Average customer rating:
- Great Fun Read
- Classic mystery plus more
- Dashiell Hammett weaves a captivating noir-style mystery
- "THE STUFF THAT DREAMS ARE MADE OF."
- Hammet
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The Maltese Falcon
Dashiell Hammett
Manufacturer: Vintage
ProductGroup: Book
Binding: Paperback
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ASIN: 0679722645
Release Date: 1989-07-17 |
Amazon.com
Sam Spade, Dashiell Hammett's archetypally tough San Francisco detective, is more noir than L.A. Confidential and more vulnerable than Raymond Chandler's Marlowe. In The Maltese Falcon, the best known of Hammett's Sam Spade novels (including The Dain Curse and The Glass Key), Spade is tough enough to bluff the toughest thugs and hold off the police, risking his reputation when a beautiful woman begs for his help, while knowing that betrayal may deal him a new hand in the next moment.
Spade's partner is murdered on a stakeout; the cops blame him for the killing; a beautiful redhead with a heartbreaking story appears and disappears; grotesque villains demand a payoff he can't provide; and everyone wants a fabulously valuable gold statuette of a falcon, created as tribute for the Holy Roman Emperor Charles IV. Who has it? And what will it take to get it back? Spade's solution is as complicated as the motives of the seekers assembled in his hotel room, but the truth can be a cold comfort indeed.
Spade is bigger (and blonder) in the book than in the movie, and his Mephistophelean countenance is by turns seductive and volcanic. Sam knows how to fight, whom to call, how to rifle drawers and secrets without leaving a trace, and just the right way to call a woman "Angel" and convince her that she is. He is the quintessence of intelligent cool, with a wise guy's perfect pitch. If you only know the movie, read the book. If you're riveted by Chinatown or wonder where Robert B. Parker's Spenser gets his comebacks, read the master. --Barbara Schlieper
Book Description
A treasure worth killing for. Sam Spade, a slightly shopworn private eye with his own solitary code of ethics. A perfumed grafter named Joel Cairo, a fat man name Gutman, and Brigid O’Shaughnessy, a beautiful and treacherous woman whose loyalties shift at the drop of a dime. These are the ingredients of Dashiell Hammett’s coolly glittering gem of detective fiction, a novel that has haunted three generations of readers.
Customer Reviews:
Great Fun Read.......2007-10-06
I thoroughly enjoyed this novel. It took a bit for me to adjust to his style of terse dialogue and, at times, almost overly detailed description. The book was a bit dated, as well, and thus a bit sexist at times. Also: everybody chain smoked. But a fun, fun read..!
Classic mystery plus more.......2007-07-19
"The Maltese Falcon" is the epitome of the early twentieth-century private-eye detective story. However, is does not exactly follow the usual cut of a mystery. There is no cut-and-dry explanation of all of the characters' actions and motivations, giving the reader more food for thought than usual. The unexpected twists in the plot keep the reader guessing and the unexpected ending keeps the reader thinking! A wonderful mystery. I want to read more of Hammett's work.
Dashiell Hammett weaves a captivating noir-style mystery.......2007-05-30
As few have failed to mention, The Maltese Falcon was a significant piece of literature when it was published in1930, defining the classic noir-style detective genre and influencing many of today's writers. The story begins like this: Samuel Spade is a hard-boiled private eye established in San Francisco. He and his partner, Miles Archer, are approached by a beautiful woman from New York who asks them to tail a man named Floyd Thursby, who supposedly ran off with her younger sister. One of them is murdered that night and things take off from there. If you decide to traverse deeper into the novel, you'll soon become completely absorbed in one of Dashiell Hammett's glowing treasures.
You can probably compare this book to a "Pirates of the Caribbean" movie --- by the last quarter, loyalties shift and advantages are earned by gaining the right type of leverage. As the title suggests, there's a Maltese falcon in the middle of it all. It's an intricate framework but nothing that you'll get lost over.
Gutman, Cairo, "Miss Wonderly," and Wilmer are great characters, each with a very distinct personality. They are defined by their unique mannerism and dialogue during conversation. Samuel Spade, the main character, has appeared in some of Hammett's other stories, and is considered the archetype of tough detective characters. Based on the decisions he makes at the end of the book, you'll see what kind of person he is and what kind of code of ethics he lives by.
