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An Excerpt from Bill Watterson's Introduction:
"I've loved comic strips as long as I can remember. As a kid, I knew I wanted to be either a cartoonist or an astronaut. The latter was never much of a possibility, as I don't even like riding in elevators. I kept my options open until seventh grade, but when I stopped understanding math and science, my choice was made. There is great personal satisfaction in attending to detail and quality, and I remain very proud of the standards the strip met day after day. I also liked the responsibility of knowing that, succeed or fail, it was all my own doing. This approach kept the strip very honest and personal--everything having to do with Calvin and Hobbes expressed my own ideas, my own values, my own way. I wrote every word, drew every line, and painted every color. It's a rare gift to find such fulfilling work and I tried to show my appreciation by giving the strip everything I had to offer."
Exclusive Images from the New Collection
More Calvin and Hobbes Books
The Calvin and Hobbes Tenth Anniversary Book |
Weirdos from Another Planet! |
Attack of the Deranged Mutant Killer Monster Snow Goons |
Book Description
Calvin and Hobbes is unquestionably one of the most popular comic strips of all time. The imaginative world of a boy and his real-only-to-him tiger was first syndicated in 1985 and appeared in more than 2,400 newspapers when Bill Watterson retired on January 1, 1996. More than 30 million of the 17 Calvin and Hobbes books (all published by Andrews McMeel) have been sold. And now, the entire body of Calvin and Hobbes cartoons published in a truly noteworthy tribute to this singular cartoon. Composed of three hardcover, four-color volumes in a sturdy slipcase, this edition includes all Calvin and Hobbes cartoons that ever appeared in syndication. This is the treasure that all Calvin and Hobbes fans seek.
Customer Reviews:
Exactly what I expected........2007-10-10
It's the Complete Calvin and Hobbes collection, what else could you be expecting? It's bound in three giant books which is beautifully done, simply no complaints here. Use your heads people.
Calvin and Hobbes Collection.......2007-10-05
The Complete Calvin and Hobbes (Calvin & Hobbes)
Love the collection. The only real problem is the size of the books can make them unwieldy to hold when reading, however, it is well worth it!!!
Calvin and Hobbes - one of the best comics !!!.......2007-10-01
Got this as a gift for my wife on her b'day, C&H are her fav comics. she loved it !!! Cant go wrong with C&H.
I am a fan of pearls before swine tho' :D
It's a tiger's world.......2007-09-26
Still love Calvin and Hobbes; read it every day for years when it came out.
A perfect melange of adult and kid perspective, this strip will remind you of how you were as a kid. I was definitely Calvin, minus Hobbes. I've got the report cards to prove it.
This edition is worth getting for adults, for the quality of the printing and care in the binding. For kids I'd say get used copies of the big paperbacks; cheaper and less worrisome when your little devils inevitably tear it apart from reading it over and over.
Right up there with Doonesbury and Bloome County as a modern comic strip classic.
A Great Discovery.......2007-09-23
As a foreigner, living in England, I was introduced to Calvin and Hobbes by a friend, Rod Patten of Austin TX.
Firstly I trawled the websites, but now I have this three volume combined edition. Anytime I'm a little low or bored, out come C&H.
The humor and draftsmanship are both superb.
I can thoroly recommend this book to anyone with a g.s. of h.
Average customer rating:
- a must have
- way better than i was expecting
- A MUST HAVE
- Great concept on a legendary battle
- Graphic SF Reader
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300
Frank Miller , and
Lynn Varley
Manufacturer: Dark Horse
ProductGroup: Book
Binding: Hardcover
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Gates of Fire: An Epic Novel of the Battle of Thermopylae
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Watchmen
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Ronin
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300: The Art Of The Film
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V for Vendetta
ASIN: 1569714029 |
Amazon.com
An emperor amasses an army of hundreds of thousands, drawn from two continents, to invade a third continent and conquer a tiny, divided nation. Only a few hundred warriors stand against them. Yet the tiny nation is saved. It sounds like the plot of a preposterous fantasy novel. It is historical fact. In 481-480 B.C., King Xerxes of Persia raised forces in Asia and Africa and invaded Greece with an army so huge that it "drank rivers dry." Then they entered the mountain pass of Thermopylae and encountered 300 determined soldiers from Sparta....
Writer-artist Frank Miller and colorist Lynn Varley retell the battle of Thermopylae in the exciting and moving graphic novel 300. They focus on King Leonidas, the young foot soldier Stelios, and the storyteller Dilios to highlight the Spartans' awe-inspiring toughness and valor. Miller and Varley's art is terrific, as always; the combat scenes are especially powerful. And Miller's writing is his best in years. Read it.
Do not, however, read 300 expecting a strictly accurate history. The Phocians did not "scatter," as Miller describes. His Spartans are mildly homophobic, which is goofy in such a gay society. Miller doesn't say how many Greeks remained for the climactic battle--you'd think 300 Spartans and maybe a dozen others, when there were between 700 and 1,100 Greeks. Herodotus's Histories does not identify the traitor Ephialtes as ugly and hunchbacked, or even as Spartan. 300 establishes a believable connection between Ephialtes's affliction and behavior, but his monstrous appearance, King Xerxes's effeminacy, and the Persians' inexplicable pierced-GenX-African looks make for an eyebrow-raising choice of villain imagery. Nonetheless, 300 is a brilliant dramatization.
