The Lost Boy: A Foster Child's Search for the Love of a Family

Book Description

Imagine a young boy who has never had a loving home. His only possesions are the old, torn clothes he carries in a paper bag. The only world he knows is one of isolation and fear. Although others had rescued this boy from his abusive alcoholic mother, his real hurt is just begining -- he has no place to call home. This is Dave Pelzer's long-awaited sequel to A Child Called "It". In The Lost Boy, he answers questions and reveals new adventures through the compelling story of his life as an adolescent. Now considered an F-Child (Foster Child), Dave is moved in and out of five different homes. He suffers shame and experiences resentment from those who feel that all foster kids are trouble and unworthy of being loved just because they are not part of a "real" family. Tears, laughter, devastation and hope create the journey of this little lost boy who searches desperately for just one thing -- the love of a family.

Customer Reviews:

so sad.......2007-10-09

I've read all of the books and this one I felt was not as exciting as the rest but if you plan on reading all of them then you must read this one. So if you do plan on it just read it, it's not that bad but it's not that good.

The brave boy.......2007-05-25

I recommend this book because it is very interesting,and you do not want to put it down.In the book, I learned that I have a good life and that I should be thankful for everything I have after seeing what Dave has gone through in his life. I would read another book by this author because all of the books are sequels and at the end of each book you are left hanging and wondering what will happen next. These are some things about the The Lost Boy.

Dave's story helped me during really tough times........2007-04-18

As a foster parent who accepted only one child at a time, I needed all the inspiration I could get. Dave's story not only inspired but also encouraged me. It is full of truths that make us aware of how blessed we are. Anyone who is interested in helping abused kids should read this book. With Great Mercy author.

The story continues.......2007-04-14

Dave Pelzer gives a wonderfull account of his experiences of foster care in this sequel to A Child Called "It": One Child's Courage to Survive. In this book you begin to see the transition to a "normal" state of being, but it is not without it's problems.

My Hat Goes Off To Dave Pelzer.......2007-04-06

All of Dave Pelzer's books are absolutely by far the best books I have ever read. I couldn't put them down!!!

Average customer rating:

Great Book!
"What does the end of a war mean, if not that one side ran out of men willing to die?"
The War that Haunts Daniel Alarcon
Tokyo Rose meets 1984
Novelist finds hope in the aftermath of war

Lost City Radio
Daniel Alarcon
Manufacturer: HarperCollins
ProductGroup: Book
Binding: Hardcover

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ASIN: 0060594799
Release Date: 2007-01-30

Book Description

A powerful and searing novel of three lives fractured by a civil war

For ten years, Norma has been the voice of consolation for a people broken by violence. She hosts Lost City Radio, the most popular program in their nameless South American country, gripped in the aftermath of war. Every week, the Indians in the mountains and the poor from the barrios listen as she reads the names of those who have gone missing, those whom the furiously expanding city has swallowed. Loved ones are reunited and the lost are found. Each week, she returns to the airwaves while hiding her own personal loss: her husband disappeared at the end of the war.

But the life she has become accustomed to is forever changed when a young boy arrives from the jungle and provides a clue to the fate of her long-missing husband.

Stunning, timely, and absolutely mesmerizing, Lost City Radio probes the deepest questions of war and its meaning: from its devastating impact on a society transformed by violence to the emotional scarring each participant, observer, and survivor carries for years after. This tender debut marks Alarcón's emergence as a major new voice in American fiction.

Customer Reviews:

Great Book!.......2007-08-23

This is a very good book, is easy to read and catches your interest as soon as you start reading so that you cannot stop! I had to read it in a couple of days cause I needed to know what came next in the plot...
When you have lived in Peru during those years, you get the feeling of this story, it has also used an actual radio program as a model but the mastership of the author is to join all those stories and create a new one that have a little bit of multiple stories but is in itself different but very nice. I highly recommend it.

"What does the end of a war mean, if not that one side ran out of men willing to die?".......2007-08-21

Set in an unspecified South American country, "a nation at the edge of the world, a make-believe country outside history", people are still reeling after ten years of war between the government and guerillas, their spirits broken by incessant violence, legions of the disappeared unaccounted for. In one small place of hope, the Indians in the mountains and the poor of the barrio listen with rapt attention to Lost City Radio. The voice of consolation to her devastated listeners, Norma reads lists, the endless names of the missing, hopeful that some may be reunited with their families. But in the last year of the long absence of her husband, Rey, one of the missing, Norma's advancing grief and impending hopelessness has grown burdensome, the expectations of the audience weighing on her every waking moment.

Hugely popular, Lost City Radio flourishes in spite of a repressive government, spies everywhere, questions rebuffed by officials who allow no independence of thought. The prisons are filled with the captured insurrectionists, their leaders all but buried in the smothering confines of underground cells. Norma hopes to find Rey in one of these prisons, but it is impossible to discern him in a sea of gaunt, determined faces. Other than his profession as an ethnobiologist, Norma has no idea of Rey's other interests, his life carefully compartmentalized. They met under romantic, mysterious conditions, Rey hinting at a more obscure identity. By the time they are married, Norma accepts her husband's eccentricities; but when he fails to return from the jungle village 1797 (names have been replaced by numbers), Norma has no way to track his activities or learn of his fate.

Then one day, ten years after the end of the war, his teacher delivers a young boy to the radio station, eleven-year-old Vincent from village 1787, perhaps a key to Rey's location. Certainly, as time and events unfold, Norma is confronted with the unthinkable: "She had a husband, he was dead or gone... the war had ended, or perhaps it had never begun." Norma's memories are fresh, alive with the spirits of the lost, some of the names still too dangerous to mention on the air. Wracked by loss, clinging to the child, Norma blindly navigates the present, the forbidden names whispered into the dark night. The emotional journey of a grieving wife and an innocent orphan permeate the novel, their stories shadowed by Rey's duplicitous past and devotion to his wife. This otherworldly tale of strength in the face of a confusing war speaks to the vital issues of out time. Such a scenario no longer seems the stuff of fantasy, given the human faces of these poignant characters, Alarcon's novel a grim reminder: "People disappear, they vanish. And with them the history, so that new myths replace the old." Luan Gaines/2007.

The War that Haunts Daniel Alarcon.......2007-07-14

In the early 1980's, Daniel Alarcon's family fled the rising political violence in Peru and began a new life in a leafy, suburb of Birmingham, Alabama. Alarcon's comfortable childhood was spent far away from the terrible violence that was to eventually claim over 60,000 victims. One of those victims was Alarcon's uncle, a well respected college professor who was kidnapped and never heard from again. Although, Alarcon's immediate family sat out the war in the United States, it nevertheless still haunts him and serves as the inspiration for many of Alarcon's short stories in his execellent first book, "War by Candlelight" and is at the front and center of his debut novel, "Lost City Radio."