Hammett's writing style was sometimes compared to Hemingway's and it's easy to see why in this novel. The Maltese Falcon is written economically. There's no extravagant embellishment or flowery description. Only the essentials. Here's a paragraph that demonstrates Hammett's deft touch nicely:
"A telephone-bell rang in darkness. When it had rung three times bed-springs creaked, fingers fumbled on wood, something small and hard thudded on a carpeted floor, the springs creaked again, and a man's voice said ..."
A clear picture is created from those sentences without all the unnecessary pronouns and articles. Hammett's writing is quick and neat. (This novel, in my opinion, only reveals the beginning of Hammett's way with prose. I must admit, after reading "Nightmare Town" I was surprised to see Hammett's full range and ability. He manages to describe things more atmospherically while maintaining elements of his terse style.)
In this novel, Dashiell Hammett purposely withholds the reader from certain knowledge, such as the motives for Spade's actions. Although you are always with him, you are never really told what Spade's plans or intentions are, leaving you to fit the pieces of that puzzle on your own. When Spade tells the infamous fat man, Gutman, that he possesses valuable information about the falcon, the fat man can not tell for sure whether he's telling the truth or bluffing. And neither can you! Rather than being frustrating, this is a preferred method of story-telling since it produces mystery and suspense. It helps that Hammett's conversations are described to minute detail since figuring out intentions involve examining the mien of conversations, looking at small gestures and facial expressions.
Overall, this is a great book and worth a few hours of your valuable time. If you're looking for one of the best in the classic detective genre, then look no further than The Maltese Falcon.
"THE STUFF THAT DREAMS ARE MADE OF.".......2007-04-19
THIS REVIEW WAS ORIGINALLY WRITTEN AS A REVIEW OF THE FILM VERSION OF MALTESE FALCON. THE MAIN POINTS THERE APPLY HERE TO THE BOOK . THE DIALOGUE AND SEQUENCING IN THE MOVIE IS VERY CLOSE TO THE WAY THE ACTION UNFOLDS IN THE BOOK.
In literature and film there have been no lack of private detective-types depicted from the urbane Nick Charles (also a Hammett creation) to Mickey Spillane's rough and tumble Mike Hammer but the classic model for all modern ones is Dashiell Hammett's Sam Spade (the Humphrey Bogart role in the film) in Maltese Falcon. Some may argue Raymond Chandler's Phillip Marlowe and may have a point but as for film adaptation Spade wins hands down. Compare, if you will, Bogart's performance in Maltese Falcon with the Big Sleep. Get my point. But enough of that. What make's Spade the classic is his intrepidness, his orneriness, his dauntless dedication to the task at hand, his sense of irony, his incorruptibility, his willingness to take an inordinate amount of bumps and bruises for paltry fees and his off-hand manner with the ladies and a gun. And in Maltese Falcon he needs all of these qualities and then some.
And for what? It is the bird, stupid. You know, the stuff that dreams are made of. This modern tale of greed and desire gets nicely worked with a cast of adventurers, including Sam's love interest, who are serious, inept, and ultimately dangerous. There is a certain amount of off-hand humor as is warranted by some of the situations thrown in to boot. Sam is well up to handling everything thrown at him by is male adversaries. But, the dame (played by Mary Astor in the film), that is a different question. She is as greedy (if not more so) than the rest but she is ready to use her feminine wiles on even the incorruptible Spade in order to get that damn bird. That, dear friends, puts her beyond the pale and she will have many a lonely night in prison to think that through. In the end Sam's honor and the honor of his profession is intact, and that's what counts.
Hammet.......2007-03-08
One of the best writings from Hammet, if not the best. I enjoyed it very much. I couldn't stop reading to look for what happens next. A must.
Book Description
Complete in one volume, the five books that created the modern American crime novel
In a few years of extraordinary creative energy, Dashiell Hammett invented the modern American crime novel. In the words of Raymond Chandler, "Hammett gave murder back to the kind of people that commit it for reasons, not just to provide a corpse.... He put these people down on paper as they were, and he made them talk and think in the language they customarily used for these purposes."