For the full story of the failed invasion, read Herodotus's Histories or, for a concise, graphic-novel retelling, Larry Gonick's great Cartoon History of the Universe: Volumes 1-7, From the Big Bang to Alexander the Great. For a lighthearted look at post-invasion Athens and a very young Alexander the Great, check out William Messner-Loebs and Sam Kieth's witty and gorgeous graphic novels, Epicurus the Sage Vol. I and Vol. II. --Cynthia Ward
Book Description
300 is a story of war and defiance as only Frank Miller can tell. Featuring the watercolor talents of painter Lynn Varley, 300 marks the first collaboration for these two creators since 1990's Elektra Lives Again. The five-part series is collected into a beautiful, 88-page hardcover volume, with each two-page spread from the comic presented as it was originally intended - as a single undivided page, greatly enhancing the graphic and narrative power of this immortal tale of heroic sacrifice. Make sure to check out the online preview of 300 here. And watch for news of this soon to be made major motion picture.
Customer Reviews:
a must have.......2007-09-19
a must have for 300 fans, definitely alot cheaper than Barnes&noble or borders. i was a little disappointed because one of the corners was a little bent from bouncing around in the box, and the pages didn't sit straight on the book when u looked at it sideways, as if humidity had gotten to it, or something, but aside from that it was a good buy.
way better than i was expecting.......2007-09-15
the artwork was awesome in that frank miller sort of way. also the story was just way better than i expected. all in all it was a great book.
A MUST HAVE.......2007-09-10
This is the ultimate 300 experience. This book is a must have for anyone who loves comic books.
Great concept on a legendary battle.......2007-09-05
What can I say, it's Frank Miller's epic opus. I believe every other review has covered the nuances of this graphic novel. I actually read it late in the game, having vaguely heard of it before but not actually laying hands on the book until after the movie came out. Both the movie and the book prompted me to revisit the historical accounts of the Spartans' valiant struggle against overwhelming odds. For some reason, Thermopylae reminds me of JFK - I believe he quoted the famous epitaph in one of his speeches. If 300 inspires young and old to read up on history because of the valor of its protagonists, it will have served its purpose.
Graphic SF Reader.......2007-09-03
A retelling of the battle of Thermopylae. Miller is taking the style that it appears he now works in, a la Sin City, and applied it to this historical recreation. No detailed wedding tackle for those hoping for such.
A story of the uncompromising military attitude (and xenophobia, of course) that leads to a last stand.
Book Description
At last, the comprehensive book of cartoons from beloved New Yorker cartoonist Roz Chast.
Customer Reviews:
All this Roz Chast in one place? For ME!?!.......2007-09-14
This collection of Roz Chast cartoons brings me great joy and delight. It's fun to watch the evolution of her particular "style" from her earlier works to recent years. All of my favorites are here (i.e. "Inside One's Memory Bank", etc.) Some people don't "get" her, and that's fine with me ("Can't come to the U.S. to buy property -- I have to finish Scrubbing This Teakettle!") She draws some of my favorite cartoon facial expressions ever and I have a secret dream of someday owning an actual cartoon she penned or seeing my likeness as drawn by Roz. Those fantasies may never happen, but in the meantime I forked over the bucks for this great big old book and am so glad that I did. Where else can I relish a world of "Bad Mom" magazine and "The kid who learned about math on the street"?
Lamp Lovers Unite!.......2007-08-04
Like Pablo Picasso, Roz Chast is a prolific genius. But unlike Pablo, Roz is FUNNY!!!
A lot of entertainment for Roz Chast fans.......2007-07-10
Whenever I pick up the New Yorker, I always search first for Roz Chast cartoons. I love her sense of humor. The book is a great value - hours of entertainment. Roz Chast fans will not regret making this investment.
Theories of Everything Exceeeds Expectations.......2007-05-21
I've been a fan of Roz Chatz's work for just about 30 years. This amazing compendeum does not dissapoint. It's more than just looking at cartoons. It's a real READ. I spent about two or three weeks perusing this volume. Unlike most "cartoon books" this one has intellectual weight. It is both insightful and F U N N Y! If you are at all familiar with this artist/writer's work than THEORIES OF EVERYTHING is a must for your library.
A very funny lady.......2007-05-15
I love the quirky, definitely neurotic humor to be found
in this treasure of cartoons. A great brouse when I need
a laugh.
Average customer rating:
- I feel validated in my disappointment...
- Enjoyable erotica
- Absolutely brilliant
- A solid piece of erotic fiction
- Not what I hoped
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Lost Girls
Alan Moore , and
Melinda Gebbie
Manufacturer: Top Shelf Productions
ProductGroup: Book
Binding: Hardcover Comic
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The League of Extraordinary Gentlemen: The Black Dossier
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300
ASIN: 1891830740 |
Book Description
For more than a century, Alice, Wendy and Dorothy have been our guides through the Wonderland, Neverland and Land of Oz of our childhoods. Now like us, these three lost girls have grown up and are ready to guide us again, this time through the realms of our sexual awakening and fulfillment. Through their familiar fairytales they share with us their most intimate revelations of desire in its many forms, revelations that shine out radiantly through the dark clouds of war gathering around a luxury Austrian hotel. Drawing on the rich heritage of erotica, Lost Girls is the rediscovery of the power of ecstatic writing and art in a sublime union that only the medium of comics can achieve. Exquisite, thoughtful, and human, Lost Girls is a work of breathtaking scope that challenges the very notion of art fettered by convention. This is erotic fiction at its finest. Similar to DC's Absolute editions of Watchmen and The League of Extraordinary Gentlemen, Lost Girls will be published as three, 112-page, super-deluxe, ovesized hardcover volumes, all sealed in a gorgeous slipcase. It will truly be an edition for the ages.