Sendero Luminoso's often times bizarre campaign to bring down the Peruvian State has been well documented in a number of non-fiction books. It is fairly easy to chronicle the War's story of terrorist bombings, blackouts, army massacres and political assasinations. However, there is another human truth of that conflict that requires the skill and insight of the novelist. I lived in Peru during the mid 1980's and experienced many of the events that are thinly veiled in this story. Through the medium of the novel, Alarcon has been able to successfully recreate the atmosphere and tension that existed at the time. This novel beautifully captures the devestation that survives the end of a long and dirty war.

Finally, it is a sweet oddity of globalization that one of the emerging voices of Latin American literature is a child of the suburbs of Alabama. "Lost City Radio" is an impressive debut novel and is highly recommended.

Tokyo Rose meets 1984.......2007-06-17

Alarcon's debut novel takes us on a riveting literary trek which places a propagandist disc jockey akin to Tokyo Rose in a double-speak environment reminiscent of George Orwell's "1984." What I liked best is the way that the story-line lays naked the rhetoric filled propaganda machines of the political left and right. Popular movements frequently arise for reasons of political and economic injustices. Yet the power pundits behind the scenes coopt the populist fervor and use whatever propagada tactics necessary to ensure their domination.

It is rare to come across someone like Alarcon who can so naturally combine unpretentious prose with a drivingly poignant and original story line.

Novelist finds hope in the aftermath of war.......2007-02-28

With the publication two years ago of his short-story collection "War by Candlelight" (HarperCollins), Daniel Alarcón received critical acclaim that included comparisons to Mario Vargas Llosa, Flannery O'Connor and Ernest Hemingway.

Born in Peru and living in northern California, Alarcón unflinchingly portrays people battered by civil strife, natural disasters and governmental abuses. He now brings us his first novel, "Lost City Radio" (HarperCollins, hardcover $24.95), a potent, disturbing, but, in the end, hopeful portrait of a nation torn by years of war and betrayal.

Set in an unnamed South American country, Alarcón's novel centers on Norma, the host of a popular program, "Lost City Radio," in which she reads the names of missing persons and lends an understanding ear to callers who hope she can help them reunite with lost loved ones. Norma has become a celebrity, a voice everyone knows, the apolitical salve for a nation that has lost too much.

Why Norma? "She was a natural: She knew when to let her voice waver, when to linger on a word, what texts to tear through and read as if the words themselves were on fire."

Norma's unctuous boss, Elmer, wants high ratings without angering those in power. Government authorities are more than willing to make radio employees disappear if they seem to sympathize with the Illegitimate Legion, a guerrilla faction based in the nation's mountains and jungles. Though the war with the IL is technically over, suspicion and distrust are ingrained in the nation's psyche.

Norma is no stranger to loss. She nurses the hope of finding her husband, Rey, who disappeared 10 years earlier.

Rey, an ethnobotanist, would leave Norma for long stretches to venture into the jungle, ostensibly to study indigenous remedies. With cities and villages stripped of their original names, Rey often visited "Village 1797." He failed to return home after one such foray. Rey's covert jungle activities as an IL sympathizer has convinced Norma that the government is responsible for her husband's disappearance.

One day, a village boy, Victor, is brought to the radio station to meet Norma. "He was slender and fragile, and his eyes were too small for his face. His head had been shaved -- to kill lice, Norma supposed." The boy carries a letter from the residents of Village 1797, who pooled their money to send Victor to the city for a "better life." The letter includes a list of lost people, some of whom may have fled to the city. "Perhaps one of these individuals will be able to care for the boy," says the letter.

The list of names includes one Norma recognizes: an IL pseudonym once used by Rey. Could Victor be Norma's last and best chance of finding her husband?

Norma and Rey share the stage with unforgettable characters whose histories connect in compelling and poignant ways. Manau, the village schoolteacher who takes Victor to see Norma, is a man whose body is covered with sores from his life in the humid jungle, a man who enjoyed a too-brief romance with Victor's late mother, Adela. And there's Zahir, another resident of Village 1797, whose hands were hacked off by zealous members of the IL. Though falsely accused of stealing food, Zahir accepts his punishment because of other evil things he has done.

Alarcón's narrative has the ebb and flow of a dark dream. With a fluid chronology that curves upon itself and doubles back effortlessly, he allows the past to mingle and compete with the present. There are no false steps or strained sentences. "Lost City Radio" is, quite simply, a triumph. Alarcón has created a sublimely terrifying, war-ravaged world populated by unforgettable and fully realized characters. But at the novel's core is a story of hope, one that renders the resiliency of human nature in all its imperfect glory.

[This review first appeared in the El Paso Times]

The Lost Continent: Travels in Small-Town America

Average customer rating:

You'll laugh, you'll cry. You'll laugh until you cry!!!
Non Fiction
The Lost Continent..are we there yet?
satisfied my curiosity towards small towns
A bumpy, yet scenic, road

The Lost Continent: Travels in Small-Town America
Bill Bryson
Manufacturer: Harper Perennial
ProductGroup: Book
Binding: Paperback

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Accessories:

Panasonic ES4815S Pro Curve Compact Mens Shaver With Double Blades, Blue/Silver

ASIN: 0060920084

Amazon.com

A travelogue by Bill Bryson is as close to a sure thing as funny books get. The Lost Continent is no exception. Following an urge to rediscover his youth (he should know better), the author leaves his native Des Moines, Iowa, in a journey that takes him across 38 states. Lucky for us, he brought a notebook.

With a razor wit and a kind heart, Bryson serves up a colorful tale of boredom, kitsch, and beauty when you least expect it. Gentler elements aside, The Lost Continent is an amusing book. Here's Bryson on the women of his native state: "I will say this, however--and it's a strange, strange thing--the teenaged daughters of these fat women are always utterly delectable ... I don't know what it is that happens to them, but it must be awful to marry one of those nubile cuties knowing that there is a time bomb ticking away in her that will at some unknown date make her bloat out into something huge and grotesque, presumably all of a sudden and without much notice, like a self-inflating raft from which the pin has been yanked."

Yes, Bill, but be honest: what do you really think?

Book Description

An unsparing and hilarious account of one man's rediscovery of America and his search for the perfect small town.

Customer Reviews:

You'll laugh, you'll cry. You'll laugh until you cry!!!.......2007-09-13

This book is absolutely hilarious, and Bill Bryson, is, in my opinion, the best writer the planet ever produced. I'm a creative director at an ad agency, and I swear, his writing is so superb that MY writing actually gets markedly better after I read him. But only for about a week. Then it's like Flowers for Algernon...I get all average again!

Boy oh boy do I envy anyone who has not read Bill Bryson's books, because you still have all that pleasure in front of you!

Non Fiction.......2007-09-03

I read this after having been through and in a few of the places Bill Bryson mentions in The Lost Continent : Travels in Small-town America, so at the time I found parts of it highly entertaining. Accounts of Nowheresville, USA are not going to be too interesting if you get lots and lots and lots of them, though.