The five novels that Hammett published between 1929 and 1934, collected here in one volume, have become part of modern American culture, creating archetypal characters and establishing the ground rules and characteristic tone for a whole tradition of hardboiled writing. Drawing on his own experiences as a Pinkerton detective, Hammett gave a harshly realistic edge to novels that were at the same time infused with a spirit of romantic adventure. His lean and deliberately simplified prose won admiration from such contemporaries as Gertrude Stein, Ernest Hemingway, and William Faulkner.
Each novel is distinct in mood and structure. Red Harvest (1929) epitomizes the violence and momentum of his Black Mask stories about the anonymous detective the Continental Op, in a raucous and nightmarish evocation of political corruption and gang warfare in a western mining town. In The Dain Curse (1929) the Op returns in a more melodramatic tale involving jewel theft, drugs, and a religious cult. With The Maltese Falcon (1930) and its protagonist Sam Spade, Hammett achieved his most enduring popular success, a tightly constructed quest story shot through with a sense of disillusionment and the arbitrariness of personal destiny. The Glass Key (1931) is a further exploration of city politics at their most scurrilous. His last novel was The Thin Man (1934), a ruefully comic tale paying homage to the traditional mystery form and featuring Nick and Nora Charles, the sophisticated inebriates who would enjoy a long afterlife in the movies.
Customer Reviews:
The Maltese Falcon.......2006-11-07
An intriguing plot with just the right blend of wry humor, sex and secrets.
Very exciting and convenient.......2006-06-19
I do like these stories, though they are so rough! It is very helpful to be able to have them all together in this one good volume, I think. But it is dangerous to read them late at night, because you either get too excited to sleep, or you dream of bad men with their car headlamps switched off in the dark!
The first benchmark.......2005-08-19
Very nice edition of the master's novels. In addition to my love of Hammett's prose, I am fascinated by the subtle political aspects of his work: he was the first crime writer to question the status quo so frankly. K. C. Constantine said, "The crime writer is society's stoolie", and Hammett is still a reliable informant.
A classic.......2004-08-26
"A Classic"
What makes a classic? In the case of a detective novel, it is a book that can be read and reread and that gives pleasure on each reading. The Maltese Falcon is now seventy-five years old, yet it continues to amaze, to amuse, to engage.
You may know the plot, but you still can't remember every twist and turn of the unfolding story, and you are surprised by details here and there you did not previously notice, or had forgotten. You may know the principal characters-the cynical detective Sam Spade, the seductive adventuress Brigid O'Shaughnessy, the exotic Joel Cairo, the crafty Caspar Gutman. But they are so expertly drawn, so powerfully realized, that you learn more about them on each reading.
You may already have committed some of the most famous lines of dialog to heart ("The cheaper the crook the gaudier the patter"-- "You're good. You're very good. It's chiefly your eyes, I think, and that throb you get into your voice when you say things like `Be generous, Mr. Spade'"). Yet you continue to discover more, and you continue on each reading to relish the bite, the humor, the intelligence of Hammett's prose.
It's practically impossible to read this book without thinking of the motion picture starring Humphrey Bogart, Mary Astor, Peter Lorre, and Sydney Greenstreet. Don't try. John Huston's script departs here and there from the story line of the novel, but not in any serious way. Most of the changes are efforts to streamline the story and make it fit the standard (for 1941) length of a screenplay. And the best lines spoken by Bogart, Astor, Lorre, and Greenstreet are pure Hammett. The movie is true to the spirit of the book, and if you are familiar with both you can love them both.
At age seventy-five, The Maltese Falcon is a classic, and there is good reason to believe that in another seventy-five years it will still be one.
Well worth the time........2004-07-28
I have read all five novels at least twice. Will go for three times when winter arrives.
Book Description
Previously only available serialized over seven issues of The Armchair Detective magazine, this examination is the single most influential book-length analysis of Dashiell Hammett’s novels. Spanning all sections of his career, the book discusses five novels: The Dain Curse, The Glass Key, The Maltese Falcon, Red Harvest, and The Thin Man. Detailed analysis shows how the author and his work changed over time. Each novel is discussed in its own chapter with comparative criticism, and there is a list of resources for further reading and research. Additionally, this compiled text includes a new chapter in which the author discusses the impact Hammett has had on his own life.