Customer Reviews:
I feel validated in my disappointment..........2007-09-11
When I first read Lost Girls, I was so deeply disappointed in the flat, amateur artwork that it took me a while to realize how flat and unexciting the storytelling is as well. I can't believe that the book made it to production with the ridiculous dialect Alan Moore assigns to Dorothy, which is tremendously distracting in and of itself. I was expecting a magical experience from this collaboration - and to me magical doesn't mean it can't also be creepy and disturbing, which Lost Girls definitely is - but found this book to be the least imaginative of any Alan Moore I've read. At one point I thought the creepy factor might be clouding my view, but after reading other reviewers' comments, I felt validated to see that others share the same opinions about its shortcomings.
Enjoyable erotica.......2007-09-01
OK, some will balk at the premise. We all know Dodgson's Alice, Baum's Dorothy, and Barrie's Wendy as little girls, in the familiar fictions built around them. This takes the fiction a step beyond, imagining the girls as grown women, thrown together in an isolated resort on the eve of the first world war. Alice, the grande dame, stands aloof from political unpleasantness. Wendy is wed to an industrialist more interested in armored boat hulls than in breakfast (or in her). Dorothy appears as a plain old farm girl, who can't imagine that grand duke Ferdinand might affect her little life. Geographically isolated at this odd resort and culturally isolated by their individual circumstance, they break their personal isolation in each others' company.
They succeed, and break each others' inhibitions as well. With Moore's script and Gebbie's delicate colors, we follow a delightful debauch. Alice takes the two younger ladies under her opium-scented wing, for languidly choreographed affections of the sapphic kind. Dorothy brings her farm-girl awareness of livestock breeding to her human relations, male and female. Wendy, the ignored housewife, blossoms under any attention at all. Other characters round out the goings-on with straight, gay, and solo loving. The happy and consensual tone could appeal to readers who've been turned off by harsher kinds of erotica, and Gebbie's delicate artwork treats it all with lucious respect.
Make no mistake, this is smut. Decide whether that's what you want. It's good smut, though, of a female-friendly kind - the kind that also appeals to men tired of all that negative imagery. If you often find your genitals requesting the company and comfort of your hands, this could be a story for them to read to each other.
-- wiredweird
Absolutely brilliant.......2007-08-10
A must-read for anyone who can handle it -- this is not "erotica," this is porn. The stories and illustrations are EXTREMELY graphic. Some of them are unbelievably hot, some are unbelievably disturbing, many are both. Not all the sex in this book is fun.
It's also a brilliant piece of literature. What Moore did previously with League of Extraordinary Gentlemen, he does again here, on a grander and more ambitious scale. He deconstructs these tales with a ruthlessness that is both horrifying and inspired.
A solid piece of erotic fiction.......2007-04-02
While the art style may not appeal to everyone, "Lost Girls" is certainly worth a look if you like erotic fiction with a little more substance. The books provide an amusing interpretation of the "real" events behind "Alice in Wonderland", "Peter Pan" and "The Wizard of Oz". While the first two books do not appear to be particularily thought-provoking at first, they set the stage for some potent character development in the third book, when the formerly frivolous stories are cast in a harsh, new light.
Of note is that while events take on a darker tone in the third book, "Lost Girls" does not contain any particularily violent scenes. Unlike in most adult media, the focus of these three books is not the gratuitous depiction of extreme sexual acts, but raising questions and telling a solid story with believable characters. Alan Moore and Melinda Gebbie have done a great job, showing that pornography doesn't necessarily belong in the gutter.
All things said, "Lost Girls" is a charming, bittersweet tale about saying goodbye to your childhood, leaving your make-believe world and growing up, and well worth the price.
Not what I hoped.......2007-03-06
I thought it was boring and a bit pointless. The illustrations were childish but the story line was interesting if a little disjointed. I wouldn't recommend these books unless you're somewhat innocent and looking for a thrill.
Average customer rating:
- Batman is my hero!
- Jeph Loeb & Tim Sale 4EVAH!
- Woow, wooow, WOOOOOOOW!!!!!
- Awesome Batmal Tale
- Classic Batman Story Gets the Absolute Treatment
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Absolute Batman: The Long Halloween
Jeph Loeb
Manufacturer: DC Comics
ProductGroup: Book
Binding: Hardcover
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ASIN: 1401212824 |
Customer Reviews:
Batman is my hero!.......2007-08-20
This is an amazing batman comic so pick up if you are a diehard fan of not only Batman, but Jeph Loeb or Time Sale. The story is amazing and I can't wait until they release the Absolute Batman Dark Victory...which is the sequel to this amazing comic. I suggest you pick this up if you are a fan.
Peace...
Jeph Loeb & Tim Sale 4EVAH!.......2007-07-17
They rock and they make Batman's world as real as Frank Miller did with Year One. Instant Classic. A Great Noir story as well.
Woow, wooow, WOOOOOOOW!!!!!.......2007-06-13
For any Batman fan - I needn't write this, but you should have it. It's amazing!
For those of you unfamiliar with the story, just a few words on that later on. But, to be honest, who is new to this?! It was one of the best Batman storylines ever, with the most awesome artwork. Tim Sale to me is the most "European" of the American artists, his images - each and every cell - can be framed and studied for ages for perfect composition, lighting, pencilling, inking and coloring. So much style and class, woooow!!!
I already read the series as it came out, then waited for the HC back in 98. So why bother? Man, am I happy that I got this. The printing is fabulous! Thick paper, not glossy but matt like the original, deep wonderful colors almost like serigraphies (a huge compliment to the folks at DC! You can see that to them it has also been a work of love to get this out to us)
Now to those unfamiliar with Batman (?!?!) or comics(?!?!?!) Buy this, please, just to get a feel for what is is that all these others are enjoying so much year after year after year.