The Lost Continent..are we there yet?.......2007-09-02

Originally published on SensiblySassy.blogspot.com
Lost Continent:
Well a couple years ago I read Bill Bryson's book Neither Here nor There and it was a hilarious guide through Europe. So when I saw Lost Continent on the shelves I instantly wanted to read about Bill's road trip through the U.S. Within the first five pages I was chuckling to myself and out loud. (Luckily Jon was the only one sitting next to me on the plane as I read) By the time the hour and a half flight touched back down on the ground I had polished off quite a few pages.

As the book went on I began to feel less enamored with the book than I initially had. The tone shifted from funny to cranky as the trip/book wore on. Now I wonder if it is the fact that the trip began to take its toll on Bryson or if he felt that crotchety was a good tone for him to switch to-we may never know. Overall if you were to sample some of Bryson's work I would absolutley recommend Neither Here nor There over Lost Continent . Neither Here nor There gives you a hilarious and personal guide through Europe whereas Lost Continent really helps you remember what it was like to take loooong car rides with your parents-the good and the bad.

satisfied my curiosity towards small towns.......2007-08-30

We all know what big cities are like, but how about small towns? Of course Bill Bryson did not (& obviously could not) visit all small towns in his home country, this book satisfied my curiosity towards small towns in America.

I guess there's always irresistible charm of overland travel, and Bryson described his overland trip with hilarious writing style.

One suggestion: if the editor could add a route map at the beginning of book showing Bryson's itinerary, it would be even better.

A bumpy, yet scenic, road.......2007-08-03

Bill Bryson, a child of the 50s, used to spend each summer with his family on one of those all-American vacations that consisted of endless driving, sweltering heat and the inevitable destination that was, due to his father's preference, free and educational. He always longed for the chance to buy tacky hats with plastic crap on them and other tasteless souvenirs, and now that he's an adult, he finally gets that chance when he embarks on a nation-wide odyssey in the hopes of getting to know the country he left behind in The Lost Continent: Travels in Small Town America.

Although he was born in Des Moines, Illinois ("Someday had to," he explains on the opening page), Bryson's heart was elsewhere, and he spent most of his adult life living in England. Some 30 years after those summer journeys he's back in the states, and with no specific itinerary or time constraints, he leisurely passes from town to city, looking for the perfect place that survived from his childhood in this travelogue.

Of course, America has changed since Bryson's childhood days, and instead of finding Perfect Town, U.S.A, he encounters a deluge of faceless shopping malls, unremarkable villages and far too many gas stations. His hilarious observations usually come at the expense of the people he talks to and places he visits, which almost seems to suggest an air of British snootiness that he picked up from his years living abroad. Still, there are plenty of irreverent comments ("I only ever knew one journalist with a truly tidy desk, and he was eventually arrested for molesting small boys. Make of that what you will; but just bear it in mind that next time somebody with a tidy desk invites you camping") that are just so outlandishly amusing, that it's easy to forgive him for his treatment of the occasional small town citizen.

Traveling across America and being disgusted with the over-commercialization is hardly groundbreaking material. John Steinbeck, the quintessential American, did exactly that in 1962 with Travels with Charley: In Search of America. While Steinbeck is a folksy, talkative guy, Bryson instead bares his teeth. He travels alone and all along the way he doesn't strike up many conversations aside from brief chats with a plethora of waitresses and moronic country folk. He does meet up with a friend, and later a niece, but they're pushed into the background and the surroundings become the main characters. The closest we get to travel companions is when Bryson vividly describes what the past trips with his family were like. His mom says nothing other than "Would you like a sandwich, honey?" and "I don't know, dear."

Much of Bryson's journey on both coasts, and everything in between, brings up plenty woeful places, yet he does find some attractions worthy of his admiration. A rare few of the stops on his trip nostalgically remind him of his youth, from the sheer scope of the Grand Canyon ("Your mind, unable to deal with anything on this scare, just shuts down and for many long moments you are a human vacuum") and the "sleepy" college town of Bloomsburg, Pennsylvania ("You feel at first as if you should be wearing slippers and a bathrobe"). Bryson covers so much ground (38 states) and visits so many similar towns, that at times, his travelogue almost read like a list. Even the memorable places are often described as simply "pleasant," and after a paragraph, it's off to the next destination. Like the long road trip that Bryson embarks on, The Lost Continent captures the vastness and monotony of driving across America. Because of the now-famous Bill Bryson humor, for most of it works well and there are plenty of laughs, The Lost Continent becomes more than another lackluster expressway town.

Average customer rating:

Splendid! A must read!!
Suketu Mehta
Puliter Prize finalist with more f bombs than a cop movie
A great take on a vibrant city
A great civics course on Bombay polity

Maximum City: Bombay Lost and Found
Suketu Mehta
Manufacturer: Vintage
ProductGroup: Book
Binding: Paperback

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ASIN: 0375703403
Release Date: 2005-09-27

Book Description

A native of Bombay, Suketu Mehta gives us an insider’s view of this stunning metropolis. He approaches the city from unexpected angles, taking us into the criminal underworld of rival Muslim and Hindu gangs; following the life of a bar dancer raised amid poverty and abuse; opening the door into the inner sanctums of Bollywood; and delving into the stories of the countless villagers who come in search of a better life and end up living on the sidewalks.

Customer Reviews:

Splendid! A must read!!.......2007-07-12

If you enjoy non-fiction books that follow people's lives with intricate detail, you will probably enjoy this book.

Suketu Mehta is a Bombayite who moves to New York in his teens. He decides after he is married and has young children to move back to Bombay, India. First he talks about the lifestyle and adjustments he makes into his Bombay life. Then Mehta goes into the detail and life of various people he meets: bar dancers, religion fanatic rioters, gangsters, movie producers, and NGO (non governmental organization) member and police officers. He is actually able to talk on the phone to a notorious "Don" - Chota Shakeel This book is so well written with precise detail.

Everyone is somehow connected to the corrupt system. When he was talking about methods of torture used in Indian prisons to extract confessions, I was wincing. Here is a preview - a male's private part was cut and chilies were rubbed on it - yikes!!

Then he contrasts the people who live in the edge - bar dancers, gansters, etc to people who take diksha. Diksha means (as according to this book) giving up all material possessions and your life to attain Moksha. It is an amazing contrast. As I started reading this book, I could not put it down. I have been to India many times and I felt the book was accurate, well written and unbiased. Mehta never gets emotional about his State - Gujarat, or about his religion, which is apparently Hinduism according to his name.

Maximum City by Suketu Mehta and Princess by Jean Sassoon are my favorite non-fiction books. If you like this book, I would also recommend Princess, which is about a female in the Saudi Arabian royal family.