Customer Reviews:
Disappointed. Here's why:.......2007-10-01
I love Hammett, and I think Thompson has some valid insights, but I'm kind of disappointed with this book. But it depends. If I were a regular reader of "detective fiction" (i.e., if Hammett didn't happen to interest me intellectually, and if I read any other detective fiction with arbitrary delight), I might have actually loved this book. So don't base your judgment entirely on what I have to say about this book.
But what I will say is this: as a student of philosophy and English literature, and as someone who has read some literary criticism in his day, I will say this book is disappointing. Part of the problem is, Mr. Thompson tries to cover way too much. What I mean is this: he takes you through the novels entire. What he might have done is taken a more specific theme and found the places in the novels that fit with that theme. What you need, in that case, is not the entire novels: you need only "pieces" of each novel, and more speculation, more imagination. Not explication. The assumption should be that your reader is reading you because they've already read the author's books already.
For a good example of what I mean, read the Introduction to THE CONTINENTAL OP collection by Steven Marcus. His theory of the truth/fiction dichotomy in Hammett is very fruitful, and very short.
This book is advertised as "in-depth" and "influential." I don't know how influential it has been, as I have not read ALL the criticism on Hammett over the past forty years. But I really don't think it is "in-depth": it's more of an introduction.
There really is, I think, too much focus out there on "Hammett's Development As A Writer." To HELL with his "development"! He was a writer; that is all. There is no "development": everything he wrote was good. He might have changed over the years, sure. But it's not as though he started out as a hack writer and ended up as a brilliant novelist in the end. The fact of the matter is that Hammett was able to say in very few words what it takes other writers pages and pages and pages to say. It is simply more difficult to write something short than it is to write something long. This may be especially true of detective fiction. For instance, why is it that we have so little of Hammett and Chandler, but they are still considered the best? Whereas we have volume after volume of Parker, Spillane, Burke, Grafton, etc., and don't seem to be an "Influence" on anyone.
But by all means, if you want a good introduction to Hammett's worldview, or if you're a book collector, or if you are really unfamiliar with literary analysis, you might love this book.
But I wouldn't read a mediocre book on Hammett for the same reason I wouldn't read a mediocre book on Shakespeare or Aristotle.
Average customer rating:
- a great collection
- Classic Hammett
- A classic for every home library
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The Maltese Falcon, The Thin Man, Red Harvest (Everyman's Library)
Dashiell Hammett , and
Robert Polito
Manufacturer: Everyman's Library
ProductGroup: Book
Binding: Hardcover
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ASIN: 0375411259
Release Date: 2000-12-05 |
Book Description
(Book Jacket Status: Jacketed)
The three classic novels published here in one volume are rich with the crisp prose, subtle characters, and intricate plots that made Dashiell Hammett one of the most admired writers of the twentieth century.
A one-time detective and a master of deft understatement, Hammett virtually invented the hard-boiled crime novel. In The Maltese Falcon, Sam Spade, a private eye with his own solitary code of ethics, tangles with a beautiful and treacherous woman whose loyalties shift at the drop of a dime. The Thin Man introduces Hammett's wittiest creations, Nick and Nora Charles, who solve homicides in between wisecracks and martinis. And in Red Harvest, Hammett's anonymous tough-guy detective, the Continental Op, takes on the entire town of Poisonville in a deadly war against corruption.
"Dashiell Hammett is a master of the detective novel, yes, but also one hell of a writer."—Boston Globe
”Hammett was spare, hard-boiled, but he did over and over what only the best writers can ever do. He wrote scenes that seemed never to have been written before.”—Raymond Chandler
”Hammett’s prose was clean and entirely unique. His characters were as sharply and economically defined as any in American fiction.”—The New York Times
”As a novelist of realistic intrigue, Hammett was unsurpassed in his own or any time.”—Ross Macdonald
”Dashiell Hammett’s dialogues can be compared only with the best in Hemingway.”—André Gide
”Hammett is one of the best contemporary American writers.”—Gertrude Stein
Customer Reviews:
a great collection.......2005-01-02
The Maltese Falcon is a masterpiece. I love Red Harvest as well. The Thin Man isn't quite as good, but it's a lot of fun. All in all, reading this collection is a great way to spend a rainy weekend as I discovered.
