated into themselves. Some sought out adventures. Some as adults were unsuccessful at the ordinary.

Some worked at a young age to support the family. Some took daily walks, very long daily walks. Some were not healthy and therefore wrote in bed. There were some similarities and some differences, but they all shared a singular conviction to write and write they each did well.

Hewitt's delightful portraits of the writers are precious. My favorite portrait is of Frances Hodgson Burnett of "The Secret Garden" fame. Her hat is the secret garden.

Given the high price of the book, I was surprised that Krull did not include a list of the authors' books and/or poems and the publication years. END

Lives of the Writers is a fun, informative book...........2000-03-10

This book is a fun and informative book. The pictures are filled with humorous meanings and hidden information. The book keeps the reader's attention by keeping the included information short and simple, but also makes sure that the reader gets as much possible about the author. This book is great for kids and students to use as a report source as it is filled with great information. Kids would rather use this book as an information source rather than an encylopedia since the information is easy to understand. Authors in there are some you may not know, ( Murasaki Shikibu) and some well know ones ( Charles Dickens). I am glad I purchsed this book. I really liked the pictures which are so vibrant with color. This would make a great buy.

The Eight Characters of Comedy: A Guide to Sitcom Acting And Writing

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The EIght Character of Comedy is a Winner!
Finally!
This is the key to comedy!
Read this book!
great!

The Eight Characters of Comedy: A Guide to Sitcom Acting And Writing
Scott Sedita
Manufacturer: Atides Publishing
ProductGroup: Book
Binding: Paperback

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ASIN: 0977064107

Book Description

At the core of this Hollywood howto guide is the concept of The Eight Characters of Comedy, the eight specific character archetypes used in sitcoms dating back to the advent of TV. Every actor can find a sitcom niche by identifying with one of these eight characters. Using past and current actors and sitcom personalities, Sedita describes in detail where these characters come from and how actors can play them truthfully. * who is normally cast as The Logical Smart One' * why do we love The Lovable Loser' * why is The Neurotic such a fun character to play' In addition, readers learn how to break down a comedy script, how to identify different types of jokes, how to deliver them with comedic precision, sitcom auditioning techniques, and how to market themselves.

Customer Reviews:

The EIght Character of Comedy is a Winner!.......2007-03-09

The "Eight Characters of Comedy" by Scott Sedita was absolutely fantastic! The book was incredibly informative to a writer and an actor, but also gives the audience/reader such an insight to how tv shows and film are created. It's a wonderful book. I recommend it to all!

Finally!.......2007-02-06

I mean, seriously. Someone FINALLY sat down and wrote a book that deconstructs all the different characters (there's 8, by the way) that appear in comedy, sitcoms specifically. Sedita manages to set forth a simple, concise, easy-to-read (AND understand) method to determining, from an acting standpoint, WHICH character you are (I'm, surprisingly, a "lovable loser" and not, as I had hoped and dreamed, a "womanizer"), and which specific traits are most often and commonly associated with PLAYING these characters ("hopeful" and "optimistic" are two big ones for the "lovable loser"). I can only begin to tell you how incredibly helpful this book has been in my audition preparation and my character creation. If you've ever thought about acting, especially in comedy, PICK UP THIS BOOK!

This is the key to comedy!.......2007-02-02

Now I truly understand comedic timing! Sedita is a master at communicating the true technique of the comedic actor and how to apply it to your performance. I learned more from this book about acting than any other acting book I have read. He writes in simple straight forward terms that any actor can use to improve their performance and truly makes you respect the great comedic actors of our time. Thanks Scott!

Read this book!.......2007-01-18

Scott Sedita's Eight Characters of Comedy provides the actor and/or writer wonderful tools for making sit-com characters come alive! All artists interested in the world of sit-com will benefit from this book! And it's fun to read, too - Unique and incredibly insightful!

great!.......2006-12-04

just skimmed through the book and can see it is insightful, awesome, and will change your life/acting! even if you are a sitcom buff, not an actor, you should get this book. you will enjoy finding out about your fave characters. will write another review when i've read it. that Sedita is a genius!

Average customer rating:

This book gave me a career in standup
You can it for granted
This is the hands on text for joke writers!!!

Comedy Writing Workbook
Gene Perret
Manufacturer: Scarecrow Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0887346472

Customer Reviews:

This book gave me a career in standup.......2006-01-29

Without a doubt, this book made all the difference in the world in my standup comedy career. After using the book, I went from unpaid open mic comic to a full-time comedy professional. The best way to describe the book is that it teaches you to write "fast 'n' funny," which are crucial to the standup comedy game. If I had to give away all the books I own about comedy except one, this is the one I would keep, hands down.

You can it for granted.......1999-05-19

This book is called Comedy Writing Workbook and that it's excatly what it is: A workbook. I would almost guarantee that you find at least one exercise per section that makes sense to you. Doing these exercises will improve your skills. You will write better and think faster. You may even become funnier, one never knows. This is the right book for people who think comedy is a craft.