Suketu Mehta.......2007-07-12

The book was in excellent condition and the book is a must read for folks interested in knowing more about cities in India and Asia

Puliter Prize finalist with more f bombs than a cop movie.......2007-07-05

I love, love, love this book. I've never been to Mumbai, but Mehta's extensive description of the people he meets and they way they speak and act makes me feel as I've spent a couple years there as well. He's at his best when he 's talking with his subjects, the self-introspection bits drag a little. This is an extremely compelling book whose 400 or so pages still seem too few.

A great take on a vibrant city.......2007-06-09

Sure Bombay is crowded, dirty, polluted, everything that a third world megalopis is but its also a city like no other and Maximum City really gets to the heart of that. Bombay is a mix of Hollywood, and Lagos. Its the center of the Indian Subcontinent.

The fact that that book is a personal journey and that that it tells the story of the city today (rather than a history of the city) makes it very readable, and wildly interesting. Some parts of it are a bit winded but all in all, a fun book to read and extremely well written.

If you liked this book, you may also want to check out 'Midnight in Sicily'

A great civics course on Bombay polity.......2007-06-04

This has helped me to decide whether I could handle living in Bombay (I've decided it would be a nicer place to visit than to live there).

A really amazing study of the misdevelopment of one of the world's greatest Sprawls, this book could be a college textbook on urban development. It is daunting sometimes to realize how completely unplanned many of the world's newest cities are.

15 Books in 1: L. Frank Baum's Original "Oz" Series. The Wonderful Wizard of Oz, The Marvelous Land of Oz, Ozma of Oz, Dorothy and the Wizard in Oz, The Road to Oz, The Emerald City of Oz, The Patchwork Girl Of Oz, Little Wizard Stories of Oz, Tik-Tok of Oz, The Scarecrow Of Oz, Rinkitink In Oz, The Lost Princess Of Oz, The Tin Woodman Of Oz, The Magic of Oz, and Glinda Of Oz.

Average customer rating:

Classic Stories revisited
difficult to read
all the books none of the pictures
Look For Border's Edition
The books of OZ

15 Books in 1: L. Frank Baum's Original "Oz" Series. The Wonderful Wizard of Oz, The Marvelous Land of Oz, Ozma of Oz, Dorothy and the Wizard in Oz, The Road to Oz, The Emerald City of Oz, The Patchwork Girl Of Oz, Little Wizard Stories of Oz, Tik-Tok of Oz, The Scarecrow Of Oz, Rinkitink In Oz, The Lost Princess Of Oz, The Tin Woodman Of Oz, The Magic of Oz, and Glinda Of Oz.
L, Frank Baum
Manufacturer: Shoes and Ships and Sealing Wax Ltd
ProductGroup: Book
Binding: Paperback

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ASIN: 0954840135

Book Description

This unique '15 books in 1' edition of L. Frank Baum's original "Oz" series contains the following complete works: "The Wonderful Wizard of Oz", "The Marvelous Land of Oz", "Ozma of Oz", "Dorothy and the Wizard in Oz", "The Road to Oz", "The Emerald City of Oz", "The Patchwork Girl Of Oz", "Little Wizard Stories of Oz", "Tik-Tok of Oz", "The Scarecrow Of Oz", "Rinkitink In Oz", "The Lost Princess Of Oz", "The Tin Woodman Of Oz", "The Magic of Oz", and "Glinda Of Oz". For over a hundred years, L. Frank Baum's classic fairy stories about the land of Oz have been delighting children and parents alike. Now, for the first time, the entire Oz series is available in this single, great-value, edition!

Customer Reviews:

Classic Stories revisited.......2007-10-10

Frank Baum is a classic writer that had a beautiful writing style that children should revisit that Grandparents enjoyed. These stories should be available in every library in our country as classic tales. My daughter is reading more and her imagination is in full bloom with this collection of books. The publisher and person responsible for puting this collection together should be applauded!

difficult to read.......2007-08-13

This book is condensed, I mean two pages printed on one page so the lettering is very small and none of the original art work is included. I did not realize when I bought it that the letters would be small. I also thought the original art work would be included. It's not bad if you want to read it with a magnifying glass.

all the books none of the pictures.......2007-06-25

I was wondering how they could fit all 15 oz books into 1 volume. the answer is by having no illustrations, two columns per page, and very small print. I felt like I was reading a text book more than a childrens set of books. it still works for a bedtime story for my son (though he really wants pictures), but for something to keep my son occupied while we ride on the bus it's a bit big to tote around. the story's are as I expected, designed for kids with no really scary parts and super simple plots; dull for a grown up but good for younger kids.

Look For Border's Edition.......2007-04-25

I give this book 5 stars because it is "OZ". I purchased something similar, but much much better from Border's , two years ago. Available from Amazon, look for 'The OZ Chronicles'. Volume 1 and Volume 2 contain all of Baum's Oz books. Green Leather Hardcovers, great size print. Volume 3 contains Baum's other books and stories. Incredible find and value.

The books of OZ.......2007-02-07

Great to have all of the stories included in one book. I don't need to worry about finding all the books to read. Great buy!

Average customer rating:

Lost Incas
Still makes for good reading
great adventure reading
The Lost City of the Incas
a Great Introduction to Peru and history of anthropology

Lost City of the Incas (Phoenix Press)
Hiram Bingham
Manufacturer: Phoenix Press
ProductGroup: Book
Binding: Paperback

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ASIN: 1842125850

Book Description

A special illustrated edition of Hiram Bingham's classic work captures all the magnificence and mystery of the amazing archeological sites he uncovered. Early in the 20th century, Bingham ventured into the wild and then unknown country of the Eastern Peruvian Andes--and in 1911 came upon the fabulous Inca city that made him famous: Machu Picchu. In the space of one short season he went on to discover two more lost cities, including Vitcos, where the last Incan Emperor was assassinated.

Customer Reviews:

Lost Incas.......2007-07-18

I bought this because of an upcoming trip to Machu Picchu. The first part about the last days of the Inca kings was very interesting. A lot of the discovery or rather rediscovery part was very interesting. Some of it was tedious georgraphical details that made very slow reading. Most of his comments about the indigenous population was less than enlightened but was probably no worse than most of his generation. It is probably necessary now to read something more modern about the area. I will definitely reread the the first part about the kings right before going there.

Still makes for good reading.......2006-08-28

In 1908, on a diplomatic mission he attained in the interest of increasing his understanding of South America and thus qualify as a professor of South American studies at Yale, Hiram Bingham casually accepted an invitation to visit the site of Incan ruins in Peru. His readings of the original Spanish conquistadores and explorers suggested there were more never found by the Europeans and he returned with an adventurous expedition. In 1911, on his own with a couple of local Indian farmers who were quietly using the land, he found the ruins of Machu Picchu high in the Andes under jungle overgrowth. Thus he ushered in the new era in Incan scholarship, 20th century adventurous exploration, archeology and, what he did not imagine at the time, tourism.