Unlike many other Batman stories you don't need to know who is who. You can read it as the series' introduction. All the villains are present.
For those of you familiar with the usual suspects, don't worry, the storyline never gets boring. The introductions are perfectly woven into the tale without pausing it for a second.
It's a murder mystery to be read and watched over and over again.
Without spoiling anything, I'm just giving you the original DC introduction from 98:
A costumed hero learning he can trust no one.
A serial killer using the holidays to mark his handiwork.
A crime lord trying to hold onto a crumbling empire.
A city beset by gangsters becoming a haven for freaks.
An honest district attorney hiding a terrible secret.
A dark woman tempting the Dark Knight detective.
And a friendship that would be shattered forever.
P.E.R.F.E.C.T. !!!!! Buy this!!!!! And enjoy for ages.
Awesome Batmal Tale.......2007-06-13
This is a terrific story with a solid mystery, great writing, beautiful artwork, clever dialogue, and rich characters. Highly recommended for both Batman/cominc book fans and anyone looking for a fun read! Entertaining and interesting--a classic. All the Batman villians in one story--what more could you ask for? And a spooky whodunit theme. Buy it for yourself or your friends. One of the best graphic novels of the last 20 years.
Classic Batman Story Gets the Absolute Treatment.......2007-04-09
Released in 1996 to 1997, Batman The Long Halloween was one of DC's most popular titles in the year the mini-series was released in monthly installments. I vividly recall Wizard Magazine's enthusiasm as they ran many articles speculating on who "Holiday" was.
Now ten years after it's initial run, DC has given the story the "Absolute" treatment. The result is what you can expect from the Absolute editions. A first rate production, the color is crisp, the pages thick, the extras include an interview with creators Jeph Loeb and Tim Sale. Again, it would have been nice to see some of Loeb's scripts, but the inclusion of the series proposal and their discussion of the series striking covers makes up for the lack of scripts (for me it does anyway). If you are a fan of The Long Halloween, or Tim Sale's art, this is a must have. I wonder what the next Absolute Edition will be...Dark Victory perhaps?
Book Description
What does it mean to turn one of the great graphic novels of our time into a major motion picture? In 1998, Frank Miller shook the comics world with his groundbreaking series 300. Marking Miller's first collaboration with watercolor artist Lynn Varley (Ronin, The Dark Knight Returns) in over a decade, 300 was a gritty reimagining of a battle in which 300 Spartan soldiers fought to hold back the entire Persian army. The series won five Eisner Awards, including Best Limited Series, Best Writer/Artist (Miller) and Best Colorist (Varley). 300: The Art of the Movie takes you behind the scenes as director Zack Snyder (Dawn of the Dead) adapts 300 to the silver screen. With 200 pages of production photos, concept art and much, much more, 300: The Art of the Movie is sure to delight Miller fans and movie buffs alike.
Customer Reviews:
Concepts galore.......2007-08-26
Translating a graphic novel into the world of cinema can be a tricky business.
And the first step is concept art -- creating basic images of the characters, costumes, and important, visually-striking scenes. "300: The Art Of The Film" is crammed with such images, detailing virtually every part of the movie... but it's very skimpy on explanations and information.
It starts off with a couple of prefaces -- one by an expert on military history, and the other explaining the purpose of revealing the concept art. Then concept art itself: it basically outlines the story, beginning with the "inspection" of newborn Spartan boys and ending with another battle brewing between the Spartans and Persians.
These include pages and pages of rough sketches and detailed drawings for the cinematogrpahers, some representing only a few seconds (a fist hitting a slave's face). Then there are plenty of costume sketches, depictions of unreal-looking monsters, tents, and the gorgeous sets for things like Xerxes' opulant golden litter. Actually, it's more of a portable house.
But it has more than just concept art -- there are clay models, special effects shots, elaborate makeup and costume for things like the hunchbacked traitor, Xerxes' chain-porn costume, and things like knives stuck in a eye, and even green-screen shots before the CGI gloss was put on. And there are shots showing how they managed certain effects, like the people who controlled the animatronic "wolf."
And with every sketch and behind-the-scene shot, they show the finished result as it appears in the movie. A lot of them have the original art by Frank Miller as well, to show us how close the movie actually is to its source material. Visually speaking, it's a feast of behind-the-scenes information.
Buuuuut....
"300: The Art Of The Film" suffers from a lack of background information -- they show us loads of information, but don't tell WHY they were done, or even the intricacies of HOW. Come on, they must have had some trial-and-error in this film. While we can see the art for ourselves, we're rarely told much about why they chose this costume, or that monster, and how they created some of the weirder visuals.
So while the book is visually rich, it feels incomplete, like they left a lot of the text out to keep the guide from getting too long. Sometimes pages and pages will go by with only a few sparely-written paragraphs describing the intricacies of the movie. "300" is a visual movie, but come on, there's more to it than that.
"300: The Art Of The Film" has loads of art, but not much explanation in how it got from art to movie. It stumbles badly as a behind-the-scenes guide, but it's still an intriguing visual read.
Pretty Nice Book.......2007-07-28
This book has quite a few photos showing the making of 300 but the biggest draw (to me) was the similarities to the 300 Graphic Novel. Size, shape and cover picture are the same. The book shows a lot of photos of how the digital images were added to bleak green screen sets, how things like the wolf were made, etc. Its a good book for 300 fans it's a must have for those who have the Hardcover graphic novel (to display them side by side).