Classic Hammett.......2004-01-23
Dashiell Hammett is best known as the man who wrote "Maltese Falcon," the classic noir mystery behind the classic noir film. That book is included here, along with the confusing "Red Harvest" and magnificent, polished "Thin Man," two other crime novels by Hammett.
The mysterious "Maltese Falcon" is at the center of international intrigue -- and murder. Cynical Sam Spade and his partner Miles Archer are hired by a beautiful, seemingly helpless woman to find a man who she says has run off with her sister. Not only is the woman lying, but someone kills Archer. A slimy fop, a cultured gangster, and a breathy femme fatale are all in the same web of crime and murder, centered on a bejewelled bird called the Maltese Falcon.
"Red Harvest" is the full-length novel introduction of the cool-as-ice Continental Op. He travels to Personville (or "Poisonville," depending on your accent) to meet a client. Except the client has just been murdered. Rather than go home to San Francisco, the Continental Op meets the dead man's wealthy father, and begins a one-man battle against the vicious gangsters who control Personville. But the death and mayhem draw him in, threatening his life as he struggles to stay afloat.
"The Thin Man" was Hammett's last and lightest novel. Nick and Nora Charles are a wealthy couple who have a weird kind of compatibility, but ex-private-eye Nick is through with crime solving. Or so he thinks. One day when Nick is out drinking, he encounters young Dorothy Wynant, daughter of peculiar inventor Clyde Wynant. Her dad has vanished, and soon his secretary/mistress is found dead. Nick finds himself sucked unwillingly into a sordid, messy crime that will leave more murdered bodies behind it.
This collection shows the unevenness of Hammett's writing at times. "Maltese Falcon" and "Thin Man" are complicated and polished, while "Red Harvest" is a dense mass of shootings, conspiracies and mysterious crimes. What they all have in common is tense, sparse writing, and hardened, cynical anti-heroes who are surrounded by other ambiguous characters.
The three-pack of "The Maltese Falcon," "The Thin Man," and "Red Harvest" is a good way to introduce yourself to Hammett's gritty, engrossing crime novels. Highly recommended.
A classic for every home library.......2000-12-30
My two favorites in this collection are The Thin Man and The Maltese Falcon. I love these hard-boiled detective novels doubly for their sheer entertainment and their place in history. If you want a fascinating read to go allong with this collection, get The Perfect Murder: A Study In Detection by David Lehman. It will clue you into these novels and life. These classic American Novels by Hammett are about to explode in historical research as these novels create an important link in America from WWII to our morality.
Customer Reviews:
Fascinating Mysteries.......2001-03-16
Dashiell Hammett's novels have fascinating mystery plots and the essential elements of film noir: dangerous dames, wise-cracking "ops" (= operative = P.I.), cagey crime orgasnisers, and trigger-happy "muggs".
Hammett's novels include The Maltese Falcon (#3) and The Thin Man(#5), which are great films but they are missing some of the intrigue of the real stories. For instance, there's another angle of Sam Spade involving Iva Archer that doesn't quite make it to the film version . . . .
The Red Harvest (#1) reveals shocking corruption in city politics as the Continental Op (literally) wades through bootleg liquor and tries to keep track of the soaring body count.
The Dain Curse (#2) is a confusing compound of drug use, a religious cult, and a family's vicious criminal record. It isn't a neat, fictionalised detective story, but rather the slough of deceit Hammett must have seen while working for Pinkerton.
The Glass Key (#4) also deals with city-level political corruption, but there's another message: think of trying to use a glass key . . . .
When fortifying myself for a six hour layover and a trans-Atlantic flight, I stumbled upon this book quite by accident, but I couldn't have made a better choice. Hammett's novels make excellent reading: interesting plots, clever wording and some of those "lines" film noir can't do without. I can't resist giving an example "line" (from The Glass Key):
"'A copper found you crawling on all fours up the middle of Colman Street at three in the morning leaving a trail of blood behind you.'