Bingham wrote THE LOST CITY OF THE INCAS with verve nearly 30 years after his achievement. To its credit, it is not riddled with hindsight but offers an immediacy of perspective. He begins with a very lucid, unbiased reading of the end of the Incan empire by the Europeans who leveled it. Bingham then recounts his own adventures in the discovery and subsequent archeological efforts, after which he provides a gloss on Incan culture as understood in those first digs. Bingham's narrative never bogs, even among the dryer material. The book stirs with wonder. Bingham may have been an ambitious man but his ambitions in this context are all about furthering knowledge for all.

The only reason to nick a star in the rating: datedness. Thanks to Bingham's inspiration, Incan studies perpetuate and some of his conclusions are no longer current. Though in one section he refers to native Indians as "savages," the book is largely and refreshingly free of elitism. He struck a deal with Peru to remove artifacts for study at Yale, with the stipulation that Peru could have them back when it wanted them. That's a drama that's unfolding now.

great adventure reading.......2005-07-12

Although some (actually many)of Bingham's ideas/theories have since been disproved, this is none-the-less a great true story about how he discovered Machu Pichu. He was actually a professor (and political representative) that went to Peru to increase his knowledge about South American history for teaching purposes. He decided to go back with a team of experts to try and find the lost city of the incas. And he did find it! It is great "adventure" reading...hiking through jungles, steep and dangerous terrain, exploring a long forgotten (and uncharted) area of Peru.

He also shares a lot of history about the incas in the book. We "owe" a lot to them. For instance, they domesticated/cultivated some of the common agriculural foods we still eat today. And they domesticated the guinea pig. Your kids can thank the incas for their furry little pet!

If you are considering visiting Peru and Machu Pichu, I'd highly recommend this book. It is a great starting point to learning more about this country and culture.

The Lost City of the Incas.......2005-04-05

Hiram Bingham goes on an exploration with a couple specialist friends to find the four capitals of the ancient Incan civilization. On the way, he goes through countless jungles, helpful indian cities, and steep mountain trails. The first part of the book is dedicated to informing the reader of interesting information about the Incas. The second and third parts described the trip through "Inca-land". I would request this book to anyone who wants to explore the Amazon Jungle someday.

a Great Introduction to Peru and history of anthropology.......2003-12-12

This book is valuable for many reasons. First and foremost, it presents us with the views and attitudes of one of the world's foremost anthropologist-explorers from the beginning of the 20th century. This means lots and lots of passion and enthusiasm, a willingness to risk one's life in pursuit of an elusive goal and an ability to follow one's gut instincts. All traits which, sadly, have practically dissapeared from modern anthropology. In addition, of course, the book is permeated with the spirit of the times (1910-40ies) - which means patronizing attitudes toward the natives (the "savages", who for the most part clearly resented the tasks of having to clear the jungle, build bridges across impassable rapids and climb hills infested with snakes) and an eurocentric view of the world which now seems a bit naive.

All this being said, I must emphasize that this book is a treasure and a must read for anyone about to visit Macchu Picchu - if only to contrast the conditions encountered by Bingham and his Indians to those that exist today, when busloads of clueless tourists are delivered straight to the Temple of the Sun. The first third of the book consists of a superb Introduction including a recapitulation of the16th century records of the Incas and their empire (including the awesome Pachakuti Inca), very competent review of Inca technology (many of their and an excellent recapitulation of the life stories of the last 4 Incas. The last part describes the actual "discovery" of Macchu Picchu which occured by procuring, for a silver coin, the services of Anacleto Alvarez, a local Qechua who had been living among the ruins all along. Macchu Pichu therefore had never been truly "lost" and "discovery" has in this context many interesting connotations.

For my part, I have a respect for Bingham and for his guts that served him so well. In time, for example, they led him to the US Senate (from Connecticut). I suspect it will take many a pachakuti (turning of the Wheel of Time) till another anthropologist gets an opportunity to represent Democracy and the People.

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Edward P. Jones is a gift of love and power to the world!

Great Collection by a Gifted Writer

DC Stories

brings dignity to black literature

An Instant Classic

Lost in the City
Edward P. Jones
Manufacturer: Amistad
ProductGroup: Book
Binding: Paperback

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ASIN: 006079528X
Release Date: 2004-11-30

Book Description

The nation's capital that serves as the setting for the stories in Edward P. Jones's prizewinning collection, Lost in the City, lies far from the city of historic monuments and national politicians. Jones takes the reader beyond that world into the lives of African American men and women who work against the constant threat of loss to maintain a sense of hope. From "The Girl Who Raised Pigeons" to the well-to-do career woman awakened in the night by a phone call that will take her on a journey back to the past, the characters in these stories forge bonds of community as they struggle against the limits of their city to stave off the loss of family, friends, memories, and, ultimately, themselves.

Critically acclaimed upon publication, Lost in the City introduced Jones as an undeniable talent, a writer whose unaffected style is not only evocative and forceful but also filled with insight and poignancy.

Download Description

The nation's capital that serves as the setting for the stories in Edward P. Jones's prizewinning collection, Lost in the City, lies far from the city of historic monuments and national politicians. Jones takes the reader beyond that world into the lives of African American men and women who work against the constant threat of loss to maintain a sense of hope. From ""The Girl Who Raised Pigeons"" to the well-to-do career woman awakened in the night by a phone call that will take her on a journey back to the past, the characters in these stories forge bonds of community as they struggle against the limits of their city to stave off the loss of family, friends, memories, and, ultimately, themselves.

Customer Reviews:

Edward P. Jones is a gift of love and power to the world!.......2007-08-25

An artist whose prose and narrative arcs generate irresistible pull and evoke in readers a genuine sense of entire worlds, Edward P. Jones has written two books. The first, Lost in the City, garnered the PEN/Hemingway award. The second, The Known World, won the Pulitzer Prize. African American, a luminary of American letters, Jones affirms that which is humble and human, and does so with startling power. In the words of MLK he has a "heart full of grace, a soul generated by love."

Great Collection by a Gifted Writer.......2007-06-20

This collection, first published in 1992, was considered Jones's first literary effort. I find this idea of firsts interesting and would like to look at it briefly before I move on to a few of the craft elements in his stories that I would most like to steal.

This collection of short stories was published a decade before Jones won the 2004 Pulitzer Prize for his novel "The Known World." Some of the stories in the collection were first published in the 1980s in literary magazines like Ploughshares and Callaloo. One of the stories "Marie" also appeared in the Paris Review in 1992. The thing that I find interesting is that these publications do not seem to register with the general public or even reviewers. Instead, his books are presented as sudden, award winning events. Instead of a writing career spanning 25 years of craft and respectable publications, we are presented with the image of a of sudden event, a spectacular storm, a writer whose first novel won the Pulitzer Prize.

In any event, the first thing I did when I opened "Lost in the City" was to read the opening lines of each story. I wanted to see how and where he began his stories. I was thinking of an essay by Debra Spark called "Getting In and Getting Out." The essay appears in "Bringing the Devil to His Knees: The Craft of Fiction and the Writing Life." There is an anecdote in the essay about a friend the author who is screening stories for the Iowa Short Fiction Prize. She says, "If I have to read another story that begins `The alarm clock rang,' I'll shoot myself."