Misinterpretations Aside.......2007-07-17
It seems that some people are having a hard time realizing that the title of this book includes "The Art of the Film" and are searching for filming procedures, or sociopolitical explanations on behalf of the film when, in fact, this IS an art book. And for what it is, it does a great job revealing the artistic vision behind the film 300. From makeup effects to storyboarding to the comic conversion of the film, "300: The Art of the Film" makes a stylistic presentation that is worthy of the aesthetic care of the movie itself. Anyone who is interested in the artistic background in the movie 300 will appreciate the clean layout and complete presentation of this book.
A great companion..........2007-05-28
A great companion to a great movie and a great graphic novel.
Not often do you get to see behind the blue (or green) curtain to see how a movie is made.
This book gives you that insight!
Newsflash: Persians are Real People!.......2007-05-16
This is an interesting making-of book about an interesting movie based on an interesting graphic novel. I bought this book to see if I could get a clue as to why the Persians were portrayed as inhuman Orc-like mutant monsters, and while the book has something to say about the 'how,' it is curiously silent on the 'why.' Unlike fantasy creatures like Orcs, Persians (also called Iranians) are real people. They were regular folk in the days of the Battle of Thermopylae, and they continue to be regular folk today. I would think that Christians in particular would take issue with the misrepresentations of Biblical history detailed in 300: The Art of the Film. The Xerxes in "300" is the same Xerxes as in "One Night with the King"!!!
Average customer rating:
- A book only as Oversized as the Series itself
- AMAZING!
- speechless...
- What follows is a series of remarks addressed to the readers of this review and about this book itself
- They recolored shoddy coloring with... computerized shoddy coloring
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The Absolute Sandman, Vol. 1
Neil Gaiman
Manufacturer: Vertigo
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Binding: Hardcover Comic
Sandman
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The Absolute Sandman, Vol. 2
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Fables: 1001 Nights of Snowfall
ASIN: 1401210821 |
Book Description
THE SANDMAN, written by New York Times bestselling author Neil Gaiman, was the most acclaimed comic book title of the 1990s. A rich blend of modern myth and dark fantasy in which contemporary fiction, historical drama and legend are seamlessly interwoven, THE SANDMAN is also widely considered one of the most original and artistically ambitious series of the modern age. By the time it concluded in 1996, it had made significant contributions to the artistic maturity of comic books and become a pop culture phenomenon in its own right.Now, DC Comics is proud to present this comics classic in an all-new Absolute Edition format. The first of four beautifully designed slipcased volumes, THE ABSOLUTE SANDMAN VOL. 1 collects issues 1-20 of The Sandman and features completely new coloring, approved by the author, on the first 18 issues, as well as a host of never-before-seen extra material, including the complete original Sandman Proposal, a gallery of character designs from Gaiman and the artists who originated the look of the Sandman, and the original script to the World Fantasy Award-winning THE SANDMAN #19, "A Midsummer Night's Dream," together with reproductions of the issue's original pencils by Charles Vess. Also included are a new introduction by DC's president Paul Levitz and a new afterword by Gaiman.
Customer Reviews:
A book only as Oversized as the Series itself.......2007-09-28
Anyone who wants to start with Sandman I think should start by heading to the library and borrowing several volumes first. Anyone who's a fan should own this.
Neil Gaiman's Sandman is a wonderful series; a mythos that encompasses many other cultural mythologies into one nifty little setting. Anyone can pull up a short little synopsis about the series, but that would be an understatement of a task, for the series is so much more than just that. For the series is itself a mythology, a fantasy, and a reality, and anyone who comes across it, with a little patience, will immediately be swept away by the unfathomable truths contained within these tomes, and for once, being lost in a desert of dreams won't be such a bad idea.
However, I do have a few issues. The wonderful facet of a comic book (in the case of Sandman, Graphic Novels or Visual Literature) is that it is a collaborative medium. While Gaiman is undoubtedly a tour de force, the art itself helps to raise the bar of that force. Initially reading the series, you get a sense of its visceral visions and its somber tones, all through vibrant background colors. In the Absolute Sandman, however, the re-colors have somehow nullified some of that mood that was so powerfully combined with the writing itself. Newcomers to the series won't notice it if they start with this edition, but fans will. If you don't believe me, just compare the print from any of the previous TPB's or hardcovers of Issue #6 "24 Hours" (a shocking high-voltage horror tribute) or Issue #8 "The Sound of Her Wings" (this is the issue which for me is the definitive beginning of the mythos) with the Absolute editions. While the writing is still strong, I miss some of the old coloring, which helped to evoke a certain mood that solidified the series place in the comic book world. That isn't to say that some of the coloring hasn't actually improved on the old. In most cases, the recoloring was actually smoother and stronger, and set the mood more proper.
Newcomers should borrow from the library or from friends who have previous versions, to get a sense of the original mood (also, the book is just way too huge for carrying around), then if they see fit can buy the Absolute editions. I still think this is a wonderfully (and adequately) oversized edition, and some of the new coloring isn't bad, but bland in some cases. The large size magnifies the series in proper grandeur, and is an apt edition for fans to collect. It's not such a bad idea to own previous versions, in which there are those wonderful introductions by authors such as Clive Barker, Peter Straub, Stephen King, etc., with the Absolute editions (despite the costs), which I proudly own.
AMAZING!.......2007-09-25
I'm new to the Sandman comics and relatively new to Gaiman's writing, but this series was recommended to me several times so I decided to read it, and I most definitely was not disappointed. The story is very intricate and extremely creative, and the characters, although fantastic, become believable. The world entered while reading these comics is truly amazing, and those who can stand the scenes of violence will be well rewarded for checking it out.
speechless..........2007-08-25
I have already read my copies of the graphic novels to tatters, I've long since lost my copies of the original comic books. (I'm actually one of those weirdos who actually reads their comics.) I was completely amazed at the stunning quality of this collection. (No, the color reproduction isn't as bad as all the serious art students are making it out to be.) Absolutely beautiful. I'm always surprised when I talk to people who've never heard of Neil Gaiman's works. The Sandman series should be issued to the entire human race...