This is the hands on text for joke writers!!!.......1999-04-02

These are some of the hardest writting assignments you will ever come across, but if you can persevere and continue you will see progress. Going out to open mike nights is essential to charting your growth. The only way to see if you are funny is to go out and make other people laugh. To the would be humorist, screw up your courage and sharpen your pencil and have a ball exporing the world written and performance humor!!!

Average customer rating:

Great Book for All Writers
romcom how to
this book is what I needed
top stuff
Not just for Romantics

Writing the Romantic Comedy
Billy Mernit
Manufacturer: Collins
ProductGroup: Book
Binding: Paperback

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ASIN: 0060935030

Amazon.com

According to Billy Mernit, all the Hollywood studios--and most major actors--"are actively seeking romantic comedies." But the same studios and actors reject hundreds of romantic comedies a month. Mernit should know. As a story analyst who has read nearly 4,000 screenplays in the last 10 years, Mernit has seen the good, yes, but also too much of the bad and the ugly. With Writing the Romantic Comedy, Mernit presents his UCLA Extension rom-com writing workshop in book form. Believe it or not, it's not enough to have Meg Ryan and Tom Hanks play the leads. You actually have to create characters for them--characters that an audience will believe "absolutely must end up together." Mernit manages to lay down ground rules without seeming rigid: "he can't be in it only for the sex"; "she can't be in it only for the money"; "at least one scene or sequence [should be] laugh-out-loud funny." Mernit offers five ways to bring your characters to life and seven basic romantic comedy "beats." He has chapters on chemistry, humor, dialogue, and sex ("in romantic comedy, there's nothing sexier than sublimated sex"), and he draws generously upon the surprisingly small canon of great romantic comedies to demonstrate his points. Finally, given that the conflicts in romantic comedies are internal, you needn't look far for inspiration when you feel stuck. "Think of one of the most painful, humiliating, embarrassing things that ever happened to you with someone of the opposite sex," he says, and go from there. --Jane Steinberg

Book Description

From the slapstick shenanigans of Hepburn and Grant in Bringing Up Baby to the sexy repartee of Shakespeare in Love, romantic comedies have delighted filmgoers -- and challenged screenwriters -- since Hollywood's Golden Age.

Whether you're a first time screenwriter, or an intermediate marooned in the rewriting process, this thoroughly charming and insightful guide to the basics of crafting a winning script will take you step by step from "cute meet" all the way to "joyous defeat." You'll learn the screenwriting secrets behind some of the funniest scenes ever written; how to create characters and dialogue that set the sparks flying; why some bedroom scenes sizzle and others fall flat; and much more. Writing the Romantic Comedy features case studies drawn from beloved romantic comedies such as When Harry Met Sally, Annie Hall, Tootsie, and The Lady Eve, as well as field-tested writing exercises guaranteed to short-circuit potential mistakes and ensure inspiration.

Customer Reviews:

Great Book for All Writers .......2007-09-19

I recommend this book for all writers - not just screenwriters. He has a way of making it so clear all the clever ways not to fall into the usual traps of a typical scene.

Whether you are writing a book or a movie the information he presents how to establish relationships between characters is tremendous. It's also a fun read.

I refer to it often when building characters, relationships, and their world.

romcom how to.......2007-06-27

This IS the book for anyone interested in writing a romantic comedy. Simple and easy to follow with great examples from films we love. It's all about the chemistry. If you want to write an emotional picture...this is the book for you. Writing the Romantic Comedy is your ticket to writing a romcom that sells!

this book is what I needed.......2005-09-11

I've been working on my text for a while and struggling with
it. Once I start reading the book I knew I was in right hands because page after page I immediately start finding out answers for my questions. I gained time and saved much of my energy for writing the better. Definitely value of my money.
ILKSEN BAS f/36

top stuff.......2005-09-04

As a writer, this book woke up my muse and honed my funnybone. A completely easy-to-read how-to-write book ... what a bonus! The book is perfect for writers in other genres and anyone looking to write humour and comedy.

Not just for Romantics.......2005-06-26

Bill Mernit's book is a fantastic read not only for those who are trying to dig into the romantic comedy genre, but for anyone trying to expand their understanding of the tenants of any good dramatic story.

Mernit covers the elusive topic of theme in a thorough and clear fashion, which is either dodged or fumbled in other screenwriting books I've read. Specifically, he gives you ideas on how to literate thematic 'intents' so you can have a working answer to the deadly "what's your story about" question. He covers issues of credibility, and creating characters who we'll be willing to care about with equal precision.

But the book's about rom-coms, and it delivers on that front big time. He covers the qualities that make a story romantic in an entertaining, approachable manner. Hey, I hate romance (because it's a for wimps and cat owners), and this book has even made writing one a desirable challenge!

Other reviews have said it, and I will echo it. This book sits on the shelf with McKee's Story and Vogler's Writer's Journey as one of the best screenwriting books going.

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