Although I have never started a story with this particular phrase, I do tend to begin a story at the beginning. So as I read through the Jones collection I paid particular attention to the places he began his stories.

In "The Girl Who Raised Pigeons," Jones begins the narrative at some undefined future moment when the crisis of the story has already forced the characters' world to change. "Her father would say years later that she had dreamed that part of it, that she had never gone through the kitchen window...." The story never travels completely forward into the world from which these first lines are described. However, the story does end with a certain inevitability--a sort of narrative arc that points forward so that we understand how the characters arrive to the point we find them in the opening of the story.

"The Girl Who Raised Pigeons" covers a lot of ground in twenty-five pages. It outlines the decay of a Black, D.C. neighborhood and shows us how that decay affects the community. On one level it is a story about a father's coming to fatherhood as well as his young daughter's coming of age. It is about the place and the power of the natural world even in the urban environment. It is about an urban Black community on the edge of change.

The narrative is carried along by the story of the young girl and her pigeons. The story is usually told through a close third person narrator; however, the point of view does shift at times from the young girl, Betsy Ann Morgan, to other characters. These shifts offer insight into the community in which Betsy and her father live. But these shifts seldom last for more than a line or two and then quickly move back to Betsy.

I paid close attention to these shifts in point of view. But before I discuss them I would like to think a bit more about where these stories begin.

Another story that begins post-crisis is "The First Day." The story opens with the line: "On an otherwise unremarkable September morning, long before I learned to be ashamed of my mother, she takes my hand and..." This is the story about a child's first day of school. The story is short, only 5 pages, but it has taken a common event, a child's first day of school, and uses it to point out the divisions between social classes in the Black community. One of the interesting things about this story is that it is told in the first person. The protagonist never reaches the crisis described in the first line within the span of the story. The narrator shows nothing but love and admiration for her mother throughout the course of the story. We are lead by that single clause, "long before I learned to be ashamed of my mother," and the trajectory of the story to understand that the protagonists shame is inevitable.

I find it fascinating that he entire story hinges on this single clause. We never see a hint of shame in the narrator aside from her opening line. If that clause were deleted we would not necessarily know that the narrator would ever come to be ashamed of her mother. But knowing this first line and following the trajectory of the story we know that the crisis and the change are inevitable.

Jones also opens his stories from the middle. The narrator then takes the story back to that middle before moving farther forward. He does this in the story "A New Man."

"A New Man" begins with the lines, "One day in late October, Woodrow L. Cunningham came home early with his bad heart and found his daughter with two boys." The narrative eventually makes its way back to explain exactly how Woodrow came to find his daughter with two boys, but it does not stop there. The narrative continues. It carries the story farther. We come to understand exactly what this event means in the life of Woodrow and how it comes to define his essential character.

Now, rather than continue with this idea of how or where Jones begins his stories, I would like to move on to two other divices Jones uses: point of view, and the idea of epiphany and change within a character.

As I mentioned earlier, Jones does not shy away from changing the narrative point of view if it serves the story. But the places where he shifts point of view seem to be dependent on a few things. He only ever shifts in a third person narrative. The point of view never shifts for more than three or four sentences. The point of view only shifts in stories that are 20 pages in length or longer. He always quickly brings the point of view back to its original place.

It is the brevity in the shift that I find most interesting. It is like one of those little flashes of insight that Woolf wrote about--matches struck unexpectedly in the dark--or the mirror in Joyce's "The Dead." The shift lets us see for a moment how the character looks within their world. For example the title story of the collection, "Lost in the City," is told by a close third person narrator. However, there are two moments in the story where the focus shifts from the protagonist, Lydia Walsh, to her taxi driver. The first shift occurs about two thirds through the story: "He thought that maybe she had been born elsewhere, that she did not know Washington, would not know the streets beyond what the white people called the federal enclave." This shift in point of view ends quickly. The narrator brings our focus back to Lydia. "But in fact, the farther north he went, the more she knew about where they were going."

At the end of "Lost in the City," the point of view again shifts for a moment. "The cab driver thought that her crying meant that maybe it had finally hit her that her mother had died and that soon his passenger would be coming to herself."

I suspect that it is the brevity of these shifts that make them work. Another aspect of these shifts is the fact that they are subtly revealing--not deeply or overtly revealing--and they are always revealing something in the protagonist. These shifts in point of view seem to stress the importance of community in these stories. They show, however briefly, that these characters do not live in isolation, that on some level they are always aware of themselves within the context of others--or perhaps it is that we should always be aware of them within the context of a greater community.

The final aspect of this collection of stories that I would like to look at relates to an issue raised in an essay by Jim Shepard titled, "I Know Myself Real Well. That's the Problem." In this essay, Shepard criticizes the tendency for novice fiction to create characters who are "whooshing along the conveyor belts" of narrative toward some kind of epiphany. Given that my stories have this tendency, I am curious how Jones creates a sense of movement and revelation without allowing his characters to fall into that whooshing conveyor belt.

One way that Jones avoids this narrative conveyor belt is by beginning the story someplace other than the beginning and ending the story in a place that points to the inevitability of change or crisis, but he does not necessarily show us that change or crisis. This can also be seen in the story, "The First Day." We do not experience the moment when the narrator becomes ashamed of her mother. We are told in the opening line that the narrator will indeed one day be ashamed of her mother. We are lift at the end of the story with the inevitability that, despite the strength and character of the mother, the child will one day become as ashamed of her as other members of the community.

Often in this collection of stories the narrator is not even aware of his or her change. The reader senses that something is in fact permanently altered, but it is difficult to say exactly what that thing is. At the close of the story "My Mother's House," we do not find the protagonist, a mother whose biological son has just murdered by her godson over a dispute involving drugs and money, in the throws of some sort of epiphany.

Her husband, who is not the father of either child, works as a bodyguard for her biological son. Her husband skulks away from the scene of the crime, leaving her in the street to comfort her dieing godson. She has always known that her husband was a weak man. At the close of this story we find the protagonist drinking a fifth of vodka and walking from room to room in the house her drug-dealing son purchased for her. She unlocks all the doors and windows, "for Santiago (her son) had no key to her house. And outside that house there was a very cruel would and she did not like to think that her child was out there without a place to come to."

The protagonist knows throughout the story that the world is indeed cruel. The cruelty is not a revelation. Nor does she necessarily seem poised to make some sort of change. In fact, she opens her house in a rough neighborhood so that her son, who has just murdered her godson and pointed a gun at her face, may come into the house for comfort.

Perhaps the real change at the end of this story takes place in the reader. After we have experienced this world, we can never view these characters or their world in the same light--we will never be able to read this story in the same way again.

In the end, there are still many more aspects of this collection that will occupy me throughout the coming months. I have marked my copy of the book with many notes. I find myself referring back to them often.