What follows is a series of remarks addressed to the readers of this review and about this book itself.......2007-08-16
Whoa... Were do i begin?
Let me start by saying, I would recommend to anyone to read some of the series, just to see if they like it. Personally, I think this is a treat not to be missed!
They recolored shoddy coloring with... computerized shoddy coloring.......2007-07-15
I just heard about this book, and almost jumped for joy when I heard it was recolored. I always thought Sandman is so rich a mythology surely they could someday release a paint-over of the material as rich and artistically skilled as the material is imaginatively written. Well, this isn't it. The "recoloring" is just a bunch of Photoshop gradient color fills, and at that the job seems very amateur. If you're going to use gradients, AT LEAST know how to use them to create depth and roundness and shadows... this is just straight drops of color change... very boring. I know this won't bother everyone, people have different takes on art. For me it's a dealbreaker and I'll stick to the old versions which are cheap and have bad coloring rather than spending more money on new bad coloring.
Average customer rating:
- An extraordinary effort -- Moore's best
- Awesome character development, ingenuous story
- One of the Essential books for comic Fans
- The Standard
- The Watchmen Live On!
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Watchmen (Absolute Edition)
Alan Moore
Manufacturer: DC Comics
ProductGroup: Book
Binding: Hardcover
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Has any comic been as acclaimed as Alan Moore and Dave Gibbons' Watchmen? Possibly only Frank Miller's The Dark Knight Returns, but Watchmen remains the critics' favorite. Why? Because Moore is a better writer, and Watchmen a more complex and dark and literate creation than Miller's fantastic, subversive take on the Batman myth. Moore, renowned for many other of the genre's finest creations (Saga of the Swamp Thing, V for Vendetta, and From Hell, with Eddie Campbell) first put out Watchmen in 12 issues for DC in 1986-87. It won a comic award at the time (the 1987 Jack Kirby Comics Industry Awards for Best Writer/Artist combination) and has continued to gather praise since.
The story concerns a group called the Crimebusters and a plot to kill and discredit them. Moore's characterization is as sophisticated as any novel's. Importantly the costumes do not get in the way of the storytelling; rather they allow Moore to investigate issues of power and control--indeed it was Watchmen, and to a lesser extent Dark Knight, that propelled the comic genre forward, making "adult" comics a reality. The artwork of Gibbons (best known for 2000AD's Rogue Trooper and DC's Green Lantern) is very fine too, echoing Moore's paranoid mood perfectly throughout. Packed with symbolism, some of the overlying themes (arms control, nuclear threat, vigilantes) have dated but the intelligent social and political commentary, the structure of the story itself, its intertextuality (chapters appended with excerpts from other "works" and "studies" on Moore's characters, or with excerpts from another comic book being read by a child within the story), the finepace of the writing and its humanity mean that Watchmen more than stands up--it keeps its crown as the best the genre has yet produced. --Mark Thwaite
Book Description
Has any comic been as acclaimed as Alan Moore and Dave Gibbons' Watchmen? Possibly only Frank Miller's The Dark Knight Returns, but Watchmen remains the critics' favorite. Why? Because Moore is a better writer, and Watchmen a more complex and dark and literate creation than Miller's fantastic, subversive take on the Batman myth. Moore, renowned for many other of the genre's finest creations (Saga of the Swamp Thing, V for Vendetta, and From Hell, with Eddie Campbell) first put out Watchmen in 12 issues for DC in 1986-87. It won a comic award at the time (the 1987 Jack Kirby Comics Industry Awards for Best Writer/Artist combination) and has continued to gather praise since.The story concerns a group called the Crimebusters and a plot to kill and discredit them. Moore's characterization is as sophisticated as any novel's. Importantly the costumes do not get in the way of the storytelling; rather they allow Moore to investigate issues of power and control--indeed it was Watchmen, and to a lesser extent Dark Knight, that propelled the comic genre forward, making "adult" comics a reality. The artwork of Gibbons (best known for 2000AD's Rogue Trooper and DC's Green Lantern) is very fine too, echoing Moore's paranoid mood perfectly throughout. Packed with symbolism, some of the overlying themes (arms control, nuclear threat, vigilantes) have dated but the intelligent social and political commentary, the structure of the story itself, its intertextuality (chapters appended with excerpts from other "works" and "studies" on Moore's characters, or with excerpts from another comic book being read by a child within the story), the finepace of the writing and its humanity mean that Watchmen more than stands up--it keeps its crown as the best the genre has yet produced. --MarkThwaite
Customer Reviews:
An extraordinary effort -- Moore's best.......2007-10-03
"The Watchmen" is a tour de force of the graphic novel genre, showing Alan Moore at his best. Moore invents a graphic universe, with a unique cast of characters whose interesting histories and personalities add complexity and fascination to the entire book.
The central character of the work ("hero" is too happy a term) is "Rorschach," a psychopathic masked avenger who is tracking down whoever is killing off a cast of masked former crime fighters, who are now in middle age if now retirement. In the world of The Watchmen, "adventuring" by masked vigilantes has been made illegal. Most of the superheroes have gone along with the law, and have more-or-less happily hung up their masks, cowls and crime-fighting devices to attempt the uneasy adjustment to normal life. Moore creates a complete reality that spans generations, where now-elderly retired crime fighters have passed the baton to a younger (now middle-aged) generation. But the stirrings of adventure lie just below the surface, and it doesn't take much perturbation to bring them to the surface.