'I think of funny things to do,' Ned Beaumont said."
Book Description
The Maltese Falcon has been widely lauded since its original publication in 1930. In its movie adaptation, it not only birthed American film noir but also ranks as one of the 100 greatest movies of all time, as selected by the American Film Institute. Now this treasury of memorabilia on Sam Spade and his creator, Dashiell Hammett, uncovers a wealth of documents and photos about the book and movie from institutional and private archives, many of which are previously unpublished and are available nowhere else. Providing far more information than any resource before it, the book delves deeply into the tale of the jeweled avian statue, including a full account of Hammett's detective career, a chronology of his life and publications, sources and notes the author used in constructing the book, and never-before-seen documents from the book's film, stage, and radio adaptations. This version has been updated to include additional contents, color photos, and an index. Available now for any audience, it will be a joy for fans of Sam Spade, Hammett, film noir, and the history of cinema and literature.
Customer Reviews:
Amazing Collection of Materials on the Genesis and Legacy of "The Maltese Falcon". .......2007-01-07
"Discovering the Maltese Falcon and Sam Spade" is an amazing collection of materials related to Dashiell Hammett, his greatest novel "The Maltese Falcon", the film adaptations of the book, and other spin-offs assembled by Hammett biographer Richard Layman. Layman states in his introduction, "The purpose of this volume is to provide researchers basic materials useful in studying 'The Maltese Falcon'." Not everything ever written about "The Maltese Falcon" is here, but the contents of this book are remarkably varied. The collection is probably too dense for casual fans of "The Maltese Falcon", but it's indispensable for Hammett scholars and aficionados. The only fault I find is that reproductions of newspaper and other type-written materials are sometimes poor and would have benefited from enhancement.
The book is organized into five parts. The first part, "Detective Days", provides biographical information on Dashiell Hammett, a history of the Pinkerton National Detective Agency, an interview with a colleague of Hammett's at Pinkerton, excerpts from books on criminal investigation that Hammett studied, and some non-fiction pieces that Hammett wrote about his detective days. The second section, "The Pulps and the Making of the Novel", includes a history of "Black Mask" magazine, the historical basis for the Maltese Falcon statuette, comments by "Black Mask" editor Joseph T. Shaw, some reviews of Hammett's mystery fiction, and many excerpts from Hammett's stories that later inspired characters and events in "The Maltese Falcon".
"Magazine and Book Publication" begins with a copy of Hammett's book contract with Knopf and correspondence with publisher Harry Block. There are covers of "Black Mask" issues that serialized "The Maltese Falcon", examples of text that was revised between magazine publication and book publication, early book jackets, many favorable reviews of the book, Dorothy Parker's tepid review of "The Glass Key", articles about Cecil Henderson's plagiarism, and sales data for the novel. The forth section, "Critical Views of 'The Maltese Falcon'", is seven pieces of relatively recent literary criticism that explore American individualism, Sam Spade's vernacular, the novel as introverted romance, as allegory of international politics between the wars, and the pursuit of tangible wealth, among other themes.
The last section, "Movies, Stage, and Radio: Hammett's Novel in Popular Culture", follows Hammett's life after the publication of the novel, followed by discussions of the script, budget, and reviews for the first film adaptation at Warner Brothers in 1931. More letters from Warner Brothers, title suggestions, correspondence with the Breen Office, and reviews of the second movie adaptation, "Satan Met a Lady", in 1936. For John Huston's 1941 adaptation, there is a letter from Joseph Breen citing Production Code violations in the script, a budget, letters about filming, Mary Astor's recollections of the film, 3 movie reviews, and 4 critical analyses. There is a bit about an abortive stage play and the legal challenges over "The Adventures of Sam Spade" radio show. There is a list of selected publications of "The Maltese Falcon" in the back of the book as well as an index.