DC Stories.......2007-06-12

Edward P. Jones writes heartbreaking but beautiful stories of the struggling poorer parts in DC--right next door but far away from the glamor of national politics. These stories are moving and they pack a punch.

brings dignity to black literature.......2007-04-27

Jones is one of my all-time favorite authors.
His books resonant the feelings of loneliness
and isolation that permeate the bleak hopelessness
of urban America. His characters are flawed,
tragic, interior black modes of Shakespearean
sonnets. Reading Jones work is eating ice
cream after your tonsils have been removed.

He is destined to be revered in the same light
as James Baldwin and Ralph Ellison years into
the future. He is one of the few black writers
along with Toni Morrison, Ernest J. Gaines, etc.
that I would recommend a future novel of his
without even reading it first.

Outstanding book by a master storyteller! Highly
recommended for ALL readers!

An Instant Classic.......2006-10-31

His first novel, THE KNOWN WORLD, won the Pulitzer Prize. This is the book he wrote first, a short story collection that I've been looking forward to reading for a long time. It was a National Writing Award finalist and a Hemingway PEN winner.

With a pedigree like that, do I really need to review it? Sure, why not?

When I reviewed his novel, did I mention that he has an amazing ear for dialogue? He does. I believe it shines brighter in this setting than in such a sweeping and breathtaking saga as his novel.

These are stories that you will feel in your heart, your mind, your soul, your gut. You'll pause between each story so you can ride the wave of awe before you eagerly read the next. Jones is an amazing author. He's why we read, and he's why some of us try to write. Very few will ever reach this man's level, but the attempt is always good for us.

The Lost City of Faar (Pendragon Series #2)

Average customer rating:

A real tum-tigger...hobey ho!
Don't miss readind pendragon
(Pendragon) The Lost City Of Faar By:Breanna Olson
Love it!
Liked it better than I expected to

The Lost City of Faar (Pendragon Series #2)
D.J. MacHale
Manufacturer: Aladdin
ProductGroup: Book
Binding: Paperback

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ASIN: 0743437322

Book Description

CLORAL

The second installment in an epic series of adventures

Fourteen-year-old Bobby Pendragon is not like other boys his age. His uncle Press is a Traveler, and, as Bobby has learned, that means Uncle Press is responsible, through his journeys, for solving interdimensional conflict wherever he encounters it. His mission is nothing less than to save the universe from ultimate evil. And he's taking Bobby along for the ride.

Fresh from his first adventure on Denduron, Bobby finds himself in the territory of Cloral, a vast world that is entirely covered by water. Cloral is nearing a disaster of huge proportions. Reading the journals Bobby sends home, his friends learn that the desperate citizens of the endangered floating cities are on the brink of war. Can Bobby -- suburban basketball star and all-around nice guy -- help rid the area of marauders, and locate the legendary lost land of Faar, which may hold the key to Cloral's survival?

Customer Reviews:

A real tum-tigger...hobey ho!.......2007-07-07

Before I begin, let me say that I'm an adult (to give this review some context).

I read "The Merchant of Death" (Pendragon #1) a couple of weeks before ordering this book. I enjoyed "Merchant". I thought it was inventive and unusual, and it certainly addresses issues that young adults face. I'm sure kids enjoy reading books where their peers are heroes.

This book is even better. I say that for two reasons. The setting of the first book is quite grim. That was appropriate for the story it told, but it was kind of a downer, reading about those people being exploited. This book's setting is incredible - a world covered entirely by water where humans live on floating, barge-like habitats. I love water, and if I could somehow visit that world, I would do so in a heartbeat.

The other reason I like this book better is that the new Traveler we meet is incredibly endearing. I like Loor. She's a great person to have at your side. However, the Traveler we meet in this story is very funny, and that makes this book a lighter read (in tone) than the first one. He's also flawed, though, which makes things interesting. I relate to him better than I relate to Loor. (Does she have a flaw? I don't think I've spotted it yet.)

Overall, I recommend this book with a big smile on my face. It's a good ride, the characters are endearing, the setting incredible, the themes well developed, and it leaves you wanting more.

See you at Grolo's! Last one there buys the Sniggers!

Don't miss readind pendragon.......2007-04-13

Pendragon by D.J mathhale is a great book that I would recommend to kids of all ages. It starts with a 10 year old kid playing with his mom in their back yard and the kid misses the ball and he runs after it and he comes back and his mom is GONE. Then he finds out that his mom is the world`s best DRAGON RIDER!! He hears a very loud roar and it was his mom's old pet dragon and it was his now and he takes a better look at it and it was the biggest red dragon the world has ever seen. So the very tall lizard tells him that his mom has been kidnapped by a very powerful human bean and they set of to TRY and save his mom. How I can describe Jack he is a very smart tech genius he just finds out he is the ONE. Well what he thinks the one means that he can Dodge bullets like a movie he saw. He finds that the dragons name is Alroce and the dragon is the last well only one of the red dragons left. And so Jack can fight this very powerful wizard so he starts training with his pet dragon.I would this book to anyone that likes dragons action and very intence sword fighting Pendragon is a great book that I would recamend to kids of all ages.

(Pendragon) The Lost City Of Faar By:Breanna Olson .......2007-03-29

Bobby Pendragon is a 14-year-old boy, and he is like no other boy his age. After being swept away from his last mission on a territory named Denduron, Bobby finds himself on a floating city named Grallion in the territory of Cloral. This city is about the size of New York State! And it is a floating island in an ocean the size of this planet! So far Bobby has had a pretty goodtime, meting new friends and just hanging out on Grallion, until the evil Saint Dane shows up under the alias Zy Roder his mission is to take over halla, and rule it evilly. Halla is everything that ever happened, will happen, and time, which is everything. Bobby's mission is nothing less than to save the universe from ultimate evil. But Saint Dane is much more powerful and can con people into helping him. This team of 4(Bobby's Uncle Press who got Bobby into all of this, Spader his brand new friend he met on Grallion, and Loor the best warrior and a friend to Bobby, and of course Bobby) must beat Saint Dane and time is running out he it creating chaos on the habitats(the floating islands)so he can rule halla and the universe will be evil and Saint Dane's wish will be true. But Bobby is going to try to stop that. Bobby's 2 best friends (Courtney and Mark) can't talk to Bobby because he is in a different world so instead Bobby has giving Mark a magic ring that transports letters. So, to talk to his 2 best friends he writes letters of what's happening, and Mark and Courtney read them, and are with Bobby all the way. Bobby and the team are about to make their first move against this evil mastermind.

Love it!.......2007-02-04

Every Pendragon book is fabulous. This book is really fun and takes you to a great planet. The storyline is just great. You'll love it!

Liked it better than I expected to.......2007-01-10

Very interesting character development in this Pendragon continuation. The Lost City of Faar presents some well developed plot twists and does so in a clean/ pure style that readers of all ages will appreciate. As some other reviewers have pointed out, there are a few grammatical issues that pop up here and there that may annoy highly analytical readers but the quality of the material surpasses such flaws.