Moore's heroes seem familiar, but they're not. Night Owl, a paunchy and bespectacled nerd, wears around in a slightly-ludicrous owl costume, complete with wings and night-vision goggles. In a bit of (I think) intentional humor, his arctic outfit is actually shaped and colored to resemble a snowy owl. Ozymandias is a wealthy acrobat, obsessed with ancient Egypt, and now spins his former glory (via toys and merchandise) into gold. Silk Specter, a leggy beauty 15 years younger than the rest, is living with Doctor Manhattan, a scientist whose 1959 turn in a radiation chamber that rendered him, naked, blue, emotionally tone-deaf, and with the godlike ability to transfer between worlds and dimensions. Not to mention that he likes to go around without clothes.
The story starts with the gruesome death of The Comedian by persons unknown. After the cops leave, Rorschach arrives (through the broken high-rise from which the victim made his unintended exit) and the fun begins. The rest of the novel spins a story of dark personal secrets, an not-so-innocent world unaware of impending danger, and the desire to take up old passions -- all set against a world in which political powers are posturing and threatening each other with annihilation. The heroes spend a great deal of time dealing with their personal issues -- former loves, the loss of friends, parenthood and aging -- while wondering whether and how to engage in the growing turmoil around them.
Moore's heroes are not bound by the rules of "good guy" niceness that we might expect in comic books. They curse, intimidate, attack, manipulate, act psychopathic and work outside the rules, leaving behind a high body count. It's no wonder they were outlawed by more decent people. The strip deals with quite dark issues -- warfare, murder, rape, abandonment, even free will and determinism. It is extremely violent, sexy and rough -- way too much for even the PG-13 crowd. The story is told as an interlocking and overlapping narrative, with lots of meaningful repetition, flashbacks ad even a tragic comic-within-a-comic whose plot mirrors the novel's own. The plot is fascinating, and will keep your reading -- though much too quickly to grasp every detail. Like any good book, this one needs to be read and reread to catch the way it plays with history and characters.
I could go on and on. "The Watchmen" is an unexpected masterpiece, taking the comic book form far from its banal origins, to tell a tale that is repellent and fascinating and extremely well-executed. It's one of the books you must read before you die.
Awesome character development, ingenuous story.......2007-09-29
Watchmen by Alan Moore and Dave Gibbons is my absolute favorite graphic novel. I just finished re-reading it. It's actually the comic that inspired all of my magical approaches to using comics as a magical tool/technique. I'm also always amazed at just how in-depth the story is...how much detail is put into the characters, even the minor ones.
I also have my favorite characters, which are the Comedian, Rorschach, and Ozymandias. I like all of them because they stand out as fairly unique characters even in a comic book that already has unique characters. They have very distinctive personalities...
The comedian is a very amoral character and that amorality allows him to embrace perspectives that enable him to move past situations that would stop people. He knows his nature and utterly accepts without the moral qualms that many people would have. I like his character not because of his actions, but because he is so at peace with who and what he is.
Rorschach...well my favorite scene is where someone attacks him and he uses only his shirt to essentially trap the person...your hands, my perspective. Again his is a perspective that allows him to see past the obvious constraints and find solutions where other people won't go.
And ozymandias embodies lateral thinking overall...again that perspective, that way of taking a situation and turning it from a disaster into something else. Plus a continued focus on improving himself, being able to see what he can do...and not letting limitations stop him.
I admire anyone who takes a different perspective and makes it work.
Good book...go read it if you haven't...cause it definitely applies to the post 9/11 world.
One of the Essential books for comic Fans.......2007-09-27
It might be an old book, but it still holds weight today.there is nothing else to say other then, you MUST read, and re-read to catch everything in it
The Standard.......2007-09-24
What can I say that hasn't been said already. This is the "Hamlet" of the comic book world. The "Godfather" of comics, if you will. The "Moving Pictures" of the comic book industry. What Moore and Gibbons have crafted here is a wonder unrivaled in the comics world. The sheer level of detail that they put into their work is astounding. Literally every single panel on every single page contains something important, some detail that if noticed, will make the reading experience that much more magical. I savored over this book for about two weeks before I finished it. It took me about two hours per chapter. This isn't the type of book that you can just breeze through, like many of today's comics. You will find yourself deeply drawn into this world and the lives of its characters. They will become like old friends to you. The mystery, the intrigue, the action...its all fantastic. You are in for a fantastic experience when you read The Watchmen.
The Watchmen Live On!.......2007-09-08
After hearing that the book THE WATCHMEN is at last being made into a movie, I thought now was a good time to reread it and see how it would stand up today. I first read this back in the late 80's and it is just as mind catching a story as it was then. Still love it. Hope the movie does the book justice....but why wait for the movie READ THE BOOK FIRST! OUTSTANDING!
Average customer rating:
- WHEN MILLER WAS KING!
- great!!
- Vol. 1 of the COMPLETE Frank Miller run of Daredevil
- The standard by which all others are judged
- Frank Miller MUST read
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Daredevil by Frank Miller & Klaus Janson Omnibus
Frank Miller ,
Roger McKenzie ,
David Michelinie , and
Klaus Janson
Manufacturer: Marvel Comics
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ASIN: 0785123431 |
Customer Reviews:
WHEN MILLER WAS KING!.......2007-08-28
Before Sin City, before Dark Knight Returns, there was Frank Miller's Daredevil. In my opinion the best thing he ever did. He took a "B" rated super hero comic, that was being published bi-monthly, and turned it into one of the best selling monthly books of it's time. The ideas that Miller introduced in these stories are still resonating in the Marvel Universe today. He turned Daredevil into a super-bad ninja warrior. He made the Kingpin a major villain with unlimited underworld clout. He transformed Bullseye from a two-bit hood into the world's greatest assassin. And most noteably, he introduce Matt Murdock's ninja assassin love interest, Elektra.