No Question Left Unanswered.......2006-06-08
I love the story of THE MALTESE FALCON, not only as it is told in Hammett's novel but also as it is portrayed in John Huston's movie. I can never read enough about Dashiell Hammett, Joseph Shaw, Humphrey Bogart, Peter Lorre, Gladys George, Sydney Greenstreet, Elisha Cook Jr., Mary Astor, Barton MacLane, Robert and William Pinkerton, John Huston, Lillian Hellman, the Knights of Malta, BLACK MASK, San Francisco after World War I and Raymond Chandler.
This book has enough anecdotes and background material to satisfy even the most ardent enthusiast. My own favorite piece is an account by Mary Astor of her experiences while filming for her role as Brigid O'Shaughnessy in the 1941 version of THE MALTESE FALCON.
A Rare Treat For The Fan Of Sam Spade.......2006-06-06
DISCOVERING THE MALTESE FALCON AND SAM SPADE is the complete book for the fan of Sam Spade in both film and fiction. Fortunately, a very detailed index is provided which allows the reader to choose from among an array of tantalizing topics.The latter includes an account of Dashiell Hammett's days as a Pinkerton detective as well as his work for BLACK MASK. The author also gives us much information about THE MALTESE FALCON in the movies and on stage and radio.The book represents an admirable effort by Layman and it will be enjoyed by anyone captivated by the lure of this enduring tale.
Dashiell Hammett.......2005-10-27
Dashiel Hammett is one of my favorite authors, I have all of his stories, including a couple of biographies. I'm also a fan of Noir stories and movies. This is a great book to add to my collection.
A "must-read" for mystery movie trivia buffs .......2005-10-07
Discovering The Maltese Falcon And Sam Spade is a tribute to the novel by Dashiell Hammett featuring the hardboiled detective Sam Spade and his involvement in the doomed quest for a mysterious artifact, as well as the three film noir movies based from it including the classic that made Humphrey Bogart a star. Chapters tell of Hammett's days as a detective, his publication in pulps, the making of the classic novel, critical views of the movies, the reverberations of The Maltese Falcon in popular culture, and much more. Illustrated with black-and-white photographs, selections of Hammett's pre-publication material, copies of news articles and other primary sources, and much more, Discovering The Maltese Falcon And Sam Spade is a "must-read" for mystery movie trivia buffs and anyone else curious about the history behind a legendary 'hard boiled PI" adventure story.
Product Description
A beautifully produced collector's edition bound in gilt-stamped leatherette . Part of the Franklin Library of Mystery Masterpieces series.
Customer Reviews:
A Different Way to Enjoy the Classics.......2000-06-18
This box set contains four classic radio programs, and the stories will be familiar to most listeners. Humphrey Bogart, Mary Astor, and Sydney Greenstreet reprise their film roles in the Maltese Falcon. It's an abridged version of the story, but works well enough. However, those familiar with the film and novel might find it a little disappointing, since it lacks their breadth. Rebecca features radio performances by Laurence Olivier and Vivien Leigh in this Gothic tale of a man obsessed with his late wife, and the new wife who must compete with her memory. This version works well, and it's fascinating to hear the Oliviers together. The Scarlett Pimpernel is the exciting story of an Englishman who tries to save the lives of those being guillotined during the French Revolution. Both Leslie Howard as the Scarlett Pimpernel and a French-accented Olivia de Havilland as his wife give terrific performances. The Grapes of Wrath is a good adaptation of the Steinbeck novel, featuring an unknown cast. It's well done, although not quite as interesting as the other three tapes. On the whole, these tapes are a great way to enjoy these stories.
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- The Nanny Diaries: A Novel
- The Patience of the Spider (Inspector Montalbano Mysteries)
- The Power of Focus: How to Hit Your Business, Personal and Financial Targets with Absolute Certainty
- The Rapture: In the Twinkling of an Eye--Countdown to the Earth's Last Days (Before They Were Left Behind, Book 3)
- The Rules of Work: The Unspoken Truth About Getting Ahead in Business (Richard Templar's Rules)
- The Secret
- The Shunning/The Confession/The Reckoning (The Heritage of Lancaster County 1-3)
- The Sword of Truth, Boxed Set I, Books 1-3: Wizard's First Rule, Blood of the Fold ,Stone of Tears
Books Index
Books Home
Recommended Books
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