Average customer rating:

good book
great book

City Of The Lost (Bionicle Legends)
Greg Farshtey
Manufacturer: Scholastic
ProductGroup: Book
Binding: Paperback

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ASIN: 0439890330

Book Description

The Toa enter an underwater world in which six new villains hold sway. Can the Toa navigate their way past the rocky shoals of this environment and complete their mission? Or are they doomed to a watery grave?

Customer Reviews:

good book.......2007-05-14

City of the Lost had a good plot. The story moved a little too slowly, though. I liked the open ending of this book. It makes me want to look for the next book!

great book.......2007-05-02

this book is about the mask of life fell in the sea.The book is great but a little action but the story is ok . THE bad guys are the Barraki 7 war lords of great power. THe barraki figth or the mask .

Average customer rating:

Gin and Cigarettes
The only one you need
a brilliant and delightful book by eddie muller!
All flash--a Tommy gun full of blanks
As fast and stylish as its subject matter

Dark City: The Lost World of Film Noir
Eddie Muller
Manufacturer: St. Martin's Griffin
ProductGroup: Book
Binding: Paperback

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ASIN: 0312180764

Book Description

Welcome to Dark City, urban landscape of the imagination. A place where the men and women who created film noir often find themselves dangling from the same sinister heights as the silver-screen avatars to whom they gave life. Eddie Muller, who led readers on a guided tour of the seamier side of motion pictures in Grindhouse: The Forbidden World of 'Adults Only' Cinema, now takes us on a spellbinding trip through treacherous terrain: Hollywood in the post-World War II years, when art, politics, scandal, style--and brilliant craftsmanship--produced a new approach to moviemaking, and a new type of cultural mythology.

Customer Reviews:

Gin and Cigarettes.......2007-10-08

If you are interested in film noir and looking to purchase a single book on the subject, this is the title that I would recommend. There are dozens of other books available, but this is the one that I would deem as being essential for a beginner. The text of "Dark City: The Lost World of Film Noir" is lavishly illustrated with publicity stills and film posters. The writing is uniformly engaging and highly addictive.

The author, Eddie Muller, is a man of parts. He has written novels and biographies, he has provided informative and entertaining commentary tracks as bonus materials for dvds, he has hosted and programmed film festivals and interviewed actors and actresses from Hollywood's Golden Age, he helped found a not for profit corporation that labors to restore vintage films that might otherwise be lost due to the decomposition of nitrate stock while studio attorneys quarrel over ownership issues and so much more. Muller has an interest in prize fighting and exploitation films. He was writing about the grindhouse cinemas long before Quentin Tarantino developed a feature film screenplay on the same topic. Muller is a minor expert on the architecture and geography of his hometown, San Francisco, and can identify all of the filming locations used in the noirs set there, including former landmark buildings that are now demolished.

Given his varied interests, Muller's writing reflects his overall versatility. He is not a one trick pony who rewrites the same book and repeats the same anecdotes over and over again. Muller is authoritative, but humble and approachable at the same time. He does not take himself too seriously and he remains an unrepentant enthusiast. Any man who could attend a revival screening of "Born to Kill" and keep the volatile Lawrence Tierney on a short leash is someone to be admired. Muller received an affectionate head butt for his troubles from Tierney one of Hollywood's most celebrated barroom pugilists and back alley brawlers.
His online essay on the eventful day is hilarious.

As to the subject at hand, film noir, Muller's carefully crafted prose reads as if it were transcribed from a performance by an accomplished improvisational jazz musician, although Muller would be the first to point out that the widespread public association of film noir with jazz is overstated (noir films did not typically include jazz scores until relatively late into the film noir cycle). Many standard reference books on the subject are written by film school professors and academics. Regrettably, some of these scholarly tomes are decidedly dull. Muller is refreshingly readable in contrast and could go fifteen rounds with any of the film school lecturers without putting anyone to sleep. He can hold his own against the scholars and specialists, but his writing reflects a liberal arts background that will resonate with the masses.

If you finish this book, you will learn about the pulp fiction and detective writers who produced the paperbacks that were adapted for the movies, the economics of the "B" film units at the studios, marketing techniques and poster art used to sell the flicks and put fannies in the theater seats, the production code censors and the back stories on the people who made the movies. Edgar G. Ulmer, for example, worked on such a tight budget for the one week wonder "Detour" that the total amount of raw film stock, as measured in feet, available to him for the feature was rationed by the studio penny pinchers at Producers Releasing Corporation.

This book is great fun and it holds up well for rereading. My only complaint is that Muller concentrated on the output of the major studios almost exclusively and, largely, overlooked Poverty Row productions, but that is a small criticism. After reading this book, you may subscribe to Netflix to secure more film titles that were once staples on the late, late show.

Muller does not pull any punches. You may not agree with all of his opinions, but you can respect his positions. The book cover is based upon a scene in the climax of the movie "Dead Reckoning." Muller pans the film for its shortcomings, which include a confusing plot, and relates the problematic history of its script going through multiple rewrites by several writers before the film was shot. I have always enjoyed the film, but Muller recognizes its deficiencies that rendered it good rather than great.

Naturally enough, the book incorporates some of the best dialogue from the movies. Highly recommended.

The only one you need.......2007-04-25

Hands down the best book on film noir. Enough facts for the academics and enough fun for the rest of us. Fantastic layout and though some have trouble with the hard-boiled writing style, I loved it and it comes from a master - check out Muller's novels too!

a brilliant and delightful book by eddie muller!.......2007-01-14

more than you ever knew about film noir, eddie muller plunges the reader into the dark and seamy side of hollywood. a fabulous history of film noir with rare and splendid posters, photographs, and insider stories that can only be found here and as only eddie can tell them.
i highly recommend this book. a must have for every film buff and serious collector.

All flash--a Tommy gun full of blanks.......2005-11-26

I will grant that film noir is mostly about style, that's film noir the thing in itself, not the explanation. Muller tries to write like the hard-boiled wordsmiths that helped give noir its flavor; but he adds so much useless patter as to give the impression that, like them, he is being paid by the word. In the end this book is about as satisfying as getting nicotine from a patch. The two stars are for the pictures.

As fast and stylish as its subject matter.......2005-10-02

When most noir-era directors are presented with what the critics have read into their films, they tend to laugh. What they were making-- as Muller points out-- were known as either crime dramas or murder dramas. They were made on the cheap, with their dark themes and fast pace borrowed from harboiled crime writing, and with lots of tricks learned from German Expressionism. They were stylish B-movies.

Finally, a book has come along that deals with these films and filmmakers pretty much on their own terms. -Highly visual and fast paced. Muller looks at subgenres and trends, but focuses more on looking at the often tortured lives of the people who made these films, and on the turbulent period in Hollywood that the 40s and 50s were.

One of my favorite film books, period.

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