These are some of my favorite comics of all time. The stories are a brilliant blend of super hero adventure and film style action and pacing. Not as light and upbeat as some of the books of the time, but not as dark and depressing as the "gritty" stuff Marvel is publishing these days. While I really liked some of the early adventures of DD by Stan Lee, Wally Wood, John Romita etc., for me Daredevil begins and ends with this legendary run. Nuff said.
great!!.......2007-06-13
awesome collection of the frank millar daredevil run! great quality printing, pages feel great.
Vol. 1 of the COMPLETE Frank Miller run of Daredevil.......2007-05-27
I'm not gonna try to sell you on this book 'cause if you're looking at it you're already a Frank Miller fan. So... before I purchased this book I wanted to know what issues were contained therein! Above there are claimes this book contains DD issues #158 thru #191; this is only sort of true...
This most wonderful book ACTUALLY contains:
Daredevil #158 - 161 and #163 - 191 as well as the DD story from
What If...? #34!
Cool bonuses are: ALL of Franks DD trade paperback reprint covers, thumbnails and color guides for issue #190, a new introduction and an 1981 interview w/ Frank and Klaus,Frank's DD page from Fantastic Four Roast #1, AND Frank's intries from the Offcial Handbook of the Marvel Universe!
You know you want it True Beliver!
'Nuff said!
The standard by which all others are judged.......2007-05-17
In the early 80's, Frank Miller took a tired, lost superhero with low sales and proceeded to reinvent crime comics forever. Dispatching with the standard superhero sensibilty and owing a great debt to Will Eisner's The Spirit, Miller created a new milieu in which the flaws of both Daredevil and his alter ego, Matt Murdock were write large, his supporting cast was fleshed out and his gallery of villians expanded to include ninjas and gangsters.
Along the way, the typical hero-villan confrontations became wrought with far greater emotion than had been previously shown. And, yes, the violence quotient was ratcheted up exponentially.
These stories famously became the basis for the Daredevil movie but here they are in their definitive form. The hardcover collection has all of Miller's Daredevil output from the early 80s. In them, you can see the pre-cursor for Miller's own Sin City. Additionally, Miller's pencils were never better than here. Unlike his future efforts, the style does not overwhlem the substance here. His pencils and Klaus Janson's inks mesh in a manner that occurs only a few times in comics history, joining the great penciller-inker teams like Kirby/Sinnot, Swan/Anderson and Byrne/Austin.
The only minus: it does not include the final portion of Miller's DD output: the classic "Born Again" series he wrote in the mid-80s simultaneously with another little thing he was working on called "The Dark Knight Returns". However, that's carping. This is meant to show Miller's work on the monthly when he was expected to write it forever. Of course, that never happens. But, at least we'll always have this omnibus to remind us of what was...
Oh, yeah, and there's also Elektra!!!!!!!!!
Frank Miller MUST read.......2007-05-13
I own all of the original Daredevil's in what might be the greatest comic book series of all time. When this was released I immediately ordered it so that my sons could relive the experience without touching the precious (and valuable!) originals. As I knew, they both devoured the edition like a starving survivor lost in the desert would consume food and water. This is food and water for all thirsty and hungry Miller fans that never read Frank at his youthful, artistic and brilliant best. Be daring.....buy it and don't put it down until slaked. You will never regret buying but will regret not.
Book Description
Marvel Comics' character roster boasts some of the best known and most popular characters ever conceived-heroes that are international household names, both as comic book stars and movie stars, such as Spider-Man, the Hulk and Wolverine. This unique, one-volume encyclopedia contains more than 1000 of Marvel's greatest, with full details of their powers and their thrill-packed careers. The encyclopedia's range of spectacular art features eye-popping work by Marvel's finest artists, while the authoritative text is supplied by a team of top Marvel comic book writers. In addition, double-page features, illustrated with classic covers, trace the fascinating story of Marvel Comics through the decades. The Marvel Comics Encyclopedia is an essential book both for new fans and for those who grew up loving the excitement, heroism and humor of the Marvel Universe. Includes a foreword by Stan Lee.
Customer Reviews:
limited in its bio's.......2007-09-19
Though the book is imformative, the bios are very limited. There are no scales to properly determine strength and intelligence. Also there are a lot of typos, leading me to believe that they didn't care much when they created this. If you want a short overview on marvel characters then this book is for you, otherwise don't bother.
Tons of good information!.......2007-08-06
Great book for anyone. Being an avid marvel fan I thought I knew most everything, but I have learned a lot from this book. It is a good buy.
The Marvel Encyclopedia.......2007-06-11
The book is well illustrated and has exhaustive description of each character of Marvel Comic Books.
so many errors!.......2007-06-07
Like any Marvel fan I was very excited about getting my hands on this encyclopedia, only to be sorely disappointed by the amount of errors found within it's pages. Error examples include: page 46, Brotherhood of Evil Mutants, an image of Nightcrawler is found under a listing for Black Tom Cassidy. Page 212 , an image of the Shiar imperial guardsman Nightside is shown under the character listing for Nightshade. Page 171 An image of the Asgardian character Lorelei is shown under the character listing for the Savage Land mutate of the same name. These are few example of the many errors throughout the book.
It's not an encyclopedia.......2007-06-06
There isn't enough information on individual characters. (There are a lot of them, and there are pictures, but the pictures take up some much space that there's none left for details.)
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